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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 24 178 241 0.75 it is the complementary color RGBA 231 77 14 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 24 178 241 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 24 178 241 0.75 shade: RGBA 29 178 236 0.75, RGBA 46 196 255 0.75, RGBA 63 214 255 0.75, RGBA 80 232 255 0.75 and RGBA 97 250 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 24 178 241 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 24 178 241 0.75 shade: RGBA 24 178 241 0.75, RGBA 7 160 222 0.75, RGBA 0 142 203 0.75, RGBA 0 124 184 0.75 and RGBA 0 106 165 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 24 178 241 0.75 shade: RGB 24 178 242, RGB 24 120 242, RGB 24 61 242, RGB 45 24 242 and RGB 104 24 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 24 178 241 0.75 shade: RGB 24 178 242, RGB 24 120 242, RGB 24 61 242 and RGB 24 24 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 24 178 241 0.75 shade matches the following richer shades: RGB 24 178 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 24 178 241 0.75 shade: RGB 24 178 242, RGB 43 170 222, RGB 63 162 202, RGB 83 153 182 and RGB 103 145 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 24 178 241 0.75 shade: RGB 24 242 187, RGB 24 238 242, RGB 24 180 242, RGB 24 122 242 and RGB 24 64 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 24 178 241 0.75 shade: RGB 10 125 173, RGB 12 154 212, RGB 24 178 242, RGB 63 191 244 and RGB 102 204 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 24 178 241 0.75 shade: RGB 24 178 241, RGB 129 24 242 and RGB 242 216 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 24 178 241 0.75 shade: RGB 24 178 241, RGB 242 24 180 and RGB 180 242 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 24 178 241 0.75 shade: RGB 24 178 241, RGB 129 24 242, RGB 242 85 24 and RGB 136 242 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 24 178 241 0.75 shade: RGB 24 178 241, RGB 194 24 242, RGB 242 85 24 and RGB 71 242 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 20 / 0 / 4

HEX #18B2F1BF

RGBA 24 178 241 0.75

HSLA 197.42, 0.89%, 0.52%, 0.75

LABA 68.3, -14.91, -41.6, 0.75

 

Complementary color

CMYK 0 / 50 / 70 / 7

HEX #E74D0EBF

RGBA 231 77 14 0.75

HSLA 17.42, 0.89%, 0.48%, 0.75

LABA 54.37, 57.38, 61.99, 0.75

 

CMYK 66 / 18 / 0 / 6

HEX #1DB2ECBF

RGBA 29 178 236 0.75

HSLA 196.81, 0.84%, 0.52%, 0.75

LABA 68.14, -16.4, -39.13, 0.75

 

CMYK 61 / 17 / 0 / 0

HEX #2EC4FFBF

RGBA 46 196 255 0.75

HSLA 196.94, 1%, 0.59%, 0.75

LABA 74.37, -18.24, -39.68, 0.75

 

CMYK 56 / 12 / 0 / 0

HEX #3FD6FFBF

RGBA 63 214 255 0.75

HSLA 192.81, 1%, 0.62%, 0.75

LABA 79.82, -25.82, -31.22, 0.75

 

CMYK 51 / 7 / 0 / 0

HEX #50E8FFBF

RGBA 80 232 255 0.75

HSLA 187.89, 1%, 0.66%, 0.75

LABA 85.32, -32.52, -22.79, 0.75

 

CMYK 46 / 1 / 0 / 0

HEX #61FAFFBF

RGBA 97 250 255 0.75

HSLA 181.9, 1%, 0.69%, 0.75

LABA 90.84, -38.46, -14.43, 0.75

 

CMYK 68 / 20 / 0 / 4

HEX #18B2F1BF

RGBA 24 178 241 0.75

HSLA 197.42, 0.89%, 0.52%, 0.75

LABA 68.3, -14.91, -41.6, 0.75

 

CMYK 73 / 21 / 0 / 10

HEX #07A0DEBF

RGBA 7 160 222 0.75

HSLA 197.3, 0.94%, 0.45%, 0.75

LABA 62.05, -12.5, -40.97, 0.75

 

CMYK 75 / 23 / 0 / 15

HEX #008ECBBF

RGBA 0 142 203 0.75

HSLA 198.03, 1%, 0.4%, 0.75

LABA 55.74, -9.62, -40.26, 0.75

 

CMYK 75 / 24 / 0 / 21

HEX #007CB8BF

RGBA 0 124 184 0.75

HSLA 199.57, 1%, 0.36%, 0.75

LABA 49.35, -6.39, -39.51, 0.75

 

CMYK 75 / 27 / 0 / 26

HEX #006AA5BF

RGBA 0 106 165 0.75

HSLA 201.45, 1%, 0.32%, 0.75

LABA 42.8, -3, -38.79, 0.75

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F2

RGB 24 178 242

HSL 197.61, 0.89%, 0.52%

LAB 68.35, -14.56, -42.08

 

CMYK 90 / 50 / 0 / 5

HEX #1878F2

RGB 24 120 242

HSL 213.58, 0.89%, 0.52%

LAB 51.88, 19.53, -68.31

 

CMYK 90 / 75 / 0 / 5

HEX #183DF2

RGB 24 61 242

HSL 229.82, 0.89%, 0.52%

LAB 37.74, 55.88, -91.48

 

CMYK 81 / 90 / 0 / 5

HEX #2D18F2

RGB 45 24 242

HSL 245.78, 0.89%, 0.52%

LAB 33.18, 72.11, -99.04

 

CMYK 57 / 90 / 0 / 5

HEX #6818F2

RGB 104 24 242

HSL 262.02, 0.89%, 0.52%

LAB 37.86, 75.15, -91.14

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F2

RGB 24 178 242

HSL 197.61, 0.89%, 0.52%

LAB 68.35, -14.56, -42.08

 

CMYK 90 / 50 / 0 / 5

HEX #1878F2

RGB 24 120 242

HSL 213.58, 0.89%, 0.52%

LAB 51.88, 19.53, -68.31

 

CMYK 90 / 75 / 0 / 5

HEX #183DF2

RGB 24 61 242

HSL 229.82, 0.89%, 0.52%

LAB 37.74, 55.88, -91.48

 

CMYK 90 / 90 / 0 / 5

HEX #1818F2

RGB 24 24 242

HSL 240, 0.89%, 0.52%

LAB 32.39, 71.65, -100.38

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F2

RGB 24 178 242

HSL 197.61, 0.89%, 0.52%

LAB 68.35, -14.56, -42.08

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F2

RGB 24 178 242

HSL 197.61, 0.89%, 0.52%

LAB 68.35, -14.56, -42.08

 

CMYK 81 / 23 / 0 / 13

HEX #2BAADE

RGB 43 170 222

HSL 197.43, 0.73%, 0.52%

LAB 65.39, -15.92, -35.73

 

CMYK 69 / 20 / 0 / 21

HEX #3FA2CA

RGB 63 162 202

HSL 197.27, 0.57%, 0.52%

LAB 62.64, -15.95, -28.87

 

CMYK 54 / 16 / 0 / 29

HEX #5399B6

RGB 83 153 182

HSL 197.58, 0.4%, 0.52%

LAB 59.89, -13.72, -21.82

 

CMYK 36 / 10 / 0 / 36

HEX #6791A2

RGB 103 145 162

HSL 197.29, 0.24%, 0.52%

LAB 57.79, -9.96, -13.56

 

CMYK 90 / 0 / 23 / 5

HEX #18F2BB

RGB 24 242 187

HSL 164.86, 0.89%, 0.52%

LAB 85.65, -60.05, 13.28

 

CMYK 90 / 2 / 0 / 5

HEX #18EEF2

RGB 24 238 242

HSL 181.1, 0.89%, 0.52%

LAB 85.88, -43.83, -15.19

 

CMYK 90 / 26 / 0 / 5

HEX #18B4F2

RGB 24 180 242

HSL 197.06, 0.89%, 0.52%

LAB 68.93, -15.64, -41.16

 

CMYK 90 / 50 / 0 / 5

HEX #187AF2

RGB 24 122 242

HSL 213.03, 0.89%, 0.52%

LAB 52.42, 18.28, -67.43

 

CMYK 90 / 74 / 0 / 5

HEX #1840F2

RGB 24 64 242

HSL 228.99, 0.89%, 0.52%

LAB 38.33, 54.22, -90.51

 

CMYK 94 / 28 / 0 / 32

HEX #0A7DAD

RGB 10 125 173

HSL 197.67, 0.89%, 0.36%

LAB 49.19, -10.78, -33.39

 

CMYK 94 / 27 / 0 / 17

HEX #0C9AD4

RGB 12 154 212

HSL 197.4, 0.89%, 0.44%

LAB 59.84, -12.66, -38.88

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F2

RGB 24 178 242

HSL 197.61, 0.89%, 0.52%

LAB 68.35, -14.56, -42.08

 

CMYK 74 / 22 / 0 / 4

HEX #3FBFF4

RGB 63 191 244

HSL 197.57, 0.89%, 0.6%

LAB 72.79, -17.61, -36.19

 

CMYK 59 / 17 / 0 / 4

HEX #66CCF6

RGB 102 204 246

HSL 197.5, 0.89%, 0.68%

LAB 77.68, -17.85, -29.63

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F1

RGB 24 178 241

HSL 197.42, 0.89%, 0.52%

LAB 68.3, -14.91, -41.6

 

CMYK 47 / 90 / 0 / 5

HEX #8118F2

RGB 129 24 242

HSL 268.9, 0.89%, 0.52%

LAB 40.79, 77.32, -86.2

 

CMYK 0 / 11 / 90 / 5

HEX #F2D818

RGB 242 216 24

HSL 52.84, 0.89%, 0.52%

LAB 86.03, -7.72, 83.43

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F1

RGB 24 178 241

HSL 197.42, 0.89%, 0.52%

LAB 68.3, -14.91, -41.6

 

CMYK 0 / 90 / 26 / 5

HEX #F218B4

RGB 242 24 180

HSL 317.06, 0.89%, 0.52%

LAB 54.89, 84.65, -26.97

 

CMYK 26 / 0 / 90 / 5

HEX #B4F218

RGB 180 242 24

HSL 77.06, 0.89%, 0.52%

LAB 88.58, -45.16, 83.54

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F1

RGB 24 178 241

HSL 197.42, 0.89%, 0.52%

LAB 68.3, -14.91, -41.6

 

CMYK 47 / 90 / 0 / 5

HEX #8118F2

RGB 129 24 242

HSL 268.9, 0.89%, 0.52%

LAB 40.79, 77.32, -86.2

 

CMYK 0 / 65 / 90 / 5

HEX #F25518

RGB 242 85 24

HSL 16.79, 0.89%, 0.52%

LAB 57.5, 57.97, 62.15

 

CMYK 44 / 0 / 90 / 5

HEX #88F218

RGB 136 242 24

HSL 89.17, 0.89%, 0.52%

LAB 86.41, -60.36, 80.87

 

CMYK 90 / 26 / 0 / 5

HEX #18B2F1

RGB 24 178 241

HSL 197.42, 0.89%, 0.52%

LAB 68.3, -14.91, -41.6

 

CMYK 20 / 90 / 0 / 5

HEX #C218F2

RGB 194 24 242

HSL 286.79, 0.89%, 0.52%

LAB 50.14, 85.2, -70.52

 

CMYK 0 / 65 / 90 / 5

HEX #F25518

RGB 242 85 24

HSL 16.79, 0.89%, 0.52%

LAB 57.5, 57.97, 62.15

 

CMYK 71 / 0 / 90 / 5

HEX #47F218

RGB 71 242 24

HSL 107.06, 0.89%, 0.52%

LAB 84.44, -76.2, 78.43

 

Description

Color code: RGBA 24 178 241 0.75 | qconv.com Color code: RGBA 24 178 241 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 178 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 178 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 20 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 20% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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