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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 40 37 48 0 it is the complementary color RGBA 215 218 207 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 40 37 48 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 40 37 48 0 shade: RGBA 45 37 43 0, RGBA 62 55 62 0, RGBA 79 73 81 0, RGBA 96 91 100 0 and RGBA 113 109 119 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 40 37 48 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 40 37 48 0 shade: RGBA 40 37 48 0, RGBA 23 19 29 0 and RGBA 6 1 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 40 37 48 0 shade: RGB 41 38 49, RGB 44 38 49, RGB 47 38 49, RGB 49 38 48 and RGB 49 38 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 40 37 48 0 shade: RGB 41 38 49 and RGB 38 38 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 40 37 48 0 shade matches the following richer shades: RGB 41 38 49, RGB 38 31 56, RGB 34 24 63, RGB 31 17 70 and RGB 28 10 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 40 37 48 0 shade: RGB 41 38 49, RGB 44 45 42, RGB 47 52 35, RGB 50 59 28 and RGB 54 66 21

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 40 37 48 0 shade: RGB 38 41 49, RGB 38 38 49, RGB 41 38 49, RGB 44 38 49 and RGB 47 38 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 40 37 48 0 shade: RGB 2 2 2, RGB 21 20 26, RGB 41 38 49, RGB 60 56 72 and RGB 80 74 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 40 37 48 0 shade: RGB 40 37 48, RGB 49 38 44 and RGB 39 49 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 40 37 48 0 shade: RGB 40 37 48, RGB 49 41 38 and RGB 38 49 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 40 37 48 0 shade: RGB 40 37 48, RGB 49 38 44, RGB 46 49 38 and RGB 38 49 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 40 37 48 0 shade: RGB 40 37 48, RGB 49 38 40, RGB 46 49 38 and RGB 38 49 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #28253000

RGBA 40 37 48 0

HSLA 256.36, 0.13%, 0.17%, 0

LABA 15.42, 4.19, -6.7, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D7DACF00

RGBA 215 218 207 0

HSLA 76.36, 0.13%, 0.83%, 0

LABA 86.55, -2.97, 5.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2D252B00

RGBA 45 37 43 0

HSLA 315, 0.1%, 0.16%, 0

LABA 15.78, 5.09, -2.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3E373E00

RGBA 62 55 62 0

HSLA 300, 0.06%, 0.23%, 0

LABA 24.01, 4.61, -3.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4F495100

RGBA 79 73 81 0

HSLA 285, 0.05%, 0.3%, 0

LABA 31.86, 4.22, -3.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #605B6400

RGBA 96 91 100 0

HSLA 273.33, 0.05%, 0.37%, 0

LABA 39.39, 3.9, -4.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #716D7700

RGBA 113 109 119 0

HSLA 264, 0.04%, 0.45%, 0

LABA 46.68, 3.62, -5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #28253000

RGBA 40 37 48 0

HSLA 256.36, 0.13%, 0.17%, 0

LABA 15.42, 4.19, -6.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #17131D00

RGBA 23 19 29 0

HSLA 264, 0.21%, 0.09%, 0

LABA 6.65, 4.42, -6.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #06010A00

RGBA 6 1 10 0

HSLA 273.33, 0.82%, 0.02%, 0

LABA 0.74, 2.56, -2.95, 0

 

CMYK 16 / 22 / 0 / 81

HEX #292631

RGB 41 38 49

HSL 256.36, 0.13%, 0.17%

LAB 15.9, 4.17, -6.68

 

CMYK 10 / 22 / 0 / 81

HEX #2C2631

RGB 44 38 49

HSL 272.73, 0.13%, 0.17%

LAB 16.22, 5.44, -6.16

 

CMYK 4 / 22 / 0 / 81

HEX #2F2631

RGB 47 38 49

HSL 289.09, 0.13%, 0.17%

LAB 16.56, 6.73, -5.61

 

CMYK 0 / 22 / 2 / 81

HEX #312630

RGB 49 38 48

HSL 305.45, 0.13%, 0.17%

LAB 16.76, 7.35, -4.58

 

CMYK 0 / 22 / 8 / 81

HEX #31262D

RGB 49 38 45

HSL 321.82, 0.13%, 0.17%

LAB 16.64, 6.66, -2.64

 

CMYK 16 / 22 / 0 / 81

HEX #292631

RGB 41 38 49

HSL 256.36, 0.13%, 0.17%

LAB 15.9, 4.17, -6.68

 

CMYK 22 / 22 / 0 / 81

HEX #262631

RGB 38 38 49

HSL 240, 0.13%, 0.17%

LAB 15.59, 2.93, -7.17

 

CMYK 16 / 22 / 0 / 81

HEX #292631

RGB 41 38 49

HSL 256.36, 0.13%, 0.17%

LAB 15.9, 4.17, -6.68

 

CMYK 32 / 45 / 0 / 78

HEX #261F38

RGB 38 31 56

HSL 256.8, 0.29%, 0.17%

LAB 13.7, 10.11, -15.06

 

CMYK 46 / 62 / 0 / 75

HEX #22183F

RGB 34 24 63

HSL 255.38, 0.45%, 0.17%

LAB 11.64, 16.18, -23.32

 

CMYK 56 / 76 / 0 / 73

HEX #1F1146

RGB 31 17 70

HSL 255.85, 0.61%, 0.17%

LAB 10.06, 22.66, -30.81

 

CMYK 64 / 87 / 0 / 70

HEX #1C0A4D

RGB 28 10 77

HSL 256.12, 0.77%, 0.17%

LAB 8.99, 28.62, -37.46

 

CMYK 16 / 22 / 0 / 81

HEX #292631

RGB 41 38 49

HSL 256.36, 0.13%, 0.17%

LAB 15.9, 4.17, -6.68

 

CMYK 2 / 0 / 7 / 82

HEX #2C2D2A

RGB 44 45 42

HSL 80, 0.03%, 0.17%

LAB 18.27, -1.15, 1.78

 

CMYK 10 / 0 / 33 / 80

HEX #2F3423

RGB 47 52 35

HSL 77.65, 0.2%, 0.17%

LAB 20.76, -5.81, 10.07

 

CMYK 15 / 0 / 53 / 77

HEX #323B1C

RGB 50 59 28

HSL 77.42, 0.36%, 0.17%

LAB 23.3, -9.85, 17.91

 

CMYK 18 / 0 / 68 / 74

HEX #364215

RGB 54 66 21

HSL 76, 0.52%, 0.17%

LAB 25.97, -12.89, 25.13

 

CMYK 22 / 16 / 0 / 81

HEX #262931

RGB 38 41 49

HSL 223.64, 0.13%, 0.17%

LAB 16.6, 0.81, -5.65

 

CMYK 22 / 22 / 0 / 81

HEX #262631

RGB 38 38 49

HSL 240, 0.13%, 0.17%

LAB 15.59, 2.93, -7.17

 

CMYK 16 / 22 / 0 / 81

HEX #292631

RGB 41 38 49

HSL 256.36, 0.13%, 0.17%

LAB 15.9, 4.17, -6.68

 

CMYK 10 / 22 / 0 / 81

HEX #2C2631

RGB 44 38 49

HSL 272.73, 0.13%, 0.17%

LAB 16.22, 5.44, -6.16

 

CMYK 4 / 22 / 0 / 81

HEX #2F2631

RGB 47 38 49

HSL 289.09, 0.13%, 0.17%

LAB 16.56, 6.73, -5.61

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 19 / 23 / 0 / 90

HEX #15141A

RGB 21 20 26

HSL 250, 0.13%, 0.09%

LAB 6.63, 1.96, -3.95

 

CMYK 16 / 22 / 0 / 81

HEX #292631

RGB 41 38 49

HSL 256.36, 0.13%, 0.17%

LAB 15.9, 4.17, -6.68

 

CMYK 17 / 22 / 0 / 72

HEX #3C3848

RGB 60 56 72

HSL 255, 0.13%, 0.25%

LAB 24.5, 5.59, -9.2

 

CMYK 17 / 23 / 0 / 62

HEX #504A60

RGB 80 74 96

HSL 256.36, 0.13%, 0.33%

LAB 32.8, 7.55, -11.98

 

CMYK 17 / 23 / 0 / 81

HEX #282530

RGB 40 37 48

HSL 256.36, 0.13%, 0.17%

LAB 15.42, 4.19, -6.7

 

CMYK 0 / 22 / 10 / 81

HEX #31262C

RGB 49 38 44

HSL 327.27, 0.13%, 0.17%

LAB 16.61, 6.43, -1.99

 

CMYK 20 / 0 / 22 / 81

HEX #273126

RGB 39 49 38

HSL 114.55, 0.13%, 0.17%

LAB 19.09, -6.94, 5.64

 

CMYK 17 / 23 / 0 / 81

HEX #282530

RGB 40 37 48

HSL 256.36, 0.13%, 0.17%

LAB 15.42, 4.19, -6.7

 

CMYK 0 / 16 / 22 / 81

HEX #312926

RGB 49 41 38

HSL 16.36, 0.13%, 0.17%

LAB 17.36, 3.08, 3.33

 

CMYK 22 / 0 / 16 / 81

HEX #263129

RGB 38 49 41

HSL 136.36, 0.13%, 0.17%

LAB 19.09, -6.69, 3.58

 

CMYK 17 / 23 / 0 / 81

HEX #282530

RGB 40 37 48

HSL 256.36, 0.13%, 0.17%

LAB 15.42, 4.19, -6.7

 

CMYK 0 / 22 / 10 / 81

HEX #31262C

RGB 49 38 44

HSL 327.27, 0.13%, 0.17%

LAB 16.61, 6.43, -1.99

 

CMYK 6 / 0 / 22 / 81

HEX #2E3126

RGB 46 49 38

HSL 76.36, 0.13%, 0.17%

LAB 19.71, -3.76, 6.6

 

CMYK 22 / 0 / 12 / 81

HEX #26312B

RGB 38 49 43

HSL 147.27, 0.13%, 0.17%

LAB 19.15, -6.2, 2.29

 

CMYK 17 / 23 / 0 / 81

HEX #282530

RGB 40 37 48

HSL 256.36, 0.13%, 0.17%

LAB 15.42, 4.19, -6.7

 

CMYK 0 / 22 / 18 / 81

HEX #312628

RGB 49 38 40

HSL 349.09, 0.13%, 0.17%

LAB 16.47, 5.57, 0.63

 

CMYK 6 / 0 / 22 / 81

HEX #2E3126

RGB 46 49 38

HSL 76.36, 0.13%, 0.17%

LAB 19.71, -3.76, 6.6

 

CMYK 22 / 0 / 6 / 81

HEX #26312E

RGB 38 49 46

HSL 163.64, 0.13%, 0.17%

LAB 19.25, -5.44, 0.37

 

Description

Color code: RGBA 40 37 48 0 | qconv.com Color code: RGBA 40 37 48 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 37 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 37 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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