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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 23 178 202 0.75 it is the complementary color RGBA 232 77 53 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 23 178 202 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 23 178 202 0.75 shade: RGBA 28 178 197 0.75, RGBA 45 196 216 0.75, RGBA 62 214 235 0.75, RGBA 79 232 254 0.75 and RGBA 96 250 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 23 178 202 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 23 178 202 0.75 shade: RGBA 23 178 202 0.75, RGBA 6 160 183 0.75, RGBA 0 142 164 0.75, RGBA 0 124 145 0.75 and RGBA 0 106 126 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 23 178 202 0.75 shade: RGB 22 178 202, RGB 22 129 202, RGB 22 81 202, RGB 22 33 202 and RGB 61 22 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 23 178 202 0.75 shade: RGB 22 178 202, RGB 22 129 202, RGB 22 81 202, RGB 22 33 202 and RGB 22 22 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 23 178 202 0.75 shade matches the following richer shades: RGB 22 178 202 and RGB 4 191 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 23 178 202 0.75 shade: RGB 22 178 202, RGB 41 165 184, RGB 59 151 166, RGB 77 138 147 and RGB 95 125 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 23 178 202 0.75 shade: RGB 22 202 130, RGB 22 202 178, RGB 22 178 202, RGB 22 130 202 and RGB 22 82 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 23 178 202 0.75 shade: RGB 14 112 128, RGB 18 145 165, RGB 22 178 202, RGB 35 204 231 and RGB 72 213 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 23 178 202 0.75 shade: RGB 23 178 202, RGB 82 22 202 and RGB 202 154 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 23 178 202 0.75 shade: RGB 23 178 202, RGB 202 22 178 and RGB 178 202 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 23 178 202 0.75 shade: RGB 23 178 202, RGB 82 22 202, RGB 202 46 22 and RGB 142 202 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 23 178 202 0.75 shade: RGB 23 178 202, RGB 136 22 202, RGB 202 46 22 and RGB 88 202 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 9 / 0 / 16

HEX #17B2CABF

RGBA 23 178 202 0.75

HSLA 188.04, 0.8%, 0.44%, 0.75

LABA 66.74, -28.22, -22.64, 0.75

 

Complementary color

CMYK 0 / 50 / 58 / 7

HEX #E84D35BF

RGBA 232 77 53 0.75

HSLA 8.04, 0.8%, 0.56%, 0.75

LABA 54.78, 58.58, 46.68, 0.75

 

CMYK 64 / 7 / 0 / 17

HEX #1CB2C5BF

RGBA 28 178 197 0.75

HSLA 186.75, 0.75%, 0.44%, 0.75

LABA 66.61, -29.53, -20.07, 0.75

 

CMYK 59 / 7 / 0 / 11

HEX #2DC4D8BF

RGBA 45 196 216 0.75

HSLA 187.02, 0.69%, 0.51%, 0.75

LABA 72.89, -30.95, -20.9, 0.75

 

CMYK 55 / 7 / 0 / 6

HEX #3ED6EBBF

RGBA 62 214 235 0.75

HSLA 187.28, 0.81%, 0.58%, 0.75

LABA 79.11, -32.07, -21.66, 0.75

 

CMYK 52 / 6 / 0 / 0

HEX #4FE8FEBF

RGBA 79 232 254 0.75

HSLA 187.54, 0.99%, 0.65%, 0.75

LABA 85.27, -32.95, -22.35, 0.75

 

CMYK 47 / 1 / 0 / 0

HEX #60FAFFBF

RGBA 96 250 255 0.75

HSLA 181.89, 1%, 0.69%, 0.75

LABA 90.82, -38.62, -14.47, 0.75

 

CMYK 66 / 9 / 0 / 16

HEX #17B2CABF

RGBA 23 178 202 0.75

HSLA 188.04, 0.8%, 0.44%, 0.75

LABA 66.74, -28.22, -22.64, 0.75

 

CMYK 73 / 9 / 0 / 21

HEX #06A0B7BF

RGBA 6 160 183 0.75

HSLA 187.8, 0.94%, 0.37%, 0.75

LABA 60.43, -26.23, -21.71, 0.75

 

CMYK 75 / 10 / 0 / 27

HEX #008EA4BF

RGBA 0 142 164 0.75

HSLA 188.05, 1%, 0.32%, 0.75

LABA 54.05, -23.75, -20.65, 0.75

 

CMYK 75 / 11 / 0 / 32

HEX #007C91BF

RGBA 0 124 145 0.75

HSLA 188.69, 1%, 0.28%, 0.75

LABA 47.57, -20.98, -19.54, 0.75

 

CMYK 75 / 12 / 0 / 38

HEX #006A7EBF

RGBA 0 106 126 0.75

HSLA 189.52, 1%, 0.25%, 0.75

LABA 40.92, -18.12, -18.41, 0.75

 

CMYK 89 / 12 / 0 / 21

HEX #16B2CA

RGB 22 178 202

HSL 188, 0.8%, 0.44%

LAB 66.73, -28.27, -22.65

 

CMYK 89 / 36 / 0 / 21

HEX #1681CA

RGB 22 129 202

HSL 204.33, 0.8%, 0.44%

LAB 51.99, -1.52, -45.62

 

CMYK 89 / 60 / 0 / 21

HEX #1651CA

RGB 22 81 202

HSL 220.33, 0.8%, 0.44%

LAB 38.41, 29.12, -67.5

 

CMYK 89 / 84 / 0 / 21

HEX #1621CA

RGB 22 33 202

HSL 236.33, 0.8%, 0.44%

LAB 28.17, 57.15, -84.4

 

CMYK 70 / 89 / 0 / 21

HEX #3D16CA

RGB 61 22 202

HSL 253, 0.8%, 0.44%

LAB 28.98, 62.89, -83

 

CMYK 89 / 12 / 0 / 21

HEX #16B2CA

RGB 22 178 202

HSL 188, 0.8%, 0.44%

LAB 66.73, -28.27, -22.65

 

CMYK 89 / 36 / 0 / 21

HEX #1681CA

RGB 22 129 202

HSL 204.33, 0.8%, 0.44%

LAB 51.99, -1.52, -45.62

 

CMYK 89 / 60 / 0 / 21

HEX #1651CA

RGB 22 81 202

HSL 220.33, 0.8%, 0.44%

LAB 38.41, 29.12, -67.5

 

CMYK 89 / 84 / 0 / 21

HEX #1621CA

RGB 22 33 202

HSL 236.33, 0.8%, 0.44%

LAB 28.17, 57.15, -84.4

 

CMYK 89 / 89 / 0 / 21

HEX #1616CA

RGB 22 22 202

HSL 240, 0.8%, 0.44%

LAB 26.76, 61.39, -86.76

 

CMYK 89 / 12 / 0 / 21

HEX #16B2CA

RGB 22 178 202

HSL 188, 0.8%, 0.44%

LAB 66.73, -28.27, -22.65

 

CMYK 98 / 13 / 0 / 14

HEX #04BFDC

RGB 4 191 220

HSL 188.06, 0.96%, 0.44%

LAB 71.18, -29.41, -25.71

 

CMYK 89 / 12 / 0 / 21

HEX #16B2CA

RGB 22 178 202

HSL 188, 0.8%, 0.44%

LAB 66.73, -28.27, -22.65

 

CMYK 78 / 10 / 0 / 28

HEX #29A5B8

RGB 41 165 184

HSL 187.97, 0.64%, 0.44%

LAB 62.37, -26.15, -19.26

 

CMYK 64 / 9 / 0 / 35

HEX #3B97A6

RGB 59 151 166

HSL 188.41, 0.48%, 0.44%

LAB 57.86, -22.2, -15.91

 

CMYK 48 / 6 / 0 / 42

HEX #4D8A93

RGB 77 138 147

HSL 187.71, 0.31%, 0.44%

LAB 53.88, -17.22, -10.96

 

CMYK 26 / 3 / 0 / 49

HEX #5F7D81

RGB 95 125 129

HSL 187.06, 0.15%, 0.44%

LAB 50.32, -9.68, -5.68

 

CMYK 89 / 0 / 36 / 21

HEX #16CA82

RGB 22 202 130

HSL 156, 0.8%, 0.44%

LAB 72.24, -57.96, 24.55

 

CMYK 89 / 0 / 12 / 21

HEX #16CAB2

RGB 22 202 178

HSL 172, 0.8%, 0.44%

LAB 73.3, -46.44, 0.32

 

CMYK 89 / 12 / 0 / 21

HEX #16B2CA

RGB 22 178 202

HSL 188, 0.8%, 0.44%

LAB 66.73, -28.27, -22.65

 

CMYK 89 / 36 / 0 / 21

HEX #1682CA

RGB 22 130 202

HSL 204, 0.8%, 0.44%

LAB 52.29, -2.12, -45.15

 

CMYK 89 / 59 / 0 / 21

HEX #1652CA

RGB 22 82 202

HSL 220, 0.8%, 0.44%

LAB 38.67, 28.46, -67.08

 

CMYK 89 / 13 / 0 / 50

HEX #0E7080

RGB 14 112 128

HSL 188.42, 0.8%, 0.28%

LAB 43.12, -19.81, -16.23

 

CMYK 89 / 12 / 0 / 35

HEX #1291A5

RGB 18 145 165

HSL 188.16, 0.8%, 0.36%

LAB 55.17, -24.14, -19.51

 

CMYK 89 / 12 / 0 / 21

HEX #16B2CA

RGB 22 178 202

HSL 188, 0.8%, 0.44%

LAB 66.73, -28.27, -22.65

 

CMYK 85 / 12 / 0 / 9

HEX #23CCE7

RGB 35 204 231

HSL 188.27, 0.8%, 0.52%

LAB 75.65, -30.9, -24.83

 

CMYK 69 / 9 / 0 / 8

HEX #48D5EB

RGB 72 213 235

HSL 188.1, 0.8%, 0.6%

LAB 79.02, -30.37, -21.77

 

CMYK 89 / 12 / 0 / 21

HEX #17B2CA

RGB 23 178 202

HSL 188.04, 0.8%, 0.44%

LAB 66.74, -28.22, -22.64

 

CMYK 59 / 89 / 0 / 21

HEX #5216CA

RGB 82 22 202

HSL 260, 0.8%, 0.44%

LAB 30.95, 64.33, -79.66

 

CMYK 0 / 24 / 89 / 21

HEX #CA9A16

RGB 202 154 22

HSL 44, 0.8%, 0.44%

LAB 66.31, 7.17, 66.86

 

CMYK 89 / 12 / 0 / 21

HEX #17B2CA

RGB 23 178 202

HSL 188.04, 0.8%, 0.44%

LAB 66.74, -28.22, -22.64

 

CMYK 0 / 89 / 12 / 21

HEX #CA16B2

RGB 202 22 178

HSL 308, 0.8%, 0.44%

LAB 47.42, 76.9, -38.01

 

CMYK 12 / 0 / 89 / 21

HEX #B2CA16

RGB 178 202 22

HSL 68, 0.8%, 0.44%

LAB 77.14, -27.94, 74.57

 

CMYK 89 / 12 / 0 / 21

HEX #17B2CA

RGB 23 178 202

HSL 188.04, 0.8%, 0.44%

LAB 66.74, -28.22, -22.64

 

CMYK 59 / 89 / 0 / 21

HEX #5216CA

RGB 82 22 202

HSL 260, 0.8%, 0.44%

LAB 30.95, 64.33, -79.66

 

CMYK 0 / 77 / 89 / 21

HEX #CA2E16

RGB 202 46 22

HSL 8, 0.8%, 0.44%

LAB 45.04, 59.3, 50.53

 

CMYK 30 / 0 / 89 / 21

HEX #8ECA16

RGB 142 202 22

HSL 80, 0.8%, 0.44%

LAB 74.86, -42.27, 71.76

 

CMYK 89 / 12 / 0 / 21

HEX #17B2CA

RGB 23 178 202

HSL 188.04, 0.8%, 0.44%

LAB 66.74, -28.22, -22.64

 

CMYK 33 / 89 / 0 / 21

HEX #8816CA

RGB 136 22 202

HSL 278, 0.8%, 0.44%

LAB 37.97, 70.12, -67.86

 

CMYK 0 / 77 / 89 / 21

HEX #CA2E16

RGB 202 46 22

HSL 8, 0.8%, 0.44%

LAB 45.04, 59.3, 50.53

 

CMYK 56 / 0 / 89 / 21

HEX #58CA16

RGB 88 202 22

HSL 98, 0.8%, 0.44%

LAB 72.48, -59.78, 68.81

 

Description

Color code: RGBA 23 178 202 0.75 | qconv.com Color code: RGBA 23 178 202 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 178 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 178 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 9 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 9% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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