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Color name
RGBA 253 131 32 0.75

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 253 131 32 0.75 it is the complementary color RGBA 2 124 223 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGBA 253 131 32 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 253 131 32 0.75 shade: RGBA 255 131 27 0.75, RGBA 255 149 46 0.75, RGBA 255 167 65 0.75, RGBA 255 185 84 0.75 and RGBA 255 203 103 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGBA 253 131 32 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 253 131 32 0.75 shade: RGBA 253 131 32 0.75, RGBA 236 113 13 0.75, RGBA 219 95 0 0.75, RGBA 202 77 0 0.75 and RGBA 185 59 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 253 131 32 0.75 shade: RGB 253 131 33, RGB 253 72 33 and RGB 253 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 253 131 32 0.75 shade: RGB 253 131 33, RGB 253 191 33, RGB 253 250 33, RGB 196 253 33 and RGB 137 253 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 253 131 32 0.75 shade matches the following richer shades: RGB 253 131 33

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 253 131 32 0.75 shade: RGB 253 131 33, RGB 235 133 51, RGB 216 135 69, RGB 198 137 87 and RGB 180 139 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 253 131 32 0.75 shade: RGB 253 33 55, RGB 253 69 33, RGB 253 128 33, RGB 253 187 33 and RGB 253 245 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 253 131 32 0.75 shade: RGB 201 91 2, RGB 242 110 2, RGB 253 131 33, RGB 253 154 74 and RGB 254 177 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 253 131 32 0.75 shade: RGB 253 131 32, RGB 113 253 33 and RGB 40 33 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 253 131 32 0.75 shade: RGB 253 131 32, RGB 33 253 128 and RGB 128 33 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 253 131 32 0.75 shade: RGB 253 131 32, RGB 113 253 33, RGB 33 157 253 and RGB 172 33 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 253 131 32 0.75 shade: RGB 253 131 32, RGB 48 253 33, RGB 33 157 253 and RGB 238 33 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 66 / 1

RGBA 253 131 32 0.75

HSLA 26.88, 0.98%, 0.56%, 0.75

LABA 67.44, 40.94, 67.87, 0.75

Complementary color

CMYK 74 / 33 / 0 / 9

RGBA 2 124 223 0.75

HSLA 206.88, 0.98%, 0.44%, 0.75

LABA 51.56, 8.9, -58.2, 0.75

Lighter colors

CMYK 0 / 36 / 67 / 0

RGBA 255 131 27 0.75

HSLA 27.37, 1%, 0.55%, 0.75

LABA 67.7, 41.63, 69.6, 0.75

CMYK 0 / 31 / 61 / 0

RGBA 255 149 46 0.75

HSLA 29.57, 1%, 0.59%, 0.75

LABA 71.52, 32.94, 66.75, 0.75

CMYK 0 / 26 / 56 / 0

RGBA 255 167 65 0.75

HSLA 32.21, 1%, 0.63%, 0.75

LABA 75.62, 24.26, 63.27, 0.75

CMYK 0 / 21 / 50 / 0

RGBA 255 185 84 0.75

HSLA 35.44, 1%, 0.66%, 0.75

LABA 79.95, 15.78, 59.59, 0.75

CMYK 0 / 15 / 45 / 0

RGBA 255 203 103 0.75

HSLA 39.47, 1%, 0.7%, 0.75

LABA 84.46, 7.6, 55.95, 0.75

Darker colors

CMYK 0 / 36 / 66 / 1

RGBA 253 131 32 0.75

HSLA 26.88, 0.98%, 0.56%, 0.75

LABA 67.44, 40.94, 67.87, 0.75

CMYK 0 / 39 / 71 / 6

RGBA 236 113 13 0.75

HSLA 26.91, 0.9%, 0.49%, 0.75

LABA 61.37, 42.97, 67.08, 0.75

CMYK 0 / 42 / 75 / 11

RGBA 219 95 0 0.75

HSLA 26.03, 1%, 0.43%, 0.75

LABA 55.32, 45.08, 64.43, 0.75

CMYK 0 / 46 / 75 / 16

RGBA 202 77 0 0.75

HSLA 22.87, 1%, 0.4%, 0.75

LABA 49.33, 47.13, 59.66, 0.75

CMYK 0 / 51 / 75 / 21

RGBA 185 59 0 0.75

HSLA 19.14, 1%, 0.36%, 0.75

LABA 43.42, 48.86, 54.96, 0.75

Warmer colors

CMYK 0 / 48 / 87 / 1

HSL 26.73, 0.98%, 0.56%

LAB 67.45, 40.96, 67.57

CMYK 0 / 72 / 87 / 1

HSL 10.64, 0.98%, 0.56%

LAB 57.68, 66.54, 59.93

CMYK 0 / 87 / 87 / 1

HSL 0, 0.98%, 0.56%

LAB 54.11, 76.58, 57.15

Colder colors

CMYK 0 / 48 / 87 / 1

HSL 26.73, 0.98%, 0.56%

LAB 67.45, 40.96, 67.57

CMYK 0 / 25 / 87 / 1

HSL 43.09, 0.98%, 0.56%

LAB 80.88, 9.93, 78.17

CMYK 0 / 1 / 87 / 1

HSL 59.18, 0.98%, 0.56%

LAB 95.73, -19.63, 89.96

CMYK 23 / 0 / 87 / 1

HSL 75.55, 0.98%, 0.56%

LAB 92.62, -43.68, 85.8

CMYK 46 / 0 / 87 / 1

HSL 91.64, 0.98%, 0.56%

LAB 89.71, -63.89, 82.19

Richer colors

CMYK 0 / 48 / 87 / 1

HSL 26.73, 0.98%, 0.56%

LAB 67.45, 40.96, 67.57

Paler colors

CMYK 0 / 48 / 87 / 1

HSL 26.73, 0.98%, 0.56%

LAB 67.45, 40.96, 67.57

CMYK 0 / 43 / 78 / 8

HSL 26.74, 0.82%, 0.56%

LAB 65.5, 33.29, 58.36

CMYK 0 / 38 / 68 / 15

HSL 26.94, 0.65%, 0.56%

LAB 63.64, 25.27, 47.46

CMYK 0 / 31 / 56 / 22

HSL 27.03, 0.49%, 0.56%

LAB 62.16, 17.9, 35.94

CMYK 0 / 23 / 42 / 29

RGB 180 139 105

HSL 27.2, 0.33%, 0.56%

LAB 60.95, 11.03, 24.17

Analogue colors

CMYK 0 / 87 / 78 / 1

HSL 354, 0.98%, 0.56%

LAB 54.29, 77.09, 46.33

CMYK 0 / 73 / 87 / 1

HSL 9.82, 0.98%, 0.56%

LAB 57.32, 67.55, 59.64

CMYK 0 / 49 / 87 / 1

HSL 25.91, 0.98%, 0.56%

LAB 66.85, 42.45, 67.1

CMYK 0 / 26 / 87 / 1

HSL 42, 0.98%, 0.56%

LAB 79.92, 12.01, 77.41

CMYK 0 / 3 / 87 / 1

HSL 57.82, 0.98%, 0.56%

LAB 94.44, -17.23, 88.93

Monochromatic colors

CMYK 0 / 55 / 99 / 21

HSL 26.83, 0.98%, 0.4%

LAB 51.73, 40.12, 60.45

CMYK 0 / 55 / 99 / 5

HSL 27, 0.98%, 0.48%

LAB 61.68, 46.62, 69.57

CMYK 0 / 48 / 87 / 1

HSL 26.73, 0.98%, 0.56%

LAB 67.45, 40.96, 67.57

CMYK 0 / 39 / 71 / 1

HSL 26.82, 0.98%, 0.64%

LAB 72.55, 30.62, 56.11

CMYK 0 / 30 / 55 / 0

RGB 254 177 115

HSL 26.76, 0.99%, 0.72%

LAB 78.32, 21.64, 42.73

Partial complementary colors

CMYK 0 / 48 / 87 / 1

HSL 26.88, 0.98%, 0.56%

LAB 67.44, 40.94, 67.87

CMYK 55 / 0 / 87 / 1

HSL 98.18, 0.98%, 0.56%

LAB 88.86, -70.52, 81.13

CMYK 84 / 87 / 0 / 1

HSL 241.91, 0.98%, 0.56%

LAB 35.26, 72.15, -101.77

Triadic colors

CMYK 0 / 48 / 87 / 1

HSL 26.88, 0.98%, 0.56%

LAB 67.44, 40.94, 67.87

CMYK 87 / 0 / 49 / 1

HSL 145.91, 0.98%, 0.56%

LAB 88.03, -74.82, 46.04

CMYK 49 / 87 / 0 / 1

HSL 265.91, 0.98%, 0.56%

LAB 42.41, 77.62, -89.7

Rectangular (tetradic) colors

CMYK 0 / 48 / 87 / 1

HSL 26.88, 0.98%, 0.56%

LAB 67.44, 40.94, 67.87

CMYK 55 / 0 / 87 / 1

HSL 98.18, 0.98%, 0.56%

LAB 88.86, -70.52, 81.13

CMYK 87 / 38 / 0 / 1

HSL 206.18, 0.98%, 0.56%

LAB 62.95, 1.68, -56.59

CMYK 32 / 87 / 0 / 1

HSL 277.91, 0.98%, 0.56%

LAB 48.2, 82.65, -79.98

Square colors

CMYK 0 / 48 / 87 / 1

HSL 26.88, 0.98%, 0.56%

LAB 67.44, 40.94, 67.87

CMYK 81 / 0 / 87 / 1

HSL 115.91, 0.98%, 0.56%

LAB 87.48, -82.21, 79.4

CMYK 87 / 38 / 0 / 1

HSL 206.18, 0.98%, 0.56%

LAB 62.95, 1.68, -56.59

CMYK 6 / 87 / 0 / 1

HSL 295.91, 0.98%, 0.56%

LAB 58.37, 92.34, -63.01

Description

Color code: RGBA 253 131 32 0.75 | qconv.com

Color code: RGBA 253 131 32 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 131 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 66 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

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