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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 252 129 191 0 it is the complementary color RGBA 3 126 64 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 252 129 191 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 252 129 191 0 shade: RGBA 255 129 186 0, RGBA 255 147 205 0, RGBA 255 165 224 0, RGBA 255 183 243 0 and RGBA 255 201 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 252 129 191 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 252 129 191 0 shade: RGBA 252 129 191 0, RGBA 235 111 172 0, RGBA 218 93 153 0, RGBA 201 75 134 0 and RGBA 184 57 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 252 129 191 0 shade: RGB 252 131 192, RGB 252 131 159 and RGB 252 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 252 129 191 0 shade: RGB 252 131 192, RGB 252 131 224, RGB 247 131 252, RGB 214 131 252 and RGB 181 131 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 252 129 191 0 shade matches the following richer shades: RGB 252 131 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 252 129 191 0 shade: RGB 252 131 192, RGB 241 141 192, RGB 231 151 192, RGB 221 162 191 and RGB 211 172 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 252 129 191 0 shade: RGB 246 131 252, RGB 252 131 226, RGB 252 131 193, RGB 252 131 161 and RGB 252 133 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 252 129 191 0 shade: RGB 250 50 151, RGB 251 90 171, RGB 252 131 192, RGB 253 171 212 and RGB 254 211 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 252 129 191 0 shade: RGB 252 129 191, RGB 252 213 131 and RGB 131 242 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 252 129 191 0 shade: RGB 252 129 191, RGB 193 252 131 and RGB 131 193 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 252 129 191 0 shade: RGB 252 129 191, RGB 252 213 131, RGB 131 252 189 and RGB 131 169 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 252 129 191 0 shade: RGB 252 129 191, RGB 252 250 131, RGB 131 252 189 and RGB 131 133 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FC81BF00

RGBA 252 129 191 0

HSLA 329.76, 0.95%, 0.75%, 0

LABA 69.58, 53.74, -10.77, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #037E4000

RGBA 3 126 64 0

HSLA 149.76, 0.95%, 0.25%, 0

LABA 46.06, -44.56, 25.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF81BA00

RGBA 255 129 186 0

HSLA 332.86, 1%, 0.75%, 0

LABA 69.83, 54.04, -7.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF93CD00

RGBA 255 147 205 0

HSLA 327.78, 1%, 0.79%, 0

LABA 73.89, 47.78, -12.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA5E000

RGBA 255 165 224 0

HSLA 320.67, 1%, 0.82%, 0

LABA 78.2, 41.49, -15.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB7F300

RGBA 255 183 243 0

HSLA 310, 1%, 0.86%, 0

LABA 82.7, 35.27, -19.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC9FF00

RGBA 255 201 255 0

HSLA 300, 1%, 0.89%, 0

LABA 87.12, 27.95, -19.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FC81BF00

RGBA 252 129 191 0

HSLA 329.76, 0.95%, 0.75%, 0

LABA 69.58, 53.74, -10.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EB6FAC00

RGBA 235 111 172 0

HSLA 330.48, 0.76%, 0.68%, 0

LABA 63.35, 54.45, -9.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DA5D9900

RGBA 218 93 153 0

HSLA 331.2, 0.63%, 0.61%, 0

LABA 57.11, 55.08, -8.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C94B8600

RGBA 201 75 134 0

HSLA 331.9, 0.54%, 0.54%, 0

LABA 50.89, 55.52, -6.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B8397300

RGBA 184 57 115 0

HSLA 332.6, 0.53%, 0.47%, 0

LABA 44.74, 55.65, -4.45, 0

 

CMYK 0 / 48 / 24 / 1

HEX #FC83C0

RGB 252 131 192

HSL 329.75, 0.95%, 0.75%

LAB 69.99, 52.91, -10.72

 

CMYK 0 / 48 / 37 / 1

HEX #FC839F

RGB 252 131 159

HSL 346.12, 0.95%, 0.75%

LAB 69.06, 48.79, 6.42

 

CMYK 0 / 48 / 48 / 1

HEX #FC8383

RGB 252 131 131

HSL 0, 0.95%, 0.75%

LAB 68.44, 45.93, 21.25

 

CMYK 0 / 48 / 24 / 1

HEX #FC83C0

RGB 252 131 192

HSL 329.75, 0.95%, 0.75%

LAB 69.99, 52.91, -10.72

 

CMYK 0 / 48 / 11 / 1

HEX #FC83E0

RGB 252 131 224

HSL 313.88, 0.95%, 0.75%

LAB 71.08, 57.61, -26.83

 

CMYK 2 / 48 / 0 / 1

HEX #F783FC

RGB 247 131 252

HSL 297.52, 0.95%, 0.75%

LAB 71.58, 60.85, -41.46

 

CMYK 15 / 48 / 0 / 1

HEX #D683FC

RGB 214 131 252

HSL 281.16, 0.95%, 0.75%

LAB 67.69, 51.88, -47.83

 

CMYK 28 / 48 / 0 / 1

HEX #B583FC

RGB 181 131 252

HSL 264.79, 0.95%, 0.75%

LAB 64.23, 43.14, -53.53

 

CMYK 0 / 48 / 24 / 1

HEX #FC83C0

RGB 252 131 192

HSL 329.75, 0.95%, 0.75%

LAB 69.99, 52.91, -10.72

 

CMYK 0 / 48 / 24 / 1

HEX #FC83C0

RGB 252 131 192

HSL 329.75, 0.95%, 0.75%

LAB 69.99, 52.91, -10.72

 

CMYK 0 / 41 / 20 / 5

HEX #F18DC0

RGB 241 141 192

HSL 329.4, 0.78%, 0.75%

LAB 70.56, 44.33, -10.01

 

CMYK 0 / 35 / 17 / 9

HEX #E797C0

RGB 231 151 192

HSL 329.25, 0.63%, 0.75%

LAB 71.51, 35.75, -8.73

 

CMYK 0 / 27 / 14 / 13

HEX #DDA2BF

RGB 221 162 191

HSL 330.51, 0.46%, 0.75%

LAB 72.88, 26.23, -6.26

 

CMYK 0 / 18 / 9 / 17

HEX #D3ACBF

RGB 211 172 191

HSL 330.77, 0.31%, 0.75%

LAB 74.26, 17.29, -4.32

 

CMYK 2 / 48 / 0 / 1

HEX #F683FC

RGB 246 131 252

HSL 297.02, 0.95%, 0.75%

LAB 71.46, 60.58, -41.66

 

CMYK 0 / 48 / 10 / 1

HEX #FC83E2

RGB 252 131 226

HSL 312.89, 0.95%, 0.75%

LAB 71.16, 57.92, -27.81

 

CMYK 0 / 48 / 23 / 1

HEX #FC83C1

RGB 252 131 193

HSL 329.26, 0.95%, 0.75%

LAB 70.02, 53.05, -11.23

 

CMYK 0 / 48 / 36 / 1

HEX #FC83A1

RGB 252 131 161

HSL 345.12, 0.95%, 0.75%

LAB 69.11, 49.02, 5.37

 

CMYK 0 / 47 / 48 / 1

HEX #FC8583

RGB 252 133 131

HSL 0.99, 0.95%, 0.75%

LAB 68.83, 44.93, 21.79

 

CMYK 0 / 80 / 40 / 2

HEX #FA3297

RGB 250 50 151

HSL 329.7, 0.95%, 0.59%

LAB 56.92, 78.69, -6.75

 

CMYK 0 / 64 / 32 / 2

HEX #FB5AAB

RGB 251 90 171

HSL 329.81, 0.95%, 0.67%

LAB 62.31, 68.22, -10.33

 

CMYK 0 / 48 / 24 / 1

HEX #FC83C0

RGB 252 131 192

HSL 329.75, 0.95%, 0.75%

LAB 69.99, 52.91, -10.72

 

CMYK 0 / 32 / 16 / 1

HEX #FDABD4

RGB 253 171 212

HSL 330, 0.95%, 0.83%

LAB 78.9, 35.82, -8.43

 

CMYK 0 / 17 / 8 / 0

HEX #FED3E9

RGB 254 211 233

HSL 329.3, 0.96%, 0.91%

LAB 88.71, 18.54, -5.15

 

CMYK 0 / 49 / 24 / 1

HEX #FC81BF

RGB 252 129 191

HSL 329.76, 0.95%, 0.75%

LAB 69.58, 53.74, -10.77

 

CMYK 0 / 15 / 48 / 1

HEX #FCD583

RGB 252 213 131

HSL 40.66, 0.95%, 0.75%

LAB 86.96, 3.48, 45.4

 

CMYK 48 / 4 / 0 / 1

HEX #83F2FC

RGB 131 242 252

HSL 184.96, 0.95%, 0.75%

LAB 89.56, -29.25, -14.68

 

CMYK 0 / 49 / 24 / 1

HEX #FC81BF

RGB 252 129 191

HSL 329.76, 0.95%, 0.75%

LAB 69.58, 53.74, -10.77

 

CMYK 23 / 0 / 48 / 1

HEX #C1FC83

RGB 193 252 131

HSL 89.26, 0.95%, 0.75%

LAB 92.84, -38.08, 51.69

 

CMYK 48 / 23 / 0 / 1

HEX #83C1FC

RGB 131 193 252

HSL 209.26, 0.95%, 0.75%

LAB 76.07, -4.27, -35.23

 

CMYK 0 / 49 / 24 / 1

HEX #FC81BF

RGB 252 129 191

HSL 329.76, 0.95%, 0.75%

LAB 69.58, 53.74, -10.77

 

CMYK 0 / 15 / 48 / 1

HEX #FCD583

RGB 252 213 131

HSL 40.66, 0.95%, 0.75%

LAB 86.96, 3.48, 45.4

 

CMYK 48 / 0 / 25 / 1

HEX #83FCBD

RGB 131 252 189

HSL 148.76, 0.95%, 0.75%

LAB 90.83, -48.03, 19.86

 

CMYK 48 / 33 / 0 / 1

HEX #83A9FC

RGB 131 169 252

HSL 221.16, 0.95%, 0.75%

LAB 69.63, 9.05, -45.26

 

CMYK 0 / 49 / 24 / 1

HEX #FC81BF

RGB 252 129 191

HSL 329.76, 0.95%, 0.75%

LAB 69.58, 53.74, -10.77

 

CMYK 0 / 1 / 48 / 1

HEX #FCFA83

RGB 252 250 131

HSL 59.01, 0.95%, 0.75%

LAB 96.29, -15.03, 56.8

 

CMYK 48 / 0 / 25 / 1

HEX #83FCBD

RGB 131 252 189

HSL 148.76, 0.95%, 0.75%

LAB 90.83, -48.03, 19.86

 

CMYK 48 / 47 / 0 / 1

HEX #8385FC

RGB 131 133 252

HSL 239.01, 0.95%, 0.75%

LAB 60.45, 29.93, -59.8

 

Description

Color code: RGBA 252 129 191 0 | qconv.com Color code: RGBA 252 129 191 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 129 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 129 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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