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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 252 165 112 0 it is the complementary color RGBA 3 90 143 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 252 165 112 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 252 165 112 0 shade: RGBA 255 165 107 0, RGBA 255 183 126 0, RGBA 255 201 145 0, RGBA 255 219 164 0 and RGBA 255 237 183 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 252 165 112 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 252 165 112 0 shade: RGBA 252 165 112 0, RGBA 235 147 93 0, RGBA 218 129 74 0, RGBA 201 111 55 0 and RGBA 184 93 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 252 165 112 0 shade: RGB 252 164 110, RGB 252 126 110 and RGB 252 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 252 165 112 0 shade: RGB 252 164 110, RGB 252 202 110, RGB 252 240 110, RGB 225 252 110 and RGB 187 252 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 252 165 112 0 shade matches the following richer shades: RGB 252 164 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 252 165 112 0 shade: RGB 252 164 110, RGB 240 167 122, RGB 228 170 134, RGB 216 173 146 and RGB 204 175 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 252 165 112 0 shade: RGB 252 110 134, RGB 252 124 110, RGB 252 162 110, RGB 252 200 110 and RGB 252 238 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 252 165 112 0 shade: RGB 250 113 29, RGB 251 138 70, RGB 252 164 110, RGB 253 189 150 and RGB 254 215 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 252 165 112 0 shade: RGB 252 165 112, RGB 172 252 110 and RGB 110 115 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 252 165 112 0 shade: RGB 252 165 112, RGB 110 252 162 and RGB 162 110 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 252 165 112 0 shade: RGB 252 165 112, RGB 172 252 110, RGB 110 200 252 and RGB 191 110 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 252 165 112 0 shade: RGB 252 165 112, RGB 129 252 110, RGB 110 200 252 and RGB 233 110 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FCA57000

RGBA 252 165 112 0

HSLA 22.71, 0.96%, 0.71%, 0

LABA 75.31, 26.89, 40.49, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #035A8F00

RGBA 3 90 143 0

HSLA 202.71, 0.96%, 0.29%, 0

LABA 36.58, -1.74, -35.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA56B00

RGBA 255 165 107 0

HSLA 23.51, 1%, 0.71%, 0

LABA 75.6, 27.7, 43.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB77E00

RGBA 255 183 126 0

HSLA 26.51, 1%, 0.75%, 0

LABA 79.97, 19.81, 39.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC99100

RGBA 255 201 145 0

HSLA 30.55, 1%, 0.78%, 0

LABA 84.52, 12.22, 35.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFDBA400

RGBA 255 219 164 0

HSLA 36.26, 1%, 0.82%, 0

LABA 89.21, 4.98, 31.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEDB700

RGBA 255 237 183 0

HSLA 45, 1%, 0.86%, 0

LABA 93.99, -1.87, 28.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FCA57000

RGBA 252 165 112 0

HSLA 22.71, 0.96%, 0.71%, 0

LABA 75.31, 26.89, 40.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EB935D00

RGBA 235 147 93 0

HSLA 22.82, 0.78%, 0.64%, 0

LABA 68.98, 28.16, 42.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DA814A00

RGBA 218 129 74 0

HSLA 22.92, 0.66%, 0.57%, 0

LABA 62.59, 29.58, 43.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C96F3700

RGBA 201 111 55 0

HSLA 23.01, 0.57%, 0.5%, 0

LABA 56.15, 31.18, 45.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B85D2400

RGBA 184 93 36 0

HSLA 23.11, 0.67%, 0.43%, 0

LABA 49.67, 32.96, 47.26, 0

 

CMYK 0 / 35 / 56 / 1

HEX #FCA46E

RGB 252 164 110

HSL 22.82, 0.96%, 0.71%

LAB 75.06, 27.26, 41.22

 

CMYK 0 / 50 / 56 / 1

HEX #FC7E6E

RGB 252 126 110

HSL 6.76, 0.96%, 0.71%

LAB 67.08, 46.64, 31.12

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 35 / 56 / 1

HEX #FCA46E

RGB 252 164 110

HSL 22.82, 0.96%, 0.71%

LAB 75.06, 27.26, 41.22

 

CMYK 0 / 20 / 56 / 1

HEX #FCCA6E

RGB 252 202 110

HSL 38.87, 0.96%, 0.71%

LAB 84, 7.4, 52.04

 

CMYK 0 / 5 / 56 / 1

HEX #FCF06E

RGB 252 240 110

HSL 54.93, 0.96%, 0.71%

LAB 93.51, -11.81, 63.03

 

CMYK 11 / 0 / 56 / 1

HEX #E1FC6E

RGB 225 252 110

HSL 71.41, 0.96%, 0.71%

LAB 94.63, -28.2, 63.75

 

CMYK 26 / 0 / 56 / 1

HEX #BBFC6E

RGB 187 252 110

HSL 87.46, 0.96%, 0.71%

LAB 92.27, -42.29, 60.43

 

CMYK 0 / 35 / 56 / 1

HEX #FCA46E

RGB 252 164 110

HSL 22.82, 0.96%, 0.71%

LAB 75.06, 27.26, 41.22

 

CMYK 0 / 35 / 56 / 1

HEX #FCA46E

RGB 252 164 110

HSL 22.82, 0.96%, 0.71%

LAB 75.06, 27.26, 41.22

 

CMYK 0 / 30 / 49 / 6

HEX #F0A77A

RGB 240 167 122

HSL 22.88, 0.8%, 0.71%

LAB 74.55, 21.92, 34

 

CMYK 0 / 25 / 41 / 11

HEX #E4AA86

RGB 228 170 134

HSL 22.98, 0.64%, 0.71%

LAB 74.17, 16.78, 26.86

 

CMYK 0 / 20 / 32 / 15

HEX #D8AD92

RGB 216 173 146

HSL 23.14, 0.47%, 0.71%

LAB 73.91, 11.88, 19.83

 

CMYK 0 / 14 / 23 / 20

HEX #CCAF9E

RGB 204 175 158

HSL 22.17, 0.31%, 0.71%

LAB 73.52, 7.83, 12.59

 

CMYK 0 / 56 / 47 / 1

HEX #FC6E86

RGB 252 110 134

HSL 349.86, 0.96%, 0.71%

LAB 64.62, 56.2, 14.29

 

CMYK 0 / 51 / 56 / 1

HEX #FC7C6E

RGB 252 124 110

HSL 5.92, 0.96%, 0.71%

LAB 66.7, 47.61, 30.62

 

CMYK 0 / 36 / 56 / 1

HEX #FCA26E

RGB 252 162 110

HSL 21.97, 0.96%, 0.71%

LAB 74.61, 28.3, 40.66

 

CMYK 0 / 21 / 56 / 1

HEX #FCC86E

RGB 252 200 110

HSL 38.03, 0.96%, 0.71%

LAB 83.51, 8.44, 51.46

 

CMYK 0 / 6 / 56 / 1

HEX #FCEE6E

RGB 252 238 110

HSL 54.08, 0.96%, 0.71%

LAB 93, -10.83, 62.45

 

CMYK 0 / 55 / 88 / 2

HEX #FA711D

RGB 250 113 29

HSL 22.81, 0.96%, 0.55%

LAB 63.53, 48.5, 65.58

 

CMYK 0 / 45 / 72 / 2

HEX #FB8A46

RGB 251 138 70

HSL 22.54, 0.96%, 0.63%

LAB 68.84, 37.86, 53.95

 

CMYK 0 / 35 / 56 / 1

HEX #FCA46E

RGB 252 164 110

HSL 22.82, 0.96%, 0.71%

LAB 75.06, 27.26, 41.22

 

CMYK 0 / 25 / 41 / 1

HEX #FDBD96

RGB 253 189 150

HSL 22.72, 0.96%, 0.79%

LAB 81.55, 18.23, 28.69

 

CMYK 0 / 15 / 25 / 0

HEX #FED7BF

RGB 254 215 191

HSL 22.86, 0.97%, 0.87%

LAB 88.65, 10.07, 16.9

 

CMYK 0 / 35 / 56 / 1

HEX #FCA570

RGB 252 165 112

HSL 22.71, 0.96%, 0.71%

LAB 75.31, 26.89, 40.49

 

CMYK 32 / 0 / 56 / 1

HEX #ACFC6E

RGB 172 252 110

HSL 93.8, 0.96%, 0.71%

LAB 91.47, -47.48, 59.3

 

CMYK 56 / 54 / 0 / 1

HEX #6E73FC

RGB 110 115 252

HSL 237.89, 0.96%, 0.71%

LAB 54.66, 36.35, -69.19

 

CMYK 0 / 35 / 56 / 1

HEX #FCA570

RGB 252 165 112

HSL 22.71, 0.96%, 0.71%

LAB 75.31, 26.89, 40.49

 

CMYK 56 / 0 / 36 / 1

HEX #6EFCA2

RGB 110 252 162

HSL 141.97, 0.96%, 0.71%

LAB 89.65, -57.86, 31.81

 

CMYK 36 / 56 / 0 / 1

HEX #A26EFC

RGB 162 110 252

HSL 261.97, 0.96%, 0.71%

LAB 57.91, 49.94, -63.74

 

CMYK 0 / 35 / 56 / 1

HEX #FCA570

RGB 252 165 112

HSL 22.71, 0.96%, 0.71%

LAB 75.31, 26.89, 40.49

 

CMYK 32 / 0 / 56 / 1

HEX #ACFC6E

RGB 172 252 110

HSL 93.8, 0.96%, 0.71%

LAB 91.47, -47.48, 59.3

 

CMYK 56 / 21 / 0 / 1

HEX #6EC8FC

RGB 110 200 252

HSL 201.97, 0.96%, 0.71%

LAB 77.07, -12.47, -33.75

 

CMYK 24 / 56 / 0 / 1

HEX #BF6EFC

RGB 191 110 252

HSL 274.23, 0.96%, 0.71%

LAB 61.01, 56.71, -58.6

 

CMYK 0 / 35 / 56 / 1

HEX #FCA570

RGB 252 165 112

HSL 22.71, 0.96%, 0.71%

LAB 75.31, 26.89, 40.49

 

CMYK 49 / 0 / 56 / 1

HEX #81FC6E

RGB 129 252 110

HSL 111.97, 0.96%, 0.71%

LAB 89.59, -60.63, 56.63

 

CMYK 56 / 21 / 0 / 1

HEX #6EC8FC

RGB 110 200 252

HSL 201.97, 0.96%, 0.71%

LAB 77.07, -12.47, -33.75

 

CMYK 8 / 56 / 0 / 1

HEX #E96EFC

RGB 233 110 252

HSL 291.97, 0.96%, 0.71%

LAB 66.14, 66.98, -50.13

 

Description

Color code: RGBA 252 165 112 0 | qconv.com Color code: RGBA 252 165 112 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 165 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 165 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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