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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 41 57 197 0 it is the complementary color RGBA 214 198 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 41 57 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 41 57 197 0 shade: RGBA 46 57 192 0, RGBA 63 75 211 0, RGBA 80 93 230 0, RGBA 97 111 249 0 and RGBA 114 129 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 41 57 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 41 57 197 0 shade: RGBA 41 57 197 0, RGBA 24 39 178 0, RGBA 7 21 159 0, RGBA 0 3 140 0 and RGBA 0 0 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 41 57 197 0 shade: RGB 41 57 199, RGB 67 41 199, RGB 110 41 199, RGB 153 41 199 and RGB 195 41 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 41 57 197 0 shade: RGB 41 57 199 and RGB 41 41 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 41 57 197 0 shade matches the following richer shades: RGB 41 57 199, RGB 21 42 218 and RGB 2 26 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 41 57 197 0 shade: RGB 41 57 199, RGB 60 72 180, RGB 80 88 160, RGB 99 103 141 and RGB 118 119 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 41 57 197 0 shade: RGB 41 144 199, RGB 41 101 199, RGB 41 59 199, RGB 64 41 199 and RGB 107 41 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 41 57 197 0 shade: RGB 27 37 130, RGB 34 47 165, RGB 41 57 199, RGB 65 80 216 and RGB 99 112 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 41 57 197 0 shade: RGB 41 57 197, RGB 199 41 186 and RGB 122 199 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 41 57 197 0 shade: RGB 41 57 197, RGB 199 41 59 and RGB 59 199 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 41 57 197 0 shade: RGB 41 57 197, RGB 199 41 186, RGB 199 180 41 and RGB 41 199 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 41 57 197 0 shade: RGB 41 57 197, RGB 199 41 138, RGB 199 180 41 and RGB 41 199 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #2939C500

RGBA 41 57 197 0

HSLA 233.85, 0.66%, 0.47%, 0

LABA 32.76, 43.78, -73.84, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D6C63A00

RGBA 214 198 58 0

HSLA 53.85, 0.66%, 0.53%, 0

LABA 79.04, -9.57, 67.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E39C000

RGBA 46 57 192 0

HSLA 235.48, 0.61%, 0.47%, 0

LABA 32.51, 42.47, -71.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F4BD300

RGBA 63 75 211 0

HSLA 235.14, 0.63%, 0.54%, 0

LABA 39.23, 39.88, -71.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #505DE600

RGBA 80 93 230 0

HSLA 234.8, 0.75%, 0.61%, 0

LABA 45.97, 37.56, -71.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #616FF900

RGBA 97 111 249 0

HSLA 234.47, 0.93%, 0.68%, 0

LABA 52.67, 35.54, -70.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7281FF00

RGBA 114 129 255 0

HSLA 233.62, 1%, 0.72%, 0

LABA 58.51, 29.7, -64.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2939C500

RGBA 41 57 197 0

HSLA 233.85, 0.66%, 0.47%, 0

LABA 32.76, 43.78, -73.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1827B200

RGBA 24 39 178 0

HSLA 234.16, 0.76%, 0.4%, 0

LABA 26.33, 46.6, -73.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #07159F00

RGBA 7 21 159 0

HSLA 234.47, 0.92%, 0.33%, 0

LABA 20.38, 48.85, -71.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00038C00

RGBA 0 3 140 0

HSLA 238.71, 1%, 0.27%, 0

LABA 15.27, 49.6, -68.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00007900

RGBA 0 0 121 0

HSLA 240, 1%, 0.24%, 0

LABA 11.83, 45.63, -62.14, 0

 

CMYK 79 / 71 / 0 / 22

HEX #2939C7

RGB 41 57 199

HSL 233.92, 0.66%, 0.47%

LAB 32.97, 44.47, -74.68

 

CMYK 66 / 79 / 0 / 22

HEX #4329C7

RGB 67 41 199

HSL 249.87, 0.66%, 0.47%

LAB 31.58, 55.23, -76.91

 

CMYK 45 / 79 / 0 / 22

HEX #6E29C7

RGB 110 41 199

HSL 266.2, 0.66%, 0.47%

LAB 36.03, 60.35, -69.43

 

CMYK 23 / 79 / 0 / 22

HEX #9929C7

RGB 153 41 199

HSL 282.53, 0.66%, 0.47%

LAB 41.97, 67.2, -59.49

 

CMYK 2 / 79 / 0 / 22

HEX #C329C7

RGB 195 41 199

HSL 298.48, 0.66%, 0.47%

LAB 48.65, 74.9, -48.4

 

CMYK 79 / 71 / 0 / 22

HEX #2939C7

RGB 41 57 199

HSL 233.92, 0.66%, 0.47%

LAB 32.97, 44.47, -74.68

 

CMYK 79 / 79 / 0 / 22

HEX #2929C7

RGB 41 41 199

HSL 240, 0.66%, 0.47%

LAB 29.86, 53.26, -79.81

 

CMYK 79 / 71 / 0 / 22

HEX #2939C7

RGB 41 57 199

HSL 233.92, 0.66%, 0.47%

LAB 32.97, 44.47, -74.68

 

CMYK 90 / 81 / 0 / 15

HEX #152ADA

RGB 21 42 218

HSL 233.6, 0.82%, 0.47%

LAB 31.53, 57.89, -88.11

 

CMYK 99 / 89 / 0 / 7

HEX #021AEE

RGB 2 26 238

HSL 233.9, 0.98%, 0.47%

LAB 31.63, 69.76, -99.38

 

CMYK 79 / 71 / 0 / 22

HEX #2939C7

RGB 41 57 199

HSL 233.92, 0.66%, 0.47%

LAB 32.97, 44.47, -74.68

 

CMYK 67 / 60 / 0 / 29

HEX #3C48B4

RGB 60 72 180

HSL 234, 0.5%, 0.47%

LAB 35.77, 30.56, -58.87

 

CMYK 50 / 45 / 0 / 37

HEX #5058A0

RGB 80 88 160

HSL 234, 0.33%, 0.47%

LAB 39.95, 17.38, -40.18

 

CMYK 30 / 27 / 0 / 45

HEX #63678D

RGB 99 103 141

HSL 234.29, 0.18%, 0.47%

LAB 44.63, 7.7, -21.39

 

CMYK 2 / 2 / 0 / 53

HEX #767779

RGB 118 119 121

HSL 220, 0.01%, 0.47%

LAB 50.01, 0.03, -1.23

 

CMYK 79 / 28 / 0 / 22

HEX #2990C7

RGB 41 144 199

HSL 200.89, 0.66%, 0.47%

LAB 56.63, -9.83, -36.58

 

CMYK 79 / 49 / 0 / 22

HEX #2965C7

RGB 41 101 199

HSL 217.22, 0.66%, 0.47%

LAB 44.09, 16.35, -56.52

 

CMYK 79 / 70 / 0 / 22

HEX #293BC7

RGB 41 59 199

HSL 233.16, 0.66%, 0.47%

LAB 33.4, 43.28, -73.97

 

CMYK 68 / 79 / 0 / 22

HEX #4029C7

RGB 64 41 199

HSL 248.73, 0.66%, 0.47%

LAB 31.35, 54.96, -77.31

 

CMYK 46 / 79 / 0 / 22

HEX #6B29C7

RGB 107 41 199

HSL 265.06, 0.66%, 0.47%

LAB 35.67, 59.93, -70.04

 

CMYK 79 / 72 / 0 / 49

HEX #1B2582

RGB 27 37 130

HSL 234.17, 0.66%, 0.31%

LAB 20.7, 30.91, -53.11

 

CMYK 79 / 72 / 0 / 35

HEX #222FA5

RGB 34 47 165

HSL 234.05, 0.66%, 0.39%

LAB 26.99, 38.02, -64.35

 

CMYK 79 / 71 / 0 / 22

HEX #2939C7

RGB 41 57 199

HSL 233.92, 0.66%, 0.47%

LAB 32.97, 44.47, -74.68

 

CMYK 70 / 63 / 0 / 15

HEX #4150D8

RGB 65 80 216

HSL 234.04, 0.66%, 0.55%

LAB 40.93, 38.77, -71.39

 

CMYK 56 / 50 / 0 / 13

HEX #6370DF

RGB 99 112 223

HSL 233.71, 0.66%, 0.63%

LAB 51.35, 26.88, -58.38

 

CMYK 79 / 71 / 0 / 23

HEX #2939C5

RGB 41 57 197

HSL 233.85, 0.66%, 0.47%

LAB 32.76, 43.78, -73.84

 

CMYK 0 / 79 / 7 / 22

HEX #C729BA

RGB 199 41 186

HSL 304.94, 0.66%, 0.47%

LAB 48.6, 73.7, -40.87

 

CMYK 39 / 0 / 79 / 22

HEX #7AC729

RGB 122 199 41

HSL 89.24, 0.66%, 0.47%

LAB 72.99, -47.54, 65.38

 

CMYK 79 / 71 / 0 / 23

HEX #2939C5

RGB 41 57 197

HSL 233.85, 0.66%, 0.47%

LAB 32.76, 43.78, -73.84

 

CMYK 0 / 79 / 70 / 22

HEX #C7293B

RGB 199 41 59

HSL 353.16, 0.66%, 0.47%

LAB 44.3, 61.04, 29.92

 

CMYK 70 / 0 / 79 / 22

HEX #3BC729

RGB 59 199 41

HSL 113.16, 0.66%, 0.47%

LAB 70.83, -64.37, 62.58

 

CMYK 79 / 71 / 0 / 23

HEX #2939C5

RGB 41 57 197

HSL 233.85, 0.66%, 0.47%

LAB 32.76, 43.78, -73.84

 

CMYK 0 / 79 / 7 / 22

HEX #C729BA

RGB 199 41 186

HSL 304.94, 0.66%, 0.47%

LAB 48.6, 73.7, -40.87

 

CMYK 0 / 10 / 79 / 22

HEX #C7B429

RGB 199 180 41

HSL 52.78, 0.66%, 0.47%

LAB 72.86, -7.45, 67.22

 

CMYK 79 / 0 / 73 / 22

HEX #29C736

RGB 41 199 54

HSL 124.94, 0.66%, 0.47%

LAB 70.58, -66.19, 57.99

 

CMYK 79 / 71 / 0 / 23

HEX #2939C5

RGB 41 57 197

HSL 233.85, 0.66%, 0.47%

LAB 32.76, 43.78, -73.84

 

CMYK 0 / 79 / 31 / 22

HEX #C7298A

RGB 199 41 138

HSL 323.16, 0.66%, 0.47%

LAB 46.4, 67.4, -15.74

 

CMYK 0 / 10 / 79 / 22

HEX #C7B429

RGB 199 180 41

HSL 52.78, 0.66%, 0.47%

LAB 72.86, -7.45, 67.22

 

CMYK 79 / 0 / 49 / 22

HEX #29C765

RGB 41 199 101

HSL 142.78, 0.66%, 0.47%

LAB 71.05, -60.56, 37.89

 

Description

Color code: RGBA 41 57 197 0 | qconv.com Color code: RGBA 41 57 197 0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 57 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 57 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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