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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 41 23 24 0.75 it is the complementary color RGBA 214 232 231 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 41 23 24 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 41 23 24 0.75 shade: RGBA 46 23 19 0.75, RGBA 63 41 38 0.75, RGBA 80 59 57 0.75, RGBA 97 77 76 0.75 and RGBA 114 95 95 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 41 23 24 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 41 23 24 0.75 shade: RGBA 41 23 24 0.75, RGBA 24 5 5 0.75, RGBA 7 0 0 0.75 and RGBA 0 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 41 23 24 0.75 shade: RGB 42 24 25 and RGB 42 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 41 23 24 0.75 shade: RGB 42 24 25, RGB 42 24 30, RGB 42 24 35, RGB 42 24 40 and RGB 40 24 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 41 23 24 0.75 shade matches the following richer shades: RGB 42 24 25, RGB 48 19 20, RGB 53 13 15, RGB 59 8 11 and RGB 64 2 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 41 23 24 0.75 shade: RGB 42 24 25, RGB 37 29 30, RGB 32 35 34, RGB 26 40 39 and RGB 21 45 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 41 23 24 0.75 shade: RGB 42 24 35, RGB 42 24 30, RGB 42 24 25, RGB 42 28 24 and RGB 42 33 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 41 23 24 0.75 shade: RGB 0 0 0, RGB 16 9 9, RGB 42 24 25, RGB 69 39 40 and RGB 95 54 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 41 23 24 0.75 shade: RGB 41 23 24, RGB 40 42 24 and RGB 24 33 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 41 23 24 0.75 shade: RGB 41 23 24, RGB 25 42 24 and RGB 24 25 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 41 23 24 0.75 shade: RGB 41 23 24, RGB 40 42 24, RGB 24 42 41 and RGB 26 24 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 41 23 24 0.75 shade: RGB 41 23 24, RGB 34 42 24, RGB 24 42 41 and RGB 32 24 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 31 / 63

HEX #291718BF

RGBA 41 23 24 0.75

HSLA 356.67, 0.28%, 0.13%, 0.75

LABA 10.18, 9.28, 3.08, 0.75

 

Complementary color

CMYK 6 / 0 / 0 / 7

HEX #D6E8E7BF

RGBA 214 232 231 0.75

HSLA 176.67, 0.28%, 0.87%, 0.75

LABA 90.68, -6.12, -1.57, 0.75

 

CMYK 0 / 38 / 44 / 61

HEX #2E1713BF

RGBA 46 23 19 0.75

HSLA 8.89, 0.42%, 0.13%, 0.75

LABA 10.85, 11.06, 7.65, 0.75

 

CMYK 0 / 26 / 30 / 56

HEX #3F2926BF

RGBA 63 41 38 0.75

HSLA 7.2, 0.25%, 0.2%, 0.75

LABA 19.15, 9.81, 6.11, 0.75

 

CMYK 0 / 20 / 22 / 51

HEX #503B39BF

RGBA 80 59 57 0.75

HSLA 5.22, 0.17%, 0.27%, 0.75

LABA 27.1, 8.91, 4.83, 0.75

 

CMYK 0 / 15 / 16 / 46

HEX #614D4CBF

RGBA 97 77 76 0.75

HSLA 2.86, 0.12%, 0.34%, 0.75

LABA 34.74, 8.23, 3.78, 0.75

 

CMYK 0 / 13 / 13 / 41

HEX #725F5FBF

RGBA 114 95 95 0.75

HSLA 0, 0.09%, 0.41%, 0.75

LABA 42.14, 7.67, 2.86, 0.75

 

CMYK 0 / 33 / 31 / 63

HEX #291718BF

RGBA 41 23 24 0.75

HSLA 356.67, 0.28%, 0.13%, 0.75

LABA 10.18, 9.28, 3.08, 0.75

 

CMYK 0 / 59 / 59 / 68

HEX #180505BF

RGBA 24 5 5 0.75

HSLA 0, 0.66%, 0.06%, 0.75

LABA 2.83, 6.56, 2.31, 0.75

 

CMYK 0 / 75 / 75 / 73

HEX #070000BF

RGBA 7 0 0 0.75

HSLA 0, 1%, 0.01%, 0.75

LABA 0.41, 1.83, 0.64, 0.75

 

CMYK 0 / 0 / 0 / 100

HEX #000000BF

RGBA 0 0 0 0.75

HSLA 0, 0%, 0%, 0.75

LABA 0, 0, 0, 0.75

 

CMYK 0 / 43 / 40 / 84

HEX #2A1819

RGB 42 24 25

HSL 356.67, 0.27%, 0.13%

LAB 10.67, 9.24, 3.05

 

CMYK 0 / 43 / 43 / 84

HEX #2A1818

RGB 42 24 24

HSL 0, 0.27%, 0.13%

LAB 10.64, 9.07, 3.75

 

CMYK 0 / 43 / 40 / 84

HEX #2A1819

RGB 42 24 25

HSL 356.67, 0.27%, 0.13%

LAB 10.67, 9.24, 3.05

 

CMYK 0 / 43 / 29 / 84

HEX #2A181E

RGB 42 24 30

HSL 340, 0.27%, 0.13%

LAB 10.84, 10.15, -0.43

 

CMYK 0 / 43 / 17 / 84

HEX #2A1823

RGB 42 24 35

HSL 323.33, 0.27%, 0.13%

LAB 11.04, 11.18, -3.86

 

CMYK 0 / 43 / 5 / 84

HEX #2A1828

RGB 42 24 40

HSL 306.67, 0.27%, 0.13%

LAB 11.27, 12.31, -7.22

 

CMYK 5 / 43 / 0 / 84

HEX #28182A

RGB 40 24 42

HSL 293.33, 0.27%, 0.13%

LAB 11.08, 11.96, -9.01

 

CMYK 0 / 43 / 40 / 84

HEX #2A1819

RGB 42 24 25

HSL 356.67, 0.27%, 0.13%

LAB 10.67, 9.24, 3.05

 

CMYK 0 / 60 / 58 / 81

HEX #301314

RGB 48 19 20

HSL 357.93, 0.43%, 0.13%

LAB 10.14, 14.87, 6.05

 

CMYK 0 / 75 / 72 / 79

HEX #350D0F

RGB 53 13 15

HSL 357, 0.61%, 0.13%

LAB 9.63, 20.22, 8.45

 

CMYK 0 / 86 / 81 / 77

HEX #3B080B

RGB 59 8 11

HSL 356.47, 0.76%, 0.13%

LAB 10.01, 24.78, 11.09

 

CMYK 0 / 97 / 91 / 75

HEX #400206

RGB 64 2 6

HSL 356.13, 0.94%, 0.13%

LAB 10.16, 29.07, 13.52

 

CMYK 0 / 43 / 40 / 84

HEX #2A1819

RGB 42 24 25

HSL 356.67, 0.27%, 0.13%

LAB 10.67, 9.24, 3.05

 

CMYK 0 / 22 / 19 / 85

HEX #251D1E

RGB 37 29 30

HSL 352.5, 0.12%, 0.13%

LAB 11.73, 4.11, 0.77

 

CMYK 9 / 0 / 3 / 86

HEX #202322

RGB 32 35 34

HSL 160, 0.04%, 0.13%

LAB 13.38, -1.63, 0.19

 

CMYK 35 / 0 / 2 / 84

HEX #1A2827

RGB 26 40 39

HSL 175.71, 0.21%, 0.13%

LAB 14.86, -6.21, -1.27

 

CMYK 53 / 0 / 2 / 82

HEX #152D2C

RGB 21 45 44

HSL 177.5, 0.36%, 0.13%

LAB 16.59, -9.67, -2.28

 

CMYK 0 / 43 / 17 / 84

HEX #2A1823

RGB 42 24 35

HSL 323.33, 0.27%, 0.13%

LAB 11.04, 11.18, -3.86

 

CMYK 0 / 43 / 29 / 84

HEX #2A181E

RGB 42 24 30

HSL 340, 0.27%, 0.13%

LAB 10.84, 10.15, -0.43

 

CMYK 0 / 43 / 40 / 84

HEX #2A1819

RGB 42 24 25

HSL 356.67, 0.27%, 0.13%

LAB 10.67, 9.24, 3.05

 

CMYK 0 / 33 / 43 / 84

HEX #2A1C18

RGB 42 28 24

HSL 13.33, 0.27%, 0.13%

LAB 11.88, 6.2, 5.48

 

CMYK 0 / 21 / 43 / 84

HEX #2A2118

RGB 42 33 24

HSL 30, 0.27%, 0.13%

LAB 13.51, 2.63, 7.72

 

CMYK 0 / 44 / 44 / 94

HEX #100909

RGB 16 9 9

HSL 0, 0.28%, 0.05%

LAB 2.94, 2.11, 0.74

 

CMYK 0 / 43 / 40 / 84

HEX #2A1819

RGB 42 24 25

HSL 356.67, 0.27%, 0.13%

LAB 10.67, 9.24, 3.05

 

CMYK 0 / 43 / 42 / 73

HEX #452728

RGB 69 39 40

HSL 358, 0.28%, 0.21%

LAB 19.51, 14.26, 5.36

 

CMYK 0 / 43 / 41 / 63

HEX #5F3638

RGB 95 54 56

HSL 357.07, 0.28%, 0.29%

LAB 27.73, 18.6, 6.66

 

CMYK 0 / 44 / 41 / 84

HEX #291718

RGB 41 23 24

HSL 356.67, 0.28%, 0.13%

LAB 10.18, 9.28, 3.08

 

CMYK 5 / 0 / 43 / 84

HEX #282A18

RGB 40 42 24

HSL 66.67, 0.27%, 0.13%

LAB 16.37, -4.6, 11.49

 

CMYK 43 / 21 / 0 / 84

HEX #18212A

RGB 24 33 42

HSL 210, 0.27%, 0.13%

LAB 12.28, -1.16, -7.31

 

CMYK 0 / 44 / 41 / 84

HEX #291718

RGB 41 23 24

HSL 356.67, 0.28%, 0.13%

LAB 10.18, 9.28, 3.08

 

CMYK 40 / 0 / 43 / 84

HEX #192A18

RGB 25 42 24

HSL 116.67, 0.27%, 0.13%

LAB 15.11, -11.7, 9.59

 

CMYK 43 / 40 / 0 / 84

HEX #18192A

RGB 24 25 42

HSL 236.67, 0.27%, 0.13%

LAB 9.45, 4.81, -11.67

 

CMYK 0 / 44 / 41 / 84

HEX #291718

RGB 41 23 24

HSL 356.67, 0.28%, 0.13%

LAB 10.18, 9.28, 3.08

 

CMYK 5 / 0 / 43 / 84

HEX #282A18

RGB 40 42 24

HSL 66.67, 0.27%, 0.13%

LAB 16.37, -4.6, 11.49

 

CMYK 43 / 0 / 2 / 84

HEX #182A29

RGB 24 42 41

HSL 176.67, 0.27%, 0.13%

LAB 15.54, -7.68, -1.71

 

CMYK 38 / 43 / 0 / 84

HEX #1A182A

RGB 26 24 42

HSL 246.67, 0.27%, 0.13%

LAB 9.32, 6.33, -11.87

 

CMYK 0 / 44 / 41 / 84

HEX #291718

RGB 41 23 24

HSL 356.67, 0.28%, 0.13%

LAB 10.18, 9.28, 3.08

 

CMYK 19 / 0 / 43 / 84

HEX #222A18

RGB 34 42 24

HSL 86.67, 0.27%, 0.13%

LAB 15.81, -7.58, 10.65

 

CMYK 43 / 0 / 2 / 84

HEX #182A29

RGB 24 42 41

HSL 176.67, 0.27%, 0.13%

LAB 15.54, -7.68, -1.71

 

CMYK 24 / 43 / 0 / 84

HEX #20182A

RGB 32 24 42

HSL 266.67, 0.27%, 0.13%

LAB 10.01, 8.68, -10.74

 

Description

Color code: RGBA 41 23 24 0.75 | qconv.com Color code: RGBA 41 23 24 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 23 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 23 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 31 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 31% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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