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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 252 178 229 0 it is the complementary color RGBA 3 77 26 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 252 178 229 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 252 178 229 0 shade: RGBA 255 178 224 0, RGBA 255 196 243 0, RGBA 255 214 255 0, RGBA 255 232 255 0 and RGBA 255 250 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 252 178 229 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 252 178 229 0 shade: RGBA 252 178 229 0, RGBA 235 160 210 0, RGBA 218 142 191 0, RGBA 201 124 172 0 and RGBA 184 106 153 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 252 178 229 0 shade: RGB 252 176 229, RGB 252 176 208, RGB 252 176 188 and RGB 252 176 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 252 178 229 0 shade: RGB 252 176 229, RGB 252 176 249, RGB 235 176 252, RGB 214 176 252 and RGB 194 176 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 252 178 229 0 shade matches the following richer shades: RGB 252 176 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 252 178 229 0 shade: RGB 252 176 229, RGB 246 183 226, RGB 239 189 224, RGB 232 196 221 and RGB 226 203 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 252 178 229 0 shade: RGB 234 176 252, RGB 252 176 250, RGB 252 176 229, RGB 252 176 209 and RGB 252 176 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 252 178 229 0 shade: RGB 249 97 202, RGB 251 136 215, RGB 252 176 229, RGB 254 216 242 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 252 178 229 0 shade: RGB 252 178 229, RGB 252 214 176 and RGB 176 252 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 252 178 229 0 shade: RGB 252 178 229, RGB 229 252 176 and RGB 176 229 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 252 178 229 0 shade: RGB 252 178 229, RGB 252 214 176, RGB 176 252 199 and RGB 176 214 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 252 178 229 0 shade: RGB 252 178 229, RGB 252 237 176, RGB 176 252 199 and RGB 176 191 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FCB2E500

RGBA 252 178 229 0

HSLA 318.65, 0.93%, 0.84%, 0

LABA 80.85, 34.54, -14.73, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #034D1A00

RGBA 3 77 26 0

HSLA 138.65, 0.93%, 0.16%, 0

LABA 27.85, -33.17, 24.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB2E000

RGBA 255 178 224 0

HSLA 324.16, 1%, 0.85%, 0

LABA 81.01, 34.72, -11.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC4F300

RGBA 255 196 243 0

HSLA 312.2, 1%, 0.88%, 0

LABA 85.61, 28.45, -15.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD6FF00

RGBA 255 214 255 0

HSLA 300, 1%, 0.92%, 0

LABA 90.12, 21.12, -14.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFE8FF00

RGBA 255 232 255 0

HSLA 300, 1%, 0.95%, 0

LABA 94.39, 11.75, -8.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFAFF00

RGBA 255 250 255 0

HSLA 300, 1%, 0.99%, 0

LABA 98.77, 2.53, -1.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FCB2E500

RGBA 252 178 229 0

HSLA 318.65, 0.93%, 0.84%, 0

LABA 80.85, 34.54, -14.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EBA0D200

RGBA 235 160 210 0

HSLA 320, 0.65%, 0.77%, 0

LABA 74.48, 35.22, -14.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DA8EBF00

RGBA 218 142 191 0

HSLA 321.32, 0.51%, 0.71%, 0

LABA 68.03, 35.95, -13.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C97CAC00

RGBA 201 124 172 0

HSLA 322.6, 0.42%, 0.64%, 0

LABA 61.49, 36.71, -12.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B86A9900

RGBA 184 106 153 0

HSLA 323.85, 0.35%, 0.57%, 0

LABA 54.86, 37.5, -12.06, 0

 

CMYK 0 / 30 / 9 / 1

HEX #FCB0E5

RGB 252 176 229

HSL 318.16, 0.93%, 0.84%

LAB 80.41, 35.59, -15.4

 

CMYK 0 / 30 / 17 / 1

HEX #FCB0D0

RGB 252 176 208

HSL 334.74, 0.93%, 0.84%

LAB 79.78, 32.25, -4.97

 

CMYK 0 / 30 / 25 / 1

HEX #FCB0BC

RGB 252 176 188

HSL 350.53, 0.93%, 0.84%

LAB 79.26, 29.35, 5.1

 

CMYK 0 / 30 / 30 / 1

HEX #FCB0B0

RGB 252 176 176

HSL 0, 0.93%, 0.84%

LAB 78.97, 27.75, 11.19

 

CMYK 0 / 30 / 9 / 1

HEX #FCB0E5

RGB 252 176 229

HSL 318.16, 0.93%, 0.84%

LAB 80.41, 35.59, -15.4

 

CMYK 0 / 30 / 1 / 1

HEX #FCB0F9

RGB 252 176 249

HSL 302.37, 0.93%, 0.84%

LAB 81.06, 39.03, -25.15

 

CMYK 7 / 30 / 0 / 1

HEX #EBB0FC

RGB 235 176 252

HSL 286.58, 0.93%, 0.84%

LAB 79.47, 34.28, -29.36

 

CMYK 15 / 30 / 0 / 1

HEX #D6B0FC

RGB 214 176 252

HSL 270, 0.93%, 0.84%

LAB 77.5, 27.84, -32.54

 

CMYK 23 / 30 / 0 / 1

HEX #C2B0FC

RGB 194 176 252

HSL 254.21, 0.93%, 0.84%

LAB 75.79, 21.87, -35.33

 

CMYK 0 / 30 / 9 / 1

HEX #FCB0E5

RGB 252 176 229

HSL 318.16, 0.93%, 0.84%

LAB 80.41, 35.59, -15.4

 

CMYK 0 / 30 / 9 / 1

HEX #FCB0E5

RGB 252 176 229

HSL 318.16, 0.93%, 0.84%

LAB 80.41, 35.59, -15.4

 

CMYK 0 / 26 / 8 / 4

HEX #F6B7E2

RGB 246 183 226

HSL 319.05, 0.78%, 0.84%

LAB 81.26, 29.41, -12.56

 

CMYK 0 / 21 / 6 / 6

HEX #EFBDE0

RGB 239 189 224

HSL 318, 0.61%, 0.84%

LAB 81.91, 23.52, -10.59

 

CMYK 0 / 16 / 5 / 9

HEX #E8C4DD

RGB 232 196 221

HSL 318.33, 0.44%, 0.84%

LAB 82.84, 16.9, -7.67

 

CMYK 0 / 10 / 3 / 11

HEX #E2CBDB

RGB 226 203 219

HSL 318.26, 0.28%, 0.84%

LAB 83.96, 10.78, -5

 

CMYK 7 / 30 / 0 / 1

HEX #EAB0FC

RGB 234 176 252

HSL 285.79, 0.93%, 0.84%

LAB 79.37, 33.98, -29.51

 

CMYK 0 / 30 / 1 / 1

HEX #FCB0FA

RGB 252 176 250

HSL 301.58, 0.93%, 0.84%

LAB 81.1, 39.21, -25.64

 

CMYK 0 / 30 / 9 / 1

HEX #FCB0E5

RGB 252 176 229

HSL 318.16, 0.93%, 0.84%

LAB 80.41, 35.59, -15.4

 

CMYK 0 / 30 / 17 / 1

HEX #FCB0D1

RGB 252 176 209

HSL 333.95, 0.93%, 0.84%

LAB 79.81, 32.4, -5.47

 

CMYK 0 / 30 / 25 / 1

HEX #FCB0BD

RGB 252 176 189

HSL 349.74, 0.93%, 0.84%

LAB 79.28, 29.49, 4.59

 

CMYK 0 / 61 / 19 / 2

HEX #F961CA

RGB 249 97 202

HSL 318.55, 0.93%, 0.68%

LAB 64.12, 68.76, -25.27

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D7

RGB 251 136 215

HSL 318.78, 0.93%, 0.76%

LAB 71.57, 53.48, -21.12

 

CMYK 0 / 30 / 9 / 1

HEX #FCB0E5

RGB 252 176 229

HSL 318.16, 0.93%, 0.84%

LAB 80.41, 35.59, -15.4

 

CMYK 0 / 15 / 5 / 0

HEX #FED8F2

RGB 254 216 242

HSL 318.95, 0.95%, 0.92%

LAB 90.13, 17.46, -7.78

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 29 / 9 / 1

HEX #FCB2E5

RGB 252 178 229

HSL 318.65, 0.93%, 0.84%

LAB 80.85, 34.54, -14.73

 

CMYK 0 / 15 / 30 / 1

HEX #FCD6B0

RGB 252 214 176

HSL 30, 0.93%, 0.84%

LAB 87.93, 7.87, 23.71

 

CMYK 30 / 0 / 3 / 1

HEX #B0FCF5

RGB 176 252 245

HSL 174.47, 0.93%, 0.84%

LAB 94.07, -24.66, -4.12

 

CMYK 0 / 29 / 9 / 1

HEX #FCB2E5

RGB 252 178 229

HSL 318.65, 0.93%, 0.84%

LAB 80.85, 34.54, -14.73

 

CMYK 9 / 0 / 30 / 1

HEX #E5FCB0

RGB 229 252 176

HSL 78.16, 0.93%, 0.84%

LAB 95.75, -19.74, 34

 

CMYK 30 / 9 / 0 / 1

HEX #B0E5FC

RGB 176 229 252

HSL 198.16, 0.93%, 0.84%

LAB 88.11, -11.67, -16.64

 

CMYK 0 / 29 / 9 / 1

HEX #FCB2E5

RGB 252 178 229

HSL 318.65, 0.93%, 0.84%

LAB 80.85, 34.54, -14.73

 

CMYK 0 / 15 / 30 / 1

HEX #FCD6B0

RGB 252 214 176

HSL 30, 0.93%, 0.84%

LAB 87.93, 7.87, 23.71

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 30 / 15 / 0 / 1

HEX #B0D6FC

RGB 176 214 252

HSL 210, 0.93%, 0.84%

LAB 84.15, -3.9, -22.63

 

CMYK 0 / 29 / 9 / 1

HEX #FCB2E5

RGB 252 178 229

HSL 318.65, 0.93%, 0.84%

LAB 80.85, 34.54, -14.73

 

CMYK 0 / 6 / 30 / 1

HEX #FCEDB0

RGB 252 237 176

HSL 48.16, 0.93%, 0.84%

LAB 93.62, -3.87, 31.44

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 30 / 24 / 0 / 1

HEX #B0BFFC

RGB 176 191 252

HSL 228.16, 0.93%, 0.84%

LAB 78.18, 8.43, -31.75

 

Description

Color code: RGBA 252 178 229 0 | qconv.com Color code: RGBA 252 178 229 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 178 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 178 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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