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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 30 142 197 0.75 it is the complementary color RGBA 225 113 58 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 30 142 197 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 30 142 197 0.75 shade: RGBA 35 142 192 0.75, RGBA 52 160 211 0.75, RGBA 69 178 230 0.75, RGBA 86 196 249 0.75 and RGBA 103 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 30 142 197 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 30 142 197 0.75 shade: RGBA 30 142 197 0.75, RGBA 13 124 178 0.75, RGBA 0 106 159 0.75, RGBA 0 88 140 0.75 and RGBA 0 70 121 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 30 142 197 0.75 shade: RGB 30 144 200, RGB 30 98 200, RGB 30 52 200, RGB 53 30 200 and RGB 99 30 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 30 142 197 0.75 shade: RGB 30 144 200, RGB 30 98 200, RGB 30 52 200 and RGB 30 30 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 30 142 197 0.75 shade matches the following richer shades: RGB 30 144 200 and RGB 11 150 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 30 142 197 0.75 shade: RGB 30 144 200, RGB 48 137 181, RGB 67 131 163, RGB 86 125 144 and RGB 104 118 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 30 142 197 0.75 shade: RGB 30 200 163, RGB 30 191 200, RGB 30 146 200, RGB 30 101 200 and RGB 30 55 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 30 142 197 0.75 shade: RGB 19 92 128, RGB 24 118 164, RGB 30 144 200, RGB 47 166 224 and RGB 83 181 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 30 142 197 0.75 shade: RGB 30 142 197, RGB 118 30 200 and RGB 200 186 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 30 142 197 0.75 shade: RGB 30 142 197, RGB 200 30 146 and RGB 146 200 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 30 142 197 0.75 shade: RGB 30 142 197, RGB 118 30 200, RGB 200 84 30 and RGB 112 200 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 30 142 197 0.75 shade: RGB 30 142 197, RGB 169 30 200, RGB 200 84 30 and RGB 61 200 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 21 / 0 / 17

HEX #1E8EC5BF

RGBA 30 142 197 0.75

HSLA 199.76, 0.74%, 0.45%, 0.75

LABA 55.74, -10.41, -36.86, 0.75

 

Complementary color

CMYK 0 / 37 / 56 / 9

HEX #E1713ABF

RGBA 225 113 58 0.75

HSLA 19.76, 0.74%, 0.55%, 0.75

LABA 60, 39.85, 49.26, 0.75

 

CMYK 61 / 20 / 0 / 19

HEX #238EC0BF

RGBA 35 142 192 0.75

HSLA 199.11, 0.69%, 0.45%, 0.75

LABA 55.59, -11.79, -34.24, 0.75

 

CMYK 57 / 18 / 0 / 13

HEX #34A0D3BF

RGBA 52 160 211 0.75

HSLA 199.25, 0.64%, 0.52%, 0.75

LABA 62.15, -13.33, -34.67, 0.75

 

CMYK 53 / 17 / 0 / 7

HEX #45B2E6BF

RGBA 69 178 230 0.75

HSLA 199.38, 0.76%, 0.59%, 0.75

LABA 68.62, -14.54, -35.05, 0.75

 

CMYK 49 / 16 / 0 / 2

HEX #56C4F9BF

RGBA 86 196 249 0.75

HSLA 199.51, 0.93%, 0.66%, 0.75

LABA 75.01, -15.5, -35.39, 0.75

 

CMYK 45 / 12 / 0 / 0

HEX #67D6FFBF

RGBA 103 214 255 0.75

HSLA 196.18, 1%, 0.7%, 0.75

LABA 80.85, -20.13, -29.56, 0.75

 

CMYK 64 / 21 / 0 / 17

HEX #1E8EC5BF

RGBA 30 142 197 0.75

HSLA 199.76, 0.74%, 0.45%, 0.75

LABA 55.74, -10.41, -36.86, 0.75

 

CMYK 70 / 23 / 0 / 23

HEX #0D7CB2BF

RGBA 13 124 178 0.75

HSLA 199.64, 0.86%, 0.37%, 0.75

LABA 49.15, -8.18, -36.35, 0.75

 

CMYK 75 / 25 / 0 / 28

HEX #006A9FBF

RGBA 0 106 159 0.75

HSLA 200, 1%, 0.31%, 0.75

LABA 42.48, -5.39, -35.75, 0.75

 

CMYK 75 / 28 / 0 / 34

HEX #00588CBF

RGBA 0 88 140 0.75

HSLA 202.29, 1%, 0.27%, 0.75

LABA 35.74, -1.87, -35.02, 0.75

 

CMYK 75 / 32 / 0 / 39

HEX #004679BF

RGBA 0 70 121 0.75

HSLA 205.29, 1%, 0.24%, 0.75

LABA 28.8, 1.93, -34.33, 0.75

 

CMYK 85 / 28 / 0 / 22

HEX #1E90C8

RGB 30 144 200

HSL 199.76, 0.74%, 0.45%

LAB 56.48, -10.45, -37.39

 

CMYK 85 / 51 / 0 / 22

HEX #1E62C8

RGB 30 98 200

HSL 216, 0.74%, 0.45%

LAB 43.04, 17.7, -58.82

 

CMYK 85 / 74 / 0 / 22

HEX #1E34C8

RGB 30 52 200

HSL 232.24, 0.74%, 0.45%

LAB 31.58, 47.04, -77.56

 

CMYK 74 / 85 / 0 / 22

HEX #351EC8

RGB 53 30 200

HSL 248.12, 0.74%, 0.45%

LAB 29.05, 59.14, -81.74

 

CMYK 51 / 85 / 0 / 22

HEX #631EC8

RGB 99 30 200

HSL 264.35, 0.74%, 0.45%

LAB 33.46, 63.09, -74.29

 

CMYK 85 / 28 / 0 / 22

HEX #1E90C8

RGB 30 144 200

HSL 199.76, 0.74%, 0.45%

LAB 56.48, -10.45, -37.39

 

CMYK 85 / 51 / 0 / 22

HEX #1E62C8

RGB 30 98 200

HSL 216, 0.74%, 0.45%

LAB 43.04, 17.7, -58.82

 

CMYK 85 / 74 / 0 / 22

HEX #1E34C8

RGB 30 52 200

HSL 232.24, 0.74%, 0.45%

LAB 31.58, 47.04, -77.56

 

CMYK 85 / 85 / 0 / 22

HEX #1E1EC8

RGB 30 30 200

HSL 240, 0.74%, 0.45%

LAB 27.78, 58.07, -83.88

 

CMYK 85 / 28 / 0 / 22

HEX #1E90C8

RGB 30 144 200

HSL 199.76, 0.74%, 0.45%

LAB 56.48, -10.45, -37.39

 

CMYK 95 / 31 / 0 / 15

HEX #0B96DA

RGB 11 150 218

HSL 199.71, 0.9%, 0.45%

LAB 58.92, -8.24, -43.67

 

CMYK 85 / 28 / 0 / 22

HEX #1E90C8

RGB 30 144 200

HSL 199.76, 0.74%, 0.45%

LAB 56.48, -10.45, -37.39

 

CMYK 73 / 24 / 0 / 29

HEX #3089B5

RGB 48 137 181

HSL 199.85, 0.58%, 0.45%

LAB 53.87, -11.39, -30.63

 

CMYK 59 / 20 / 0 / 36

HEX #4383A3

RGB 67 131 163

HSL 200, 0.42%, 0.45%

LAB 51.92, -10.8, -23.25

 

CMYK 40 / 13 / 0 / 44

HEX #567D90

RGB 86 125 144

HSL 199.66, 0.25%, 0.45%

LAB 50.29, -8.46, -14.59

 

CMYK 17 / 6 / 0 / 51

HEX #68767D

RGB 104 118 125

HSL 200, 0.09%, 0.45%

LAB 48.74, -3.6, -5.6

 

CMYK 85 / 0 / 19 / 22

HEX #1EC8A3

RGB 30 200 163

HSL 166.94, 0.74%, 0.45%

LAB 72.38, -49.05, 7.11

 

CMYK 85 / 5 / 0 / 22

HEX #1EBFC8

RGB 30 191 200

HSL 183.18, 0.74%, 0.45%

LAB 70.67, -34.69, -15.57

 

CMYK 85 / 27 / 0 / 22

HEX #1E92C8

RGB 30 146 200

HSL 199.06, 0.74%, 0.45%

LAB 57.08, -11.58, -36.45

 

CMYK 85 / 50 / 0 / 22

HEX #1E65C8

RGB 30 101 200

HSL 214.94, 0.74%, 0.45%

LAB 43.88, 15.75, -57.46

 

CMYK 85 / 73 / 0 / 22

HEX #1E37C8

RGB 30 55 200

HSL 231.18, 0.74%, 0.45%

LAB 32.21, 45.29, -76.53

 

CMYK 85 / 28 / 0 / 50

HEX #135C80

RGB 19 92 128

HSL 199.82, 0.74%, 0.29%

LAB 36.65, -7.9, -26.23

 

CMYK 85 / 28 / 0 / 36

HEX #1876A4

RGB 24 118 164

HSL 199.71, 0.74%, 0.37%

LAB 46.75, -9.25, -31.95

 

CMYK 85 / 28 / 0 / 22

HEX #1E90C8

RGB 30 144 200

HSL 199.76, 0.74%, 0.45%

LAB 56.48, -10.45, -37.39

 

CMYK 79 / 26 / 0 / 12

HEX #2FA6E0

RGB 47 166 224

HSL 199.66, 0.74%, 0.53%

LAB 64.37, -12.69, -38.41

 

CMYK 64 / 21 / 0 / 10

HEX #53B5E5

RGB 83 181 229

HSL 199.73, 0.74%, 0.61%

LAB 69.86, -14.32, -32.56

 

CMYK 85 / 28 / 0 / 23

HEX #1E8EC5

RGB 30 142 197

HSL 199.76, 0.74%, 0.45%

LAB 55.74, -10.41, -36.86

 

CMYK 41 / 85 / 0 / 22

HEX #761EC8

RGB 118 30 200

HSL 271.06, 0.74%, 0.45%

LAB 35.89, 65.38, -70.21

 

CMYK 0 / 7 / 85 / 22

HEX #C8BA1E

RGB 200 186 30

HSL 55.06, 0.74%, 0.45%

LAB 74.5, -10.43, 71.57

 

CMYK 85 / 28 / 0 / 23

HEX #1E8EC5

RGB 30 142 197

HSL 199.76, 0.74%, 0.45%

LAB 55.74, -10.41, -36.86

 

CMYK 0 / 85 / 27 / 22

HEX #C81E92

RGB 200 30 146

HSL 319.06, 0.74%, 0.45%

LAB 46.02, 71.1, -21.14

 

CMYK 27 / 0 / 85 / 22

HEX #92C81E

RGB 146 200 30

HSL 79.06, 0.74%, 0.45%

LAB 74.52, -39.65, 70.01

 

CMYK 85 / 28 / 0 / 23

HEX #1E8EC5

RGB 30 142 197

HSL 199.76, 0.74%, 0.45%

LAB 55.74, -10.41, -36.86

 

CMYK 41 / 85 / 0 / 22

HEX #761EC8

RGB 118 30 200

HSL 271.06, 0.74%, 0.45%

LAB 35.89, 65.38, -70.21

 

CMYK 0 / 58 / 85 / 22

HEX #C8541E

RGB 200 84 30

HSL 19.06, 0.74%, 0.45%

LAB 50.35, 43.6, 51.38

 

CMYK 44 / 0 / 85 / 22

HEX #70C81E

RGB 112 200 30

HSL 91.06, 0.74%, 0.45%

LAB 72.79, -51.74, 67.84

 

CMYK 85 / 28 / 0 / 23

HEX #1E8EC5

RGB 30 142 197

HSL 199.76, 0.74%, 0.45%

LAB 55.74, -10.41, -36.86

 

CMYK 16 / 85 / 0 / 22

HEX #A91EC8

RGB 169 30 200

HSL 289.06, 0.74%, 0.45%

LAB 43.56, 72.99, -57.38

 

CMYK 0 / 58 / 85 / 22

HEX #C8541E

RGB 200 84 30

HSL 19.06, 0.74%, 0.45%

LAB 50.35, 43.6, 51.38

 

CMYK 70 / 0 / 85 / 22

HEX #3DC81E

RGB 61 200 30

HSL 109.06, 0.74%, 0.45%

LAB 71.14, -64.88, 65.76

 

Description

Color code: RGBA 30 142 197 0.75 | qconv.com Color code: RGBA 30 142 197 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 142 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 142 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 21 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 21% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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