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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 237 113 217 0.75 it is the complementary color RGBA 18 142 38 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 237 113 217 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 237 113 217 0.75 shade: RGBA 242 113 212 0.75, RGBA 255 131 231 0.75, RGBA 255 149 250 0.75, RGBA 255 167 255 0.75 and RGBA 255 185 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 237 113 217 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 237 113 217 0.75 shade: RGBA 237 113 217 0.75, RGBA 220 95 198 0.75, RGBA 203 77 179 0.75, RGBA 186 59 160 0.75 and RGBA 169 41 141 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 237 113 217 0.75 shade: RGB 238 114 218, RGB 238 114 184, RGB 238 114 151, RGB 238 114 118 and RGB 238 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 237 113 217 0.75 shade: RGB 238 114 218, RGB 224 114 238, RGB 191 114 238, RGB 158 114 238 and RGB 124 114 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 237 113 217 0.75 shade matches the following richer shades: RGB 238 114 218 and RGB 250 102 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 237 113 217 0.75 shade: RGB 238 114 218, RGB 225 127 209, RGB 212 140 200, RGB 199 153 192 and RGB 186 165 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 237 113 217 0.75 shade: RGB 190 114 238, RGB 223 114 238, RGB 238 114 219, RGB 238 114 186 and RGB 238 114 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 237 113 217 0.75 shade: RGB 229 41 198, RGB 233 78 208, RGB 238 114 218, RGB 242 151 227 and RGB 247 188 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 237 113 217 0.75 shade: RGB 237 113 217, RGB 238 157 114 and RGB 114 238 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 237 113 217 0.75 shade: RGB 237 113 217, RGB 219 238 114 and RGB 114 219 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 237 113 217 0.75 shade: RGB 237 113 217, RGB 238 157 114, RGB 114 238 133 and RGB 114 194 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 237 113 217 0.75 shade: RGB 237 113 217, RGB 238 194 114, RGB 114 238 133 and RGB 114 157 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 6 / 5

HEX #ED71D9BF

RGBA 237 113 217 0.75

HSLA 309.68, 0.78%, 0.69%, 0.75

LABA 65.61, 60.68, -31.54, 0.75

 

Complementary color

CMYK 65 / 0 / 55 / 33

HEX #128E26BF

RGBA 18 142 38 0.75

HSLA 129.68, 0.78%, 0.31%, 0.75

LABA 51.4, -52.35, 44.21, 0.75

 

CMYK 0 / 40 / 9 / 4

HEX #F271D4BF

RGBA 242 113 212 0.75

HSLA 313.95, 0.83%, 0.7%, 0.75

LABA 66.09, 61.31, -27.95, 0.75

 

CMYK 0 / 36 / 7 / 0

HEX #FF83E7BF

RGBA 255 131 231 0.75

HSLA 311.61, 1%, 0.76%, 0.75

LABA 71.73, 59.59, -29.65, 0.75

 

CMYK 0 / 31 / 1 / 0

HEX #FF95FABF

RGBA 255 149 250 0.75

HSLA 302.83, 1%, 0.79%, 0.75

LABA 75.86, 53.96, -33.65, 0.75

 

CMYK 0 / 26 / 0 / 0

HEX #FFA7FFBF

RGBA 255 167 255 0.75

HSLA 300, 1%, 0.83%, 0.75

LABA 79.68, 45.7, -30.46, 0.75

 

CMYK 0 / 21 / 0 / 0

HEX #FFB9FFBF

RGBA 255 185 255 0.75

HSLA 300, 1%, 0.86%, 0.75

LABA 83.54, 36.35, -24.57, 0.75

 

CMYK 0 / 39 / 6 / 5

HEX #ED71D9BF

RGBA 237 113 217 0.75

HSLA 309.68, 0.78%, 0.69%, 0.75

LABA 65.61, 60.68, -31.54, 0.75

 

CMYK 0 / 43 / 8 / 10

HEX #DC5FC6BF

RGBA 220 95 198 0.75

HSLA 310.56, 0.64%, 0.62%, 0.75

LABA 59.41, 61.15, -30.62, 0.75

 

CMYK 0 / 47 / 9 / 15

HEX #CB4DB3BF

RGBA 203 77 179 0.75

HSLA 311.43, 0.55%, 0.55%, 0.75

LABA 53.23, 61.39, -29.48, 0.75

 

CMYK 0 / 51 / 10 / 20

HEX #BA3BA0BF

RGBA 186 59 160 0.75

HSLA 312.28, 0.52%, 0.48%, 0.75

LABA 47.11, 61.29, -28.04, 0.75

 

CMYK 0 / 57 / 12 / 25

HEX #A9298DBF

RGBA 169 41 141 0.75

HSLA 313.13, 0.61%, 0.41%, 0.75

LABA 41.13, 60.59, -26.13, 0.75

 

CMYK 0 / 52 / 8 / 7

HEX #EE72DA

RGB 238 114 218

HSL 309.68, 0.78%, 0.69%

LAB 65.96, 60.66, -31.54

 

CMYK 0 / 52 / 23 / 7

HEX #EE72B8

RGB 238 114 184

HSL 326.13, 0.78%, 0.69%

LAB 64.7, 55.58, -14.35

 

CMYK 0 / 52 / 37 / 7

HEX #EE7297

RGB 238 114 151

HSL 342.1, 0.78%, 0.69%

LAB 63.71, 51.43, 2.99

 

CMYK 0 / 52 / 50 / 7

HEX #EE7276

RGB 238 114 118

HSL 358.06, 0.78%, 0.69%

LAB 62.94, 48.11, 20.79

 

CMYK 0 / 52 / 52 / 7

HEX #EE7272

RGB 238 114 114

HSL 0, 0.78%, 0.69%

LAB 62.87, 47.77, 22.95

 

CMYK 0 / 52 / 8 / 7

HEX #EE72DA

RGB 238 114 218

HSL 309.68, 0.78%, 0.69%

LAB 65.96, 60.66, -31.54

 

CMYK 6 / 52 / 0 / 7

HEX #E072EE

RGB 224 114 238

HSL 293.23, 0.78%, 0.69%

LAB 65.01, 60.27, -44.28

 

CMYK 20 / 52 / 0 / 7

HEX #BF72EE

RGB 191 114 238

HSL 277.26, 0.78%, 0.69%

LAB 61.03, 51.61, -50.82

 

CMYK 34 / 52 / 0 / 7

HEX #9E72EE

RGB 158 114 238

HSL 261.29, 0.78%, 0.69%

LAB 57.54, 43.28, -56.59

 

CMYK 48 / 52 / 0 / 7

HEX #7C72EE

RGB 124 114 238

HSL 244.84, 0.78%, 0.69%

LAB 54.55, 35.45, -61.55

 

CMYK 0 / 52 / 8 / 7

HEX #EE72DA

RGB 238 114 218

HSL 309.68, 0.78%, 0.69%

LAB 65.96, 60.66, -31.54

 

CMYK 0 / 59 / 10 / 2

HEX #FA66E2

RGB 250 102 226

HSL 309.73, 0.94%, 0.69%

LAB 66, 70.43, -35.82

 

CMYK 0 / 52 / 8 / 7

HEX #EE72DA

RGB 238 114 218

HSL 309.68, 0.78%, 0.69%

LAB 65.96, 60.66, -31.54

 

CMYK 0 / 44 / 7 / 12

HEX #E17FD1

RGB 225 127 209

HSL 309.8, 0.62%, 0.69%

LAB 66.36, 49.03, -26.05

 

CMYK 0 / 34 / 6 / 17

HEX #D48CC8

RGB 212 140 200

HSL 310, 0.46%, 0.69%

LAB 67.22, 36.56, -19.84

 

CMYK 0 / 23 / 4 / 22

HEX #C799C0

RGB 199 153 192

HSL 309.13, 0.29%, 0.69%

LAB 68.56, 23.67, -13.5

 

CMYK 0 / 11 / 2 / 27

HEX #BAA5B7

RGB 186 165 183

HSL 308.57, 0.13%, 0.69%

LAB 70.01, 10.85, -6.45

 

CMYK 20 / 52 / 0 / 7

HEX #BE72EE

RGB 190 114 238

HSL 276.77, 0.78%, 0.69%

LAB 60.92, 51.35, -51.01

 

CMYK 6 / 52 / 0 / 7

HEX #DF72EE

RGB 223 114 238

HSL 292.74, 0.78%, 0.69%

LAB 64.88, 60.01, -44.49

 

CMYK 0 / 52 / 8 / 7

HEX #EE72DB

RGB 238 114 219

HSL 309.19, 0.78%, 0.69%

LAB 66, 60.82, -32.04

 

CMYK 0 / 52 / 22 / 7

HEX #EE72BA

RGB 238 114 186

HSL 325.16, 0.78%, 0.69%

LAB 64.77, 55.86, -15.38

 

CMYK 0 / 52 / 36 / 7

HEX #EE7299

RGB 238 114 153

HSL 341.13, 0.78%, 0.69%

LAB 63.76, 51.65, 1.93

 

CMYK 0 / 82 / 14 / 10

HEX #E529C6

RGB 229 41 198

HSL 309.89, 0.78%, 0.53%

LAB 54.37, 81.42, -38.4

 

CMYK 0 / 67 / 11 / 9

HEX #E94ED0

RGB 233 78 208

HSL 309.68, 0.78%, 0.61%

LAB 59.28, 72.92, -36.37

 

CMYK 0 / 52 / 8 / 7

HEX #EE72DA

RGB 238 114 218

HSL 309.68, 0.78%, 0.69%

LAB 65.96, 60.66, -31.54

 

CMYK 0 / 38 / 6 / 5

HEX #F297E3

RGB 242 151 227

HSL 309.89, 0.78%, 0.77%

LAB 73.91, 45.06, -24.26

 

CMYK 0 / 24 / 4 / 3

HEX #F7BCED

RGB 247 188 237

HSL 310.17, 0.79%, 0.85%

LAB 82.84, 28.99, -16.09

 

CMYK 0 / 52 / 8 / 7

HEX #ED71D9

RGB 237 113 217

HSL 309.68, 0.78%, 0.69%

LAB 65.61, 60.68, -31.54

 

CMYK 0 / 34 / 52 / 7

HEX #EE9D72

RGB 238 157 114

HSL 20.81, 0.78%, 0.69%

LAB 71.9, 25.71, 34.79

 

CMYK 52 / 0 / 13 / 7

HEX #72EECF

RGB 114 238 207

HSL 165, 0.78%, 0.69%

LAB 86.62, -42.01, 4.46

 

CMYK 0 / 52 / 8 / 7

HEX #ED71D9

RGB 237 113 217

HSL 309.68, 0.78%, 0.69%

LAB 65.61, 60.68, -31.54

 

CMYK 8 / 0 / 52 / 7

HEX #DBEE72

RGB 219 238 114

HSL 69.19, 0.78%, 0.69%

LAB 90.52, -23.58, 57.15

 

CMYK 52 / 8 / 0 / 7

HEX #72DBEE

RGB 114 219 238

HSL 189.19, 0.78%, 0.69%

LAB 82.06, -25.33, -18.65

 

CMYK 0 / 52 / 8 / 7

HEX #ED71D9

RGB 237 113 217

HSL 309.68, 0.78%, 0.69%

LAB 65.61, 60.68, -31.54

 

CMYK 0 / 34 / 52 / 7

HEX #EE9D72

RGB 238 157 114

HSL 20.81, 0.78%, 0.69%

LAB 71.9, 25.71, 34.79

 

CMYK 52 / 0 / 44 / 7

HEX #72EE85

RGB 114 238 133

HSL 129.19, 0.78%, 0.69%

LAB 85.21, -56.18, 40.42

 

CMYK 52 / 18 / 0 / 7

HEX #72C2EE

RGB 114 194 238

HSL 201.29, 0.78%, 0.69%

LAB 75.04, -12.57, -29.35

 

CMYK 0 / 52 / 8 / 7

HEX #ED71D9

RGB 237 113 217

HSL 309.68, 0.78%, 0.69%

LAB 65.61, 60.68, -31.54

 

CMYK 0 / 18 / 52 / 7

HEX #EEC272

RGB 238 194 114

HSL 38.71, 0.78%, 0.69%

LAB 80.73, 6.17, 45.83

 

CMYK 52 / 0 / 44 / 7

HEX #72EE85

RGB 114 238 133

HSL 129.19, 0.78%, 0.69%

LAB 85.21, -56.18, 40.42

 

CMYK 52 / 34 / 0 / 7

HEX #729DEE

RGB 114 157 238

HSL 219.19, 0.78%, 0.69%

LAB 64.85, 7.91, -45.19

 

Description

Color code: RGBA 237 113 217 0.75 | qconv.com Color code: RGBA 237 113 217 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 113 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 113 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 6 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 6% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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