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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 42 23 53 0 it is the complementary color RGBA 213 232 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 42 23 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 42 23 53 0 shade: RGBA 47 23 48 0, RGBA 64 41 67 0, RGBA 81 59 86 0, RGBA 98 77 105 0 and RGBA 115 95 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 42 23 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 42 23 53 0 shade: RGBA 42 23 53 0, RGBA 25 5 34 0, RGBA 8 0 15 0 and RGBA 0 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 42 23 53 0 shade: RGB 42 23 53, RGB 50 23 53, RGB 53 23 48, RGB 53 23 40 and RGB 53 23 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 42 23 53 0 shade: RGB 42 23 53, RGB 34 23 53, RGB 26 23 53 and RGB 23 23 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 42 23 53 0 shade matches the following richer shades: RGB 42 23 53, RGB 44 17 59, RGB 46 11 66 and RGB 47 5 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 42 23 53 0 shade: RGB 42 23 53, RGB 41 30 47, RGB 39 36 41, RGB 37 42 35 and RGB 36 48 28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 42 23 53 0 shade: RGB 26 23 53, RGB 34 23 53, RGB 42 23 53, RGB 50 23 53 and RGB 53 23 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 42 23 53 0 shade: RGB 0 0 0, RGB 19 11 24, RGB 42 23 53, RGB 65 36 82 and RGB 88 49 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 42 23 53 0 shade: RGB 42 23 53, RGB 53 23 28 and RGB 23 53 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 42 23 53 0 shade: RGB 42 23 53, RGB 53 42 23 and RGB 23 53 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 42 23 53 0 shade: RGB 42 23 53, RGB 53 23 28, RGB 34 53 23 and RGB 23 53 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 42 23 53 0 shade: RGB 42 23 53, RGB 53 27 23, RGB 34 53 23 and RGB 23 49 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #2A173500

RGBA 42 23 53 0

HSLA 278, 0.39%, 0.15%, 0

LABA 11.7, 16.38, -16.01, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D5E8CA00

RGBA 213 232 202 0

HSLA 98, 0.39%, 0.85%, 0

LABA 89.92, -11.64, 12.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2F173000

RGBA 47 23 48 0

HSLA 297.6, 0.35%, 0.14%, 0

LABA 12.16, 16.94, -11.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #40294300

RGBA 64 41 67 0

HSLA 293.08, 0.24%, 0.21%, 0

LABA 20.37, 16.01, -12.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #513B5600

RGBA 81 59 86 0

HSLA 288.89, 0.19%, 0.28%, 0

LABA 28.25, 15.18, -12.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #624D6900

RGBA 98 77 105 0

HSLA 285, 0.15%, 0.36%, 0

LABA 35.84, 14.48, -12.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #735F7C00

RGBA 115 95 124 0

HSLA 281.38, 0.13%, 0.43%, 0

LABA 43.19, 13.87, -13.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A173500

RGBA 42 23 53 0

HSLA 278, 0.39%, 0.15%, 0

LABA 11.7, 16.38, -16.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #19052200

RGBA 25 5 34 0

HSLA 281.38, 0.74%, 0.08%, 0

LABA 3.89, 13.7, -14.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #08000F00

RGBA 8 0 15 0

HSLA 272, 1%, 0.03%, 0

LABA 0.78, 4.28, -5.22, 0

 

CMYK 0 / 0 / 0 / 100

HEX #00000000

RGBA 0 0 0 0

HSLA 0, 0%, 0%, 0

LABA 0, 0, 0, 0

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 6 / 57 / 0 / 79

HEX #321735

RGB 50 23 53

HSL 294, 0.39%, 0.15%

LAB 12.91, 19.26, -14.03

 

CMYK 0 / 57 / 9 / 79

HEX #351730

RGB 53 23 48

HSL 310, 0.39%, 0.15%

LAB 13.13, 19.24, -10.05

 

CMYK 0 / 57 / 25 / 79

HEX #351728

RGB 53 23 40

HSL 326, 0.39%, 0.15%

LAB 12.75, 17.64, -4.8

 

CMYK 0 / 57 / 40 / 79

HEX #351720

RGB 53 23 32

HSL 342, 0.39%, 0.15%

LAB 12.44, 16.25, 0.63

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 36 / 57 / 0 / 79

HEX #221735

RGB 34 23 53

HSL 262, 0.39%, 0.15%

LAB 10.63, 13.59, -17.78

 

CMYK 51 / 57 / 0 / 79

HEX #1A1735

RGB 26 23 53

HSL 246, 0.39%, 0.15%

LAB 9.72, 10.99, -19.29

 

CMYK 57 / 57 / 0 / 79

HEX #171735

RGB 23 23 53

HSL 240, 0.39%, 0.15%

LAB 9.42, 10.09, -19.78

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 25 / 71 / 0 / 77

HEX #2C113B

RGB 44 17 59

HSL 278.57, 0.55%, 0.15%

LAB 10.94, 22.59, -21.52

 

CMYK 30 / 83 / 0 / 74

HEX #2E0B42

RGB 46 11 66

HSL 278.18, 0.71%, 0.15%

LAB 10.66, 28.23, -26.93

 

CMYK 35 / 93 / 0 / 72

HEX #2F0548

RGB 47 5 72

HSL 277.61, 0.87%, 0.15%

LAB 10.41, 32.76, -31.54

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 13 / 36 / 0 / 82

HEX #291E2F

RGB 41 30 47

HSL 278.82, 0.22%, 0.15%

LAB 13.26, 9.37, -9.27

 

CMYK 5 / 12 / 0 / 84

HEX #272429

RGB 39 36 41

HSL 276, 0.06%, 0.15%

LAB 14.7, 2.61, -2.81

 

CMYK 12 / 0 / 17 / 84

HEX #252A23

RGB 37 42 35

HSL 102.86, 0.09%, 0.15%

LAB 16.36, -3.91, 3.83

 

CMYK 25 / 0 / 42 / 81

HEX #24301C

RGB 36 48 28

HSL 96, 0.26%, 0.15%

LAB 18.24, -9.7, 11.2

 

CMYK 51 / 57 / 0 / 79

HEX #1A1735

RGB 26 23 53

HSL 246, 0.39%, 0.15%

LAB 9.72, 10.99, -19.29

 

CMYK 36 / 57 / 0 / 79

HEX #221735

RGB 34 23 53

HSL 262, 0.39%, 0.15%

LAB 10.63, 13.59, -17.78

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 6 / 57 / 0 / 79

HEX #321735

RGB 50 23 53

HSL 294, 0.39%, 0.15%

LAB 12.91, 19.26, -14.03

 

CMYK 0 / 57 / 9 / 79

HEX #351730

RGB 53 23 48

HSL 310, 0.39%, 0.15%

LAB 13.13, 19.24, -10.05

 

CMYK 21 / 54 / 0 / 91

HEX #130B18

RGB 19 11 24

HSL 276.92, 0.37%, 0.07%

LAB 4.01, 5.38, -6.26

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 21 / 56 / 0 / 68

HEX #412452

RGB 65 36 82

HSL 277.83, 0.39%, 0.23%

LAB 20.02, 23.36, -22.8

 

CMYK 21 / 56 / 0 / 56

HEX #58316F

RGB 88 49 111

HSL 277.74, 0.39%, 0.31%

LAB 27.9, 29.84, -29.11

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 0 / 57 / 47 / 79

HEX #35171C

RGB 53 23 28

HSL 350, 0.39%, 0.15%

LAB 12.31, 15.65, 3.4

 

CMYK 57 / 0 / 43 / 79

HEX #17351E

RGB 23 53 30

HSL 134, 0.39%, 0.15%

LAB 19.32, -17.47, 11.15

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 0 / 21 / 57 / 79

HEX #352A17

RGB 53 42 23

HSL 38, 0.39%, 0.15%

LAB 17.8, 2.01, 14.29

 

CMYK 57 / 0 / 21 / 79

HEX #17352A

RGB 23 53 42

HSL 158, 0.39%, 0.15%

LAB 19.62, -14.48, 3.52

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 0 / 57 / 47 / 79

HEX #35171C

RGB 53 23 28

HSL 350, 0.39%, 0.15%

LAB 12.31, 15.65, 3.4

 

CMYK 36 / 0 / 57 / 79

HEX #223517

RGB 34 53 23

HSL 98, 0.39%, 0.15%

LAB 19.84, -14.44, 16.43

 

CMYK 57 / 0 / 9 / 79

HEX #173530

RGB 23 53 48

HSL 170, 0.39%, 0.15%

LAB 19.81, -12.73, -0.3

 

CMYK 21 / 57 / 0 / 79

HEX #2A1735

RGB 42 23 53

HSL 278, 0.39%, 0.15%

LAB 11.7, 16.38, -16.01

 

CMYK 0 / 49 / 57 / 79

HEX #351B17

RGB 53 27 23

HSL 8, 0.39%, 0.15%

LAB 13.25, 12.32, 8.35

 

CMYK 36 / 0 / 57 / 79

HEX #223517

RGB 34 53 23

HSL 98, 0.39%, 0.15%

LAB 19.84, -14.44, 16.43

 

CMYK 57 / 8 / 0 / 79

HEX #173135

RGB 23 49 53

HSL 188, 0.39%, 0.15%

LAB 18.52, -8.63, -5.65

 

Description

Color code: RGBA 42 23 53 0 | qconv.com Color code: RGBA 42 23 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 23 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 23 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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