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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 173 55 it is the complementary color RGB 212 82 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 173 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 43 173 55: RGB 48 173 50, RGB 65 191 69, RGB 82 209 88, RGB 99 227 107 and RGB 116 245 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 173 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 43 173 55: RGB 43 173 55, RGB 26 155 36, RGB 9 137 17, RGB 0 119 0 and RGB 0 101 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

Complementary color

CMYK 0 / 61 / 6 / 17

HEX #D452C8

RGB 212 82 200

HSL 305.54, 0.6%, 0.58%

LAB 56.29, 64.95, -36.72

 

CMYK 72 / 0 / 71 / 32

HEX #30AD32

RGB 48 173 50

HSL 120.96, 0.57%, 0.43%

LAB 62.29, -57.21, 50.98

 

CMYK 66 / 0 / 64 / 25

HEX #41BF45

RGB 65 191 69

HSL 121.9, 0.5%, 0.5%

LAB 68.62, -58.27, 50.09

 

CMYK 61 / 0 / 58 / 18

HEX #52D158

RGB 82 209 88

HSL 122.83, 0.58%, 0.57%

LAB 74.89, -58.9, 48.93

 

CMYK 56 / 0 / 53 / 11

HEX #63E36B

RGB 99 227 107

HSL 123.75, 0.7%, 0.64%

LAB 81.1, -59.24, 47.66

 

CMYK 53 / 0 / 49 / 4

HEX #74F57E

RGB 116 245 126

HSL 124.65, 0.87%, 0.71%

LAB 87.25, -59.38, 46.38

 

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

CMYK 83 / 0 / 77 / 39

HEX #1A9B24

RGB 26 155 36

HSL 124.65, 0.71%, 0.35%

LAB 55.88, -55.78, 49.53

 

CMYK 93 / 0 / 88 / 46

HEX #098911

RGB 9 137 17

HSL 123.75, 0.88%, 0.29%

LAB 49.48, -53.02, 49.19

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

CMYK 75 / 0 / 57 / 33

HEX #2AAB4A

RGB 42 171 74

HSL 134.88, 0.61%, 0.42%

LAB 61.75, -54.79, 39.77

 

CMYK 75 / 0 / 44 / 33

HEX #2AAB60

RGB 42 171 96

HSL 145.12, 0.61%, 0.42%

LAB 62.05, -51.28, 28.99

 

CMYK 75 / 0 / 32 / 33

HEX #2AAB75

RGB 42 171 117

HSL 154.88, 0.61%, 0.42%

LAB 62.43, -47.08, 18.2

 

CMYK 75 / 0 / 19 / 33

HEX #2AAB8B

RGB 42 171 139

HSL 165.12, 0.61%, 0.42%

LAB 62.91, -41.87, 6.73

 

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

CMYK 75 / 0 / 68 / 12

HEX #38E047

RGB 56 224 71

HSL 125.36, 0.73%, 0.55%

LAB 78.81, -70.44, 60.29

 

CMYK 75 / 0 / 70 / 92

HEX #051406

RGB 5 20 6

HSL 124, 0.6%, 0.05%

LAB 4.93, -7.09, 4.79

 

CMYK 75 / 0 / 68 / 72

HEX #124717

RGB 18 71 23

HSL 125.66, 0.6%, 0.17%

LAB 25.85, -28.65, 23.41

 

CMYK 75 / 0 / 68 / 52

HEX #1E7A27

RGB 30 122 39

HSL 125.87, 0.61%, 0.3%

LAB 44.72, -43.87, 36.72

 

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

CMYK 75 / 22 / 0 / 33

HEX #2A86AB

RGB 42 134 171

HSL 197.21, 0.61%, 0.42%

LAB 52.38, -13.96, -27.22

 

CMYK 0 / 75 / 51 / 33

HEX #AB2A53

RGB 171 42 83

HSL 340.93, 0.61%, 0.42%

LAB 39.48, 54.17, 7.62

 

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

CMYK 69 / 75 / 0 / 33

HEX #352AAB

RGB 53 42 171

HSL 245.12, 0.61%, 0.42%

LAB 27.72, 44.79, -66.72

 

CMYK 0 / 69 / 75 / 33

HEX #AB352A

RGB 171 53 42

HSL 5.12, 0.61%, 0.42%

LAB 40.2, 47.45, 33.85

 

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

CMYK 75 / 22 / 0 / 33

HEX #2A86AB

RGB 42 134 171

HSL 197.21, 0.61%, 0.42%

LAB 52.38, -13.96, -27.22

 

CMYK 0 / 75 / 6 / 33

HEX #AB2AA0

RGB 171 42 160

HSL 305.12, 0.61%, 0.42%

LAB 42.54, 63.56, -35.39

 

CMYK 0 / 54 / 75 / 33

HEX #AB4F2A

RGB 171 79 42

HSL 17.21, 0.61%, 0.42%

LAB 44.83, 35.26, 38.84

 

CMYK 75 / 0 / 68 / 32

HEX #2BAD37

RGB 43 173 55

HSL 125.54, 0.6%, 0.42%

LAB 62.23, -57.56, 48.88

 

CMYK 75 / 44 / 0 / 33

HEX #2A60AB

RGB 42 96 171

HSL 214.88, 0.61%, 0.42%

LAB 40.89, 8.96, -45.32

 

CMYK 0 / 75 / 6 / 33

HEX #AB2AA0

RGB 171 42 160

HSL 305.12, 0.61%, 0.42%

LAB 42.54, 63.56, -35.39

 

CMYK 0 / 32 / 75 / 33

HEX #AB752A

RGB 171 117 42

HSL 34.88, 0.61%, 0.42%

LAB 53.54, 14.39, 47.78

 

Description

Color code: RGBA 43 173 55 1 | qconv.com Color code: RGBA 43 173 55 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 173 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 173 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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