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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 48 149 105 0.75 it is the complementary color RGBA 207 106 150 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 48 149 105 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 48 149 105 0.75 shade: RGBA 53 149 100 0.75, RGBA 70 167 119 0.75, RGBA 87 185 138 0.75, RGBA 104 203 157 0.75 and RGBA 121 221 176 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 48 149 105 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 48 149 105 0.75 shade: RGBA 48 149 105 0.75, RGBA 31 131 86 0.75, RGBA 14 113 67 0.75, RGBA 0 95 48 0.75 and RGBA 0 77 29 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 48 149 105 0.75 shade: RGB 49 150 106, RGB 49 150 79, RGB 49 150 51, RGB 74 150 49 and RGB 101 150 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 48 149 105 0.75 shade: RGB 49 150 106, RGB 49 150 133, RGB 49 140 150, RGB 49 112 150 and RGB 49 85 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 48 149 105 0.75 shade matches the following richer shades: RGB 49 150 106, RGB 33 166 108, RGB 17 182 110 and RGB 0 198 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 48 149 105 0.75 shade: RGB 49 150 106, RGB 65 134 104, RGB 81 118 102, RGB 97 102 100 and RGB 113 86 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 48 149 105 0.75 shade: RGB 49 150 50, RGB 49 150 77, RGB 49 150 105, RGB 49 150 132 and RGB 49 142 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 48 149 105 0.75 shade: RGB 29 88 62, RGB 39 119 84, RGB 49 150 106, RGB 59 181 128 and RGB 82 199 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 48 149 105 0.75 shade: RGB 48 149 105, RGB 49 74 150 and RGB 150 64 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 48 149 105 0.75 shade: RGB 48 149 105, RGB 105 49 150 and RGB 150 105 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 48 149 105 0.75 shade: RGB 48 149 105, RGB 49 74 150, RGB 150 49 94 and RGB 150 125 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 48 149 105 0.75 shade: RGB 48 149 105, RGB 54 49 150, RGB 150 49 94 and RGB 145 150 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 22 / 31

HEX #309569BF

RGBA 48 149 105 0.75

HSLA 153.86, 0.51%, 0.39%, 0.75

LABA 55.22, -39.72, 14.96, 0.75

 

Complementary color

CMYK 0 / 37 / 21 / 14

HEX #CF6A96BF

RGBA 207 106 150 0.75

HSLA 333.86, 0.51%, 0.61%, 0.75

LABA 57.82, 44.87, -5.57, 0.75

 

CMYK 48 / 0 / 25 / 31

HEX #359564BF

RGBA 53 149 100 0.75

HSLA 149.38, 0.48%, 0.4%, 0.75

LABA 55.25, -39.84, 17.82, 0.75

 

CMYK 44 / 0 / 22 / 26

HEX #46A777BF

RGBA 70 167 119 0.75

HSLA 150.31, 0.41%, 0.46%, 0.75

LABA 61.89, -39.95, 16.47, 0.75

 

CMYK 40 / 0 / 19 / 21

HEX #57B98ABF

RGBA 87 185 138 0.75

HSLA 151.22, 0.41%, 0.53%, 0.75

LABA 68.43, -39.91, 15.25, 0.75

 

CMYK 37 / 0 / 17 / 15

HEX #68CB9DBF

RGBA 104 203 157 0.75

HSLA 152.12, 0.49%, 0.6%, 0.75

LABA 74.88, -39.77, 14.13, 0.75

 

CMYK 34 / 0 / 15 / 10

HEX #79DDB0BF

RGBA 121 221 176 0.75

HSLA 153, 0.6%, 0.67%, 0.75

LABA 81.24, -39.59, 13.1, 0.75

 

CMYK 51 / 0 / 22 / 31

HEX #309569BF

RGBA 48 149 105 0.75

HSLA 153.86, 0.51%, 0.39%, 0.75

LABA 55.22, -39.72, 14.96, 0.75

 

CMYK 57 / 0 / 26 / 36

HEX #1F8356BF

RGBA 31 131 86 0.75

HSLA 153, 0.62%, 0.32%, 0.75

LABA 48.51, -39.19, 16.47, 0.75

 

CMYK 66 / 0 / 31 / 42

HEX #0E7143BF

RGBA 14 113 67 0.75

HSLA 152.12, 0.78%, 0.25%, 0.75

LABA 41.7, -38.15, 18.19, 0.75

 

CMYK 75 / 0 / 37 / 47

HEX #005F30BF

RGBA 0 95 48 0.75

HSLA 150.32, 1%, 0.19%, 0.75

LABA 34.8, -36.41, 20.15, 0.75

 

CMYK 75 / 0 / 47 / 52

HEX #004D1DBF

RGBA 0 77 29 0.75

HSLA 142.6, 1%, 0.15%, 0.75

LABA 27.84, -33.15, 22.35, 0.75

 

CMYK 67 / 0 / 29 / 41

HEX #31966A

RGB 49 150 106

HSL 153.86, 0.51%, 0.39%

LAB 55.59, -39.74, 14.91

 

CMYK 67 / 0 / 47 / 41

HEX #31964F

RGB 49 150 79

HSL 137.82, 0.51%, 0.39%

LAB 55.1, -45.06, 29.09

 

CMYK 67 / 0 / 66 / 41

HEX #319633

RGB 49 150 51

HSL 121.19, 0.51%, 0.39%

LAB 54.77, -48.94, 42.5

 

CMYK 51 / 0 / 67 / 41

HEX #4A9631

RGB 74 150 49

HSL 105.15, 0.51%, 0.39%

LAB 55.57, -42.67, 44.5

 

CMYK 33 / 0 / 67 / 41

HEX #659631

RGB 101 150 49

HSL 89.11, 0.51%, 0.39%

LAB 56.88, -33.39, 46.28

 

CMYK 67 / 0 / 29 / 41

HEX #31966A

RGB 49 150 106

HSL 153.86, 0.51%, 0.39%

LAB 55.59, -39.74, 14.91

 

CMYK 67 / 0 / 11 / 41

HEX #319685

RGB 49 150 133

HSL 169.9, 0.51%, 0.39%

LAB 56.25, -33.01, 0.5

 

CMYK 67 / 7 / 0 / 41

HEX #318C96

RGB 49 140 150

HSL 185.94, 0.51%, 0.39%

LAB 53.61, -23.12, -13.19

 

CMYK 67 / 25 / 0 / 41

HEX #317096

RGB 49 112 150

HSL 202.57, 0.51%, 0.39%

LAB 44.86, -7.62, -26.61

 

CMYK 67 / 43 / 0 / 41

HEX #315596

RGB 49 85 150

HSL 218.61, 0.51%, 0.39%

LAB 36.65, 9.25, -39.55

 

CMYK 67 / 0 / 29 / 41

HEX #31966A

RGB 49 150 106

HSL 153.86, 0.51%, 0.39%

LAB 55.59, -39.74, 14.91

 

CMYK 80 / 0 / 35 / 35

HEX #21A66C

RGB 33 166 108

HSL 153.83, 0.67%, 0.39%

LAB 60.5, -48.18, 20.47

 

CMYK 91 / 0 / 40 / 29

HEX #11B66E

RGB 17 182 110

HSL 153.82, 0.83%, 0.39%

LAB 65.52, -55.09, 26.09

 

CMYK 100 / 0 / 43 / 22

HEX #00C670

RGB 0 198 112

HSL 153.94, 1%, 0.39%

LAB 70.57, -61.01, 31.66

 

CMYK 67 / 0 / 29 / 41

HEX #31966A

RGB 49 150 106

HSL 153.86, 0.51%, 0.39%

LAB 55.59, -39.74, 14.91

 

CMYK 51 / 0 / 22 / 47

HEX #418668

RGB 65 134 104

HSL 153.91, 0.35%, 0.39%

LAB 50.89, -29.36, 9.56

 

CMYK 31 / 0 / 14 / 54

HEX #517666

RGB 81 118 102

HSL 154.05, 0.19%, 0.39%

LAB 46.53, -16.84, 4.64

 

CMYK 5 / 0 / 2 / 60

HEX #616664

RGB 97 102 100

HSL 156, 0.03%, 0.39%

LAB 42.71, -2.35, 0.45

 

CMYK 0 / 24 / 13 / 56

HEX #715662

RGB 113 86 98

HSL 333.33, 0.14%, 0.39%

LAB 39.66, 13.28, -2.61

 

CMYK 67 / 0 / 67 / 41

HEX #319632

RGB 49 150 50

HSL 120.59, 0.51%, 0.39%

LAB 54.76, -49.05, 42.93

 

CMYK 67 / 0 / 49 / 41

HEX #31964D

RGB 49 150 77

HSL 136.63, 0.51%, 0.39%

LAB 55.07, -45.4, 30.11

 

CMYK 67 / 0 / 30 / 41

HEX #319669

RGB 49 150 105

HSL 153.27, 0.51%, 0.39%

LAB 55.57, -39.96, 15.44

 

CMYK 67 / 0 / 12 / 41

HEX #319684

RGB 49 150 132

HSL 169.31, 0.51%, 0.39%

LAB 56.22, -33.28, 1.03

 

CMYK 67 / 5 / 0 / 41

HEX #318E96

RGB 49 142 150

HSL 184.75, 0.51%, 0.39%

LAB 54.24, -24.15, -12.25

 

CMYK 67 / 0 / 30 / 65

HEX #1D583E

RGB 29 88 62

HSL 153.56, 0.5%, 0.23%

LAB 33.11, -26.03, 9.57

 

CMYK 67 / 0 / 29 / 53

HEX #277754

RGB 39 119 84

HSL 153.75, 0.51%, 0.31%

LAB 44.61, -33.07, 12.31

 

CMYK 67 / 0 / 29 / 41

HEX #31966A

RGB 49 150 106

HSL 153.86, 0.51%, 0.39%

LAB 55.59, -39.74, 14.91

 

CMYK 67 / 0 / 29 / 29

HEX #3BB580

RGB 59 181 128

HSL 153.93, 0.51%, 0.47%

LAB 66.16, -46.12, 17.41

 

CMYK 59 / 0 / 26 / 22

HEX #52C794

RGB 82 199 148

HSL 153.85, 0.51%, 0.55%

LAB 72.75, -44.96, 15.85

 

CMYK 68 / 0 / 30 / 42

HEX #309569

RGB 48 149 105

HSL 153.86, 0.51%, 0.39%

LAB 55.22, -39.72, 14.96

 

CMYK 67 / 51 / 0 / 41

HEX #314A96

RGB 49 74 150

HSL 225.15, 0.51%, 0.39%

LAB 33.46, 16.54, -44.67

 

CMYK 0 / 57 / 67 / 41

HEX #964031

RGB 150 64 49

HSL 8.91, 0.51%, 0.39%

LAB 38.5, 35.07, 26.83

 

CMYK 68 / 0 / 30 / 42

HEX #309569

RGB 48 149 105

HSL 153.86, 0.51%, 0.39%

LAB 55.22, -39.72, 14.96

 

CMYK 30 / 67 / 0 / 41

HEX #693196

RGB 105 49 150

HSL 273.27, 0.51%, 0.39%

LAB 32.7, 43.85, -45.63

 

CMYK 0 / 30 / 67 / 41

HEX #966931

RGB 150 105 49

HSL 33.27, 0.51%, 0.39%

LAB 48.02, 12.16, 37.85

 

CMYK 68 / 0 / 30 / 42

HEX #309569

RGB 48 149 105

HSL 153.86, 0.51%, 0.39%

LAB 55.22, -39.72, 14.96

 

CMYK 67 / 51 / 0 / 41

HEX #314A96

RGB 49 74 150

HSL 225.15, 0.51%, 0.39%

LAB 33.46, 16.54, -44.67

 

CMYK 0 / 67 / 37 / 41

HEX #96315E

RGB 150 49 94

HSL 333.27, 0.51%, 0.39%

LAB 36.91, 46.26, -3.57

 

CMYK 0 / 17 / 67 / 41

HEX #967D31

RGB 150 125 49

HSL 45.15, 0.51%, 0.39%

LAB 53.36, 0.74, 43.67

 

CMYK 68 / 0 / 30 / 42

HEX #309569

RGB 48 149 105

HSL 153.86, 0.51%, 0.39%

LAB 55.22, -39.72, 14.96

 

CMYK 64 / 67 / 0 / 41

HEX #363196

RGB 54 49 150

HSL 242.97, 0.51%, 0.39%

LAB 27.25, 33.83, -54.74

 

CMYK 0 / 67 / 37 / 41

HEX #96315E

RGB 150 49 94

HSL 333.27, 0.51%, 0.39%

LAB 36.91, 46.26, -3.57

 

CMYK 3 / 0 / 67 / 41

HEX #919631

RGB 145 150 49

HSL 62.97, 0.51%, 0.39%

LAB 59.94, -15.12, 50.42

 

Description

Color code: RGBA 48 149 105 0.75 | qconv.com Color code: RGBA 48 149 105 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 149 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 149 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 22 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 22% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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