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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 25 142 226 0.75 it is the complementary color RGBA 230 113 29 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 25 142 226 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 25 142 226 0.75 shade: RGBA 30 142 221 0.75, RGBA 47 160 240 0.75, RGBA 64 178 255 0.75, RGBA 81 196 255 0.75 and RGBA 98 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 25 142 226 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 25 142 226 0.75 shade: RGBA 25 142 226 0.75, RGBA 8 124 207 0.75, RGBA 0 106 188 0.75, RGBA 0 88 169 0.75 and RGBA 0 70 150 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 25 142 226 0.75 shade: RGB 25 141 225, RGB 25 87 225, RGB 25 34 225, RGB 70 25 225 and RGB 124 25 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 25 142 226 0.75 shade: RGB 25 141 225, RGB 25 87 225, RGB 25 34 225 and RGB 25 25 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 25 142 226 0.75 shade matches the following richer shades: RGB 25 141 225 and RGB 5 145 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 25 142 226 0.75 shade: RGB 25 141 225, RGB 45 138 205, RGB 65 135 184, RGB 86 131 164 and RGB 106 128 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 25 142 226 0.75 shade: RGB 25 225 202, RGB 25 195 225, RGB 25 142 225, RGB 25 88 225 and RGB 25 35 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 25 142 226 0.75 shade: RGB 17 95 151, RGB 21 118 188, RGB 25 141 225, RGB 58 160 233 and RGB 95 178 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 25 142 226 0.75 shade: RGB 25 142 226, RGB 148 25 225 and RGB 222 225 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 25 142 226 0.75 shade: RGB 25 142 226, RGB 225 25 142 and RGB 142 225 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 25 142 226 0.75 shade: RGB 25 142 226, RGB 148 25 225, RGB 225 108 25 and RGB 102 225 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 25 142 226 0.75 shade: RGB 25 142 226, RGB 208 25 225, RGB 225 108 25 and RGB 42 225 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 28 / 0 / 9

HEX #198EE2BF

RGBA 25 142 226 0.75

HSLA 205.07, 0.8%, 0.49%, 0.75

LABA 57.12, -0.01, -50.98, 0.75

 

Complementary color

CMYK 0 / 38 / 66 / 7

HEX #E6711DBF

RGBA 230 113 29 0.75

HSLA 25.07, 0.8%, 0.51%, 0.75

LABA 60.54, 40.89, 61.98, 0.75

 

CMYK 65 / 27 / 0 / 10

HEX #1E8EDDBF

RGBA 30 142 221 0.75

HSLA 204.82, 0.76%, 0.49%, 0.75

LABA 56.92, -1.57, -48.5, 0.75

 

CMYK 60 / 25 / 0 / 4

HEX #2FA0F0BF

RGBA 47 160 240 0.75

HSLA 204.87, 0.87%, 0.56%, 0.75

LABA 63.37, -3.71, -48.79, 0.75

 

CMYK 56 / 23 / 0 / 0

HEX #40B2FFBF

RGBA 64 178 255 0.75

HSLA 204.19, 1%, 0.63%, 0.75

LABA 69.58, -6.82, -47.15, 0.75

 

CMYK 51 / 17 / 0 / 0

HEX #51C4FFBF

RGBA 81 196 255 0.75

HSLA 200.34, 1%, 0.66%, 0.75

LABA 75.11, -14.35, -38.48, 0.75

 

CMYK 46 / 12 / 0 / 0

HEX #62D6FFBF

RGBA 98 214 255 0.75

HSLA 195.67, 1%, 0.69%, 0.75

LABA 80.69, -21, -29.82, 0.75

 

CMYK 67 / 28 / 0 / 9

HEX #198EE2BF

RGBA 25 142 226 0.75

HSLA 205.07, 0.8%, 0.49%, 0.75

LABA 57.12, -0.01, -50.98, 0.75

 

CMYK 72 / 30 / 0 / 14

HEX #087CCFBF

RGBA 8 124 207 0.75

HSLA 205.03, 0.93%, 0.42%, 0.75

LABA 50.65, 2.83, -50.59, 0.75

 

CMYK 75 / 33 / 0 / 20

HEX #006ABCBF

RGBA 0 106 188 0.75

HSLA 206.17, 1%, 0.37%, 0.75

LABA 44.15, 6.26, -50.1, 0.75

 

CMYK 75 / 36 / 0 / 25

HEX #0058A9BF

RGBA 0 88 169 0.75

HSLA 208.76, 1%, 0.33%, 0.75

LABA 37.56, 10.19, -49.54, 0.75

 

CMYK 75 / 40 / 0 / 31

HEX #004696BF

RGBA 0 70 150 0.75

HSLA 212, 1%, 0.29%, 0.75

LABA 30.84, 14.42, -48.98, 0.75

 

CMYK 89 / 37 / 0 / 12

HEX #198DE1

RGB 25 141 225

HSL 205.2, 0.8%, 0.49%

LAB 56.77, 0.21, -50.97

 

CMYK 89 / 61 / 0 / 12

HEX #1957E1

RGB 25 87 225

HSL 221.4, 0.8%, 0.49%

LAB 41.94, 34.18, -74.93

 

CMYK 89 / 85 / 0 / 12

HEX #1922E1

RGB 25 34 225

HSL 237.3, 0.8%, 0.49%

LAB 31.32, 63.6, -92.48

 

CMYK 69 / 89 / 0 / 12

HEX #4619E1

RGB 70 25 225

HSL 253.5, 0.8%, 0.49%

LAB 32.77, 68.49, -89.99

 

CMYK 45 / 89 / 0 / 12

HEX #7C19E1

RGB 124 25 225

HSL 269.7, 0.8%, 0.49%

LAB 38.58, 72.9, -80.2

 

CMYK 89 / 37 / 0 / 12

HEX #198DE1

RGB 25 141 225

HSL 205.2, 0.8%, 0.49%

LAB 56.77, 0.21, -50.97

 

CMYK 89 / 61 / 0 / 12

HEX #1957E1

RGB 25 87 225

HSL 221.4, 0.8%, 0.49%

LAB 41.94, 34.18, -74.93

 

CMYK 89 / 85 / 0 / 12

HEX #1922E1

RGB 25 34 225

HSL 237.3, 0.8%, 0.49%

LAB 31.32, 63.6, -92.48

 

CMYK 89 / 89 / 0 / 12

HEX #1919E1

RGB 25 25 225

HSL 240, 0.8%, 0.49%

LAB 30.25, 66.82, -94.26

 

CMYK 89 / 37 / 0 / 12

HEX #198DE1

RGB 25 141 225

HSL 205.2, 0.8%, 0.49%

LAB 56.77, 0.21, -50.97

 

CMYK 98 / 41 / 0 / 4

HEX #0591F5

RGB 5 145 245

HSL 205, 0.96%, 0.49%

LAB 58.86, 4.67, -58.75

 

CMYK 89 / 37 / 0 / 12

HEX #198DE1

RGB 25 141 225

HSL 205.2, 0.8%, 0.49%

LAB 56.77, 0.21, -50.97

 

CMYK 78 / 33 / 0 / 20

HEX #2D8ACD

RGB 45 138 205

HSL 205.13, 0.64%, 0.49%

LAB 55.22, -3.8, -42.18

 

CMYK 65 / 27 / 0 / 28

HEX #4187B8

RGB 65 135 184

HSL 204.71, 0.48%, 0.49%

LAB 53.93, -6.57, -32.22

 

CMYK 48 / 20 / 0 / 36

HEX #5683A4

RGB 86 131 164

HSL 205.38, 0.31%, 0.49%

LAB 52.83, -6.11, -22.35

 

CMYK 26 / 11 / 0 / 44

HEX #6A8090

RGB 106 128 144

HSL 205.26, 0.15%, 0.49%

LAB 52.42, -4.1, -11.25

 

CMYK 89 / 0 / 10 / 12

HEX #19E1CA

RGB 25 225 202

HSL 173.1, 0.8%, 0.49%

LAB 80.92, -49.45, -1.42

 

CMYK 89 / 13 / 0 / 12

HEX #19C3E1

RGB 25 195 225

HSL 189, 0.8%, 0.49%

LAB 72.68, -29.01, -26.13

 

CMYK 89 / 37 / 0 / 12

HEX #198EE1

RGB 25 142 225

HSL 204.9, 0.8%, 0.49%

LAB 57.06, -0.38, -50.51

 

CMYK 89 / 61 / 0 / 12

HEX #1958E1

RGB 25 88 225

HSL 221.1, 0.8%, 0.49%

LAB 42.19, 33.53, -74.52

 

CMYK 89 / 84 / 0 / 12

HEX #1923E1

RGB 25 35 225

HSL 237, 0.8%, 0.49%

LAB 31.45, 63.2, -92.26

 

CMYK 89 / 37 / 0 / 41

HEX #115F97

RGB 17 95 151

HSL 205.07, 0.8%, 0.33%

LAB 38.79, -0.84, -36.81

 

CMYK 89 / 37 / 0 / 26

HEX #1576BC

RGB 21 118 188

HSL 205.15, 0.8%, 0.41%

LAB 47.94, -0.31, -44.03

 

CMYK 89 / 37 / 0 / 12

HEX #198DE1

RGB 25 141 225

HSL 205.2, 0.8%, 0.49%

LAB 56.77, 0.21, -50.97

 

CMYK 75 / 31 / 0 / 9

HEX #3AA0E9

RGB 58 160 233

HSL 205.03, 0.8%, 0.57%

LAB 63.28, -5.03, -45.07

 

CMYK 60 / 25 / 0 / 7

HEX #5FB2ED

RGB 95 178 237

HSL 204.93, 0.8%, 0.65%

LAB 69.75, -8.08, -37.05

 

CMYK 89 / 37 / 0 / 11

HEX #198EE2

RGB 25 142 226

HSL 205.07, 0.8%, 0.49%

LAB 57.12, -0.01, -50.98

 

CMYK 34 / 89 / 0 / 12

HEX #9419E1

RGB 148 25 225

HSL 276.9, 0.8%, 0.49%

LAB 41.89, 75.69, -74.64

 

CMYK 1 / 0 / 89 / 12

HEX #DEE119

RGB 222 225 25

HSL 60.9, 0.8%, 0.49%

LAB 86.73, -20.59, 83.1

 

CMYK 89 / 37 / 0 / 11

HEX #198EE2

RGB 25 142 226

HSL 205.07, 0.8%, 0.49%

LAB 57.12, -0.01, -50.98

 

CMYK 0 / 89 / 37 / 12

HEX #E1198E

RGB 225 25 142

HSL 324.9, 0.8%, 0.49%

LAB 50.28, 77.01, -11.8

 

CMYK 37 / 0 / 89 / 12

HEX #8EE119

RGB 142 225 25

HSL 84.9, 0.8%, 0.49%

LAB 81.66, -51.78, 76.89

 

CMYK 89 / 37 / 0 / 11

HEX #198EE2

RGB 25 142 226

HSL 205.07, 0.8%, 0.49%

LAB 57.12, -0.01, -50.98

 

CMYK 34 / 89 / 0 / 12

HEX #9419E1

RGB 148 25 225

HSL 276.9, 0.8%, 0.49%

LAB 41.89, 75.69, -74.64

 

CMYK 0 / 52 / 89 / 12

HEX #E16C19

RGB 225 108 25

HSL 24.9, 0.8%, 0.49%

LAB 58.79, 41.35, 61.56

 

CMYK 55 / 0 / 89 / 12

HEX #66E119

RGB 102 225 25

HSL 96.9, 0.8%, 0.49%

LAB 80.04, -64.02, 74.88

 

CMYK 89 / 37 / 0 / 11

HEX #198EE2

RGB 25 142 226

HSL 205.07, 0.8%, 0.49%

LAB 57.12, -0.01, -50.98

 

CMYK 8 / 89 / 0 / 12

HEX #D019E1

RGB 208 25 225

HSL 294.9, 0.8%, 0.49%

LAB 51.31, 84.39, -58.91

 

CMYK 0 / 52 / 89 / 12

HEX #E16C19

RGB 225 108 25

HSL 24.9, 0.8%, 0.49%

LAB 58.79, 41.35, 61.56

 

CMYK 81 / 0 / 89 / 12

HEX #2AE119

RGB 42 225 25

HSL 114.9, 0.8%, 0.49%

LAB 78.7, -75.29, 73.21

 

Description

Color code: RGBA 25 142 226 0.75 | qconv.com Color code: RGBA 25 142 226 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 142 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 142 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 28 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 28% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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