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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 30 95 197 0 it is the complementary color RGBA 225 160 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 30 95 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 30 95 197 0 shade: RGBA 35 95 192 0, RGBA 52 113 211 0, RGBA 69 131 230 0, RGBA 86 149 249 0 and RGBA 103 167 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 30 95 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 30 95 197 0 shade: RGBA 30 95 197 0, RGBA 13 77 178 0, RGBA 0 59 159 0, RGBA 0 41 140 0 and RGBA 0 23 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 30 95 197 0 shade: RGB 30 96 200, RGB 30 50 200, RGB 55 30 200, RGB 101 30 200 and RGB 147 30 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 30 95 197 0 shade: RGB 30 96 200, RGB 30 50 200 and RGB 30 30 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 30 95 197 0 shade matches the following richer shades: RGB 30 96 200 and RGB 11 92 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 30 95 197 0 shade: RGB 30 96 200, RGB 48 100 181, RGB 67 104 163, RGB 86 108 144 and RGB 104 112 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 30 95 197 0 shade: RGB 30 188 200, RGB 30 143 200, RGB 30 98 200, RGB 30 52 200 and RGB 52 30 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 30 95 197 0 shade: RGB 19 61 128, RGB 24 79 164, RGB 30 96 200, RGB 47 116 224 and RGB 83 140 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 30 95 197 0 shade: RGB 30 95 197, RGB 166 30 200 and RGB 166 200 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 30 95 197 0 shade: RGB 30 95 197, RGB 200 30 98 and RGB 98 200 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 30 95 197 0 shade: RGB 30 95 197, RGB 166 30 200, RGB 200 132 30 and RGB 64 200 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 30 95 197 0 shade: RGB 30 95 197, RGB 200 30 183, RGB 200 132 30 and RGB 30 200 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #1E5FC500

RGBA 30 95 197 0

HSLA 216.65, 0.74%, 0.45%, 0

LABA 41.99, 18.48, -58.78, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #E1A03A00

RGBA 225 160 58 0

HSLA 36.65, 0.74%, 0.55%, 0

LABA 70.49, 15.1, 59.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #235FC000

RGBA 35 95 192 0

HSLA 217.07, 0.69%, 0.45%, 0

LABA 41.76, 16.95, -56.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3471D300

RGBA 52 113 211 0

HSLA 216.98, 0.64%, 0.52%, 0

LABA 48.57, 14.46, -56.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4583E600

RGBA 69 131 230 0

HSLA 216.89, 0.76%, 0.59%, 0

LABA 55.29, 12.45, -56.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5695F900

RGBA 86 149 249 0

HSLA 216.81, 0.93%, 0.66%, 0

LABA 61.92, 10.81, -55.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #67A7FF00

RGBA 103 167 255 0

HSLA 214.74, 1%, 0.7%, 0

LABA 67.83, 5.26, -49.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1E5FC500

RGBA 30 95 197 0

HSLA 216.65, 0.74%, 0.45%, 0

LABA 41.99, 18.48, -58.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0D4DB200

RGBA 13 77 178 0

HSLA 216.73, 0.86%, 0.37%, 0

LABA 35.22, 21.83, -58.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #003B9F00

RGBA 0 59 159 0

HSLA 217.74, 1%, 0.31%, 0

LABA 28.46, 25.84, -58.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00298C00

RGBA 0 41 140 0

HSLA 222.43, 1%, 0.27%, 0

LABA 21.87, 30.47, -57.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00177900

RGBA 0 23 121 0

HSLA 228.6, 1%, 0.24%, 0

LABA 15.45, 34.76, -56.1, 0

 

CMYK 85 / 52 / 0 / 22

HEX #1E60C8

RGB 30 96 200

HSL 216.71, 0.74%, 0.45%

LAB 42.48, 19, -59.72

 

CMYK 85 / 75 / 0 / 22

HEX #1E32C8

RGB 30 50 200

HSL 232.94, 0.74%, 0.45%

LAB 31.18, 48.18, -78.23

 

CMYK 73 / 85 / 0 / 22

HEX #371EC8

RGB 55 30 200

HSL 248.82, 0.74%, 0.45%

LAB 29.19, 59.26, -81.5

 

CMYK 50 / 85 / 0 / 22

HEX #651EC8

RGB 101 30 200

HSL 265.06, 0.74%, 0.45%

LAB 33.7, 63.32, -73.88

 

CMYK 27 / 85 / 0 / 22

HEX #931EC8

RGB 147 30 200

HSL 281.29, 0.74%, 0.45%

LAB 40.08, 69.48, -63.18

 

CMYK 85 / 52 / 0 / 22

HEX #1E60C8

RGB 30 96 200

HSL 216.71, 0.74%, 0.45%

LAB 42.48, 19, -59.72

 

CMYK 85 / 75 / 0 / 22

HEX #1E32C8

RGB 30 50 200

HSL 232.94, 0.74%, 0.45%

LAB 31.18, 48.18, -78.23

 

CMYK 85 / 85 / 0 / 22

HEX #1E1EC8

RGB 30 30 200

HSL 240, 0.74%, 0.45%

LAB 27.78, 58.07, -83.88

 

CMYK 85 / 52 / 0 / 22

HEX #1E60C8

RGB 30 96 200

HSL 216.71, 0.74%, 0.45%

LAB 42.48, 19, -59.72

 

CMYK 95 / 58 / 0 / 15

HEX #0B5CDA

RGB 11 92 218

HSL 216.52, 0.9%, 0.45%

LAB 42.44, 27.7, -70.13

 

CMYK 85 / 52 / 0 / 22

HEX #1E60C8

RGB 30 96 200

HSL 216.71, 0.74%, 0.45%

LAB 42.48, 19, -59.72

 

CMYK 73 / 45 / 0 / 29

HEX #3064B5

RGB 48 100 181

HSL 216.54, 0.58%, 0.45%

LAB 42.88, 10.99, -48

 

CMYK 59 / 36 / 0 / 36

HEX #4368A3

RGB 67 104 163

HSL 216.88, 0.42%, 0.45%

LAB 43.86, 5.28, -35.82

 

CMYK 40 / 25 / 0 / 44

HEX #566C90

RGB 86 108 144

HSL 217.24, 0.25%, 0.45%

LAB 45.24, 1.54, -22.31

 

CMYK 17 / 10 / 0 / 51

HEX #68707D

RGB 104 112 125

HSL 217.14, 0.09%, 0.45%

LAB 46.99, -0.08, -8.2

 

CMYK 85 / 6 / 0 / 22

HEX #1EBCC8

RGB 30 188 200

HSL 184.24, 0.74%, 0.45%

LAB 69.76, -33.28, -16.93

 

CMYK 85 / 29 / 0 / 22

HEX #1E8FC8

RGB 30 143 200

HSL 200.12, 0.74%, 0.45%

LAB 56.18, -9.89, -37.86

 

CMYK 85 / 51 / 0 / 22

HEX #1E62C8

RGB 30 98 200

HSL 216, 0.74%, 0.45%

LAB 43.04, 17.7, -58.82

 

CMYK 85 / 74 / 0 / 22

HEX #1E34C8

RGB 30 52 200

HSL 232.24, 0.74%, 0.45%

LAB 31.58, 47.04, -77.56

 

CMYK 74 / 85 / 0 / 22

HEX #341EC8

RGB 52 30 200

HSL 247.76, 0.74%, 0.45%

LAB 28.98, 59.08, -81.85

 

CMYK 85 / 52 / 0 / 50

HEX #133D80

RGB 19 61 128

HSL 216.88, 0.74%, 0.29%

LAB 26.83, 12.6, -41.86

 

CMYK 85 / 52 / 0 / 36

HEX #184FA4

RGB 24 79 164

HSL 216.43, 0.74%, 0.37%

LAB 34.94, 15.49, -50.78

 

CMYK 85 / 52 / 0 / 22

HEX #1E60C8

RGB 30 96 200

HSL 216.71, 0.74%, 0.45%

LAB 42.48, 19, -59.72

 

CMYK 79 / 48 / 0 / 12

HEX #2F74E0

RGB 47 116 224

HSL 216.61, 0.74%, 0.53%

LAB 50.07, 16.87, -61.12

 

CMYK 64 / 39 / 0 / 10

HEX #538CE5

RGB 83 140 229

HSL 216.58, 0.74%, 0.61%

LAB 58.28, 8.89, -50.71

 

CMYK 85 / 52 / 0 / 23

HEX #1E5FC5

RGB 30 95 197

HSL 216.65, 0.74%, 0.45%

LAB 41.99, 18.48, -58.78

 

CMYK 17 / 85 / 0 / 22

HEX #A61EC8

RGB 166 30 200

HSL 288, 0.74%, 0.45%

LAB 43.07, 72.5, -58.19

 

CMYK 17 / 0 / 85 / 22

HEX #A6C81E

RGB 166 200 30

HSL 72, 0.74%, 0.45%

LAB 75.77, -31.74, 71.57

 

CMYK 85 / 52 / 0 / 23

HEX #1E5FC5

RGB 30 95 197

HSL 216.65, 0.74%, 0.45%

LAB 41.99, 18.48, -58.78

 

CMYK 0 / 85 / 51 / 22

HEX #C81E62

RGB 200 30 98

HSL 336, 0.74%, 0.45%

LAB 44.36, 66.42, 5.9

 

CMYK 51 / 0 / 85 / 22

HEX #62C81E

RGB 98 200 30

HSL 96, 0.74%, 0.45%

LAB 72.23, -56.03, 67.13

 

CMYK 85 / 52 / 0 / 23

HEX #1E5FC5

RGB 30 95 197

HSL 216.65, 0.74%, 0.45%

LAB 41.99, 18.48, -58.78

 

CMYK 17 / 85 / 0 / 22

HEX #A61EC8

RGB 166 30 200

HSL 288, 0.74%, 0.45%

LAB 43.07, 72.5, -58.19

 

CMYK 0 / 34 / 85 / 22

HEX #C8841E

RGB 200 132 30

HSL 36, 0.74%, 0.45%

LAB 60.67, 18.46, 60.1

 

CMYK 68 / 0 / 85 / 22

HEX #40C81E

RGB 64 200 30

HSL 108, 0.74%, 0.45%

LAB 71.21, -64.31, 65.84

 

CMYK 85 / 52 / 0 / 23

HEX #1E5FC5

RGB 30 95 197

HSL 216.65, 0.74%, 0.45%

LAB 41.99, 18.48, -58.78

 

CMYK 0 / 85 / 9 / 22

HEX #C81EB7

RGB 200 30 183

HSL 306, 0.74%, 0.45%

LAB 47.79, 75.88, -40.4

 

CMYK 0 / 34 / 85 / 22

HEX #C8841E

RGB 200 132 30

HSL 36, 0.74%, 0.45%

LAB 60.67, 18.46, 60.1

 

CMYK 85 / 0 / 77 / 22

HEX #1EC82F

RGB 30 200 47

HSL 126, 0.74%, 0.45%

LAB 70.73, -68.21, 60.48

 

Description

Color code: RGBA 30 95 197 0 | qconv.com Color code: RGBA 30 95 197 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 95 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 95 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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