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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 239 237 162 0.75 it is the complementary color RGBA 16 18 93 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 239 237 162 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 239 237 162 0.75 shade: RGBA 244 237 157 0.75, RGBA 255 255 176 0.75, RGBA 255 255 195 0.75, RGBA 255 255 214 0.75 and RGBA 255 255 233 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 239 237 162 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 239 237 162 0.75 shade: RGBA 239 237 162 0.75, RGBA 222 219 143 0.75, RGBA 205 201 124 0.75, RGBA 188 183 105 0.75 and RGBA 171 165 86 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 239 237 162 0.75 shade: RGB 239 237 163, RGB 239 217 163, RGB 239 196 163, RGB 239 176 163 and RGB 239 163 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 239 237 162 0.75 shade: RGB 239 237 163, RGB 221 239 163, RGB 200 239 163, RGB 180 239 163 and RGB 163 239 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 239 237 162 0.75 shade matches the following richer shades: RGB 239 237 163 and RGB 248 246 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 239 237 162 0.75 shade: RGB 239 237 163, RGB 231 229 172, RGB 222 221 181, RGB 213 213 189 and RGB 205 205 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 239 237 162 0.75 shade: RGB 239 196 163, RGB 239 217 163, RGB 239 237 163, RGB 222 239 163 and RGB 201 239 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 239 237 162 0.75 shade: RGB 228 224 93, RGB 233 231 128, RGB 239 237 163, RGB 245 244 199 and RGB 251 251 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 239 237 162 0.75 shade: RGB 239 237 162, RGB 163 239 176 and RGB 207 163 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 239 237 162 0.75 shade: RGB 239 237 162, RGB 163 239 237 and RGB 237 163 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 239 237 162 0.75 shade: RGB 239 237 162, RGB 163 239 176, RGB 163 166 239 and RGB 239 163 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 239 237 162 0.75 shade: RGB 239 237 162, RGB 163 239 199, RGB 163 166 239 and RGB 239 163 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 24 / 5

HEX #EFEDA2BF

RGBA 239 237 162 0.75

HSLA 58.44, 0.71%, 0.79%, 0.75

LABA 92.37, -10.45, 36.66, 0.75

 

Complementary color

CMYK 62 / 60 / 0 / 48

HEX #10125DBF

RGBA 16 18 93 0.75

HSLA 238.44, 0.71%, 0.21%, 0.75

LABA 11.5, 28.25, -44.25, 0.75

 

CMYK 0 / 2 / 27 / 3

HEX #F4ED9DBF

RGBA 244 237 157 0.75

HSLA 55.17, 0.8%, 0.79%, 0.75

LABA 92.68, -9.14, 39.64, 0.75

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFB0BF

RGBA 255 255 176 0.75

HSLA 60, 1%, 0.85%, 0.75

LABA 98.4, -11.68, 37.85, 0.75

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFC3BF

RGBA 255 255 195 0.75

HSLA 60, 1%, 0.88%, 0.75

LABA 98.72, -9.28, 28.77, 0.75

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFD6BF

RGBA 255 255 214 0.75

HSLA 60, 1%, 0.92%, 0.75

LABA 99.08, -6.61, 19.64, 0.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFE9BF

RGBA 255 255 233 0.75

HSLA 60, 1%, 0.96%, 0.75

LABA 99.48, -3.69, 10.51, 0.75

 

CMYK 0 / 1 / 24 / 5

HEX #EFEDA2BF

RGBA 239 237 162 0.75

HSLA 58.44, 0.71%, 0.79%, 0.75

LABA 92.37, -10.45, 36.66, 0.75

 

CMYK 0 / 1 / 27 / 10

HEX #DEDB8FBF

RGBA 222 219 143 0.75

HSLA 57.72, 0.54%, 0.72%, 0.75

LABA 86.09, -10.16, 37.78, 0.75

 

CMYK 0 / 1 / 30 / 15

HEX #CDC97CBF

RGBA 205 201 124 0.75

HSLA 57.04, 0.45%, 0.65%, 0.75

LABA 79.73, -9.81, 38.94, 0.75

 

CMYK 0 / 2 / 33 / 20

HEX #BCB769BF

RGBA 188 183 105 0.75

HSLA 56.39, 0.38%, 0.57%, 0.75

LABA 73.27, -9.4, 40.15, 0.75

 

CMYK 0 / 3 / 37 / 25

HEX #ABA556BF

RGBA 171 165 86 0.75

HSLA 55.76, 0.34%, 0.5%, 0.75

LABA 66.7, -8.9, 41.37, 0.75

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA3

RGB 239 237 163

HSL 58.42, 0.7%, 0.79%

LAB 92.38, -10.33, 36.17

 

CMYK 0 / 9 / 32 / 6

HEX #EFD9A3

RGB 239 217 163

HSL 42.63, 0.7%, 0.79%

LAB 87.3, -0.23, 29.41

 

CMYK 0 / 18 / 32 / 6

HEX #EFC4A3

RGB 239 196 163

HSL 26.05, 0.7%, 0.79%

LAB 82.1, 10.68, 22.33

 

CMYK 0 / 26 / 32 / 6

HEX #EFB0A3

RGB 239 176 163

HSL 10.26, 0.7%, 0.79%

LAB 77.31, 21.26, 15.69

 

CMYK 0 / 32 / 32 / 6

HEX #EFA3A3

RGB 239 163 163

HSL 0, 0.7%, 0.79%

LAB 74.31, 28.15, 11.47

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA3

RGB 239 237 163

HSL 58.42, 0.7%, 0.79%

LAB 92.38, -10.33, 36.17

 

CMYK 8 / 0 / 32 / 6

HEX #DDEFA3

RGB 221 239 163

HSL 74.21, 0.7%, 0.79%

LAB 91.57, -18.03, 34.86

 

CMYK 16 / 0 / 32 / 6

HEX #C8EFA3

RGB 200 239 163

HSL 90.79, 0.7%, 0.79%

LAB 90.16, -25.61, 32.74

 

CMYK 25 / 0 / 32 / 6

HEX #B4EFA3

RGB 180 239 163

HSL 106.58, 0.7%, 0.79%

LAB 88.96, -32.5, 30.92

 

CMYK 32 / 0 / 30 / 6

HEX #A3EFA7

RGB 163 239 167

HSL 123.16, 0.7%, 0.79%

LAB 88.12, -37.38, 27.59

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA3

RGB 239 237 163

HSL 58.42, 0.7%, 0.79%

LAB 92.38, -10.33, 36.17

 

CMYK 0 / 1 / 38 / 3

HEX #F8F69B

RGB 248 246 155

HSL 58.71, 0.87%, 0.79%

LAB 95.26, -12.28, 44.02

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA3

RGB 239 237 163

HSL 58.42, 0.7%, 0.79%

LAB 92.38, -10.33, 36.17

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AC

RGB 231 229 172

HSL 57.97, 0.55%, 0.79%

LAB 89.86, -8.19, 28.12

 

CMYK 0 / 0 / 18 / 13

HEX #DEDDB5

RGB 222 221 181

HSL 58.54, 0.38%, 0.79%

LAB 87.28, -6.2, 19.81

 

CMYK 0 / 0 / 11 / 16

HEX #D5D5BD

RGB 213 213 189

HSL 60, 0.22%, 0.79%

LAB 84.69, -4.11, 11.87

 

CMYK 0 / 0 / 3 / 20

HEX #CDCDC6

RGB 205 205 198

HSL 60, 0.07%, 0.79%

LAB 82.23, -1.25, 3.47

 

CMYK 0 / 18 / 32 / 6

HEX #EFC4A3

RGB 239 196 163

HSL 26.05, 0.7%, 0.79%

LAB 82.1, 10.68, 22.33

 

CMYK 0 / 9 / 32 / 6

HEX #EFD9A3

RGB 239 217 163

HSL 42.63, 0.7%, 0.79%

LAB 87.3, -0.23, 29.41

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA3

RGB 239 237 163

HSL 58.42, 0.7%, 0.79%

LAB 92.38, -10.33, 36.17

 

CMYK 7 / 0 / 32 / 6

HEX #DEEFA3

RGB 222 239 163

HSL 73.42, 0.7%, 0.79%

LAB 91.64, -17.66, 34.97

 

CMYK 16 / 0 / 32 / 6

HEX #C9EFA3

RGB 201 239 163

HSL 90, 0.7%, 0.79%

LAB 90.23, -25.26, 32.83

 

CMYK 0 / 2 / 59 / 11

HEX #E4E05D

RGB 228 224 93

HSL 58.22, 0.71%, 0.63%

LAB 87.29, -14.8, 62.92

 

CMYK 0 / 1 / 45 / 9

HEX #E9E780

RGB 233 231 128

HSL 58.86, 0.7%, 0.71%

LAB 89.88, -13.42, 50.11

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA3

RGB 239 237 163

HSL 58.42, 0.7%, 0.79%

LAB 92.38, -10.33, 36.17

 

CMYK 0 / 0 / 19 / 4

HEX #F5F4C7

RGB 245 244 199

HSL 58.7, 0.7%, 0.87%

LAB 95.26, -6.87, 21.86

 

CMYK 0 / 0 / 7 / 2

HEX #FBFBEA

RGB 251 251 234

HSL 60, 0.68%, 0.95%

LAB 98.21, -2.88, 8.14

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA2

RGB 239 237 162

HSL 58.44, 0.71%, 0.79%

LAB 92.37, -10.45, 36.66

 

CMYK 32 / 0 / 26 / 6

HEX #A3EFB0

RGB 163 239 176

HSL 130.26, 0.7%, 0.79%

LAB 88.28, -35.87, 23.2

 

CMYK 13 / 32 / 0 / 6

HEX #CFA3EF

RGB 207 163 239

HSL 274.74, 0.7%, 0.79%

LAB 73.35, 30.05, -31.98

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA2

RGB 239 237 162

HSL 58.44, 0.71%, 0.79%

LAB 92.37, -10.45, 36.66

 

CMYK 32 / 0 / 1 / 6

HEX #A3EFED

RGB 163 239 237

HSL 178.42, 0.7%, 0.79%

LAB 89.69, -23.66, -6.51

 

CMYK 1 / 32 / 0 / 6

HEX #EDA3EF

RGB 237 163 239

HSL 298.42, 0.7%, 0.79%

LAB 76.33, 39.35, -27.13

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA2

RGB 239 237 162

HSL 58.44, 0.71%, 0.79%

LAB 92.37, -10.45, 36.66

 

CMYK 32 / 0 / 26 / 6

HEX #A3EFB0

RGB 163 239 176

HSL 130.26, 0.7%, 0.79%

LAB 88.28, -35.87, 23.2

 

CMYK 32 / 31 / 0 / 6

HEX #A3A6EF

RGB 163 166 239

HSL 237.63, 0.7%, 0.79%

LAB 70.38, 15.4, -36.87

 

CMYK 0 / 32 / 5 / 6

HEX #EFA3E3

RGB 239 163 227

HSL 309.47, 0.7%, 0.79%

LAB 76.13, 37.84, -20.91

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA2

RGB 239 237 162

HSL 58.44, 0.71%, 0.79%

LAB 92.37, -10.45, 36.66

 

CMYK 32 / 0 / 17 / 6

HEX #A3EFC7

RGB 163 239 199

HSL 148.42, 0.7%, 0.79%

LAB 88.75, -31.66, 11.96

 

CMYK 32 / 31 / 0 / 6

HEX #A3A6EF

RGB 163 166 239

HSL 237.63, 0.7%, 0.79%

LAB 70.38, 15.4, -36.87

 

CMYK 0 / 32 / 15 / 6

HEX #EFA3CC

RGB 239 163 204

HSL 327.63, 0.7%, 0.79%

LAB 75.39, 34.01, -9.46

 

Description

Color code: RGBA 239 237 162 0.75 | qconv.com Color code: RGBA 239 237 162 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 237 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 237 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 24 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 24% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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