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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 254 160 212 0.75 it is the complementary color RGBA 1 95 43 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 254 160 212 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 254 160 212 0.75 shade: RGBA 255 160 207 0.75, RGBA 255 178 226 0.75, RGBA 255 196 245 0.75, RGBA 255 214 255 0.75 and RGBA 255 232 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 254 160 212 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 254 160 212 0.75 shade: RGBA 254 160 212 0.75, RGBA 237 142 193 0.75, RGBA 220 124 174 0.75, RGBA 203 106 155 0.75 and RGBA 186 88 136 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 254 160 212 0.75 shade: RGB 254 159 212, RGB 254 159 186, RGB 254 159 160 and RGB 254 159 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 254 160 212 0.75 shade: RGB 254 159 212, RGB 254 159 237, RGB 245 159 254, RGB 220 159 254 and RGB 194 159 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 254 160 212 0.75 shade matches the following richer shades: RGB 254 159 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 254 160 212 0.75 shade: RGB 254 159 212, RGB 246 167 211, RGB 238 175 210, RGB 231 183 209 and RGB 223 190 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 254 160 212 0.75 shade: RGB 245 159 254, RGB 254 159 238, RGB 254 159 213, RGB 254 159 188 and RGB 254 159 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 254 160 212 0.75 shade: RGB 253 77 175, RGB 254 118 193, RGB 254 159 212, RGB 254 200 230 and RGB 255 241 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 254 160 212 0.75 shade: RGB 254 160 212, RGB 254 219 159 and RGB 159 251 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 254 160 212 0.75 shade: RGB 254 160 212, RGB 213 254 159 and RGB 159 213 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 254 160 212 0.75 shade: RGB 254 160 212, RGB 254 219 159, RGB 159 254 200 and RGB 159 194 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 254 160 212 0.75 shade: RGB 254 160 212, RGB 254 248 159, RGB 159 254 200 and RGB 159 165 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 12 / 0

HEX #FEA0D4BF

RGBA 254 160 212 0.75

HSLA 326.81, 0.98%, 0.81%, 0.75

LABA 76.66, 41.87, -11.77, 0.75

 

Complementary color

CMYK 74 / 0 / 41 / 47

HEX #015F2BBF

RGBA 1 95 43 0.75

HSLA 146.81, 0.98%, 0.19%, 0.75

LABA 34.73, -37.25, 22.92, 0.75

 

CMYK 0 / 28 / 14 / 0

HEX #FFA0CFBF

RGBA 255 160 207 0.75

HSLA 330.32, 1%, 0.81%, 0.75

LABA 76.62, 41.45, -9.08, 0.75

 

CMYK 0 / 23 / 9 / 0

HEX #FFB2E2BF

RGBA 255 178 226 0.75

HSLA 322.6, 1%, 0.85%, 0.75

LABA 81.07, 35.04, -12.76, 0.75

 

CMYK 0 / 17 / 3 / 0

HEX #FFC4F5BF

RGBA 255 196 245 0.75

HSLA 310.17, 1%, 0.88%, 0.75

LABA 85.67, 28.8, -16.02, 0.75

 

CMYK 0 / 12 / 0 / 0

HEX #FFD6FFBF

RGBA 255 214 255 0.75

HSLA 300, 1%, 0.92%, 0.75

LABA 90.12, 21.12, -14.62, 0.75

 

CMYK 0 / 7 / 0 / 0

HEX #FFE8FFBF

RGBA 255 232 255 0.75

HSLA 300, 1%, 0.95%, 0.75

LABA 94.39, 11.75, -8.26, 0.75

 

CMYK 0 / 28 / 12 / 0

HEX #FEA0D4BF

RGBA 254 160 212 0.75

HSLA 326.81, 0.98%, 0.81%, 0.75

LABA 76.66, 41.87, -11.77, 0.75

 

CMYK 0 / 30 / 14 / 5

HEX #ED8EC1BF

RGBA 237 142 193 0.75

HSLA 327.79, 0.73%, 0.74%, 0.75

LABA 70.32, 42.63, -10.99, 0.75

 

CMYK 0 / 33 / 16 / 10

HEX #DC7CAEBF

RGBA 220 124 174 0.75

HSLA 328.75, 0.58%, 0.67%, 0.75

LABA 63.91, 43.42, -10.11, 0.75

 

CMYK 0 / 36 / 18 / 15

HEX #CB6A9BBF

RGBA 203 106 155 0.75

HSLA 329.69, 0.48%, 0.61%, 0.75

LABA 57.44, 44.22, -9.11, 0.75

 

CMYK 0 / 40 / 20 / 20

HEX #BA5888BF

RGBA 186 88 136 0.75

HSLA 330.61, 0.42%, 0.54%, 0.75

LABA 50.92, 44.99, -7.93, 0.75

 

CMYK 0 / 37 / 17 / 0

HEX #FE9FD4

RGB 254 159 212

HSL 326.53, 0.98%, 0.81%

LAB 76.45, 42.38, -12.08

 

CMYK 0 / 37 / 27 / 0

HEX #FE9FBA

RGB 254 159 186

HSL 342.95, 0.98%, 0.81%

LAB 75.71, 38.66, 1.07

 

CMYK 0 / 37 / 37 / 0

HEX #FE9FA0

RGB 254 159 160

HSL 359.37, 0.98%, 0.81%

LAB 75.08, 35.42, 14.44

 

CMYK 0 / 37 / 37 / 0

HEX #FE9F9F

RGB 254 159 159

HSL 0, 0.98%, 0.81%

LAB 75.06, 35.3, 14.96

 

CMYK 0 / 37 / 17 / 0

HEX #FE9FD4

RGB 254 159 212

HSL 326.53, 0.98%, 0.81%

LAB 76.45, 42.38, -12.08

 

CMYK 0 / 37 / 7 / 0

HEX #FE9FED

RGB 254 159 237

HSL 310.74, 0.98%, 0.81%

LAB 77.27, 46.38, -24.45

 

CMYK 4 / 37 / 0 / 0

HEX #F59FFE

RGB 245 159 254

HSL 294.32, 0.98%, 0.81%

LAB 76.9, 46.64, -34.3

 

CMYK 13 / 37 / 0 / 0

HEX #DC9FFE

RGB 220 159 254

HSL 278.53, 0.98%, 0.81%

LAB 74.3, 39.24, -38.54

 

CMYK 24 / 37 / 0 / 0

HEX #C29FFE

RGB 194 159 254

HSL 262.11, 0.98%, 0.81%

LAB 71.84, 31.72, -42.55

 

CMYK 0 / 37 / 17 / 0

HEX #FE9FD4

RGB 254 159 212

HSL 326.53, 0.98%, 0.81%

LAB 76.45, 42.38, -12.08

 

CMYK 0 / 37 / 17 / 0

HEX #FE9FD4

RGB 254 159 212

HSL 326.53, 0.98%, 0.81%

LAB 76.45, 42.38, -12.08

 

CMYK 0 / 32 / 14 / 4

HEX #F6A7D3

RGB 246 167 211

HSL 326.58, 0.81%, 0.81%

LAB 77.24, 35.39, -10.45

 

CMYK 0 / 26 / 12 / 7

HEX #EEAFD2

RGB 238 175 210

HSL 326.67, 0.65%, 0.81%

LAB 78.16, 28.27, -8.62

 

CMYK 0 / 21 / 10 / 9

HEX #E7B7D1

RGB 231 183 209

HSL 327.5, 0.5%, 0.81%

LAB 79.31, 21.42, -6.46

 

CMYK 0 / 15 / 7 / 13

HEX #DFBED0

RGB 223 190 208

HSL 327.27, 0.34%, 0.81%

LAB 80.22, 14.73, -4.65

 

CMYK 4 / 37 / 0 / 0

HEX #F59FFE

RGB 245 159 254

HSL 294.32, 0.98%, 0.81%

LAB 76.9, 46.64, -34.3

 

CMYK 0 / 37 / 6 / 0

HEX #FE9FEE

RGB 254 159 238

HSL 310.11, 0.98%, 0.81%

LAB 77.3, 46.55, -24.94

 

CMYK 0 / 37 / 16 / 0

HEX #FE9FD5

RGB 254 159 213

HSL 325.89, 0.98%, 0.81%

LAB 76.48, 42.53, -12.58

 

CMYK 0 / 37 / 26 / 0

HEX #FE9FBC

RGB 254 159 188

HSL 341.68, 0.98%, 0.81%

LAB 75.76, 38.92, 0.05

 

CMYK 0 / 37 / 36 / 0

HEX #FE9FA2

RGB 254 159 162

HSL 358.11, 0.98%, 0.81%

LAB 75.12, 35.65, 13.41

 

CMYK 0 / 70 / 31 / 1

HEX #FD4DAF

RGB 253 77 175

HSL 326.59, 0.98%, 0.65%

LAB 61.03, 74, -14.52

 

CMYK 0 / 54 / 24 / 0

HEX #FE76C1

RGB 254 118 193

HSL 326.91, 0.99%, 0.73%

LAB 67.93, 59.82, -14.34

 

CMYK 0 / 37 / 17 / 0

HEX #FE9FD4

RGB 254 159 212

HSL 326.53, 0.98%, 0.81%

LAB 76.45, 42.38, -12.08

 

CMYK 0 / 21 / 9 / 0

HEX #FEC8E6

RGB 254 200 230

HSL 326.67, 0.96%, 0.89%

LAB 86.05, 23.81, -7.48

 

CMYK 0 / 5 / 2 / 0

HEX #FFF1F9

RGB 255 241 249

HSL 325.71, 1%, 0.97%

LAB 96.41, 6.07, -2.17

 

CMYK 0 / 37 / 17 / 0

HEX #FEA0D4

RGB 254 160 212

HSL 326.81, 0.98%, 0.81%

LAB 76.66, 41.87, -11.77

 

CMYK 0 / 14 / 37 / 0

HEX #FEDB9F

RGB 254 219 159

HSL 37.89, 0.98%, 0.81%

LAB 89.03, 4.03, 34.01

 

CMYK 37 / 1 / 0 / 0

HEX #9FFBFE

RGB 159 251 254

HSL 181.89, 0.98%, 0.81%

LAB 93.24, -26.58, -10.1

 

CMYK 0 / 37 / 17 / 0

HEX #FEA0D4

RGB 254 160 212

HSL 326.81, 0.98%, 0.81%

LAB 76.66, 41.87, -11.77

 

CMYK 16 / 0 / 37 / 0

HEX #D5FE9F

RGB 213 254 159

HSL 85.89, 0.98%, 0.81%

LAB 94.96, -28.62, 41.19

 

CMYK 37 / 16 / 0 / 0

HEX #9FD5FE

RGB 159 213 254

HSL 205.89, 0.98%, 0.81%

LAB 82.97, -7.49, -25.56

 

CMYK 0 / 37 / 17 / 0

HEX #FEA0D4

RGB 254 160 212

HSL 326.81, 0.98%, 0.81%

LAB 76.66, 41.87, -11.77

 

CMYK 0 / 14 / 37 / 0

HEX #FEDB9F

RGB 254 219 159

HSL 37.89, 0.98%, 0.81%

LAB 89.03, 4.03, 34.01

 

CMYK 37 / 0 / 21 / 0

HEX #9FFEC8

RGB 159 254 200

HSL 145.89, 0.98%, 0.81%

LAB 92.76, -39.49, 17.09

 

CMYK 37 / 24 / 0 / 0

HEX #9FC2FE

RGB 159 194 254

HSL 217.89, 0.98%, 0.81%

LAB 77.94, 2.66, -33.28

 

CMYK 0 / 37 / 17 / 0

HEX #FEA0D4

RGB 254 160 212

HSL 326.81, 0.98%, 0.81%

LAB 76.66, 41.87, -11.77

 

CMYK 0 / 2 / 37 / 0

HEX #FEF89F

RGB 254 248 159

HSL 56.21, 0.98%, 0.81%

LAB 96.29, -10.55, 43.47

 

CMYK 37 / 0 / 21 / 0

HEX #9FFEC8

RGB 159 254 200

HSL 145.89, 0.98%, 0.81%

LAB 92.76, -39.49, 17.09

 

CMYK 37 / 35 / 0 / 0

HEX #9FA5FE

RGB 159 165 254

HSL 236.21, 0.98%, 0.81%

LAB 70.48, 18.78, -44.88

 

Description

Color code: RGBA 254 160 212 0.75 | qconv.com Color code: RGBA 254 160 212 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 160 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 160 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 12 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 12% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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