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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 241 160 24 0.75 it is the complementary color RGBA 14 95 231 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 241 160 24 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 241 160 24 0.75 shade: RGBA 246 160 19 0.75, RGBA 255 178 38 0.75, RGBA 255 196 57 0.75, RGBA 255 214 76 0.75 and RGBA 255 232 95 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 241 160 24 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 241 160 24 0.75 shade: RGBA 241 160 24 0.75, RGBA 224 142 5 0.75, RGBA 207 124 0 0.75, RGBA 190 106 0 0.75 and RGBA 173 88 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 241 160 24 0.75 shade: RGB 242 160 24, RGB 242 101 24, RGB 242 43 24 and RGB 242 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 241 160 24 0.75 shade: RGB 242 160 24, RGB 242 219 24, RGB 205 242 24, RGB 147 242 24 and RGB 88 242 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 241 160 24 0.75 shade matches the following richer shades: RGB 242 160 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 241 160 24 0.75 shade: RGB 242 160 24, RGB 222 155 43, RGB 202 150 63, RGB 182 145 83 and RGB 162 140 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 241 160 24 0.75 shade: RGB 242 42 24, RGB 242 100 24, RGB 242 158 24, RGB 242 216 24 and RGB 209 242 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 241 160 24 0.75 shade: RGB 173 112 10, RGB 212 137 12, RGB 242 160 24, RGB 244 176 63 and RGB 246 192 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 241 160 24 0.75 shade: RGB 241 160 24, RGB 64 242 24 and RGB 71 24 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 241 160 24 0.75 shade: RGB 241 160 24, RGB 24 242 158 and RGB 158 24 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 241 160 24 0.75 shade: RGB 241 160 24, RGB 64 242 24, RGB 24 107 242 and RGB 202 24 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 241 160 24 0.75 shade: RGB 241 160 24, RGB 24 242 49, RGB 24 107 242 and RGB 242 24 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 68 / 4

HEX #F1A018BF

RGBA 241 160 24 0.75

HSLA 37.6, 0.89%, 0.52%, 0.75

LABA 72.17, 20.92, 72.83, 0.75

 

Complementary color

CMYK 70 / 44 / 0 / 7

HEX #0E5FE7BF

RGBA 14 95 231 0.75

HSLA 217.6, 0.89%, 0.48%, 0.75

LABA 44.3, 30.87, -74.47, 0.75

 

CMYK 0 / 26 / 69 / 3

HEX #F6A013BF

RGBA 246 160 19 0.75

HSLA 37.27, 0.93%, 0.52%, 0.75

LABA 72.75, 22.95, 74.5, 0.75

 

CMYK 0 / 23 / 64 / 0

HEX #FFB226BF

RGBA 255 178 38 0.75

HSLA 38.71, 1%, 0.57%, 0.75

LABA 78.02, 17.66, 74.72, 0.75

 

CMYK 0 / 17 / 58 / 0

HEX #FFC439BF

RGBA 255 196 57 0.75

HSLA 42.12, 1%, 0.61%, 0.75

LABA 82.4, 8.85, 72.71, 0.75

 

CMYK 0 / 12 / 53 / 0

HEX #FFD64CBF

RGBA 255 214 76 0.75

HSLA 46.26, 1%, 0.65%, 0.75

LABA 86.94, 0.39, 70.17, 0.75

 

CMYK 0 / 7 / 47 / 0

HEX #FFE85FBF

RGBA 255 232 95 0.75

HSLA 51.38, 1%, 0.69%, 0.75

LABA 91.59, -7.64, 67.4, 0.75

 

CMYK 0 / 25 / 68 / 4

HEX #F1A018BF

RGBA 241 160 24 0.75

HSLA 37.6, 0.89%, 0.52%, 0.75

LABA 72.17, 20.92, 72.83, 0.75

 

CMYK 0 / 27 / 73 / 9

HEX #E08E05BF

RGBA 224 142 5 0.75

HSLA 37.53, 0.96%, 0.45%, 0.75

LABA 65.91, 23.02, 70.53, 0.75

 

CMYK 0 / 30 / 75 / 14

HEX #CF7C00BF

RGBA 207 124 0 0.75

HSLA 35.94, 1%, 0.41%, 0.75

LABA 59.6, 25.35, 66.11, 0.75

 

CMYK 0 / 33 / 75 / 19

HEX #BE6A00BF

RGBA 190 106 0 0.75

HSLA 33.47, 1%, 0.37%, 0.75

LABA 53.23, 27.79, 60.95, 0.75

 

CMYK 0 / 37 / 75 / 24

HEX #AD5800BF

RGBA 173 88 0 0.75

HSLA 30.52, 1%, 0.34%, 0.75

LABA 46.8, 30.27, 55.76, 0.75

 

CMYK 0 / 34 / 90 / 5

HEX #F2A018

RGB 242 160 24

HSL 37.43, 0.89%, 0.52%

LAB 72.29, 21.34, 72.97

 

CMYK 0 / 58 / 90 / 5

HEX #F26518

RGB 242 101 24

HSL 21.19, 0.89%, 0.52%

LAB 60.11, 51.05, 64.02

 

CMYK 0 / 82 / 90 / 5

HEX #F22B18

RGB 242 43 24

HSL 5.23, 0.89%, 0.52%

LAB 52.59, 71.56, 58.73

 

CMYK 0 / 90 / 90 / 5

HEX #F21818

RGB 242 24 24

HSL 0, 0.89%, 0.52%

LAB 51.38, 75.02, 57.91

 

CMYK 0 / 34 / 90 / 5

HEX #F2A018

RGB 242 160 24

HSL 37.43, 0.89%, 0.52%

LAB 72.29, 21.34, 72.97

 

CMYK 0 / 10 / 90 / 5

HEX #F2DB18

RGB 242 219 24

HSL 53.67, 0.89%, 0.52%

LAB 86.8, -9.22, 84.03

 

CMYK 15 / 0 / 90 / 5

HEX #CDF218

RGB 205 242 24

HSL 70.18, 0.89%, 0.52%

LAB 90.11, -35.51, 85.41

 

CMYK 39 / 0 / 90 / 5

HEX #93F218

RGB 147 242 24

HSL 86.15, 0.89%, 0.52%

LAB 86.89, -56.83, 81.46

 

CMYK 64 / 0 / 90 / 5

HEX #58F218

RGB 88 242 24

HSL 102.39, 0.89%, 0.52%

LAB 84.81, -72.98, 78.9

 

CMYK 0 / 34 / 90 / 5

HEX #F2A018

RGB 242 160 24

HSL 37.43, 0.89%, 0.52%

LAB 72.29, 21.34, 72.97

 

CMYK 0 / 34 / 90 / 5

HEX #F2A018

RGB 242 160 24

HSL 37.43, 0.89%, 0.52%

LAB 72.29, 21.34, 72.97

 

CMYK 0 / 30 / 81 / 13

HEX #DE9B2B

RGB 222 155 43

HSL 37.54, 0.73%, 0.52%

LAB 68.86, 15.92, 63.91

 

CMYK 0 / 26 / 69 / 21

HEX #CA963F

RGB 202 150 63

HSL 37.55, 0.57%, 0.52%

LAB 65.54, 10.85, 51.87

 

CMYK 0 / 20 / 54 / 29

HEX #B69153

RGB 182 145 83

HSL 37.58, 0.4%, 0.52%

LAB 62.36, 6.35, 37.89

 

CMYK 0 / 14 / 36 / 36

HEX #A28C67

RGB 162 140 103

HSL 37.63, 0.24%, 0.52%

LAB 59.36, 2.75, 22.84

 

CMYK 0 / 83 / 90 / 5

HEX #F22A18

RGB 242 42 24

HSL 4.95, 0.89%, 0.52%

LAB 52.51, 71.79, 58.68

 

CMYK 0 / 59 / 90 / 5

HEX #F26418

RGB 242 100 24

HSL 20.92, 0.89%, 0.52%

LAB 59.94, 51.5, 63.89

 

CMYK 0 / 35 / 90 / 5

HEX #F29E18

RGB 242 158 24

HSL 36.88, 0.89%, 0.52%

LAB 71.82, 22.39, 72.63

 

CMYK 0 / 11 / 90 / 5

HEX #F2D818

RGB 242 216 24

HSL 52.84, 0.89%, 0.52%

LAB 86.03, -7.72, 83.43

 

CMYK 14 / 0 / 90 / 5

HEX #D1F218

RGB 209 242 24

HSL 69.08, 0.89%, 0.52%

LAB 90.38, -33.92, 85.74

 

CMYK 0 / 35 / 94 / 32

HEX #AD700A

RGB 173 112 10

HSL 37.55, 0.89%, 0.36%

LAB 52.39, 17.16, 57.33

 

CMYK 0 / 35 / 94 / 17

HEX #D4890C

RGB 212 137 12

HSL 37.5, 0.89%, 0.44%

LAB 63.27, 20.62, 67.01

 

CMYK 0 / 34 / 90 / 5

HEX #F2A018

RGB 242 160 24

HSL 37.43, 0.89%, 0.52%

LAB 72.29, 21.34, 72.97

 

CMYK 0 / 28 / 74 / 4

HEX #F4B03F

RGB 244 176 63

HSL 37.46, 0.89%, 0.6%

LAB 76.46, 14.88, 64.48

 

CMYK 0 / 22 / 59 / 4

HEX #F6C066

RGB 246 192 102

HSL 37.5, 0.89%, 0.68%

LAB 80.88, 9.55, 52.05

 

CMYK 0 / 34 / 90 / 5

HEX #F1A018

RGB 241 160 24

HSL 37.6, 0.89%, 0.52%

LAB 72.17, 20.92, 72.83

 

CMYK 74 / 0 / 90 / 5

HEX #40F218

RGB 64 242 24

HSL 108.99, 0.89%, 0.52%

LAB 84.31, -77.32, 78.27

 

CMYK 71 / 90 / 0 / 5

HEX #4718F2

RGB 71 24 242

HSL 252.94, 0.89%, 0.52%

LAB 34.81, 73.1, -96.28

 

CMYK 0 / 34 / 90 / 5

HEX #F1A018

RGB 241 160 24

HSL 37.6, 0.89%, 0.52%

LAB 72.17, 20.92, 72.83

 

CMYK 90 / 0 / 35 / 5

HEX #18F29E

RGB 24 242 158

HSL 156.88, 0.89%, 0.52%

LAB 85.08, -66.39, 27.43

 

CMYK 35 / 90 / 0 / 5

HEX #9E18F2

RGB 158 24 242

HSL 276.88, 0.89%, 0.52%

LAB 44.71, 80.47, -79.61

 

CMYK 0 / 34 / 90 / 5

HEX #F1A018

RGB 241 160 24

HSL 37.6, 0.89%, 0.52%

LAB 72.17, 20.92, 72.83

 

CMYK 74 / 0 / 90 / 5

HEX #40F218

RGB 64 242 24

HSL 108.99, 0.89%, 0.52%

LAB 84.31, -77.32, 78.27

 

CMYK 90 / 56 / 0 / 5

HEX #186BF2

RGB 24 107 242

HSL 217.16, 0.89%, 0.52%

LAB 48.41, 27.78, -73.94

 

CMYK 17 / 90 / 0 / 5

HEX #CA18F2

RGB 202 24 242

HSL 288.99, 0.89%, 0.52%

LAB 51.41, 86.36, -68.4

 

CMYK 0 / 34 / 90 / 5

HEX #F1A018

RGB 241 160 24

HSL 37.6, 0.89%, 0.52%

LAB 72.17, 20.92, 72.83

 

CMYK 90 / 0 / 80 / 5

HEX #18F231

RGB 24 242 49

HSL 126.88, 0.89%, 0.52%

LAB 83.92, -80.41, 72.5

 

CMYK 90 / 56 / 0 / 5

HEX #186BF2

RGB 24 107 242

HSL 217.16, 0.89%, 0.52%

LAB 48.41, 27.78, -73.94

 

CMYK 0 / 90 / 11 / 5

HEX #F218D8

RGB 242 24 216

HSL 307.16, 0.89%, 0.52%

LAB 56.57, 89.02, -45.06

 

Description

Color code: RGBA 241 160 24 0.75 | qconv.com Color code: RGBA 241 160 24 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 160 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 160 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 68 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 68% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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