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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 3 13 15 0.5 it is the complementary color RGBA 252 242 240 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 3 13 15 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 3 13 15 0.5 shade: RGBA 8 13 10 0.5, RGBA 25 31 29 0.5, RGBA 42 49 48 0.5, RGBA 59 67 67 0.5 and RGBA 76 85 86 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 3 13 15 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 3 13 15 0.5 shade: RGBA 3 13 15 0.5 and RGBA 0 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 3 13 15 0.5 shade: RGB 3 15 17, RGB 3 11 17, RGB 3 7 17, RGB 3 4 17 and RGB 7 3 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 3 13 15 0.5 shade: RGB 3 15 17, RGB 3 11 17, RGB 3 7 17, RGB 3 4 17 and RGB 3 3 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 3 13 15 0.5 shade matches the following richer shades: RGB 3 15 17, RGB 2 16 19 and RGB 0 17 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 3 13 15 0.5 shade: RGB 3 15 17, RGB 5 14 15, RGB 7 13 14, RGB 8 11 12 and RGB 10 10 10

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 3 13 15 0.5 shade: RGB 3 17 12, RGB 3 17 16, RGB 3 15 17, RGB 3 11 17 and RGB 3 7 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 3 13 15 0.5 shade: RGB 0 0 0, RGB 3 15 17, RGB 10 45 51 and RGB 17 74 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 3 13 15 0.5 shade: RGB 3 13 15, RGB 8 3 17 and RGB 17 14 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 3 13 15 0.5 shade: RGB 3 13 15, RGB 17 3 15 and RGB 15 17 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 3 13 15 0.5 shade: RGB 3 13 15, RGB 8 3 17, RGB 17 6 3 and RGB 12 17 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 3 13 15 0.5 shade: RGB 3 13 15, RGB 12 3 17, RGB 17 6 3 and RGB 8 17 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 7 / 0 / 47

HEX #030D0F7F

RGBA 3 13 15 0.5

HSLA 190, 0.67%, 0.04%, 0.5

LABA 3.09, -2.34, -1.88, 0.5

 

Complementary color

CMYK 0 / 2 / 2 / 1

HEX #FCF2F07F

RGBA 252 242 240 0.5

HSLA 10, 0.67%, 0.96%, 0.5

LABA 96.2, 3.01, 2.15, 0.5

 

CMYK 19 / 0 / 12 / 47

HEX #080D0A7F

RGBA 8 13 10 0.5

HSLA 144, 0.24%, 0.04%, 0.5

LABA 3.26, -1.83, 0.75, 0.5

 

CMYK 10 / 0 / 3 / 44

HEX #191F1D7F

RGBA 25 31 29 0.5

HSLA 160, 0.11%, 0.11%, 0.5

LABA 11.1, -3.29, 0.44, 0.5

 

CMYK 7 / 0 / 1 / 40

HEX #2A31307F

RGBA 42 49 48 0.5

HSLA 171.43, 0.08%, 0.18%, 0.5

LABA 19.65, -3.26, -0.39, 0.5

 

CMYK 6 / 0 / 0 / 37

HEX #3B43437F

RGBA 59 67 67 0.5

HSLA 180, 0.06%, 0.25%, 0.5

LABA 27.71, -3.27, -1.12, 0.5

 

CMYK 6 / 1 / 0 / 33

HEX #4C55567F

RGBA 76 85 86 0.5

HSLA 186, 0.06%, 0.32%, 0.5

LABA 35.41, -3.31, -1.8, 0.5

 

CMYK 40 / 7 / 0 / 47

HEX #030D0F7F

RGBA 3 13 15 0.5

HSLA 190, 0.67%, 0.04%, 0.5

LABA 3.09, -2.34, -1.88, 0.5

 

CMYK 0 / 0 / 0 / 100

HEX #0000007F

RGBA 0 0 0 0.5

HSLA 0, 0%, 0%, 0.5

LABA 0, 0, 0, 0.5

 

CMYK 82 / 12 / 0 / 93

HEX #030F11

RGB 3 15 17

HSL 188.57, 0.7%, 0.04%

LAB 3.63, -2.95, -2.21

 

CMYK 82 / 35 / 0 / 93

HEX #030B11

RGB 3 11 17

HSL 205.71, 0.7%, 0.04%

LAB 2.7, -1.06, -3.56

 

CMYK 82 / 59 / 0 / 93

HEX #030711

RGB 3 7 17

HSL 222.86, 0.7%, 0.04%

LAB 1.91, 0.55, -4.71

 

CMYK 82 / 76 / 0 / 93

HEX #030411

RGB 3 4 17

HSL 235.71, 0.7%, 0.04%

LAB 1.32, 1.75, -5.57

 

CMYK 59 / 82 / 0 / 93

HEX #070311

RGB 7 3 17

HSL 257.14, 0.7%, 0.04%

LAB 1.36, 3.2, -5.49

 

CMYK 82 / 12 / 0 / 93

HEX #030F11

RGB 3 15 17

HSL 188.57, 0.7%, 0.04%

LAB 3.63, -2.95, -2.21

 

CMYK 82 / 35 / 0 / 93

HEX #030B11

RGB 3 11 17

HSL 205.71, 0.7%, 0.04%

LAB 2.7, -1.06, -3.56

 

CMYK 82 / 59 / 0 / 93

HEX #030711

RGB 3 7 17

HSL 222.86, 0.7%, 0.04%

LAB 1.91, 0.55, -4.71

 

CMYK 82 / 76 / 0 / 93

HEX #030411

RGB 3 4 17

HSL 235.71, 0.7%, 0.04%

LAB 1.32, 1.75, -5.57

 

CMYK 82 / 82 / 0 / 93

HEX #030311

RGB 3 3 17

HSL 240, 0.7%, 0.04%

LAB 1.13, 2.15, -5.86

 

CMYK 82 / 12 / 0 / 93

HEX #030F11

RGB 3 15 17

HSL 188.57, 0.7%, 0.04%

LAB 3.63, -2.95, -2.21

 

CMYK 89 / 16 / 0 / 93

HEX #021013

RGB 2 16 19

HSL 190.59, 0.81%, 0.04%

LAB 3.89, -3.33, -3.05

 

CMYK 100 / 15 / 0 / 92

HEX #001114

RGB 0 17 20

HSL 189, 1%, 0.04%

LAB 4.08, -4.19, -3.44

 

CMYK 82 / 12 / 0 / 93

HEX #030F11

RGB 3 15 17

HSL 188.57, 0.7%, 0.04%

LAB 3.63, -2.95, -2.21

 

CMYK 67 / 7 / 0 / 94

HEX #050E0F

RGB 5 14 15

HSL 186, 0.5%, 0.04%

LAB 3.44, -2.3, -1.35

 

CMYK 50 / 7 / 0 / 95

HEX #070D0E

RGB 7 13 14

HSL 188.57, 0.33%, 0.04%

LAB 3.29, -1.47, -1.03

 

CMYK 33 / 8 / 0 / 95

HEX #080B0C

RGB 8 11 12

HSL 195, 0.2%, 0.04%

LAB 2.87, -0.64, -0.69

 

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

 

CMYK 82 / 0 / 29 / 93

HEX #03110C

RGB 3 17 12

HSL 158.57, 0.7%, 0.04%

LAB 4.04, -4.93, 0.98

 

CMYK 82 / 0 / 6 / 93

HEX #031110

RGB 3 17 16

HSL 175.71, 0.7%, 0.04%

LAB 4.13, -4.24, -0.9

 

CMYK 82 / 12 / 0 / 93

HEX #030F11

RGB 3 15 17

HSL 188.57, 0.7%, 0.04%

LAB 3.63, -2.95, -2.21

 

CMYK 82 / 35 / 0 / 93

HEX #030B11

RGB 3 11 17

HSL 205.71, 0.7%, 0.04%

LAB 2.7, -1.06, -3.56

 

CMYK 82 / 59 / 0 / 93

HEX #030711

RGB 3 7 17

HSL 222.86, 0.7%, 0.04%

LAB 1.91, 0.55, -4.71

 

CMYK 82 / 12 / 0 / 93

HEX #030F11

RGB 3 15 17

HSL 188.57, 0.7%, 0.04%

LAB 3.63, -2.95, -2.21

 

CMYK 80 / 12 / 0 / 80

HEX #0A2D33

RGB 10 45 51

HSL 188.78, 0.67%, 0.12%

LAB 16.41, -9.93, -7.51

 

CMYK 80 / 14 / 0 / 66

HEX #114A56

RGB 17 74 86

HSL 190.43, 0.67%, 0.2%

LAB 28.61, -13.32, -12.32

 

CMYK 80 / 13 / 0 / 94

HEX #030D0F

RGB 3 13 15

HSL 190, 0.67%, 0.04%

LAB 3.09, -2.34, -1.88

 

CMYK 53 / 82 / 0 / 93

HEX #080311

RGB 8 3 17

HSL 261.43, 0.7%, 0.04%

LAB 1.42, 3.46, -5.39

 

CMYK 0 / 18 / 82 / 93

HEX #110E03

RGB 17 14 3

HSL 47.14, 0.7%, 0.04%

LAB 3.97, -0.55, 4.71

 

CMYK 80 / 13 / 0 / 94

HEX #030D0F

RGB 3 13 15

HSL 190, 0.67%, 0.04%

LAB 3.09, -2.34, -1.88

 

CMYK 0 / 82 / 12 / 93

HEX #11030F

RGB 17 3 15

HSL 308.57, 0.7%, 0.04%

LAB 1.98, 5.82, -3.4

 

CMYK 12 / 0 / 82 / 93

HEX #0F1103

RGB 15 17 3

HSL 68.57, 0.7%, 0.04%

LAB 4.6, -2.86, 5.6

 

CMYK 80 / 13 / 0 / 94

HEX #030D0F

RGB 3 13 15

HSL 190, 0.67%, 0.04%

LAB 3.09, -2.34, -1.88

 

CMYK 53 / 82 / 0 / 93

HEX #080311

RGB 8 3 17

HSL 261.43, 0.7%, 0.04%

LAB 1.42, 3.46, -5.39

 

CMYK 0 / 65 / 82 / 93

HEX #110603

RGB 17 6 3

HSL 12.86, 0.7%, 0.04%

LAB 2.31, 2.84, 2.28

 

CMYK 29 / 0 / 82 / 93

HEX #0C1103

RGB 12 17 3

HSL 81.43, 0.7%, 0.04%

LAB 4.39, -3.81, 5.27

 

CMYK 80 / 13 / 0 / 94

HEX #030D0F

RGB 3 13 15

HSL 190, 0.67%, 0.04%

LAB 3.09, -2.34, -1.88

 

CMYK 29 / 82 / 0 / 93

HEX #0C0311

RGB 12 3 17

HSL 278.57, 0.7%, 0.04%

LAB 1.66, 4.53, -5.02

 

CMYK 0 / 65 / 82 / 93

HEX #110603

RGB 17 6 3

HSL 12.86, 0.7%, 0.04%

LAB 2.31, 2.84, 2.28

 

CMYK 53 / 0 / 82 / 93

HEX #081103

RGB 8 17 3

HSL 98.57, 0.7%, 0.04%

LAB 4.15, -4.89, 4.89

 

Description

Color code: RGBA 3 13 15 0.5 | qconv.com Color code: RGBA 3 13 15 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 13 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 13 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 7 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 7% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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