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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 251 232 128 0.75 it is the complementary color RGBA 4 23 127 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 251 232 128 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 251 232 128 0.75 shade: RGBA 255 232 123 0.75, RGBA 255 250 142 0.75, RGBA 255 255 161 0.75, RGBA 255 255 180 0.75 and RGBA 255 255 199 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 251 232 128 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 251 232 128 0.75 shade: RGBA 251 232 128 0.75, RGBA 234 214 109 0.75, RGBA 217 196 90 0.75, RGBA 200 178 71 0.75 and RGBA 183 160 52 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 251 232 128 0.75 shade: RGB 251 232 126, RGB 251 198 126, RGB 251 165 126, RGB 251 131 126 and RGB 251 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 251 232 128 0.75 shade: RGB 251 232 126, RGB 237 251 126, RGB 203 251 126, RGB 169 251 126 and RGB 136 251 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 251 232 128 0.75 shade matches the following richer shades: RGB 251 232 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 251 232 128 0.75 shade: RGB 251 232 126, RGB 240 224 137, RGB 230 217 148, RGB 219 210 159 and RGB 208 202 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 251 232 128 0.75 shade: RGB 251 164 126, RGB 251 197 126, RGB 251 230 126, RGB 239 251 126 and RGB 205 251 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 251 232 128 0.75 shade: RGB 249 217 46, RGB 250 225 86, RGB 251 232 126, RGB 252 239 166 and RGB 253 246 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 251 232 128 0.75 shade: RGB 251 232 128, RGB 126 251 131 and RGB 180 126 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 251 232 128 0.75 shade: RGB 251 232 128, RGB 126 251 230 and RGB 230 126 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 251 232 128 0.75 shade: RGB 251 232 128, RGB 126 251 131, RGB 126 147 251 and RGB 251 126 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 251 232 128 0.75 shade: RGB 251 232 128, RGB 126 251 168, RGB 126 147 251 and RGB 251 126 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 37 / 1

HEX #FBE880BF

RGBA 251 232 128 0.75

HSLA 50.73, 0.94%, 0.74%, 0.75

LABA 91.59, -6.81, 52.52, 0.75

 

Complementary color

CMYK 73 / 61 / 0 / 38

HEX #04177FBF

RGBA 4 23 127 0.75

HSLA 230.73, 0.94%, 0.26%, 0.75

LABA 16.36, 37.11, -58.42, 0.75

 

CMYK 0 / 7 / 39 / 0

HEX #FFE87BBF

RGBA 255 232 123 0.75

HSLA 49.55, 1%, 0.74%, 0.75

LABA 91.87, -5.64, 55.29, 0.75

 

CMYK 0 / 1 / 33 / 0

HEX #FFFA8EBF

RGBA 255 250 142 0.75

HSLA 57.35, 1%, 0.78%, 0.75

LABA 96.65, -12.87, 52.14, 0.75

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFA1BF

RGBA 255 255 161 0.75

HSLA 60, 1%, 0.82%, 0.75

LABA 98.17, -13.39, 44.93, 0.75

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFB4BF

RGBA 255 255 180 0.75

HSLA 60, 1%, 0.85%, 0.75

LABA 98.46, -11.2, 35.94, 0.75

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFC7BF

RGBA 255 255 199 0.75

HSLA 60, 1%, 0.89%, 0.75

LABA 98.79, -8.74, 26.85, 0.75

 

CMYK 0 / 6 / 37 / 1

HEX #FBE880BF

RGBA 251 232 128 0.75

HSLA 50.73, 0.94%, 0.74%, 0.75

LABA 91.59, -6.81, 52.52, 0.75

 

CMYK 0 / 6 / 40 / 6

HEX #EAD66DBF

RGBA 234 214 109 0.75

HSLA 50.4, 0.75%, 0.67%, 0.75

LABA 85.35, -6.17, 53.69, 0.75

 

CMYK 0 / 7 / 44 / 11

HEX #D9C45ABF

RGBA 217 196 90 0.75

HSLA 50.08, 0.63%, 0.6%, 0.75

LABA 79.02, -5.42, 54.81, 0.75

 

CMYK 0 / 8 / 48 / 16

HEX #C8B247BF

RGBA 200 178 71 0.75

HSLA 49.77, 0.54%, 0.53%, 0.75

LABA 72.61, -4.53, 55.81, 0.75

 

CMYK 0 / 9 / 54 / 21

HEX #B7A034BF

RGBA 183 160 52 0.75

HSLA 49.47, 0.56%, 0.46%, 0.75

LABA 66.1, -3.47, 56.52, 0.75

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 0 / 21 / 50 / 2

HEX #FBC67E

RGB 251 198 126

HSL 34.56, 0.94%, 0.74%

LAB 83.13, 10.38, 43.09

 

CMYK 0 / 34 / 50 / 2

HEX #FBA57E

RGB 251 165 126

HSL 18.72, 0.94%, 0.74%

LAB 75.41, 27.67, 33.23

 

CMYK 0 / 48 / 50 / 2

HEX #FB837E

RGB 251 131 126

HSL 2.4, 0.94%, 0.74%

LAB 68.2, 45.12, 23.7

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 6 / 0 / 50 / 2

HEX #EDFB7E

RGB 237 251 126

HSL 66.72, 0.94%, 0.74%

LAB 95.37, -21.77, 57.73

 

CMYK 19 / 0 / 50 / 2

HEX #CBFB7E

RGB 203 251 126

HSL 83.04, 0.94%, 0.74%

LAB 93.1, -34.56, 54.47

 

CMYK 33 / 0 / 50 / 2

HEX #A9FB7E

RGB 169 251 126

HSL 99.36, 0.94%, 0.74%

LAB 91.21, -46.38, 51.73

 

CMYK 46 / 0 / 50 / 2

HEX #88FB7E

RGB 136 251 126

HSL 115.2, 0.94%, 0.74%

LAB 89.74, -56.44, 49.6

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 0 / 7 / 43 / 6

HEX #F0E089

RGB 240 224 137

HSL 50.68, 0.77%, 0.74%

LAB 88.75, -6.3, 44.47

 

CMYK 0 / 6 / 36 / 10

HEX #E6D994

RGB 230 217 148

HSL 50.49, 0.62%, 0.74%

LAB 86.3, -5.48, 35.63

 

CMYK 0 / 4 / 27 / 14

HEX #DBD29F

RGB 219 210 159

HSL 51, 0.45%, 0.74%

LAB 83.79, -4.76, 26.45

 

CMYK 0 / 3 / 19 / 18

HEX #D0CAA9

RGB 208 202 169

HSL 50.77, 0.29%, 0.74%

LAB 81.02, -3.34, 17.25

NCS® S2010-G90Y

CMYK 0 / 35 / 50 / 2

HEX #FBA47E

RGB 251 164 126

HSL 18.24, 0.94%, 0.74%

LAB 75.18, 28.19, 32.94

 

CMYK 0 / 22 / 50 / 2

HEX #FBC57E

RGB 251 197 126

HSL 34.08, 0.94%, 0.74%

LAB 82.89, 10.91, 42.78

 

CMYK 0 / 8 / 50 / 2

HEX #FBE67E

RGB 251 230 126

HSL 49.92, 0.94%, 0.74%

LAB 91.06, -5.98, 52.83

 

CMYK 5 / 0 / 50 / 2

HEX #EFFB7E

RGB 239 251 126

HSL 65.76, 0.94%, 0.74%

LAB 95.52, -21, 57.94

 

CMYK 18 / 0 / 50 / 2

HEX #CDFB7E

RGB 205 251 126

HSL 82.08, 0.94%, 0.74%

LAB 93.22, -33.83, 54.65

 

CMYK 0 / 13 / 82 / 2

HEX #F9D92E

RGB 249 217 46

HSL 50.54, 0.94%, 0.58%

LAB 86.98, -4.78, 79.84

 

CMYK 0 / 10 / 66 / 2

HEX #FAE156

RGB 250 225 86

HSL 50.85, 0.94%, 0.66%

LAB 89.32, -6.71, 68.54

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 0 / 5 / 34 / 1

HEX #FCEFA6

RGB 252 239 166

HSL 50.93, 0.93%, 0.82%

LAB 93.96, -6.06, 36.94

 

CMYK 0 / 3 / 19 / 1

HEX #FDF6CE

RGB 253 246 206

HSL 51.06, 0.92%, 0.9%

LAB 96.51, -4, 20.11

 

CMYK 0 / 8 / 49 / 2

HEX #FBE880

RGB 251 232 128

HSL 50.73, 0.94%, 0.74%

LAB 91.59, -6.81, 52.52

 

CMYK 50 / 0 / 48 / 2

HEX #7EFB83

RGB 126 251 131

HSL 122.4, 0.94%, 0.74%

LAB 89.43, -58.48, 46.78

 

CMYK 28 / 50 / 0 / 2

HEX #B47EFB

RGB 180 126 251

HSL 265.92, 0.94%, 0.74%

LAB 63, 45.37, -54.94

 

CMYK 0 / 8 / 49 / 2

HEX #FBE880

RGB 251 232 128

HSL 50.73, 0.94%, 0.74%

LAB 91.59, -6.81, 52.52

 

CMYK 50 / 0 / 8 / 2

HEX #7EFBE6

RGB 126 251 230

HSL 169.92, 0.94%, 0.74%

LAB 91.3, -39.9, -0.67

 

CMYK 8 / 50 / 0 / 2

HEX #E67EFB

RGB 230 126 251

HSL 289.92, 0.94%, 0.74%

LAB 68.54, 58.49, -45.82

 

CMYK 0 / 8 / 49 / 2

HEX #FBE880

RGB 251 232 128

HSL 50.73, 0.94%, 0.74%

LAB 91.59, -6.81, 52.52

 

CMYK 50 / 0 / 48 / 2

HEX #7EFB83

RGB 126 251 131

HSL 122.4, 0.94%, 0.74%

LAB 89.43, -58.48, 46.78

 

CMYK 50 / 41 / 0 / 2

HEX #7E93FB

RGB 126 147 251

HSL 229.92, 0.94%, 0.74%

LAB 63.56, 20.32, -54.32

 

CMYK 0 / 50 / 2 / 2

HEX #FB7EF7

RGB 251 126 247

HSL 301.92, 0.94%, 0.74%

LAB 70.97, 63.44, -39.64

 

CMYK 0 / 8 / 49 / 2

HEX #FBE880

RGB 251 232 128

HSL 50.73, 0.94%, 0.74%

LAB 91.59, -6.81, 52.52

 

CMYK 50 / 0 / 33 / 2

HEX #7EFBA8

RGB 126 251 168

HSL 140.16, 0.94%, 0.74%

LAB 89.98, -52.72, 29.33

 

CMYK 50 / 41 / 0 / 2

HEX #7E93FB

RGB 126 147 251

HSL 229.92, 0.94%, 0.74%

LAB 63.56, 20.32, -54.32

 

CMYK 0 / 50 / 17 / 2

HEX #FB7ED1

RGB 251 126 209

HSL 320.16, 0.94%, 0.74%

LAB 69.49, 57.42, -20.96

 

Description

Color code: RGBA 251 232 128 0.75 | qconv.com Color code: RGBA 251 232 128 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 232 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 232 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 37 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 37% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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