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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 24 205 132 0.18 it is the complementary color RGBA 231 50 123 0.18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 24 205 132 0.18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 24 205 132 0.18: RGBA 29 205 127 0.18, RGBA 46 223 146 0.18, RGBA 63 241 165 0.18, RGBA 80 255 184 0.18 and RGBA 97 255 203 0.18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 24 205 132 0.18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 24 205 132 0.18: RGBA 24 205 132 0.18, RGBA 7 187 113 0.18, RGBA 0 169 94 0.18, RGBA 0 151 75 0.18 and RGBA 0 133 56 0.18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

Complementary color

CMYK 0 / 14 / 8 / 2

HEX #E7327B2D

RGBA 231 50 123 0.18

HSLA 335.8, 0.79%, 0.55%, 0.18

LABA 52.62, 71.5, 3.22, 0.18

 

CMYK 15 / 0 / 7 / 4

HEX #1DCD7F2D

RGBA 29 205 127 0.18

HSLA 153.41, 0.75%, 0.46%, 0.18

LABA 73.19, -59.17, 27.4, 0.18

 

CMYK 14 / 0 / 6 / 2

HEX #2EDF922D

RGBA 46 223 146 0.18

HSLA 153.9, 0.73%, 0.53%, 0.18

LABA 79.29, -60.37, 25.78, 0.18

 

CMYK 13 / 0 / 6 / 1

HEX #3FF1A52D

RGBA 63 241 165 0.18

HSLA 154.38, 0.86%, 0.6%, 0.18

LABA 85.34, -61.21, 24.29, 0.18

 

CMYK 12 / 0 / 5 / 0

HEX #50FFB82D

RGBA 80 255 184 0.18

HSLA 155.66, 1%, 0.66%, 0.18

LABA 90.18, -60.26, 21.28, 0.18

 

CMYK 11 / 0 / 4 / 0

HEX #61FFCB2D

RGBA 97 255 203 0.18

HSLA 160.25, 1%, 0.69%, 0.18

LABA 90.95, -53.45, 12.68, 0.18

 

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

CMYK 17 / 0 / 7 / 5

HEX #07BB712D

RGBA 7 187 113 0.18

HSLA 155.33, 0.93%, 0.38%, 0.18

LABA 67.11, -56.74, 26.61, 0.18

 

CMYK 18 / 0 / 8 / 6

HEX #00A95E2D

RGBA 0 169 94 0.18

HSLA 153.37, 1%, 0.33%, 0.18

LABA 60.94, -54.38, 28.53, 0.18

 

CMYK 18 / 0 / 9 / 7

HEX #00974B2D

RGBA 0 151 75 0.18

HSLA 149.8, 1%, 0.3%, 0.18

LABA 54.7, -51.59, 30.54, 0.18

 

CMYK 18 / 0 / 10 / 9

HEX #0085382D

RGBA 0 133 56 0.18

HSLA 145.26, 1%, 0.26%, 0.18

LABA 48.34, -48.56, 32.54, 0.18

 

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

CMYK 16 / 0 / 4 / 4

HEX #18CDA02D

RGBA 24 205 160 0.18

HSLA 165.08, 0.79%, 0.45%, 0.18

LABA 73.8, -52.2, 10.75, 0.18

 

CMYK 16 / 0 / 1 / 4

HEX #18CDBE2D

RGBA 24 205 190 0.18

HSLA 175.03, 0.79%, 0.45%, 0.18

LABA 74.56, -44.3, -4.34, 0.18

 

CMYK 16 / 1 / 0 / 4

HEX #18BECD2D

RGBA 24 190 205 0.18

HSLA 184.97, 0.79%, 0.45%, 0.18

LABA 70.48, -33.03, -18.6, 0.18

 

CMYK 16 / 4 / 0 / 4

HEX #18A0CD2D

RGBA 24 160 205 0.18

HSLA 194.92, 0.79%, 0.45%, 0.18

LABA 61.43, -17.88, -32.48, 0.18

 

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

CMYK 18 / 0 / 0 / 18

HEX #0001012D

RGBA 0 1 1 0.18

HSLA 180, 1%, 0%, 0.18

LABA 0.22, -0.26, -0.09, 0.18

 

CMYK 16 / 0 / 7 / 14

HEX #0634212D

RGBA 6 52 33 0.18

HSLA 155.22, 0.79%, 0.11%, 0.18

LABA 18.38, -20.67, 7.79, 0.18

 

CMYK 16 / 0 / 6 / 11

HEX #0C67422D

RGBA 12 103 66 0.18

HSLA 155.6, 0.79%, 0.23%, 0.18

LABA 38.15, -34.48, 14, 0.18

 

CMYK 16 / 0 / 6 / 7

HEX #129A632D

RGBA 18 154 99 0.18

HSLA 155.74, 0.79%, 0.34%, 0.18

LABA 56.23, -46.91, 19.6, 0.18

 

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

CMYK 16 / 12 / 0 / 4

HEX #183FCD2D

RGBA 24 63 205 0.18

HSLA 227.07, 0.79%, 0.45%, 0.18

LABA 34.31, 41.91, -75.98, 0.18

 

CMYK 0 / 13 / 16 / 4

HEX #CD39182D

RGBA 205 57 24 0.18

HSLA 10.94, 0.79%, 0.45%, 0.18

LABA 46.94, 56.61, 51.41, 0.18

 

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

CMYK 7 / 16 / 0 / 4

HEX #8118CD2D

RGBA 129 24 205 0.18

HSLA 274.81, 0.79%, 0.45%, 0.18

LABA 37.35, 69.4, -70.66, 0.18

 

CMYK 0 / 7 / 16 / 4

HEX #CD81182D

RGBA 205 129 24 0.18

HSLA 34.81, 0.79%, 0.45%, 0.18

LABA 60.56, 22.12, 62.02, 0.18

 

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

CMYK 16 / 12 / 0 / 4

HEX #183FCD2D

RGBA 24 63 205 0.18

HSLA 227.07, 0.79%, 0.45%, 0.18

LABA 34.31, 41.91, -75.98, 0.18

 

CMYK 0 / 16 / 9 / 4

HEX #CD18632D

RGBA 205 24 99 0.18

HSLA 335.14, 0.79%, 0.45%, 0.18

LABA 44.99, 68.84, 6.3, 0.18

 

CMYK 0 / 3 / 16 / 4

HEX #CDA6182D

RGBA 205 166 24 0.18

HSLA 47.07, 0.79%, 0.45%, 0.18

LABA 69.7, 2.1, 69.22, 0.18

 

CMYK 16 / 0 / 6 / 4

HEX #18CD842D

RGBA 24 205 132 0.18

HSLA 155.8, 0.79%, 0.45%, 0.18

LABA 73.23, -58.51, 24.84, 0.18

 

CMYK 15 / 16 / 0 / 4

HEX #2718CD2D

RGBA 39 24 205 0.18

HSLA 244.97, 0.79%, 0.45%, 0.18

LABA 28.09, 62.04, -86.27, 0.18

 

CMYK 0 / 16 / 9 / 4

HEX #CD18632D

RGBA 205 24 99 0.18

HSLA 335.14, 0.79%, 0.45%, 0.18

LABA 44.99, 68.84, 6.3, 0.18

 

CMYK 1 / 0 / 16 / 4

HEX #BECD182D

RGBA 190 205 24 0.18

HSLA 64.97, 0.79%, 0.45%, 0.18

LABA 78.85, -24.33, 75.97, 0.18

 

Description

Color code: RGBA 24 205 132 0.18 | qconv.com Color code: RGBA 24 205 132 0.18 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 205 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 205 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 6 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 6% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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