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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 246 81 53 0.25 it is the complementary color RGBA 9 174 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 246 81 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 246 81 53 0.25 shade: RGBA 251 81 48 0.25, RGBA 255 99 67 0.25, RGBA 255 117 86 0.25, RGBA 255 135 105 0.25 and RGBA 255 153 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 246 81 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 246 81 53 0.25 shade: RGBA 246 81 53 0.25, RGBA 229 63 34 0.25, RGBA 212 45 15 0.25, RGBA 195 27 0 0.25 and RGBA 178 9 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 246 81 53 0.25 shade: RGB 246 83 55 and RGB 246 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 246 81 53 0.25 shade: RGB 246 83 55, RGB 246 134 55, RGB 246 186 55, RGB 246 237 55 and RGB 203 246 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 246 81 53 0.25 shade matches the following richer shades: RGB 246 83 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 246 81 53 0.25 shade: RGB 246 83 55, RGB 229 95 72, RGB 212 107 89, RGB 195 119 106 and RGB 178 131 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 246 81 53 0.25 shade: RGB 246 55 131, RGB 246 55 81, RGB 246 81 55, RGB 246 131 55 and RGB 246 182 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 246 81 53 0.25 shade: RGB 209 39 10, RGB 244 49 16, RGB 246 83 55, RGB 247 117 95 and RGB 249 151 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 246 81 53 0.25 shade: RGB 246 81 53, RGB 182 246 55 and RGB 55 106 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 246 81 53 0.25 shade: RGB 246 81 53, RGB 55 246 81 and RGB 81 55 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 246 81 53 0.25 shade: RGB 246 81 53, RGB 182 246 55, RGB 55 220 246 and RGB 119 55 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 246 81 53 0.25 shade: RGB 246 81 53, RGB 125 246 55, RGB 55 220 246 and RGB 176 55 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 20 / 1

HEX #F651353F

RGBA 246 81 53 0.25

HSLA 8.7, 0.91%, 0.59%, 0.25

LABA 57.78, 61.56, 50.51, 0.25

 

Complementary color

CMYK 24 / 3 / 0 / 5

HEX #09AECA3F

RGBA 9 174 202 0.25

HSLA 188.7, 0.91%, 0.41%, 0.25

LABA 65.43, -26.8, -24.64, 0.25

 

CMYK 0 / 17 / 20 / 0

HEX #FB51303F

RGBA 251 81 48 0.25

HSLA 9.75, 0.96%, 0.59%, 0.25

LABA 58.61, 63.02, 54.03, 0.25

 

CMYK 0 / 15 / 18 / 0

HEX #FF63433F

RGBA 255 99 67 0.25

HSLA 10.21, 1%, 0.63%, 0.25

LABA 62.16, 57.69, 48.44, 0.25

 

CMYK 0 / 14 / 17 / 0

HEX #FF75563F

RGBA 255 117 86 0.25

HSLA 11.01, 1%, 0.67%, 0.25

LABA 65.48, 50.48, 42.26, 0.25

 

CMYK 0 / 12 / 15 / 0

HEX #FF87693F

RGBA 255 135 105 0.25

HSLA 12, 1%, 0.71%, 0.25

LABA 69.19, 42.93, 36.62, 0.25

 

CMYK 0 / 10 / 13 / 0

HEX #FF997C3F

RGBA 255 153 124 0.25

HSLA 13.28, 1%, 0.74%, 0.25

LABA 73.22, 35.28, 31.54, 0.25

 

CMYK 0 / 17 / 20 / 1

HEX #F651353F

RGBA 246 81 53 0.25

HSLA 8.7, 0.91%, 0.59%, 0.25

LABA 57.78, 61.56, 50.51, 0.25

 

CMYK 0 / 18 / 21 / 3

HEX #E53F223F

RGBA 229 63 34 0.25

HSLA 8.92, 0.79%, 0.52%, 0.25

LABA 52.21, 62.26, 53.26, 0.25

 

CMYK 0 / 20 / 23 / 4

HEX #D42D0F3F

RGBA 212 45 15 0.25

HSLA 9.14, 0.87%, 0.45%, 0.25

LABA 46.85, 62.47, 55.27, 0.25

 

CMYK 0 / 22 / 25 / 6

HEX #C31B003F

RGBA 195 27 0 0.25

HSLA 8.31, 1%, 0.38%, 0.25

LABA 41.82, 61.88, 55.39, 0.25

 

CMYK 0 / 24 / 25 / 8

HEX #B209003F

RGBA 178 9 0 0.25

HSLA 3.03, 1%, 0.35%, 0.25

LABA 37.23, 60.12, 51.43, 0.25

 

CMYK 0 / 66 / 78 / 4

HEX #F65337

RGB 246 83 55

HSL 8.8, 0.91%, 0.59%

LAB 58.09, 60.85, 49.81

 

CMYK 0 / 78 / 78 / 4

HEX #F63737

RGB 246 55 55

HSL 0, 0.91%, 0.59%

LAB 54.66, 70.32, 46.29

 

CMYK 0 / 66 / 78 / 4

HEX #F65337

RGB 246 83 55

HSL 8.8, 0.91%, 0.59%

LAB 58.09, 60.85, 49.81

 

CMYK 0 / 46 / 78 / 4

HEX #F68637

RGB 246 134 55

HSL 24.82, 0.91%, 0.59%

LAB 67.22, 37.32, 58.84

 

CMYK 0 / 24 / 78 / 4

HEX #F6BA37

RGB 246 186 55

HSL 41.15, 0.91%, 0.59%

LAB 79.03, 10.17, 69.97

 

CMYK 0 / 4 / 78 / 4

HEX #F6ED37

RGB 246 237 55

HSL 57.17, 0.91%, 0.59%

LAB 91.88, -15.67, 81.56

 

CMYK 17 / 0 / 78 / 4

HEX #CBF637

RGB 203 246 55

HSL 73.51, 0.91%, 0.59%

LAB 91.18, -37.23, 79.77

 

CMYK 0 / 66 / 78 / 4

HEX #F65337

RGB 246 83 55

HSL 8.8, 0.91%, 0.59%

LAB 58.09, 60.85, 49.81

 

CMYK 0 / 66 / 78 / 4

HEX #F65337

RGB 246 83 55

HSL 8.8, 0.91%, 0.59%

LAB 58.09, 60.85, 49.81

 

CMYK 0 / 59 / 69 / 10

HEX #E55F48

RGB 229 95 72

HSL 8.79, 0.75%, 0.59%

LAB 57.38, 50.69, 39.27

 

CMYK 0 / 50 / 58 / 17

HEX #D46B59

RGB 212 107 89

HSL 8.78, 0.59%, 0.59%

LAB 57.3, 39.71, 29.13

 

CMYK 0 / 39 / 46 / 24

HEX #C3776A

RGB 195 119 106

HSL 8.76, 0.43%, 0.59%

LAB 57.88, 28.31, 19.79

 

CMYK 0 / 26 / 31 / 30

HEX #B2837B

RGB 178 131 123

HSL 8.73, 0.26%, 0.59%

LAB 59.09, 16.95, 11.42

 

CMYK 0 / 78 / 47 / 4

HEX #F63783

RGB 246 55 131

HSL 336.13, 0.91%, 0.59%

LAB 56.05, 74.66, 3.74

 

CMYK 0 / 78 / 67 / 4

HEX #F63751

RGB 246 55 81

HSL 351.83, 0.91%, 0.59%

LAB 54.99, 71.37, 31.99

 

CMYK 0 / 67 / 78 / 4

HEX #F65137

RGB 246 81 55

HSL 8.17, 0.91%, 0.59%

LAB 57.8, 61.63, 49.52

 

CMYK 0 / 47 / 78 / 4

HEX #F68337

RGB 246 131 55

HSL 23.87, 0.91%, 0.59%

LAB 66.6, 38.84, 58.24

 

CMYK 0 / 26 / 78 / 4

HEX #F6B637

RGB 246 182 55

HSL 39.9, 0.91%, 0.59%

LAB 78.07, 12.27, 69.07

 

CMYK 0 / 81 / 95 / 18

HEX #D1270A

RGB 209 39 10

HSL 8.74, 0.91%, 0.43%

LAB 45.67, 63.16, 55.76

 

CMYK 0 / 80 / 93 / 4

HEX #F43110

RGB 244 49 16

HSL 8.68, 0.91%, 0.51%

LAB 53.46, 70.57, 62.13

 

CMYK 0 / 66 / 78 / 4

HEX #F65337

RGB 246 83 55

HSL 8.8, 0.91%, 0.59%

LAB 58.09, 60.85, 49.81

 

CMYK 0 / 53 / 62 / 3

HEX #F7755F

RGB 247 117 95

HSL 8.68, 0.9%, 0.67%

LAB 64.42, 48.14, 35.84

 

CMYK 0 / 39 / 46 / 2

HEX #F99786

RGB 249 151 134

HSL 8.87, 0.91%, 0.75%

LAB 72.22, 34.95, 24.66

 

CMYK 0 / 67 / 78 / 4

HEX #F65135

RGB 246 81 53

HSL 8.7, 0.91%, 0.59%

LAB 57.78, 61.56, 50.51

 

CMYK 26 / 0 / 78 / 4

HEX #B6F637

RGB 182 246 55

HSL 80.1, 0.91%, 0.59%

LAB 89.92, -45.18, 78.15

 

CMYK 78 / 57 / 0 / 4

HEX #376AF6

RGB 55 106 246

HSL 223.98, 0.91%, 0.59%

LAB 49.22, 32.09, -74.82

 

CMYK 0 / 67 / 78 / 4

HEX #F65135

RGB 246 81 53

HSL 8.7, 0.91%, 0.59%

LAB 57.78, 61.56, 50.51

 

CMYK 78 / 0 / 67 / 4

HEX #37F651

RGB 55 246 81

HSL 128.17, 0.91%, 0.59%

LAB 85.66, -76.39, 63.76

 

CMYK 67 / 78 / 0 / 4

HEX #5137F6

RGB 81 55 246

HSL 248.17, 0.91%, 0.59%

LAB 39.81, 63.6, -90.22

 

CMYK 0 / 67 / 78 / 4

HEX #F65135

RGB 246 81 53

HSL 8.7, 0.91%, 0.59%

LAB 57.78, 61.56, 50.51

 

CMYK 26 / 0 / 78 / 4

HEX #B6F637

RGB 182 246 55

HSL 80.1, 0.91%, 0.59%

LAB 89.92, -45.18, 78.15

 

CMYK 78 / 11 / 0 / 4

HEX #37DCF6

RGB 55 220 246

HSL 188.17, 0.91%, 0.59%

LAB 81.1, -32.32, -24.5

 

CMYK 52 / 78 / 0 / 4

HEX #7737F6

RGB 119 55 246

HSL 260.1, 0.91%, 0.59%

LAB 43.22, 67.66, -84.47

 

CMYK 0 / 67 / 78 / 4

HEX #F65135

RGB 246 81 53

HSL 8.7, 0.91%, 0.59%

LAB 57.78, 61.56, 50.51

 

CMYK 49 / 0 / 78 / 4

HEX #7DF637

RGB 125 246 55

HSL 98.01, 0.91%, 0.59%

LAB 87.26, -63.96, 74.72

 

CMYK 78 / 11 / 0 / 4

HEX #37DCF6

RGB 55 220 246

HSL 188.17, 0.91%, 0.59%

LAB 81.1, -32.32, -24.5

 

CMYK 28 / 78 / 0 / 4

HEX #B037F6

RGB 176 55 246

HSL 278.01, 0.91%, 0.59%

LAB 50.24, 75.95, -72.72

 

Description

Color code: RGBA 246 81 53 0.25 | qconv.com Color code: RGBA 246 81 53 0.25 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 81 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 81 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 20 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 20% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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