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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 235 250 163 0.75 it is the complementary color RGBA 20 5 92 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 235 250 163 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 235 250 163 0.75 shade: RGBA 240 250 158 0.75, RGBA 255 255 177 0.75, RGBA 255 255 196 0.75, RGBA 255 255 215 0.75 and RGBA 255 255 234 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 235 250 163 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 235 250 163 0.75 shade: RGBA 235 250 163 0.75, RGBA 218 232 144 0.75, RGBA 201 214 125 0.75, RGBA 184 196 106 0.75 and RGBA 167 178 87 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 235 250 163 0.75 shade: RGB 235 250 163, RGB 250 242 163, RGB 250 218 163, RGB 250 195 163 and RGB 250 171 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 235 250 163 0.75 shade: RGB 235 250 163, RGB 212 250 163, RGB 188 250 163, RGB 165 250 163 and RGB 163 250 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 235 250 163 0.75 shade matches the following richer shades: RGB 235 250 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 235 250 163 0.75 shade: RGB 235 250 163, RGB 230 242 171, RGB 225 234 179, RGB 220 227 186 and RGB 215 219 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 235 250 163 0.75 shade: RGB 250 218 163, RGB 250 241 163, RGB 236 250 163, RGB 212 250 163 and RGB 189 250 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 235 250 163 0.75 shade: RGB 218 246 85, RGB 227 248 124, RGB 235 250 163, RGB 244 252 202 and RGB 252 254 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 235 250 163 0.75 shade: RGB 235 250 163, RGB 163 250 195 and RGB 230 163 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 235 250 163 0.75 shade: RGB 235 250 163, RGB 163 236 250 and RGB 250 163 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 235 250 163 0.75 shade: RGB 235 250 163, RGB 163 250 195, RGB 177 163 250 and RGB 250 163 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 235 250 163 0.75 shade: RGB 235 250 163, RGB 163 250 221, RGB 177 163 250 and RGB 250 163 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 26 / 1

HEX #EBFAA3BF

RGBA 235 250 163 0.75

HSLA 70.34, 0.9%, 0.81%, 0.75

LABA 95.45, -18.21, 40.13, 0.75

 

Complementary color

CMYK 59 / 71 / 0 / 48

HEX #14055CBF

RGBA 20 5 92 0.75

HSLA 250.34, 0.9%, 0.19%, 0.75

LABA 9.24, 35.3, -47.33, 0.75

 

CMYK 3 / 0 / 28 / 1

HEX #F0FA9EBF

RGBA 240 250 158 0.75

HSLA 66.52, 0.9%, 0.8%, 0.75

LABA 95.73, -16.93, 43.03, 0.75

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFB1BF

RGBA 255 255 177 0.75

HSLA 60, 1%, 0.85%, 0.75

LABA 98.41, -11.56, 37.37, 0.75

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFC4BF

RGBA 255 255 196 0.75

HSLA 60, 1%, 0.88%, 0.75

LABA 98.74, -9.15, 28.29, 0.75

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFD7BF

RGBA 255 255 215 0.75

HSLA 60, 1%, 0.92%, 0.75

LABA 99.1, -6.46, 19.16, 0.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEABF

RGBA 255 255 234 0.75

HSLA 60, 1%, 0.96%, 0.75

LABA 99.5, -3.53, 10.03, 0.75

 

CMYK 5 / 0 / 26 / 1

HEX #EBFAA3BF

RGBA 235 250 163 0.75

HSLA 70.34, 0.9%, 0.81%, 0.75

LABA 95.45, -18.21, 40.13, 0.75

 

CMYK 5 / 0 / 28 / 7

HEX #DAE890BF

RGBA 218 232 144 0.75

HSLA 69.55, 0.66%, 0.74%, 0.75

LABA 89.22, -18.04, 41.25, 0.75

 

CMYK 5 / 0 / 31 / 12

HEX #C9D67DBF

RGBA 201 214 125 0.75

HSLA 68.76, 0.52%, 0.66%, 0.75

LABA 82.91, -17.82, 42.39, 0.75

 

CMYK 5 / 0 / 34 / 17

HEX #B8C46ABF

RGBA 184 196 106 0.75

HSLA 68, 0.43%, 0.59%, 0.75

LABA 76.5, -17.56, 43.56, 0.75

 

CMYK 5 / 0 / 38 / 23

HEX #A7B257BF

RGBA 167 178 87 0.75

HSLA 67.25, 0.37%, 0.52%, 0.75

LABA 70, -17.22, 44.72, 0.75

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 0 / 3 / 35 / 2

HEX #FAF2A3

RGB 250 242 163

HSL 54.48, 0.9%, 0.81%

LAB 94.51, -8.66, 39.13

 

CMYK 0 / 13 / 35 / 2

HEX #FADAA3

RGB 250 218 163

HSL 37.93, 0.9%, 0.81%

LAB 88.5, 3.47, 31.18

 

CMYK 0 / 22 / 35 / 2

HEX #FAC3A3

RGB 250 195 163

HSL 22.07, 0.9%, 0.81%

LAB 82.91, 15.41, 23.62

 

CMYK 0 / 32 / 35 / 2

HEX #FAABA3

RGB 250 171 163

HSL 5.52, 0.9%, 0.81%

LAB 77.34, 28.02, 15.9

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 15 / 0 / 35 / 2

HEX #D4FAA3

RGB 212 250 163

HSL 86.21, 0.9%, 0.81%

LAB 93.89, -26.58, 37.8

 

CMYK 25 / 0 / 35 / 2

HEX #BCFAA3

RGB 188 250 163

HSL 102.76, 0.9%, 0.81%

LAB 92.45, -34.89, 35.63

 

CMYK 34 / 0 / 35 / 2

HEX #A5FAA3

RGB 165 250 163

HSL 118.62, 0.9%, 0.81%

LAB 91.24, -42.3, 33.82

 

CMYK 35 / 0 / 26 / 2

HEX #A3FAB9

RGB 163 250 185

HSL 135.17, 0.9%, 0.81%

LAB 91.53, -39.29, 23.07

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 5 / 0 / 29 / 5

HEX #E6F2AB

RGB 230 242 171

HSL 70.14, 0.73%, 0.81%

LAB 93.13, -15.16, 33.02

 

CMYK 4 / 0 / 24 / 8

HEX #E1EAB3

RGB 225 234 179

HSL 69.82, 0.57%, 0.81%

LAB 90.83, -11.94, 25.77

 

CMYK 3 / 0 / 18 / 11

HEX #DCE3BA

RGB 220 227 186

HSL 70.24, 0.42%, 0.81%

LAB 88.78, -9.22, 19.27

 

CMYK 2 / 0 / 11 / 14

HEX #D7DBC2

RGB 215 219 194

HSL 69.6, 0.26%, 0.81%

LAB 86.51, -5.67, 11.83

 

CMYK 0 / 13 / 35 / 2

HEX #FADAA3

RGB 250 218 163

HSL 37.93, 0.9%, 0.81%

LAB 88.5, 3.47, 31.18

 

CMYK 0 / 4 / 35 / 2

HEX #FAF1A3

RGB 250 241 163

HSL 53.79, 0.9%, 0.81%

LAB 94.26, -8.16, 38.8

 

CMYK 6 / 0 / 35 / 2

HEX #ECFAA3

RGB 236 250 163

HSL 69.66, 0.9%, 0.81%

LAB 95.52, -17.84, 40.24

 

CMYK 15 / 0 / 35 / 2

HEX #D4FAA3

RGB 212 250 163

HSL 86.21, 0.9%, 0.81%

LAB 93.89, -26.58, 37.8

 

CMYK 24 / 0 / 35 / 2

HEX #BDFAA3

RGB 189 250 163

HSL 102.07, 0.9%, 0.81%

LAB 92.5, -34.56, 35.72

 

CMYK 11 / 0 / 65 / 4

HEX #DAF655

RGB 218 246 85

HSL 70.43, 0.9%, 0.65%

LAB 92.34, -29.87, 71.29

 

CMYK 8 / 0 / 50 / 3

HEX #E3F87C

RGB 227 248 124

HSL 70.16, 0.9%, 0.73%

LAB 93.85, -24.37, 56.66

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 3 / 0 / 20 / 1

HEX #F4FCCA

RGB 244 252 202

HSL 69.6, 0.89%, 0.89%

LAB 97.28, -10.77, 23.11

 

CMYK 1 / 0 / 5 / 0

HEX #FCFEF1

RGB 252 254 241

HSL 69.23, 0.87%, 0.97%

LAB 99.19, -2.89, 5.97

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 35 / 0 / 22 / 2

HEX #A3FAC3

RGB 163 250 195

HSL 142.07, 0.9%, 0.81%

LAB 91.73, -37.49, 18.23

 

CMYK 8 / 35 / 0 / 2

HEX #E6A3FA

RGB 230 163 250

HSL 286.21, 0.9%, 0.81%

LAB 76.02, 39.28, -33.63

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 35 / 6 / 0 / 2

HEX #A3ECFA

RGB 163 236 250

HSL 189.66, 0.9%, 0.81%

LAB 89.24, -19.17, -13.97

 

CMYK 0 / 35 / 6 / 2

HEX #FAA3EC

RGB 250 163 236

HSL 309.66, 0.9%, 0.81%

LAB 77.62, 42.9, -23.41

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 35 / 0 / 22 / 2

HEX #A3FAC3

RGB 163 250 195

HSL 142.07, 0.9%, 0.81%

LAB 91.73, -37.49, 18.23

 

CMYK 29 / 35 / 0 / 2

HEX #B1A3FA

RGB 177 163 250

HSL 249.66, 0.9%, 0.81%

LAB 71.18, 23.75, -41.53

 

CMYK 0 / 35 / 13 / 2

HEX #FAA3DA

RGB 250 163 218

HSL 322.07, 0.9%, 0.81%

LAB 77.03, 39.93, -14.53

 

CMYK 6 / 0 / 35 / 2

HEX #EBFAA3

RGB 235 250 163

HSL 70.34, 0.9%, 0.81%

LAB 95.45, -18.21, 40.13

 

CMYK 35 / 0 / 12 / 2

HEX #A3FADD

RGB 163 250 221

HSL 160, 0.9%, 0.81%

LAB 92.3, -32.38, 5.63

 

CMYK 29 / 35 / 0 / 2

HEX #B1A3FA

RGB 177 163 250

HSL 249.66, 0.9%, 0.81%

LAB 71.18, 23.75, -41.53

 

CMYK 0 / 35 / 23 / 2

HEX #FAA3C0

RGB 250 163 192

HSL 340, 0.9%, 0.81%

LAB 76.27, 36.01, -1.46

 

Description

Color code: RGBA 235 250 163 0.75 | qconv.com Color code: RGBA 235 250 163 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 250 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 250 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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