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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 235 26 24 0.5 it is the complementary color RGBA 20 229 231 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 235 26 24 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 235 26 24 0.5 shade: RGBA 240 26 19 0.5, RGBA 255 44 38 0.5, RGBA 255 62 57 0.5, RGBA 255 80 76 0.5 and RGBA 255 98 95 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 235 26 24 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 235 26 24 0.5 shade: RGBA 235 26 24 0.5, RGBA 218 8 5 0.5, RGBA 201 0 0 0.5, RGBA 184 0 0 0.5 and RGBA 167 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 235 26 24 0.5 shade: RGB 235 27 25 and RGB 235 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 235 26 24 0.5 shade: RGB 235 27 25, RGB 235 84 25, RGB 235 140 25, RGB 235 197 25 and RGB 217 235 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 235 26 24 0.5 shade matches the following richer shades: RGB 235 27 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 235 26 24 0.5 shade: RGB 235 27 25, RGB 215 47 45, RGB 195 67 66, RGB 174 87 86 and RGB 154 106 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 235 26 24 0.5 shade: RGB 235 25 137, RGB 235 25 81, RGB 235 25 25, RGB 235 81 25 and RGB 235 137 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 235 26 24 0.5 shade: RGB 163 16 14, RGB 201 19 18, RGB 235 27 25, RGB 238 65 63 and RGB 242 102 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 235 26 24 0.5 shade: RGB 235 26 24, RGB 193 235 25 and RGB 25 109 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 235 26 24 0.5 shade: RGB 235 26 24, RGB 25 235 25 and RGB 25 25 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 235 26 24 0.5 shade: RGB 235 26 24, RGB 193 235 25, RGB 25 235 235 and RGB 67 25 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 235 26 24 0.5 shade: RGB 235 26 24, RGB 130 235 25, RGB 25 235 235 and RGB 130 25 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 45 / 4

HEX #EB1A187F

RGBA 235 26 24 0.5

HSLA 0.57, 0.84%, 0.51%, 0.5

LABA 50.06, 72.95, 56.34, 0.5

 

Complementary color

CMYK 46 / 0 / 0 / 5

HEX #14E5E77F

RGBA 20 229 231 0.5

HSLA 180.57, 0.84%, 0.49%, 0.5

LABA 82.89, -43.22, -13.88, 0.5

 

CMYK 0 / 45 / 46 / 3

HEX #F01A137F

RGBA 240 26 19 0.5

HSLA 1.9, 0.88%, 0.51%, 0.5

LABA 51.05, 74.17, 59.34, 0.5

 

CMYK 0 / 41 / 43 / 0

HEX #FF2C267F

RGBA 255 44 38 0.5

HSLA 1.66, 1%, 0.57%, 0.5

LABA 55.28, 75.08, 56.01, 0.5

 

CMYK 0 / 38 / 39 / 0

HEX #FF3E397F

RGBA 255 62 57 0.5

HSLA 1.52, 1%, 0.61%, 0.5

LABA 57.08, 70.93, 48.26, 0.5

 

CMYK 0 / 34 / 35 / 0

HEX #FF504C7F

RGBA 255 80 76 0.5

HSLA 1.34, 1%, 0.65%, 0.5

LABA 59.45, 65.66, 40.59, 0.5

 

CMYK 0 / 31 / 31 / 0

HEX #FF625F7F

RGBA 255 98 95 0.5

HSLA 1.13, 1%, 0.69%, 0.5

LABA 62.36, 59.52, 33.52, 0.5

 

CMYK 0 / 44 / 45 / 4

HEX #EB1A187F

RGBA 235 26 24 0.5

HSLA 0.57, 0.84%, 0.51%, 0.5

LABA 50.06, 72.95, 56.34, 0.5

 

CMYK 0 / 48 / 49 / 7

HEX #DA08057F

RGBA 218 8 5 0.5

HSLA 0.85, 0.96%, 0.44%, 0.5

LABA 45.76, 70.52, 58.25, 0.5

 

CMYK 0 / 50 / 50 / 11

HEX #C900007F

RGBA 201 0 0 0.5

HSLA 0, 1%, 0.39%, 0.5

LABA 41.87, 66.96, 56.19, 0.5

 

CMYK 0 / 50 / 50 / 14

HEX #B800007F

RGBA 184 0 0 0.5

HSLA 0, 1%, 0.36%, 0.5

LABA 38.18, 62.69, 52.6, 0.5

 

CMYK 0 / 50 / 50 / 17

HEX #A700007F

RGBA 167 0 0 0.5

HSLA 0, 1%, 0.33%, 0.5

LABA 34.43, 58.35, 48.69, 0.5

 

CMYK 0 / 89 / 89 / 8

HEX #EB1B19

RGB 235 27 25

HSL 0.57, 0.84%, 0.51%

LAB 50.12, 72.81, 55.98

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 89 / 89 / 8

HEX #EB1B19

RGB 235 27 25

HSL 0.57, 0.84%, 0.51%

LAB 50.12, 72.81, 55.98

 

CMYK 0 / 64 / 89 / 8

HEX #EB5419

RGB 235 84 25

HSL 16.86, 0.84%, 0.51%

LAB 56.16, 56.03, 60.32

 

CMYK 0 / 40 / 89 / 8

HEX #EB8C19

RGB 235 140 25

HSL 32.86, 0.84%, 0.51%

LAB 66.89, 28.95, 68.3

 

CMYK 0 / 16 / 89 / 8

HEX #EBC519

RGB 235 197 25

HSL 49.14, 0.84%, 0.51%

LAB 80.55, -1.03, 78.76

 

CMYK 8 / 0 / 89 / 8

HEX #D9EB19

RGB 217 235 25

HSL 65.14, 0.84%, 0.51%

LAB 89.04, -27.43, 84.77

 

CMYK 0 / 89 / 89 / 8

HEX #EB1B19

RGB 235 27 25

HSL 0.57, 0.84%, 0.51%

LAB 50.12, 72.81, 55.98

 

CMYK 0 / 89 / 89 / 8

HEX #EB1B19

RGB 235 27 25

HSL 0.57, 0.84%, 0.51%

LAB 50.12, 72.81, 55.98

 

CMYK 0 / 78 / 79 / 16

HEX #D72F2D

RGB 215 47 45

HSL 0.71, 0.68%, 0.51%

LAB 47.84, 63.41, 42.79

 

CMYK 0 / 66 / 66 / 24

HEX #C34342

RGB 195 67 66

HSL 0.47, 0.52%, 0.51%

LAB 46.99, 50.97, 28.86

 

CMYK 0 / 50 / 51 / 32

HEX #AE5756

RGB 174 87 86

HSL 0.68, 0.35%, 0.51%

LAB 47.61, 35.33, 17.09

 

CMYK 0 / 31 / 31 / 40

HEX #9A6A6A

RGB 154 106 106

HSL 0, 0.19%, 0.51%

LAB 49.76, 19.21, 7.75

 

CMYK 0 / 89 / 42 / 8

HEX #EB1989

RGB 235 25 137

HSL 328, 0.84%, 0.51%

LAB 52.02, 78.74, -6

 

CMYK 0 / 89 / 66 / 8

HEX #EB1951

RGB 235 25 81

HSL 344, 0.84%, 0.51%

LAB 50.63, 74.88, 26.05

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 66 / 89 / 8

HEX #EB5119

RGB 235 81 25

HSL 16, 0.84%, 0.51%

LAB 55.7, 57.26, 59.98

 

CMYK 0 / 42 / 89 / 8

HEX #EB8919

RGB 235 137 25

HSL 32, 0.84%, 0.51%

LAB 66.23, 30.52, 67.8

 

CMYK 0 / 90 / 91 / 36

HEX #A3100E

RGB 163 16 14

HSL 0.81, 0.84%, 0.35%

LAB 34.37, 55.27, 42.52

 

CMYK 0 / 91 / 91 / 21

HEX #C91312

RGB 201 19 18

HSL 0.33, 0.84%, 0.43%

LAB 42.65, 65.09, 50.37

 

CMYK 0 / 89 / 89 / 8

HEX #EB1B19

RGB 235 27 25

HSL 0.57, 0.84%, 0.51%

LAB 50.12, 72.81, 55.98

 

CMYK 0 / 73 / 74 / 7

HEX #EE413F

RGB 238 65 63

HSL 0.69, 0.84%, 0.59%

LAB 54.36, 65.21, 41.17

 

CMYK 0 / 58 / 58 / 5

HEX #F26665

RGB 242 102 101

HSL 0.43, 0.84%, 0.67%

LAB 61.06, 53.8, 28.06

 

CMYK 0 / 89 / 90 / 8

HEX #EB1A18

RGB 235 26 24

HSL 0.57, 0.84%, 0.51%

LAB 50.06, 72.95, 56.34

 

CMYK 18 / 0 / 89 / 8

HEX #C1EB19

RGB 193 235 25

HSL 72, 0.84%, 0.51%

LAB 87.4, -37.07, 82.77

 

CMYK 89 / 54 / 0 / 8

HEX #196DEB

RGB 25 109 235

HSL 216, 0.84%, 0.51%

LAB 48.44, 23.87, -69.97

 

CMYK 0 / 89 / 90 / 8

HEX #EB1A18

RGB 235 26 24

HSL 0.57, 0.84%, 0.51%

LAB 50.06, 72.95, 56.34

 

CMYK 89 / 0 / 89 / 8

HEX #19EB19

RGB 25 235 25

HSL 120, 0.84%, 0.51%

LAB 81.67, -79.49, 75.69

 

CMYK 89 / 89 / 0 / 8

HEX #1919EB

RGB 25 25 235

HSL 240, 0.84%, 0.51%

LAB 31.58, 69.52, -97.76

 

CMYK 0 / 89 / 90 / 8

HEX #EB1A18

RGB 235 26 24

HSL 0.57, 0.84%, 0.51%

LAB 50.06, 72.95, 56.34

 

CMYK 18 / 0 / 89 / 8

HEX #C1EB19

RGB 193 235 25

HSL 72, 0.84%, 0.51%

LAB 87.4, -37.07, 82.77

 

CMYK 89 / 0 / 0 / 8

HEX #19EBEB

RGB 25 235 235

HSL 180, 0.84%, 0.51%

LAB 84.8, -44.5, -13.12

 

CMYK 71 / 89 / 0 / 8

HEX #4319EB

RGB 67 25 235

HSL 252, 0.84%, 0.51%

LAB 33.75, 70.88, -94.09

 

CMYK 0 / 89 / 90 / 8

HEX #EB1A18

RGB 235 26 24

HSL 0.57, 0.84%, 0.51%

LAB 50.06, 72.95, 56.34

 

CMYK 45 / 0 / 89 / 8

HEX #82EB19

RGB 130 235 25

HSL 90, 0.84%, 0.51%

LAB 84.09, -59.58, 78.69

 

CMYK 89 / 0 / 0 / 8

HEX #19EBEB

RGB 25 235 235

HSL 180, 0.84%, 0.51%

LAB 84.8, -44.5, -13.12

 

CMYK 45 / 89 / 0 / 8

HEX #8219EB

RGB 130 25 235

HSL 270, 0.84%, 0.51%

LAB 40.31, 75.7, -83.02

 

Description

Color code: RGBA 235 26 24 0.5 | qconv.com Color code: RGBA 235 26 24 0.5 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 26 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 26 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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