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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 42 53 17 0.81 it is the complementary color RGBA 213 202 238 0.81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 42 53 17 0.81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 42 53 17 0.81 shade: RGBA 47 53 12 0.81, RGBA 64 71 31 0.81, RGBA 81 89 50 0.81, RGBA 98 107 69 0.81 and RGBA 115 125 88 0.81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 42 53 17 0.81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 42 53 17 0.81 shade: RGBA 42 53 17 0.81, RGBA 25 35 0 0.81, RGBA 8 17 0 0.81 and RGBA 0 0 0 0.81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 42 53 17 0.81 shade: RGB 43 54 17, RGB 53 54 17, RGB 54 45 17, RGB 54 36 17 and RGB 54 26 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 42 53 17 0.81 shade: RGB 43 54 17, RGB 33 54 17, RGB 23 54 17, RGB 17 54 22 and RGB 17 54 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 42 53 17 0.81 shade matches the following richer shades: RGB 43 54 17, RGB 45 60 12, RGB 47 65 6 and RGB 50 71 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 42 53 17 0.81 shade: RGB 43 54 17, RGB 41 48 23, RGB 38 42 29, RGB 36 37 35 and RGB 34 31 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 42 53 17 0.81 shade: RGB 54 45 17, RGB 53 54 17, RGB 43 54 17, RGB 33 54 17 and RGB 24 54 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 42 53 17 0.81 shade: RGB 0 0 0, RGB 18 23 7, RGB 43 54 17, RGB 68 85 28 and RGB 92 116 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 42 53 17 0.81 shade: RGB 42 53 17, RGB 17 54 36 and RGB 50 17 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 42 53 17 0.81 shade: RGB 42 53 17, RGB 17 43 54 and RGB 54 17 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 42 53 17 0.81 shade: RGB 42 53 17, RGB 17 54 36, RGB 28 17 54 and RGB 54 17 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 42 53 17 0.81 shade: RGB 42 53 17, RGB 17 54 47, RGB 28 17 54 and RGB 54 17 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 55 / 64

HEX #2A3511CE

RGBA 42 53 17 0.81

HSLA 78.33, 0.51%, 0.14%, 0.81

LABA 20.36, -11.48, 20.78, 0.81

 

Complementary color

CMYK 9 / 12 / 0 / 5

HEX #D5CAEECE

RGBA 213 202 238 0.81

HSLA 258.33, 0.51%, 0.86%, 0.81

LABA 83.21, 10.6, -16.36, 0.81

 

CMYK 9 / 0 / 63 / 64

HEX #2F350CCE

RGBA 47 53 12 0.81

HSLA 68.78, 0.63%, 0.13%, 0.81

LABA 20.74, -9.43, 23.9, 0.81

 

CMYK 8 / 0 / 46 / 58

HEX #40471FCE

RGBA 64 71 31 0.81

HSLA 70.5, 0.39%, 0.2%, 0.81

LABA 28.63, -9.96, 22.87, 0.81

 

CMYK 7 / 0 / 35 / 53

HEX #515932CE

RGBA 81 89 50 0.81

HSLA 72.31, 0.28%, 0.27%, 0.81

LABA 36.22, -10.24, 21.5, 0.81

 

CMYK 7 / 0 / 29 / 47

HEX #626B45CE

RGBA 98 107 69 0.81

HSLA 74.21, 0.22%, 0.35%, 0.81

LABA 43.57, -10.4, 20.2, 0.81

 

CMYK 6 / 0 / 24 / 41

HEX #737D58CE

RGBA 115 125 88 0.81

HSLA 76.22, 0.17%, 0.42%, 0.81

LABA 50.71, -10.5, 18.99, 0.81

 

CMYK 17 / 0 / 55 / 64

HEX #2A3511CE

RGBA 42 53 17 0.81

HSLA 78.33, 0.51%, 0.14%, 0.81

LABA 20.36, -11.48, 20.78, 0.81

 

CMYK 23 / 0 / 81 / 70

HEX #192300CE

RGBA 25 35 0 0.81

HSLA 77.14, 1%, 0.07%, 0.81

LABA 12.02, -11.13, 17.58, 0.81

 

CMYK 43 / 0 / 81 / 76

HEX #081100CE

RGBA 8 17 0 0.81

HSLA 91.76, 1%, 0.03%, 0.81

LABA 4.09, -5.31, 6.02, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 20 / 0 / 69 / 79

HEX #2B3611

RGB 43 54 17

HSL 77.84, 0.52%, 0.14%

LAB 20.8, -11.59, 21.3

 

CMYK 2 / 0 / 69 / 79

HEX #353611

RGB 53 54 17

HSL 61.62, 0.52%, 0.14%

LAB 21.71, -6.51, 22.57

 

CMYK 0 / 17 / 69 / 79

HEX #362D11

RGB 54 45 17

HSL 45.41, 0.52%, 0.14%

LAB 18.81, -0.13, 19.31

 

CMYK 0 / 33 / 69 / 79

HEX #362411

RGB 54 36 17

HSL 30.81, 0.52%, 0.14%

LAB 15.93, 5.99, 15.83

 

CMYK 0 / 52 / 69 / 79

HEX #361A11

RGB 54 26 17

HSL 14.59, 0.52%, 0.14%

LAB 13.01, 12.82, 12.02

 

CMYK 20 / 0 / 69 / 79

HEX #2B3611

RGB 43 54 17

HSL 77.84, 0.52%, 0.14%

LAB 20.8, -11.59, 21.3

 

CMYK 39 / 0 / 69 / 79

HEX #213611

RGB 33 54 17

HSL 94.05, 0.52%, 0.14%

LAB 20.05, -16.27, 20.25

 

CMYK 57 / 0 / 69 / 79

HEX #173611

RGB 23 54 17

HSL 110.27, 0.52%, 0.14%

LAB 19.48, -20.3, 19.44

 

CMYK 69 / 0 / 59 / 79

HEX #113616

RGB 17 54 22

HSL 128.11, 0.52%, 0.14%

LAB 19.29, -21.47, 16.17

 

CMYK 69 / 0 / 43 / 79

HEX #11361F

RGB 17 54 31

HSL 142.7, 0.52%, 0.14%

LAB 19.46, -19.63, 10.64

 

CMYK 20 / 0 / 69 / 79

HEX #2B3611

RGB 43 54 17

HSL 77.84, 0.52%, 0.14%

LAB 20.8, -11.59, 21.3

 

CMYK 25 / 0 / 80 / 76

HEX #2D3C0C

RGB 45 60 12

HSL 78.75, 0.67%, 0.14%

LAB 23.05, -14.57, 26.32

 

CMYK 28 / 0 / 91 / 75

HEX #2F4106

RGB 47 65 6

HSL 78.31, 0.83%, 0.14%

LAB 24.95, -16.82, 30.74

 

CMYK 30 / 0 / 100 / 72

HEX #324700

RGB 50 71 0

HSL 77.75, 1%, 0.14%

LAB 27.25, -19.01, 35.37

 

CMYK 20 / 0 / 69 / 79

HEX #2B3611

RGB 43 54 17

HSL 77.84, 0.52%, 0.14%

LAB 20.8, -11.59, 21.3

 

CMYK 15 / 0 / 52 / 81

HEX #293017

RGB 41 48 23

HSL 76.8, 0.35%, 0.14%

LAB 18.57, -8.14, 14.98

 

CMYK 10 / 0 / 31 / 84

HEX #262A1D

RGB 38 42 29

HSL 78.46, 0.18%, 0.14%

LAB 16.29, -4.7, 7.93

 

CMYK 3 / 0 / 5 / 85

HEX #242523

RGB 36 37 35

HSL 90, 0.03%, 0.14%

LAB 14.51, -0.94, 1.17

 

CMYK 17 / 24 / 0 / 84

HEX #221F29

RGB 34 31 41

HSL 258, 0.14%, 0.14%

LAB 12.48, 4.03, -6.2

 

CMYK 0 / 17 / 69 / 79

HEX #362D11

RGB 54 45 17

HSL 45.41, 0.52%, 0.14%

LAB 18.81, -0.13, 19.31

 

CMYK 2 / 0 / 69 / 79

HEX #353611

RGB 53 54 17

HSL 61.62, 0.52%, 0.14%

LAB 21.71, -6.51, 22.57

 

CMYK 20 / 0 / 69 / 79

HEX #2B3611

RGB 43 54 17

HSL 77.84, 0.52%, 0.14%

LAB 20.8, -11.59, 21.3

 

CMYK 39 / 0 / 69 / 79

HEX #213611

RGB 33 54 17

HSL 94.05, 0.52%, 0.14%

LAB 20.05, -16.27, 20.25

 

CMYK 56 / 0 / 69 / 79

HEX #183611

RGB 24 54 17

HSL 108.65, 0.52%, 0.14%

LAB 19.53, -19.94, 19.51

 

CMYK 22 / 0 / 70 / 91

HEX #121707

RGB 18 23 7

HSL 78.75, 0.53%, 0.06%

LAB 6.84, -5.12, 7.27

 

CMYK 20 / 0 / 69 / 79

HEX #2B3611

RGB 43 54 17

HSL 77.84, 0.52%, 0.14%

LAB 20.8, -11.59, 21.3

 

CMYK 20 / 0 / 67 / 67

HEX #44551C

RGB 68 85 28

HSL 77.89, 0.5%, 0.22%

LAB 33.58, -16.4, 30.22

 

CMYK 21 / 0 / 67 / 55

HEX #5C7426

RGB 92 116 38

HSL 78.46, 0.51%, 0.3%

LAB 45.51, -21.38, 38.84

 

CMYK 21 / 0 / 68 / 79

HEX #2A3511

RGB 42 53 17

HSL 78.33, 0.51%, 0.14%

LAB 20.36, -11.48, 20.78

 

CMYK 69 / 0 / 33 / 79

HEX #113624

RGB 17 54 36

HSL 150.81, 0.52%, 0.14%

LAB 19.58, -18.4, 7.47

 

CMYK 7 / 69 / 0 / 79

HEX #321136

RGB 50 17 54

HSL 293.51, 0.52%, 0.14%

LAB 11.59, 23.18, -16.83

 

CMYK 21 / 0 / 68 / 79

HEX #2A3511

RGB 42 53 17

HSL 78.33, 0.51%, 0.14%

LAB 20.36, -11.48, 20.78

 

CMYK 69 / 20 / 0 / 79

HEX #112B36

RGB 17 43 54

HSL 197.84, 0.52%, 0.14%

LAB 16.07, -5.93, -10.09

 

CMYK 0 / 69 / 20 / 79

HEX #36112B

RGB 54 17 43

HSL 317.84, 0.52%, 0.14%

LAB 11.69, 22.24, -8.61

 

CMYK 21 / 0 / 68 / 79

HEX #2A3511

RGB 42 53 17

HSL 78.33, 0.51%, 0.14%

LAB 20.36, -11.48, 20.78

 

CMYK 69 / 0 / 33 / 79

HEX #113624

RGB 17 54 36

HSL 150.81, 0.52%, 0.14%

LAB 19.58, -18.4, 7.47

 

CMYK 48 / 69 / 0 / 79

HEX #1C1136

RGB 28 17 54

HSL 257.84, 0.52%, 0.14%

LAB 8.25, 16.4, -22.35

 

CMYK 0 / 69 / 33 / 79

HEX #361124

RGB 54 17 36

HSL 329.19, 0.52%, 0.14%

LAB 11.36, 21.01, -3.91

 

CMYK 21 / 0 / 68 / 79

HEX #2A3511

RGB 42 53 17

HSL 78.33, 0.51%, 0.14%

LAB 20.36, -11.48, 20.78

 

CMYK 69 / 0 / 13 / 79

HEX #11362F

RGB 17 54 47

HSL 168.65, 0.52%, 0.14%

LAB 19.89, -15.23, 0.47

 

CMYK 48 / 69 / 0 / 79

HEX #1C1136

RGB 28 17 54

HSL 257.84, 0.52%, 0.14%

LAB 8.25, 16.4, -22.35

 

CMYK 0 / 69 / 54 / 79

HEX #361119

RGB 54 17 25

HSL 347.03, 0.52%, 0.14%

LAB 10.96, 19.43, 3.75

 

Description

Color code: RGBA 42 53 17 0.81 | qconv.com Color code: RGBA 42 53 17 0.81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 53 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 53 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 55 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 55% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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