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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 40 77 161 0 it is the complementary color RGBA 215 178 94 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 40 77 161 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 40 77 161 0 shade: RGBA 45 77 156 0, RGBA 62 95 175 0, RGBA 79 113 194 0, RGBA 96 131 213 0 and RGBA 113 149 232 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 40 77 161 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 40 77 161 0 shade: RGBA 40 77 161 0, RGBA 23 59 142 0, RGBA 6 41 123 0, RGBA 0 23 104 0 and RGBA 0 5 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 40 77 161 0 shade: RGB 40 76 159, RGB 40 44 159, RGB 68 40 159, RGB 100 40 159 and RGB 132 40 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 40 77 161 0 shade: RGB 40 76 159, RGB 40 44 159 and RGB 40 40 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 40 77 161 0 shade matches the following richer shades: RGB 40 76 159, RGB 24 70 175 and RGB 8 64 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 40 77 161 0 shade: RGB 40 76 159, RGB 56 83 143, RGB 72 89 127, RGB 88 95 111 and RGB 104 101 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 40 77 161 0 shade: RGB 40 141 159, RGB 40 109 159, RGB 40 78 159, RGB 40 46 159 and RGB 66 40 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 40 77 161 0 shade: RGB 23 45 93, RGB 32 60 126, RGB 40 76 159, RGB 48 92 192 and RGB 72 114 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 40 77 161 0 shade: RGB 40 77 161, RGB 145 40 159 and RGB 125 159 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 40 77 161 0 shade: RGB 40 77 161, RGB 159 40 78 and RGB 78 159 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 40 77 161 0 shade: RGB 40 77 161, RGB 145 40 159, RGB 159 121 40 and RGB 54 159 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 40 77 161 0 shade: RGB 40 77 161, RGB 159 40 137, RGB 159 121 40 and RGB 40 159 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #284DA100

RGBA 40 77 161 0

HSLA 221.65, 0.6%, 0.39%, 0

LABA 34.67, 17.36, -49.39, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D7B25E00

RGBA 215 178 94 0

HSLA 41.65, 0.6%, 0.61%, 0

LABA 74.25, 3.45, 47.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2D4D9C00

RGBA 45 77 156 0

HSLA 222.7, 0.55%, 0.39%, 0

LABA 34.53, 16.15, -46.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3E5FAF00

RGBA 62 95 175 0

HSLA 222.48, 0.48%, 0.46%, 0

LABA 41.69, 14.22, -46.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4F71C200

RGBA 79 113 194 0

HSLA 222.26, 0.49%, 0.54%, 0

LABA 48.72, 12.71, -46.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6083D500

RGBA 96 131 213 0

HSLA 222.05, 0.58%, 0.61%, 0

LABA 55.61, 11.49, -45.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7195E800

RGBA 113 149 232 0

HSLA 221.85, 0.72%, 0.68%, 0

LABA 62.37, 10.5, -45.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #284DA100

RGBA 40 77 161 0

HSLA 221.65, 0.6%, 0.39%, 0

LABA 34.67, 17.36, -49.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #173B8E00

RGBA 23 59 142 0

HSLA 221.85, 0.72%, 0.32%, 0

LABA 27.47, 20.19, -49.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #06297B00

RGBA 6 41 123 0

HSLA 222.05, 0.91%, 0.25%, 0

LABA 20.26, 23.82, -49.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00176800

RGBA 0 23 104 0

HSLA 226.73, 1%, 0.2%, 0

LABA 13.3, 28.2, -48.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00055500

RGBA 0 5 85 0

HSLA 236.47, 1%, 0.17%, 0

LABA 6.9, 31.88, -46.49, 0

 

CMYK 75 / 52 / 0 / 38

HEX #284C9F

RGB 40 76 159

HSL 221.85, 0.6%, 0.39%

LAB 34.24, 17.26, -48.88

 

CMYK 75 / 72 / 0 / 38

HEX #282C9F

RGB 40 44 159

HSL 237.98, 0.6%, 0.39%

LAB 26.03, 38.28, -62.28

 

CMYK 57 / 75 / 0 / 38

HEX #44289F

RGB 68 40 159

HSL 254.12, 0.6%, 0.39%

LAB 27.43, 44.01, -59.89

 

CMYK 37 / 75 / 0 / 38

HEX #64289F

RGB 100 40 159

HSL 270.25, 0.6%, 0.39%

LAB 31.18, 49.33, -53.6

 

CMYK 17 / 75 / 0 / 38

HEX #84289F

RGB 132 40 159

HSL 286.39, 0.6%, 0.39%

LAB 35.84, 55.65, -45.84

 

CMYK 75 / 52 / 0 / 38

HEX #284C9F

RGB 40 76 159

HSL 221.85, 0.6%, 0.39%

LAB 34.24, 17.26, -48.88

 

CMYK 75 / 72 / 0 / 38

HEX #282C9F

RGB 40 44 159

HSL 237.98, 0.6%, 0.39%

LAB 26.03, 38.28, -62.28

 

CMYK 75 / 75 / 0 / 38

HEX #28289F

RGB 40 40 159

HSL 240, 0.6%, 0.39%

LAB 25.17, 40.66, -63.69

 

CMYK 75 / 52 / 0 / 38

HEX #284C9F

RGB 40 76 159

HSL 221.85, 0.6%, 0.39%

LAB 34.24, 17.26, -48.88

 

CMYK 86 / 60 / 0 / 31

HEX #1846AF

RGB 24 70 175

HSL 221.72, 0.76%, 0.39%

LAB 33.29, 25.98, -60.03

 

CMYK 96 / 66 / 0 / 25

HEX #0840BF

RGB 8 64 191

HSL 221.64, 0.92%, 0.39%

LAB 32.88, 35.46, -70.17

 

CMYK 75 / 52 / 0 / 38

HEX #284C9F

RGB 40 76 159

HSL 221.85, 0.6%, 0.39%

LAB 34.24, 17.26, -48.88

 

CMYK 61 / 42 / 0 / 44

HEX #38538F

RGB 56 83 143

HSL 221.38, 0.44%, 0.39%

LAB 36, 9.36, -36.32

 

CMYK 43 / 30 / 0 / 50

HEX #48597F

RGB 72 89 127

HSL 221.45, 0.28%, 0.39%

LAB 37.94, 4.13, -23.44

 

CMYK 21 / 14 / 0 / 56

HEX #585F6F

RGB 88 95 111

HSL 221.74, 0.12%, 0.39%

LAB 40.26, 1.07, -9.98

 

CMYK 0 / 3 / 9 / 59

HEX #68655F

RGB 104 101 95

HSL 40, 0.05%, 0.39%

LAB 42.88, -0.01, 3.81

 

CMYK 75 / 11 / 0 / 38

HEX #288D9F

RGB 40 141 159

HSL 189.08, 0.6%, 0.39%

LAB 54.03, -22.05, -17.77

 

CMYK 75 / 31 / 0 / 38

HEX #286D9F

RGB 40 109 159

HSL 205.21, 0.6%, 0.39%

LAB 44.08, -4, -33.18

 

CMYK 75 / 51 / 0 / 38

HEX #284E9F

RGB 40 78 159

HSL 220.84, 0.6%, 0.39%

LAB 34.81, 15.91, -47.96

 

CMYK 75 / 71 / 0 / 38

HEX #282E9F

RGB 40 46 159

HSL 236.97, 0.6%, 0.39%

LAB 26.47, 37.05, -61.55

 

CMYK 58 / 75 / 0 / 38

HEX #42289F

RGB 66 40 159

HSL 253.11, 0.6%, 0.39%

LAB 27.24, 43.73, -60.22

 

CMYK 75 / 52 / 0 / 64

HEX #172D5D

RGB 23 45 93

HSL 221.14, 0.6%, 0.23%

LAB 19.43, 9.86, -31.3

 

CMYK 75 / 52 / 0 / 51

HEX #203C7E

RGB 32 60 126

HSL 222.13, 0.59%, 0.31%

LAB 26.86, 14.08, -40.54

 

CMYK 75 / 52 / 0 / 38

HEX #284C9F

RGB 40 76 159

HSL 221.85, 0.6%, 0.39%

LAB 34.24, 17.26, -48.88

 

CMYK 75 / 52 / 0 / 25

HEX #305CC0

RGB 48 92 192

HSL 221.67, 0.6%, 0.47%

LAB 41.36, 20.31, -56.87

 

CMYK 66 / 45 / 0 / 18

HEX #4872D1

RGB 72 114 209

HSL 221.61, 0.6%, 0.55%

LAB 49.52, 15.98, -53.47

 

CMYK 75 / 52 / 0 / 37

HEX #284DA1

RGB 40 77 161

HSL 221.65, 0.6%, 0.39%

LAB 34.67, 17.36, -49.39

 

CMYK 9 / 75 / 0 / 38

HEX #91289F

RGB 145 40 159

HSL 292.94, 0.6%, 0.39%

LAB 37.92, 58.38, -42.4

 

CMYK 21 / 0 / 75 / 38

HEX #7D9F28

RGB 125 159 40

HSL 77.14, 0.6%, 0.39%

LAB 61.05, -28.72, 54.5

 

CMYK 75 / 52 / 0 / 37

HEX #284DA1

RGB 40 77 161

HSL 221.65, 0.6%, 0.39%

LAB 34.67, 17.36, -49.39

 

CMYK 0 / 75 / 51 / 38

HEX #9F284E

RGB 159 40 78

HSL 340.84, 0.6%, 0.39%

LAB 36.82, 50.89, 6.73

 

CMYK 51 / 0 / 75 / 38

HEX #4E9F28

RGB 78 159 40

HSL 100.84, 0.6%, 0.39%

LAB 58.57, -45.8, 51.23

 

CMYK 75 / 52 / 0 / 37

HEX #284DA1

RGB 40 77 161

HSL 221.65, 0.6%, 0.39%

LAB 34.67, 17.36, -49.39

 

CMYK 9 / 75 / 0 / 38

HEX #91289F

RGB 145 40 159

HSL 292.94, 0.6%, 0.39%

LAB 37.92, 58.38, -42.4

 

CMYK 0 / 24 / 75 / 38

HEX #9F7928

RGB 159 121 40

HSL 40.84, 0.6%, 0.39%

LAB 53.17, 6.61, 47.8

 

CMYK 66 / 0 / 75 / 38

HEX #369F28

RGB 54 159 40

HSL 112.94, 0.6%, 0.39%

LAB 57.78, -52.09, 50.18

 

CMYK 75 / 52 / 0 / 37

HEX #284DA1

RGB 40 77 161

HSL 221.65, 0.6%, 0.39%

LAB 34.67, 17.36, -49.39

 

CMYK 0 / 75 / 14 / 38

HEX #9F2889

RGB 159 40 137

HSL 311.09, 0.6%, 0.39%

LAB 39.06, 57.93, -27.04

 

CMYK 0 / 24 / 75 / 38

HEX #9F7928

RGB 159 121 40

HSL 40.84, 0.6%, 0.39%

LAB 53.17, 6.61, 47.8

 

CMYK 75 / 0 / 61 / 38

HEX #289F3E

RGB 40 159 62

HSL 131.09, 0.6%, 0.39%

LAB 57.65, -52.51, 40.67

 

Description

Color code: RGBA 40 77 161 0 | qconv.com Color code: RGBA 40 77 161 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 77 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 77 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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