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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 252 126 223 0 it is the complementary color RGBA 3 129 32 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 252 126 223 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 252 126 223 0 shade: RGBA 255 126 218 0, RGBA 255 144 237 0, RGBA 255 162 255 0, RGBA 255 180 255 0 and RGBA 255 198 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 252 126 223 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 252 126 223 0 shade: RGBA 252 126 223 0, RGBA 235 108 204 0, RGBA 218 90 185 0, RGBA 201 72 166 0 and RGBA 184 54 147 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 252 126 223 0 shade: RGB 252 126 223, RGB 252 126 189, RGB 252 126 155 and RGB 252 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 252 126 223 0 shade: RGB 252 126 223, RGB 247 126 252, RGB 213 126 252, RGB 179 126 252 and RGB 145 126 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 252 126 223 0 shade matches the following richer shades: RGB 252 126 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 252 126 223 0 shade: RGB 252 126 223, RGB 241 136 217, RGB 230 147 211, RGB 220 158 205 and RGB 209 169 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 252 126 223 0 shade: RGB 212 126 252, RGB 245 126 252, RGB 252 126 224, RGB 252 126 191 and RGB 252 126 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 252 126 223 0 shade: RGB 250 45 203, RGB 251 85 213, RGB 252 126 223, RGB 253 166 233 and RGB 254 206 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 252 126 223 0 shade: RGB 252 126 223, RGB 252 178 126 and RGB 126 252 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 252 126 223 0 shade: RGB 252 126 223, RGB 224 252 126 and RGB 126 224 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 252 126 223 0 shade: RGB 252 126 223, RGB 252 178 126, RGB 126 252 153 and RGB 126 199 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 252 126 223 0 shade: RGB 252 126 223, RGB 252 216 126, RGB 126 252 153 and RGB 126 161 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FC7EDF00

RGBA 252 126 223 0

HSLA 313.81, 0.95%, 0.74%, 0

LABA 70.14, 59.83, -27.73, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #03812000

RGBA 3 129 32 0

HSLA 133.81, 0.95%, 0.26%, 0

LABA 46.74, -49.97, 41.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7EDA00

RGBA 255 126 218 0

HSLA 317.21, 1%, 0.75%, 0

LABA 70.35, 59.94, -24.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF90ED00

RGBA 255 144 237 0

HSLA 309.73, 1%, 0.78%, 0

LABA 74.39, 54.25, -28.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA2FF00

RGBA 255 162 255 0

HSLA 300, 1%, 0.82%, 0

LABA 78.65, 48.27, -32.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4FF00

RGBA 255 180 255 0

HSLA 300, 1%, 0.85%, 0

LABA 82.44, 38.96, -26.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6FF00

RGBA 255 198 255 0

HSLA 300, 1%, 0.89%, 0

LABA 86.44, 29.52, -20.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FC7EDF00

RGBA 252 126 223 0

HSLA 313.81, 0.95%, 0.74%, 0

LABA 70.14, 59.83, -27.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EB6CCC00

RGBA 235 108 204 0

HSLA 314.65, 0.76%, 0.67%, 0

LABA 63.96, 60.39, -26.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DA5AB900

RGBA 218 90 185 0

HSLA 315.47, 0.63%, 0.6%, 0

LABA 57.77, 60.81, -25.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C948A600

RGBA 201 72 166 0

HSLA 316.28, 0.54%, 0.54%, 0

LABA 51.62, 60.99, -24.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B8369300

RGBA 184 54 147 0

HSLA 317.08, 0.55%, 0.47%, 0

LABA 45.55, 60.75, -22.71, 0

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 0 / 50 / 25 / 1

HEX #FC7EBD

RGB 252 126 189

HSL 330, 0.95%, 0.74%

LAB 68.96, 54.92, -10.58

 

CMYK 0 / 50 / 38 / 1

HEX #FC7E9B

RGB 252 126 155

HSL 346.19, 0.95%, 0.74%

LAB 68.01, 50.78, 7.16

 

CMYK 0 / 50 / 50 / 1

HEX #FC7E7E

RGB 252 126 126

HSL 0, 0.95%, 0.74%

LAB 67.37, 47.93, 22.6

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 2 / 50 / 0 / 1

HEX #F77EFC

RGB 247 126 252

HSL 297.62, 0.95%, 0.74%

LAB 70.68, 63.22, -42.87

 

CMYK 15 / 50 / 0 / 1

HEX #D57EFC

RGB 213 126 252

HSL 281.43, 0.95%, 0.74%

LAB 66.59, 54.17, -49.57

 

CMYK 29 / 50 / 0 / 1

HEX #B37EFC

RGB 179 126 252

HSL 265.24, 0.95%, 0.74%

LAB 62.96, 45.35, -55.57

 

CMYK 42 / 50 / 0 / 1

HEX #917EFC

RGB 145 126 252

HSL 249.05, 0.95%, 0.74%

LAB 59.86, 37.13, -60.69

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 0 / 44 / 10 / 5

HEX #F188D9

RGB 241 136 217

HSL 313.71, 0.79%, 0.74%

LAB 70.4, 50.72, -24.13

 

CMYK 0 / 36 / 8 / 10

HEX #E693D3

RGB 230 147 211

HSL 313.73, 0.62%, 0.74%

LAB 71.14, 40.6, -19.8

 

CMYK 0 / 28 / 7 / 14

HEX #DC9ECD

RGB 220 158 205

HSL 314.52, 0.47%, 0.74%

LAB 72.28, 30.41, -14.88

 

CMYK 0 / 19 / 4 / 18

HEX #D1A9C8

RGB 209 169 200

HSL 313.5, 0.3%, 0.74%

LAB 73.61, 19.8, -10.25

 

CMYK 16 / 50 / 0 / 1

HEX #D47EFC

RGB 212 126 252

HSL 280.95, 0.95%, 0.74%

LAB 66.48, 53.9, -49.76

 

CMYK 3 / 50 / 0 / 1

HEX #F57EFC

RGB 245 126 252

HSL 296.67, 0.95%, 0.74%

LAB 70.43, 62.69, -43.28

 

CMYK 0 / 50 / 11 / 1

HEX #FC7EE0

RGB 252 126 224

HSL 313.33, 0.95%, 0.74%

LAB 70.18, 59.98, -28.22

 

CMYK 0 / 50 / 24 / 1

HEX #FC7EBF

RGB 252 126 191

HSL 329.05, 0.95%, 0.74%

LAB 69.02, 55.18, -11.6

 

CMYK 0 / 50 / 38 / 1

HEX #FC7E9D

RGB 252 126 157

HSL 345.24, 0.95%, 0.74%

LAB 68.06, 51, 6.11

 

CMYK 0 / 82 / 19 / 2

HEX #FA2DCB

RGB 250 45 203

HSL 313.76, 0.95%, 0.58%

LAB 58.52, 85.47, -34.5

 

CMYK 0 / 66 / 15 / 2

HEX #FB55D5

RGB 251 85 213

HSL 313.73, 0.95%, 0.66%

LAB 63.19, 75.45, -32.9

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 0 / 34 / 8 / 1

HEX #FDA6E9

RGB 253 166 233

HSL 313.79, 0.96%, 0.82%

LAB 78.48, 41.79, -20.45

 

CMYK 0 / 19 / 4 / 0

HEX #FECEF3

RGB 254 206 243

HSL 313.75, 0.96%, 0.9%

LAB 87.82, 22.87, -11.75

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 0 / 29 / 50 / 1

HEX #FCB27E

RGB 252 178 126

HSL 24.76, 0.95%, 0.74%

LAB 78.49, 21.25, 37.23

 

CMYK 50 / 0 / 9 / 1

HEX #7EFCE5

RGB 126 252 229

HSL 169.05, 0.95%, 0.74%

LAB 91.56, -40.59, 0.22

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 11 / 0 / 50 / 1

HEX #E0FC7E

RGB 224 252 126

HSL 73.33, 0.95%, 0.74%

LAB 94.73, -27.21, 56.74

 

CMYK 50 / 11 / 0 / 1

HEX #7EE0FC

RGB 126 224 252

HSL 193.33, 0.95%, 0.74%

LAB 84.37, -21.52, -22.53

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 0 / 29 / 50 / 1

HEX #FCB27E

RGB 252 178 126

HSL 24.76, 0.95%, 0.74%

LAB 78.49, 21.25, 37.23

 

CMYK 50 / 0 / 39 / 1

HEX #7EFC99

RGB 126 252 153

HSL 132.86, 0.95%, 0.74%

LAB 90.02, -55.64, 36.89

 

CMYK 50 / 21 / 0 / 1

HEX #7EC7FC

RGB 126 199 252

HSL 205.24, 0.95%, 0.74%

LAB 77.47, -8.61, -33.09

 

CMYK 0 / 50 / 12 / 1

HEX #FC7EDF

RGB 252 126 223

HSL 313.81, 0.95%, 0.74%

LAB 70.14, 59.83, -27.73

 

CMYK 0 / 14 / 50 / 1

HEX #FCD87E

RGB 252 216 126

HSL 42.86, 0.95%, 0.74%

LAB 87.64, 1.5, 48.69

 

CMYK 50 / 0 / 39 / 1

HEX #7EFC99

RGB 126 252 153

HSL 132.86, 0.95%, 0.74%

LAB 90.02, -55.64, 36.89

 

CMYK 50 / 36 / 0 / 1

HEX #7EA1FC

RGB 126 161 252

HSL 223.33, 0.95%, 0.74%

LAB 67.24, 12.49, -49.04

 

Description

Color code: RGBA 252 126 223 0 | qconv.com Color code: RGBA 252 126 223 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 126 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 126 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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