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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 240 60 9 0.6 it is the complementary color RGBA 15 195 246 0.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 240 60 9 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 240 60 9 0.6 shade: RGBA 245 60 4 0.6, RGBA 255 78 23 0.6, RGBA 255 96 42 0.6, RGBA 255 114 61 0.6 and RGBA 255 132 80 0.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 240 60 9 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 240 60 9 0.6 shade: RGBA 240 60 9 0.6, RGBA 223 42 0 0.6, RGBA 206 24 0 0.6, RGBA 189 6 0 0.6 and RGBA 172 0 0 0.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 240 60 9 0.6 shade: RGB 241 60 9 and RGB 241 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 240 60 9 0.6 shade: RGB 241 60 9, RGB 241 123 9, RGB 241 185 9, RGB 234 241 9 and RGB 172 241 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 240 60 9 0.6 shade matches the following richer shades: RGB 241 60 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 240 60 9 0.6 shade: RGB 241 60 9, RGB 221 71 29, RGB 201 83 49, RGB 181 94 69 and RGB 160 105 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 240 60 9 0.6 shade: RGB 241 9 82, RGB 241 9 20, RGB 241 59 9, RGB 241 121 9 and RGB 241 183 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 240 60 9 0.6 shade: RGB 162 40 6, RGB 201 50 7, RGB 241 60 9, RGB 247 89 44 and RGB 249 120 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 240 60 9 0.6 shade: RGB 240 60 9, RGB 144 241 9 and RGB 9 51 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 240 60 9 0.6 shade: RGB 240 60 9, RGB 9 241 59 and RGB 59 9 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 240 60 9 0.6 shade: RGB 240 60 9, RGB 144 241 9, RGB 9 191 241 and RGB 106 9 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 240 60 9 0.6 shade: RGB 240 60 9, RGB 75 241 9, RGB 9 191 241 and RGB 175 9 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 58 / 4

HEX #F03C0999

RGBA 240 60 9 0.6

HSLA 13.25, 0.93%, 0.49%, 0.6

LABA 53.79, 66.23, 63.63, 0.6

 

Complementary color

CMYK 56 / 12 / 0 / 2

HEX #0FC3F699

RGBA 15 195 246 0.6

HSLA 193.25, 0.93%, 0.51%, 0.6

LABA 73.41, -22.45, -36.36, 0.6

 

CMYK 0 / 45 / 59 / 2

HEX #F53C0499

RGBA 245 60 4 0.6

HSLA 13.94, 0.97%, 0.49%, 0.6

LABA 54.71, 67.68, 65.72, 0.6

 

CMYK 0 / 42 / 55 / 0

HEX #FF4E1799

RGBA 255 78 23 0.6

HSLA 14.22, 1%, 0.55%, 0.6

LABA 58.76, 64.89, 64.4, 0.6

 

CMYK 0 / 37 / 50 / 0

HEX #FF602A99

RGBA 255 96 42 0.6

HSLA 15.21, 1%, 0.58%, 0.6

LABA 61.48, 58.17, 59.53, 0.6

 

CMYK 0 / 33 / 46 / 0

HEX #FF723D99

RGBA 255 114 61 0.6

HSLA 16.39, 1%, 0.62%, 0.6

LABA 64.67, 50.74, 54.04, 0.6

 

CMYK 0 / 29 / 41 / 0

HEX #FF845099

RGBA 255 132 80 0.6

HSLA 17.83, 1%, 0.66%, 0.6

LABA 68.27, 42.9, 48.6, 0.6

 

CMYK 0 / 45 / 58 / 4

HEX #F03C0999

RGBA 240 60 9 0.6

HSLA 13.25, 0.93%, 0.49%, 0.6

LABA 53.79, 66.23, 63.63, 0.6

 

CMYK 0 / 49 / 60 / 8

HEX #DF2A0099

RGBA 223 42 0 0.6

HSLA 11.3, 1%, 0.44%, 0.6

LABA 48.69, 66.29, 61.55, 0.6

 

CMYK 0 / 53 / 60 / 12

HEX #CE180099

RGBA 206 24 0 0.6

HSLA 6.99, 1%, 0.4%, 0.6

LABA 43.91, 65.43, 57.58, 0.6

 

CMYK 0 / 58 / 60 / 16

HEX #BD060099

RGBA 189 6 0 0.6

HSLA 1.9, 1%, 0.37%, 0.6

LABA 39.49, 63.32, 53.74, 0.6

 

CMYK 0 / 60 / 60 / 20

HEX #AC000099

RGBA 172 0 0 0.6

HSLA 0, 1%, 0.34%, 0.6

LABA 35.54, 59.64, 49.89, 0.6

SW® 2910

CMYK 0 / 75 / 96 / 5

HEX #F13C09

RGB 241 60 9

HSL 13.19, 0.93%, 0.49%

LAB 53.98, 66.53, 63.83

 

CMYK 0 / 96 / 96 / 5

HEX #F10909

RGB 241 9 9

HSL 0, 0.93%, 0.49%

LAB 50.59, 76.15, 62.13

 

CMYK 0 / 75 / 96 / 5

HEX #F13C09

RGB 241 60 9

HSL 13.19, 0.93%, 0.49%

LAB 53.98, 66.53, 63.83

 

CMYK 0 / 49 / 96 / 5

HEX #F17B09

RGB 241 123 9

HSL 29.48, 0.93%, 0.49%

LAB 64.07, 39.92, 69.84

 

CMYK 0 / 23 / 96 / 5

HEX #F1B909

RGB 241 185 9

HSL 45.52, 0.93%, 0.49%

LAB 78.12, 7.58, 79.43

 

CMYK 3 / 0 / 96 / 5

HEX #EAF109

RGB 234 241 9

HSL 61.81, 0.93%, 0.49%

LAB 91.87, -23.48, 89.22

 

CMYK 29 / 0 / 96 / 5

HEX #ACF109

RGB 172 241 9

HSL 77.84, 0.93%, 0.49%

LAB 87.82, -47.92, 84.36

 

CMYK 0 / 75 / 96 / 5

HEX #F13C09

RGB 241 60 9

HSL 13.19, 0.93%, 0.49%

LAB 53.98, 66.53, 63.83

 

CMYK 0 / 75 / 96 / 5

HEX #F13C09

RGB 241 60 9

HSL 13.19, 0.93%, 0.49%

LAB 53.98, 66.53, 63.83

 

CMYK 0 / 68 / 87 / 13

HEX #DD471D

RGB 221 71 29

HSL 13.13, 0.77%, 0.49%

LAB 51.8, 56.65, 54.45

 

CMYK 0 / 59 / 76 / 21

HEX #C95331

RGB 201 83 49

HSL 13.42, 0.61%, 0.49%

LAB 50.48, 45.08, 42.64

 

CMYK 0 / 48 / 62 / 29

HEX #B55E45

RGB 181 94 69

HSL 13.39, 0.45%, 0.49%

LAB 49.81, 32.95, 30.11

 

CMYK 0 / 34 / 44 / 37

HEX #A0695A

RGB 160 105 90

HSL 12.86, 0.28%, 0.49%

LAB 49.88, 20.2, 17.48

 

CMYK 0 / 96 / 66 / 5

HEX #F10952

RGB 241 9 82

HSL 341.12, 0.93%, 0.49%

LAB 51.27, 78.04, 26.51

 

CMYK 0 / 96 / 92 / 5

HEX #F10914

RGB 241 9 20

HSL 357.16, 0.93%, 0.49%

LAB 50.62, 76.25, 58.83

 

CMYK 0 / 76 / 96 / 5

HEX #F13B09

RGB 241 59 9

HSL 12.93, 0.93%, 0.49%

LAB 53.87, 66.84, 63.78

 

CMYK 0 / 50 / 96 / 5

HEX #F17909

RGB 241 121 9

HSL 28.97, 0.93%, 0.49%

LAB 63.67, 40.92, 69.59

 

CMYK 0 / 24 / 96 / 5

HEX #F1B709

RGB 241 183 9

HSL 45, 0.93%, 0.49%

LAB 77.63, 8.63, 79.08

 

CMYK 0 / 75 / 96 / 36

HEX #A22806

RGB 162 40 6

HSL 13.08, 0.93%, 0.33%

LAB 36.39, 48.48, 46.79

 

CMYK 0 / 75 / 97 / 21

HEX #C93207

RGB 201 50 7

HSL 13.3, 0.93%, 0.41%

LAB 45.24, 57.53, 55.51

 

CMYK 0 / 75 / 96 / 5

HEX #F13C09

RGB 241 60 9

HSL 13.19, 0.93%, 0.49%

LAB 53.98, 66.53, 63.83

 

CMYK 0 / 64 / 82 / 3

HEX #F7592C

RGB 247 89 44

HSL 13.3, 0.93%, 0.57%

LAB 59.07, 58.43, 56.04

 

CMYK 0 / 52 / 66 / 2

HEX #F97854

RGB 249 120 84

HSL 13.09, 0.93%, 0.65%

LAB 65.13, 46.76, 42.69

 

CMYK 0 / 75 / 96 / 6

HEX #F03C09

RGB 240 60 9

HSL 13.25, 0.93%, 0.49%

LAB 53.79, 66.23, 63.63

 

CMYK 40 / 0 / 96 / 5

HEX #90F109

RGB 144 241 9

HSL 85.09, 0.93%, 0.49%

LAB 86.43, -57.67, 82.67

 

CMYK 96 / 79 / 0 / 5

HEX #0933F1

RGB 9 51 241

HSL 229.14, 0.93%, 0.49%

LAB 35.55, 60.47, -94.56

 

CMYK 0 / 75 / 96 / 6

HEX #F03C09

RGB 240 60 9

HSL 13.25, 0.93%, 0.49%

LAB 53.79, 66.23, 63.63

 

CMYK 96 / 0 / 76 / 5

HEX #09F13B

RGB 9 241 59

HSL 132.93, 0.93%, 0.49%

LAB 83.59, -80.15, 69.23

 

CMYK 76 / 96 / 0 / 5

HEX #3B09F1

RGB 59 9 241

HSL 252.93, 0.93%, 0.49%

LAB 32.87, 75.32, -98.98

 

CMYK 0 / 75 / 96 / 6

HEX #F03C09

RGB 240 60 9

HSL 13.25, 0.93%, 0.49%

LAB 53.79, 66.23, 63.63

 

CMYK 40 / 0 / 96 / 5

HEX #90F109

RGB 144 241 9

HSL 85.09, 0.93%, 0.49%

LAB 86.43, -57.67, 82.67

 

CMYK 96 / 21 / 0 / 5

HEX #09BFF1

RGB 9 191 241

HSL 192.93, 0.93%, 0.49%

LAB 72.01, -22.26, -35.84

 

CMYK 56 / 96 / 0 / 5

HEX #6A09F1

RGB 106 9 241

HSL 265.09, 0.93%, 0.49%

LAB 37.13, 77.59, -91.76

 

CMYK 0 / 75 / 96 / 6

HEX #F03C09

RGB 240 60 9

HSL 13.25, 0.93%, 0.49%

LAB 53.79, 66.23, 63.63

 

CMYK 69 / 0 / 96 / 5

HEX #4BF109

RGB 75 241 9

HSL 102.93, 0.93%, 0.49%

LAB 84.19, -75.5, 79.93

 

CMYK 96 / 21 / 0 / 5

HEX #09BFF1

RGB 9 191 241

HSL 192.93, 0.93%, 0.49%

LAB 72.01, -22.26, -35.84

 

CMYK 27 / 96 / 0 / 5

HEX #AF09F1

RGB 175 9 241

HSL 282.93, 0.93%, 0.49%

LAB 46.53, 84.22, -75.97

 

Description

Color code: RGBA 240 60 9 0.6 | qconv.com Color code: RGBA 240 60 9 0.6 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 60 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 60 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 58 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 58% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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