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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 251 162 242 0.75 it is the complementary color RGBA 4 93 13 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 251 162 242 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 251 162 242 0.75 shade: RGBA 255 162 237 0.75, RGBA 255 180 255 0.75, RGBA 255 198 255 0.75, RGBA 255 216 255 0.75 and RGBA 255 234 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 251 162 242 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 251 162 242 0.75 shade: RGBA 251 162 242 0.75, RGBA 234 144 223 0.75, RGBA 217 126 204 0.75, RGBA 200 108 185 0.75 and RGBA 183 90 166 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 251 162 242 0.75 shade: RGB 251 162 242, RGB 251 162 218, RGB 251 162 194, RGB 251 162 170 and RGB 251 162 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 251 162 242 0.75 shade: RGB 251 162 242, RGB 236 162 251, RGB 212 162 251, RGB 188 162 251 and RGB 164 162 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 251 162 242 0.75 shade matches the following richer shades: RGB 251 162 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 251 162 242 0.75 shade: RGB 251 162 242, RGB 243 170 236, RGB 235 178 230, RGB 228 185 223 and RGB 220 193 217

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 251 162 242 0.75 shade: RGB 212 162 251, RGB 236 162 251, RGB 251 162 242, RGB 251 162 218 and RGB 251 162 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 251 162 242 0.75 shade: RGB 248 83 231, RGB 249 122 237, RGB 251 162 242, RGB 253 202 248 and RGB 254 241 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 251 162 242 0.75 shade: RGB 251 162 242, RGB 251 189 162 and RGB 162 251 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 251 162 242 0.75 shade: RGB 251 162 242, RGB 242 251 162 and RGB 162 242 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 251 162 242 0.75 shade: RGB 251 162 242, RGB 251 189 162, RGB 162 251 171 and RGB 162 224 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 251 162 242 0.75 shade: RGB 251 162 242, RGB 251 215 162, RGB 162 251 171 and RGB 162 198 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 3 / 1

HEX #FBA2F2BF

RGBA 251 162 242 0.75

HSLA 306.07, 0.92%, 0.81%, 0.75

LABA 77.73, 44.76, -26.48, 0.75

 

Complementary color

CMYK 72 / 0 / 65 / 48

HEX #045D0DBF

RGBA 4 93 13 0.75

HSLA 126.07, 0.92%, 0.19%, 0.75

LABA 33.74, -39.94, 35.87, 0.75

 

CMYK 0 / 27 / 5 / 0

HEX #FFA2EDBF

RGBA 255 162 237 0.75

HSLA 311.61, 1%, 0.82%, 0.75

LABA 78, 45.16, -23.33, 0.75

 

CMYK 0 / 22 / 0 / 0

HEX #FFB4FFBF

RGBA 255 180 255 0.75

HSLA 300, 1%, 0.85%, 0.75

LABA 82.44, 38.96, -26.23, 0.75

 

CMYK 0 / 17 / 0 / 0

HEX #FFC6FFBF

RGBA 255 198 255 0.75

HSLA 300, 1%, 0.89%, 0.75

LABA 86.44, 29.52, -20.16, 0.75

 

CMYK 0 / 11 / 0 / 0

HEX #FFD8FFBF

RGBA 255 216 255 0.75

HSLA 300, 1%, 0.92%, 0.75

LABA 90.59, 20.08, -13.92, 0.75

 

CMYK 0 / 6 / 0 / 0

HEX #FFEAFFBF

RGBA 255 234 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 94.88, 10.72, -7.54, 0.75

 

CMYK 0 / 27 / 3 / 1

HEX #FBA2F2BF

RGBA 251 162 242 0.75

HSLA 306.07, 0.92%, 0.81%, 0.75

LABA 77.73, 44.76, -26.48, 0.75

 

CMYK 0 / 29 / 4 / 6

HEX #EA90DFBF

RGBA 234 144 223 0.75

HSLA 307.33, 0.68%, 0.74%, 0.75

LABA 71.4, 45.49, -25.99, 0.75

 

CMYK 0 / 31 / 4 / 11

HEX #D97ECCBF

RGBA 217 126 204 0.75

HSLA 308.57, 0.54%, 0.67%, 0.75

LABA 64.99, 46.23, -25.44, 0.75

 

CMYK 0 / 35 / 6 / 16

HEX #C86CB9BF

RGBA 200 108 185 0.75

HSLA 309.78, 0.46%, 0.6%, 0.75

LABA 58.52, 46.96, -24.81, 0.75

 

CMYK 0 / 38 / 7 / 21

HEX #B75AA6BF

RGBA 183 90 166 0.75

HSLA 310.97, 0.39%, 0.54%, 0.75

LABA 51.99, 47.64, -24.06, 0.75

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 35 / 13 / 2

HEX #FBA2DA

RGB 251 162 218

HSL 322.25, 0.92%, 0.81%

LAB 76.93, 40.77, -14.67

 

CMYK 0 / 35 / 23 / 2

HEX #FBA2C2

RGB 251 162 194

HSL 338.43, 0.92%, 0.81%

LAB 76.22, 37.16, -2.61

 

CMYK 0 / 35 / 32 / 2

HEX #FBA2AA

RGB 251 162 170

HSL 354.61, 0.92%, 0.81%

LAB 75.61, 33.96, 9.66

 

CMYK 0 / 35 / 35 / 2

HEX #FBA2A2

RGB 251 162 162

HSL 0, 0.92%, 0.81%

LAB 75.43, 32.99, 13.78

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 6 / 35 / 0 / 2

HEX #ECA2FB

RGB 236 162 251

HSL 289.89, 0.92%, 0.81%

LAB 76.46, 41.81, -33.44

 

CMYK 16 / 35 / 0 / 2

HEX #D4A2FB

RGB 212 162 251

HSL 273.71, 0.92%, 0.81%

LAB 74.06, 34.63, -37.34

 

CMYK 25 / 35 / 0 / 2

HEX #BCA2FB

RGB 188 162 251

HSL 257.53, 0.92%, 0.81%

LAB 71.89, 27.65, -40.89

 

CMYK 35 / 35 / 0 / 2

HEX #A4A2FB

RGB 164 162 251

HSL 241.35, 0.92%, 0.81%

LAB 69.96, 21.01, -44.04

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 30 / 3 / 5

HEX #F3AAEC

RGB 243 170 236

HSL 305.75, 0.75%, 0.81%

LAB 78.38, 37.02, -22.33

 

CMYK 0 / 24 / 2 / 8

HEX #EBB2E6

RGB 235 178 230

HSL 305.26, 0.59%, 0.81%

LAB 79.17, 29.11, -17.97

 

CMYK 0 / 19 / 2 / 11

HEX #E4B9DF

RGB 228 185 223

HSL 306.98, 0.44%, 0.81%

LAB 79.91, 21.77, -13.15

 

CMYK 0 / 12 / 1 / 14

HEX #DCC1D9

RGB 220 193 217

HSL 306.67, 0.28%, 0.81%

LAB 80.94, 13.69, -8.46

 

CMYK 16 / 35 / 0 / 2

HEX #D4A2FB

RGB 212 162 251

HSL 273.71, 0.92%, 0.81%

LAB 74.06, 34.63, -37.34

 

CMYK 6 / 35 / 0 / 2

HEX #ECA2FB

RGB 236 162 251

HSL 289.89, 0.92%, 0.81%

LAB 76.46, 41.81, -33.44

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 35 / 13 / 2

HEX #FBA2DA

RGB 251 162 218

HSL 322.25, 0.92%, 0.81%

LAB 76.93, 40.77, -14.67

 

CMYK 0 / 35 / 22 / 2

HEX #FBA2C3

RGB 251 162 195

HSL 337.75, 0.92%, 0.81%

LAB 76.25, 37.3, -3.12

 

CMYK 0 / 67 / 7 / 3

HEX #F853E7

RGB 248 83 231

HSL 306.18, 0.92%, 0.65%

LAB 63.27, 78.05, -42.89

 

CMYK 0 / 51 / 5 / 2

HEX #F97AED

RGB 249 122 237

HSL 305.67, 0.91%, 0.73%

LAB 69.59, 63.09, -36.32

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 20 / 2 / 1

HEX #FDCAF8

RGB 253 202 248

HSL 305.88, 0.93%, 0.89%

LAB 86.95, 25.52, -15.71

 

CMYK 0 / 5 / 0 / 0

HEX #FEF1FD

RGB 254 241 253

HSL 304.62, 0.87%, 0.97%

LAB 96.44, 6.44, -4.21

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 25 / 35 / 2

HEX #FBBDA2

RGB 251 189 162

HSL 18.2, 0.92%, 0.81%

LAB 81.57, 18.82, 22.33

 

CMYK 35 / 0 / 11 / 2

HEX #A2FBE0

RGB 162 251 224

HSL 161.8, 0.92%, 0.81%

LAB 92.6, -32.5, 4.51

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 4 / 0 / 35 / 2

HEX #F2FBA2

RGB 242 251 162

HSL 66.07, 0.92%, 0.81%

LAB 96.2, -16.21, 41.7

 

CMYK 35 / 4 / 0 / 2

HEX #A2F2FB

RGB 162 242 251

HSL 186.07, 0.92%, 0.81%

LAB 90.85, -22.16, -12.09

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 25 / 35 / 2

HEX #FBBDA2

RGB 251 189 162

HSL 18.2, 0.92%, 0.81%

LAB 81.57, 18.82, 22.33

 

CMYK 35 / 0 / 32 / 2

HEX #A2FBAB

RGB 162 251 171

HSL 126.07, 0.92%, 0.81%

LAB 91.51, -42.39, 30.14

 

CMYK 35 / 11 / 0 / 2

HEX #A2E0FB

RGB 162 224 251

HSL 198.2, 0.92%, 0.81%

LAB 85.99, -13.15, -19.39

 

CMYK 0 / 35 / 4 / 2

HEX #FBA2F2

RGB 251 162 242

HSL 306.07, 0.92%, 0.81%

LAB 77.73, 44.76, -26.48

 

CMYK 0 / 14 / 35 / 2

HEX #FBD7A2

RGB 251 215 162

HSL 35.73, 0.92%, 0.81%

LAB 87.83, 5.28, 30.82

 

CMYK 35 / 0 / 32 / 2

HEX #A2FBAB

RGB 162 251 171

HSL 126.07, 0.92%, 0.81%

LAB 91.51, -42.39, 30.14

 

CMYK 35 / 21 / 0 / 2

HEX #A2C6FB

RGB 162 198 251

HSL 215.73, 0.92%, 0.81%

LAB 79.06, 0.52, -29.94

 

Description

Color code: RGBA 251 162 242 0.75 | qconv.com Color code: RGBA 251 162 242 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 162 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 162 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 3 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 3% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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