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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 255 99 53 0.25 it is the complementary color RGBA 0 156 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 255 99 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 255 99 53 0.25 shade: RGBA 255 99 48 0.25, RGBA 255 117 67 0.25, RGBA 255 135 86 0.25, RGBA 255 153 105 0.25 and RGBA 255 171 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 255 99 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 255 99 53 0.25 shade: RGBA 255 99 53 0.25, RGBA 238 81 34 0.25, RGBA 221 63 15 0.25, RGBA 204 45 0 0.25 and RGBA 187 27 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 255 99 53 0.25 shade: RGB 255 97 51 and RGB 255 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 255 99 53 0.25 shade: RGB 255 97 51, RGB 255 152 51, RGB 255 207 51, RGB 248 255 51 and RGB 193 255 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 255 99 53 0.25 shade matches the following richer shades: RGB 255 97 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 255 99 53 0.25 shade: RGB 255 97 51, RGB 238 106 68, RGB 222 115 84, RGB 205 124 101 and RGB 189 133 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 255 99 53 0.25 shade: RGB 255 51 116, RGB 255 51 61, RGB 255 95 51, RGB 255 150 51 and RGB 255 204 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 255 99 53 0.25 shade: RGB 223 51 0, RGB 255 66 10, RGB 255 97 51, RGB 255 129 92 and RGB 255 161 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 255 99 53 0.25 shade: RGB 255 99 53, RGB 170 255 51 and RGB 51 88 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 255 99 53 0.25 shade: RGB 255 99 53, RGB 51 255 95 and RGB 95 51 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 255 99 53 0.25 shade: RGB 255 99 53, RGB 170 255 51, RGB 51 211 255 and RGB 136 51 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 255 99 53 0.25 shade: RGB 255 99 53, RGB 109 255 51, RGB 51 211 255 and RGB 197 51 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 20 / 0

HEX #FF63353F

RGBA 255 99 53 0.25

HSLA 13.66, 1%, 0.6%, 0.25

LABA 62.03, 57.19, 55.18, 0.25

 

Complementary color

CMYK 25 / 6 / 0 / 5

HEX #009CCA3F

RGBA 0 156 202 0.25

HSLA 193.66, 1%, 0.4%, 0.25

LABA 59.93, -17.74, -33.15, 0.25

 

CMYK 0 / 15 / 20 / 0

HEX #FF63303F

RGBA 255 99 48 0.25

HSLA 14.78, 1%, 0.59%, 0.25

LABA 62, 57.04, 57.42, 0.25

 

CMYK 0 / 14 / 18 / 0

HEX #FF75433F

RGBA 255 117 67 0.25

HSLA 15.96, 1%, 0.63%, 0.25

LABA 65.27, 49.57, 51.77, 0.25

 

CMYK 0 / 12 / 17 / 0

HEX #FF87563F

RGBA 255 135 86 0.25

HSLA 17.4, 1%, 0.67%, 0.25

LABA 68.94, 41.73, 46.32, 0.25

 

CMYK 0 / 10 / 15 / 0

HEX #FF99693F

RGBA 255 153 105 0.25

HSLA 19.2, 1%, 0.71%, 0.25

LABA 72.93, 33.78, 41.27, 0.25

 

CMYK 0 / 8 / 13 / 0

HEX #FFAB7C3F

RGBA 255 171 124 0.25

HSLA 21.53, 1%, 0.74%, 0.25

LABA 77.19, 25.92, 36.68, 0.25

 

CMYK 0 / 15 / 20 / 0

HEX #FF63353F

RGBA 255 99 53 0.25

HSLA 13.66, 1%, 0.6%, 0.25

LABA 62.03, 57.19, 55.18, 0.25

 

CMYK 0 / 16 / 21 / 2

HEX #EE51223F

RGBA 238 81 34 0.25

HSLA 13.82, 0.86%, 0.53%, 0.25

LABA 56.27, 58.43, 57.28, 0.25

 

CMYK 0 / 18 / 23 / 3

HEX #DD3F0F3F

RGBA 221 63 15 0.25

HSLA 13.98, 0.87%, 0.46%, 0.25

LABA 50.64, 59.43, 58.5, 0.25

 

CMYK 0 / 19 / 25 / 5

HEX #CC2D003F

RGBA 204 45 0 0.25

HSLA 13.24, 1%, 0.4%, 0.25

LABA 45.24, 59.94, 57.88, 0.25

 

CMYK 0 / 21 / 25 / 7

HEX #BB1B003F

RGBA 187 27 0 0.25

HSLA 8.66, 1%, 0.37%, 0.25

LABA 40.16, 59.64, 53.73, 0.25

 

CMYK 0 / 62 / 80 / 0

HEX #FF6133

RGB 255 97 51

HSL 13.53, 1%, 0.6%

LAB 61.7, 57.99, 55.79

 

CMYK 0 / 80 / 80 / 0

HEX #FF3333

RGB 255 51 51

HSL 0, 1%, 0.6%

LAB 55.95, 73.75, 50.26

 

CMYK 0 / 62 / 80 / 0

HEX #FF6133

RGB 255 97 51

HSL 13.53, 1%, 0.6%

LAB 61.7, 57.99, 55.79

 

CMYK 0 / 40 / 80 / 0

HEX #FF9833

RGB 255 152 51

HSL 29.71, 1%, 0.6%

LAB 72.2, 31.55, 65.53

 

CMYK 0 / 19 / 80 / 0

HEX #FFCF33

RGB 255 207 51

HSL 45.88, 1%, 0.6%

LAB 85.06, 2.98, 77

 

CMYK 3 / 0 / 80 / 0

HEX #F8FF33

RGB 248 255 51

HSL 62.06, 1%, 0.6%

LAB 96.7, -23.61, 86.88

 

CMYK 24 / 0 / 80 / 0

HEX #C1FF33

RGB 193 255 51

HSL 78.24, 1%, 0.6%

LAB 93.06, -45.12, 82.28

 

CMYK 0 / 62 / 80 / 0

HEX #FF6133

RGB 255 97 51

HSL 13.53, 1%, 0.6%

LAB 61.7, 57.99, 55.79

 

CMYK 0 / 62 / 80 / 0

HEX #FF6133

RGB 255 97 51

HSL 13.53, 1%, 0.6%

LAB 61.7, 57.99, 55.79

 

CMYK 0 / 55 / 71 / 7

HEX #EE6A44

RGB 238 106 68

HSL 13.41, 0.83%, 0.6%

LAB 60.7, 48.61, 45.56

 

CMYK 0 / 48 / 62 / 13

HEX #DE7354

RGB 222 115 84

HSL 13.48, 0.68%, 0.6%

LAB 60.28, 39.1, 35.94

 

CMYK 0 / 40 / 51 / 20

HEX #CD7C65

RGB 205 124 101

HSL 13.27, 0.51%, 0.6%

LAB 60.19, 29.07, 25.93

 

CMYK 0 / 30 / 38 / 26

HEX #BD8575

RGB 189 133 117

HSL 13.33, 0.35%, 0.6%

LAB 60.67, 19.45, 17.22

 

CMYK 0 / 80 / 55 / 0

HEX #FF3374

RGB 255 51 116

HSL 340.88, 1%, 0.6%

LAB 56.97, 76.84, 14.19

 

CMYK 0 / 80 / 76 / 0

HEX #FF333D

RGB 255 51 61

HSL 357.06, 1%, 0.6%

LAB 56.05, 74.06, 45.03

 

CMYK 0 / 63 / 80 / 0

HEX #FF5F33

RGB 255 95 51

HSL 12.94, 1%, 0.6%

LAB 61.38, 58.83, 55.49

 

CMYK 0 / 41 / 80 / 0

HEX #FF9633

RGB 255 150 51

HSL 29.12, 1%, 0.6%

LAB 71.77, 32.58, 65.14

 

CMYK 0 / 20 / 80 / 0

HEX #FFCC33

RGB 255 204 51

HSL 45, 1%, 0.6%

LAB 84.32, 4.52, 76.35

 

CMYK 0 / 77 / 100 / 13

HEX #DF3300

RGB 223 51 0

HSL 13.72, 1%, 0.44%

LAB 49.56, 63.83, 61.92

 

CMYK 0 / 74 / 96 / 0

HEX #FF420A

RGB 255 66 10

HSL 13.71, 1%, 0.52%

LAB 57.25, 68.83, 66.78

 

CMYK 0 / 62 / 80 / 0

HEX #FF6133

RGB 255 97 51

HSL 13.53, 1%, 0.6%

LAB 61.7, 57.99, 55.79

 

CMYK 0 / 49 / 64 / 0

HEX #FF815C

RGB 255 129 92

HSL 13.62, 1%, 0.68%

LAB 67.82, 45.05, 41.88

 

CMYK 0 / 37 / 47 / 0

HEX #FFA186

RGB 255 161 134

HSL 13.39, 1%, 0.76%

LAB 75.12, 32.04, 28.67

 

CMYK 0 / 61 / 79 / 0

HEX #FF6335

RGB 255 99 53

HSL 13.66, 1%, 0.6%

LAB 62.03, 57.19, 55.18

 

CMYK 33 / 0 / 80 / 0

HEX #AAFF33

RGB 170 255 51

HSL 85, 1%, 0.6%

LAB 91.82, -53.37, 80.71

 

CMYK 80 / 65 / 0 / 0

HEX #3358FF

RGB 51 88 255

HSL 229.12, 1%, 0.6%

LAB 45.5, 46.06, -85.93

 

CMYK 0 / 61 / 79 / 0

HEX #FF6335

RGB 255 99 53

HSL 13.66, 1%, 0.6%

LAB 62.03, 57.19, 55.18

 

CMYK 80 / 0 / 63 / 0

HEX #33FF5F

RGB 51 255 95

HSL 132.94, 1%, 0.6%

LAB 88.47, -78.16, 61.25

 

CMYK 63 / 80 / 0 / 0

HEX #5F33FF

RGB 95 51 255

HSL 252.94, 1%, 0.6%

LAB 41.25, 69.06, -92.85

 

CMYK 0 / 61 / 79 / 0

HEX #FF6335

RGB 255 99 53

HSL 13.66, 1%, 0.6%

LAB 62.03, 57.19, 55.18

 

CMYK 33 / 0 / 80 / 0

HEX #AAFF33

RGB 170 255 51

HSL 85, 1%, 0.6%

LAB 91.82, -53.37, 80.71

 

CMYK 80 / 17 / 0 / 0

HEX #33D3FF

RGB 51 211 255

HSL 192.94, 1%, 0.6%

LAB 78.76, -25.48, -32.88

 

CMYK 47 / 80 / 0 / 0

HEX #8833FF

RGB 136 51 255

HSL 265, 1%, 0.6%

LAB 45.39, 73.49, -85.88

 

CMYK 0 / 61 / 79 / 0

HEX #FF6335

RGB 255 99 53

HSL 13.66, 1%, 0.6%

LAB 62.03, 57.19, 55.18

 

CMYK 57 / 0 / 80 / 0

HEX #6DFF33

RGB 109 255 51

HSL 102.94, 1%, 0.6%

LAB 89.4, -71.47, 77.6

 

CMYK 80 / 17 / 0 / 0

HEX #33D3FF

RGB 51 211 255

HSL 192.94, 1%, 0.6%

LAB 78.76, -25.48, -32.88

 

CMYK 23 / 80 / 0 / 0

HEX #C533FF

RGB 197 51 255

HSL 282.94, 1%, 0.6%

LAB 53.45, 82.28, -72.39

 

Description

Color code: RGBA 255 99 53 0.25 | qconv.com Color code: RGBA 255 99 53 0.25 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 99 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 99 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 20 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 20% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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