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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 24 21 24 0 it is the complementary color RGBA 231 234 231 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 24 21 24 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 24 21 24 0 shade: RGBA 29 21 19 0, RGBA 46 39 38 0, RGBA 63 57 57 0, RGBA 80 75 76 0 and RGBA 97 93 95 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 24 21 24 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 24 21 24 0 shade: RGBA 24 21 24 0 and RGBA 7 3 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 24 21 24 0 shade: RGB 25 21 25, RGB 25 21 24, RGB 25 21 23, RGB 25 21 22 and RGB 25 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 24 21 24 0 shade: RGB 25 21 25, RGB 24 21 25, RGB 23 21 25, RGB 22 21 25 and RGB 21 21 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 24 21 24 0 shade matches the following richer shades: RGB 25 21 25, RGB 28 18 28, RGB 32 14 32, RGB 36 10 36 and RGB 39 6 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 24 21 24 0 shade: RGB 25 21 25, RGB 21 25 21, RGB 17 29 17, RGB 13 32 13 and RGB 10 36 10

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 24 21 24 0 shade: RGB 23 21 25, RGB 24 21 25, RGB 25 21 25, RGB 25 21 24 and RGB 25 21 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 24 21 24 0 shade: RGB 0 0 0, RGB 2 2 2, RGB 25 21 25, RGB 47 41 47 and RGB 69 60 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 24 21 24 0 shade: RGB 24 21 24, RGB 25 22 21 and RGB 21 25 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 24 21 24 0 shade: RGB 24 21 24, RGB 25 25 21 and RGB 21 25 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 24 21 24 0 shade: RGB 24 21 24, RGB 25 22 21, RGB 21 25 21 and RGB 21 24 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 24 21 24 0 shade: RGB 24 21 24, RGB 25 23 21, RGB 21 25 21 and RGB 21 23 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #18151800

RGBA 24 21 24 0

HSLA 300, 0.07%, 0.09%, 0

LABA 7.19, 2.16, -1.54, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #E7EAE700

RGBA 231 234 231 0

HSLA 120, 0.07%, 0.91%, 0

LABA 92.4, -1.53, 1.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1D151300

RGBA 29 21 19 0

HSLA 12, 0.21%, 0.09%, 0

LABA 7.63, 3.63, 2.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E272600

RGBA 46 39 38 0

HSLA 7.5, 0.1%, 0.16%, 0

LABA 16.36, 3.04, 1.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F393900

RGBA 63 57 57 0

HSLA 0, 0.05%, 0.24%, 0

LABA 24.57, 2.61, 0.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #504B4C00

RGBA 80 75 76 0

HSLA 348, 0.03%, 0.3%, 0

LABA 32.39, 2.28, 0.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #615D5F00

RGBA 97 93 95 0

HSLA 330, 0.02%, 0.37%, 0

LABA 39.91, 2.01, -0.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #18151800

RGBA 24 21 24 0

HSLA 300, 0.07%, 0.09%, 0

LABA 7.19, 2.16, -1.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #07030500

RGBA 7 3 5 0

HSLA 330, 0.4%, 0.02%, 0

LABA 1.1, 1.32, -0.39, 0

 

CMYK 0 / 16 / 0 / 90

HEX #191519

RGB 25 21 25

HSL 300, 0.09%, 0.09%

LAB 7.35, 2.93, -2.08

 

CMYK 0 / 16 / 4 / 90

HEX #191518

RGB 25 21 24

HSL 315, 0.09%, 0.09%

LAB 7.31, 2.66, -1.37

 

CMYK 0 / 16 / 8 / 90

HEX #191517

RGB 25 21 23

HSL 330, 0.09%, 0.09%

LAB 7.27, 2.41, -0.66

 

CMYK 0 / 16 / 12 / 90

HEX #191516

RGB 25 21 22

HSL 345, 0.09%, 0.09%

LAB 7.23, 2.16, 0.02

 

CMYK 0 / 16 / 16 / 90

HEX #191515

RGB 25 21 21

HSL 0, 0.09%, 0.09%

LAB 7.2, 1.92, 0.67

 

CMYK 0 / 16 / 0 / 90

HEX #191519

RGB 25 21 25

HSL 300, 0.09%, 0.09%

LAB 7.35, 2.93, -2.08

 

CMYK 4 / 16 / 0 / 90

HEX #181519

RGB 24 21 25

HSL 285, 0.09%, 0.09%

LAB 7.23, 2.43, -2.26

 

CMYK 8 / 16 / 0 / 90

HEX #171519

RGB 23 21 25

HSL 270, 0.09%, 0.09%

LAB 7.12, 1.94, -2.43

 

CMYK 12 / 16 / 0 / 90

HEX #161519

RGB 22 21 25

HSL 255, 0.09%, 0.09%

LAB 7.02, 1.47, -2.59

 

CMYK 16 / 16 / 0 / 90

HEX #151519

RGB 21 21 25

HSL 240, 0.09%, 0.09%

LAB 6.92, 1.02, -2.75

 

CMYK 0 / 16 / 0 / 90

HEX #191519

RGB 25 21 25

HSL 300, 0.09%, 0.09%

LAB 7.35, 2.93, -2.08

 

CMYK 0 / 36 / 0 / 89

HEX #1C121C

RGB 28 18 28

HSL 300, 0.22%, 0.09%

LAB 6.9, 7.28, -5.01

 

CMYK 0 / 56 / 0 / 87

HEX #200E20

RGB 32 14 32

HSL 300, 0.39%, 0.09%

LAB 6.55, 12.84, -8.56

 

CMYK 0 / 72 / 0 / 86

HEX #240A24

RGB 36 10 36

HSL 300, 0.57%, 0.09%

LAB 6.5, 17.96, -11.65

 

CMYK 0 / 85 / 0 / 85

HEX #270627

RGB 39 6 39

HSL 300, 0.73%, 0.09%

LAB 6.4, 22.05, -14.06

 

CMYK 0 / 16 / 0 / 90

HEX #191519

RGB 25 21 25

HSL 300, 0.09%, 0.09%

LAB 7.35, 2.93, -2.08

 

CMYK 16 / 0 / 16 / 90

HEX #151915

RGB 21 25 21

HSL 120, 0.09%, 0.09%

LAB 8.21, -2.92, 2.09

 

CMYK 41 / 0 / 41 / 89

HEX #111D11

RGB 17 29 17

HSL 120, 0.26%, 0.09%

LAB 9.31, -8.5, 6.18

 

CMYK 59 / 0 / 59 / 87

HEX #0D200D

RGB 13 32 13

HSL 120, 0.42%, 0.09%

LAB 10.17, -12.88, 9.48

 

CMYK 72 / 0 / 72 / 86

HEX #0A240A

RGB 10 36 10

HSL 120, 0.57%, 0.09%

LAB 11.61, -16.82, 12.8

 

CMYK 8 / 16 / 0 / 90

HEX #171519

RGB 23 21 25

HSL 270, 0.09%, 0.09%

LAB 7.12, 1.94, -2.43

 

CMYK 4 / 16 / 0 / 90

HEX #181519

RGB 24 21 25

HSL 285, 0.09%, 0.09%

LAB 7.23, 2.43, -2.26

 

CMYK 0 / 16 / 0 / 90

HEX #191519

RGB 25 21 25

HSL 300, 0.09%, 0.09%

LAB 7.35, 2.93, -2.08

 

CMYK 0 / 16 / 4 / 90

HEX #191518

RGB 25 21 24

HSL 315, 0.09%, 0.09%

LAB 7.31, 2.66, -1.37

 

CMYK 0 / 16 / 8 / 90

HEX #191517

RGB 25 21 23

HSL 330, 0.09%, 0.09%

LAB 7.27, 2.41, -0.66

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 0 / 16 / 0 / 90

HEX #191519

RGB 25 21 25

HSL 300, 0.09%, 0.09%

LAB 7.35, 2.93, -2.08

 

CMYK 0 / 13 / 0 / 82

HEX #2F292F

RGB 47 41 47

HSL 300, 0.07%, 0.17%

LAB 17.44, 4.13, -2.89

 

CMYK 0 / 13 / 0 / 73

HEX #453C45

RGB 69 60 69

HSL 300, 0.07%, 0.25%

LAB 26.52, 5.84, -4.08

 

CMYK 0 / 13 / 0 / 91

HEX #181518

RGB 24 21 24

HSL 300, 0.07%, 0.09%

LAB 7.19, 2.16, -1.54

 

CMYK 0 / 12 / 16 / 90

HEX #191615

RGB 25 22 21

HSL 15, 0.09%, 0.09%

LAB 7.54, 1.22, 1.17

 

CMYK 16 / 0 / 8 / 90

HEX #151917

RGB 21 25 23

HSL 150, 0.09%, 0.09%

LAB 8.28, -2.43, 0.76

 

CMYK 0 / 13 / 0 / 91

HEX #181518

RGB 24 21 24

HSL 300, 0.07%, 0.09%

LAB 7.19, 2.16, -1.54

 

CMYK 0 / 0 / 16 / 90

HEX #191915

RGB 25 25 21

HSL 60, 0.09%, 0.09%

LAB 8.62, -0.98, 2.74

 

CMYK 16 / 0 / 0 / 90

HEX #151919

RGB 21 25 25

HSL 180, 0.09%, 0.09%

LAB 8.35, -1.89, -0.65

 

CMYK 0 / 13 / 0 / 91

HEX #181518

RGB 24 21 24

HSL 300, 0.07%, 0.09%

LAB 7.19, 2.16, -1.54

 

CMYK 0 / 12 / 16 / 90

HEX #191615

RGB 25 22 21

HSL 15, 0.09%, 0.09%

LAB 7.54, 1.22, 1.17

 

CMYK 16 / 0 / 16 / 90

HEX #151915

RGB 21 25 21

HSL 120, 0.09%, 0.09%

LAB 8.21, -2.92, 2.09

 

CMYK 16 / 4 / 0 / 90

HEX #151819

RGB 21 24 25

HSL 195, 0.09%, 0.09%

LAB 7.98, -1.14, -1.2

 

CMYK 0 / 13 / 0 / 91

HEX #181518

RGB 24 21 24

HSL 300, 0.07%, 0.09%

LAB 7.19, 2.16, -1.54

 

CMYK 0 / 8 / 16 / 90

HEX #191715

RGB 25 23 21

HSL 30, 0.09%, 0.09%

LAB 7.89, 0.5, 1.68

 

CMYK 16 / 0 / 16 / 90

HEX #151915

RGB 21 25 21

HSL 120, 0.09%, 0.09%

LAB 8.21, -2.92, 2.09

 

CMYK 16 / 8 / 0 / 90

HEX #151719

RGB 21 23 25

HSL 210, 0.09%, 0.09%

LAB 7.61, -0.39, -1.74

 

Description

Color code: RGBA 24 21 24 0 | qconv.com Color code: RGBA 24 21 24 0 | qconv.com - big

Only slight differences between the color values. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 21 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 21 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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