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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 24 77 53 0 it is the complementary color RGBA 231 178 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 24 77 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 24 77 53 0 shade: RGBA 29 77 48 0, RGBA 46 95 67 0, RGBA 63 113 86 0, RGBA 80 131 105 0 and RGBA 97 149 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 24 77 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 24 77 53 0 shade: RGBA 24 77 53 0, RGBA 7 59 34 0, RGBA 0 41 15 0, RGBA 0 23 0 0 and RGBA 0 5 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 24 77 53 0 shade: RGB 24 78 54, RGB 24 78 39, RGB 24 78 25, RGB 38 78 24 and RGB 53 78 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 24 77 53 0 shade: RGB 24 78 54, RGB 24 78 68, RGB 24 73 78, RGB 24 59 78 and RGB 24 44 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 24 77 53 0 shade matches the following richer shades: RGB 24 78 54, RGB 16 86 54 and RGB 8 94 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 24 77 53 0 shade: RGB 24 78 54, RGB 33 69 53, RGB 41 61 52, RGB 49 53 51 and RGB 57 45 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 24 77 53 0 shade: RGB 24 78 24, RGB 24 78 39, RGB 24 78 53, RGB 24 78 67 and RGB 24 74 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 24 77 53 0 shade: RGB 5 15 10, RGB 15 46 32, RGB 24 78 54, RGB 34 109 75 and RGB 44 140 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 24 77 53 0 shade: RGB 24 77 53, RGB 24 39 78 and RGB 78 32 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 24 77 53 0 shade: RGB 24 77 53, RGB 53 24 78 and RGB 78 53 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 24 77 53 0 shade: RGB 24 77 53, RGB 24 39 78, RGB 78 24 49 and RGB 78 63 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 24 77 53 0 shade: RGB 24 77 53, RGB 26 24 78, RGB 78 24 49 and RGB 76 78 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #184D3500

RGBA 24 77 53 0

HSLA 152.83, 0.52%, 0.2%, 0

LABA 28.8, -24.04, 9.2, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #E7B2CA00

RGBA 231 178 202 0

HSLA 332.83, 0.52%, 0.8%, 0

LABA 77.93, 22.94, -4.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1D4D3000

RGBA 29 77 48 0

HSLA 143.75, 0.45%, 0.21%, 0

LABA 28.86, -23.98, 12.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E5F4300

RGBA 46 95 67 0

HSLA 145.71, 0.35%, 0.28%, 0

LABA 36.31, -23.86, 11.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F715600

RGBA 63 113 86 0

HSLA 147.6, 0.28%, 0.35%, 0

LABA 43.56, -23.61, 9.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #50836900

RGBA 80 131 105 0

HSLA 149.41, 0.24%, 0.41%, 0

LABA 50.64, -23.34, 8.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #61957C00

RGBA 97 149 124 0

HSLA 151.15, 0.21%, 0.48%, 0

LABA 57.55, -23.07, 7.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #184D3500

RGBA 24 77 53 0

HSLA 152.83, 0.52%, 0.2%, 0

LABA 28.8, -24.04, 9.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #073B2200

RGBA 7 59 34 0

HSLA 151.15, 0.79%, 0.13%, 0

LABA 21.16, -23.54, 10.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00290F00

RGBA 0 41 15 0

HSLA 141.95, 1%, 0.08%, 0

LABA 13.35, -21.57, 12.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00170000

RGBA 0 23 0 0

HSLA 120, 1%, 0.05%, 0

LABA 5.54, -11.31, 8.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00050000

RGBA 0 5 0 0

HSLA 120, 1%, 0.01%, 0

LABA 0.98, -2, 1.43, 0

 

CMYK 69 / 0 / 31 / 69

HEX #184E36

RGB 24 78 54

HSL 153.33, 0.53%, 0.2%

LAB 29.18, -24.28, 9.1

 

CMYK 69 / 0 / 50 / 69

HEX #184E27

RGB 24 78 39

HSL 136.67, 0.53%, 0.2%

LAB 28.87, -27.6, 17.96

 

CMYK 69 / 0 / 68 / 69

HEX #184E19

RGB 24 78 25

HSL 121.11, 0.53%, 0.2%

LAB 28.68, -29.84, 25.62

 

CMYK 51 / 0 / 69 / 69

HEX #264E18

RGB 38 78 24

HSL 104.44, 0.53%, 0.2%

LAB 29.23, -25.66, 26.9

 

CMYK 32 / 0 / 69 / 69

HEX #354E18

RGB 53 78 24

HSL 87.78, 0.53%, 0.2%

LAB 30.09, -19.7, 28.09

 

CMYK 69 / 0 / 31 / 69

HEX #184E36

RGB 24 78 54

HSL 153.33, 0.53%, 0.2%

LAB 29.18, -24.28, 9.1

 

CMYK 69 / 0 / 13 / 69

HEX #184E44

RGB 24 78 68

HSL 168.89, 0.53%, 0.2%

LAB 29.56, -20.41, 0.71

 

CMYK 69 / 6 / 0 / 69

HEX #18494E

RGB 24 73 78

HSL 185.56, 0.53%, 0.2%

LAB 28.14, -14.41, -7.85

 

CMYK 69 / 24 / 0 / 69

HEX #183B4E

RGB 24 59 78

HSL 201.11, 0.53%, 0.2%

LAB 23.24, -5.78, -15.33

 

CMYK 69 / 44 / 0 / 69

HEX #182C4E

RGB 24 44 78

HSL 217.78, 0.53%, 0.2%

LAB 18.12, 4.58, -23.37

 

CMYK 69 / 0 / 31 / 69

HEX #184E36

RGB 24 78 54

HSL 153.33, 0.53%, 0.2%

LAB 29.18, -24.28, 9.1

 

CMYK 81 / 0 / 37 / 66

HEX #105636

RGB 16 86 54

HSL 152.57, 0.69%, 0.2%

LAB 31.88, -29.51, 12.77

 

CMYK 91 / 0 / 41 / 63

HEX #085E37

RGB 8 94 55

HSL 152.79, 0.84%, 0.2%

LAB 34.67, -33.67, 15.88

 

CMYK 69 / 0 / 31 / 69

HEX #184E36

RGB 24 78 54

HSL 153.33, 0.53%, 0.2%

LAB 29.18, -24.28, 9.1

 

CMYK 52 / 0 / 23 / 73

HEX #214535

RGB 33 69 53

HSL 153.33, 0.35%, 0.2%

LAB 26.26, -17.46, 5.71

 

CMYK 33 / 0 / 15 / 76

HEX #293D34

RGB 41 61 52

HSL 153, 0.2%, 0.2%

LAB 23.86, -10.3, 3

 

CMYK 8 / 0 / 4 / 79

HEX #313533

RGB 49 53 51

HSL 150, 0.04%, 0.2%

LAB 21.72, -2.2, 0.66

 

CMYK 0 / 21 / 12 / 78

HEX #392D32

RGB 57 45 50

HSL 335, 0.12%, 0.2%

LAB 19.95, 6.51, -1.14

 

CMYK 69 / 0 / 69 / 69

HEX #184E18

RGB 24 78 24

HSL 120, 0.53%, 0.2%

LAB 28.67, -29.97, 26.12

 

CMYK 69 / 0 / 50 / 69

HEX #184E27

RGB 24 78 39

HSL 136.67, 0.53%, 0.2%

LAB 28.87, -27.6, 17.96

 

CMYK 69 / 0 / 32 / 69

HEX #184E35

RGB 24 78 53

HSL 152.22, 0.53%, 0.2%

LAB 29.16, -24.53, 9.7

 

CMYK 69 / 0 / 14 / 69

HEX #184E43

RGB 24 78 67

HSL 167.78, 0.53%, 0.2%

LAB 29.53, -20.71, 1.31

 

CMYK 69 / 5 / 0 / 69

HEX #184A4E

RGB 24 74 78

HSL 184.44, 0.53%, 0.2%

LAB 28.49, -14.99, -7.32

 

CMYK 67 / 0 / 33 / 94

HEX #050F0A

RGB 5 15 10

HSL 150, 0.5%, 0.04%

LAB 3.58, -3.61, 1.18

 

CMYK 67 / 0 / 30 / 82

HEX #0F2E20

RGB 15 46 32

HSL 152.9, 0.51%, 0.12%

LAB 16.3, -15.67, 5.63

 

CMYK 69 / 0 / 31 / 69

HEX #184E36

RGB 24 78 54

HSL 153.33, 0.53%, 0.2%

LAB 29.18, -24.28, 9.1

 

CMYK 69 / 0 / 31 / 57

HEX #226D4B

RGB 34 109 75

HSL 152.8, 0.52%, 0.28%

LAB 40.87, -31.66, 12.44

 

CMYK 69 / 0 / 31 / 45

HEX #2C8C61

RGB 44 140 97

HSL 153.13, 0.52%, 0.36%

LAB 52.01, -38.38, 15.04

 

CMYK 69 / 0 / 31 / 70

HEX #184D35

RGB 24 77 53

HSL 152.83, 0.52%, 0.2%

LAB 28.8, -24.04, 9.2

 

CMYK 69 / 50 / 0 / 69

HEX #18274E

RGB 24 39 78

HSL 223.33, 0.53%, 0.2%

LAB 16.48, 8.25, -25.99

 

CMYK 0 / 59 / 69 / 69

HEX #4E2018

RGB 78 32 24

HSL 8.89, 0.53%, 0.2%

LAB 18.88, 20.97, 15.79

 

CMYK 69 / 0 / 31 / 70

HEX #184D35

RGB 24 77 53

HSL 152.83, 0.52%, 0.2%

LAB 28.8, -24.04, 9.2

 

CMYK 32 / 69 / 0 / 69

HEX #35184E

RGB 53 24 78

HSL 272.22, 0.53%, 0.2%

LAB 15.28, 26.13, -27.76

 

CMYK 0 / 32 / 69 / 69

HEX #4E3518

RGB 78 53 24

HSL 32.22, 0.53%, 0.2%

LAB 24.42, 7.71, 22.4

 

CMYK 69 / 0 / 31 / 70

HEX #184D35

RGB 24 77 53

HSL 152.83, 0.52%, 0.2%

LAB 28.8, -24.04, 9.2

 

CMYK 69 / 50 / 0 / 69

HEX #18274E

RGB 24 39 78

HSL 223.33, 0.53%, 0.2%

LAB 16.48, 8.25, -25.99

 

CMYK 0 / 69 / 37 / 69

HEX #4E1831

RGB 78 24 49

HSL 332.22, 0.53%, 0.2%

LAB 17.89, 28.15, -3.12

 

CMYK 0 / 19 / 69 / 69

HEX #4E3F18

RGB 78 63 24

HSL 43.33, 0.53%, 0.2%

LAB 27.41, 1.28, 25.78

 

CMYK 69 / 0 / 31 / 70

HEX #184D35

RGB 24 77 53

HSL 152.83, 0.52%, 0.2%

LAB 28.8, -24.04, 9.2

 

CMYK 67 / 69 / 0 / 69

HEX #1A184E

RGB 26 24 78

HSL 242.22, 0.53%, 0.2%

LAB 12.11, 19.76, -33.04

 

CMYK 0 / 69 / 37 / 69

HEX #4E1831

RGB 78 24 49

HSL 332.22, 0.53%, 0.2%

LAB 17.89, 28.15, -3.12

 

CMYK 3 / 0 / 69 / 69

HEX #4C4E18

RGB 76 78 24

HSL 62.22, 0.53%, 0.2%

LAB 31.92, -8.93, 30.61

 

Description

Color code: RGBA 24 77 53 0 | qconv.com Color code: RGBA 24 77 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 77 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 77 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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