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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 232 113 120 0.75 it is the complementary color RGBA 23 142 135 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 232 113 120 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 232 113 120 0.75 shade: RGBA 237 113 115 0.75, RGBA 254 131 134 0.75, RGBA 255 149 153 0.75, RGBA 255 167 172 0.75 and RGBA 255 185 191 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 232 113 120 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 232 113 120 0.75 shade: RGBA 232 113 120 0.75, RGBA 215 95 101 0.75, RGBA 198 77 82 0.75, RGBA 181 59 63 0.75 and RGBA 164 41 44 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 232 113 120 0.75 shade: RGB 232 115 122 and RGB 232 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 232 113 120 0.75 shade: RGB 232 115 122, RGB 232 115 153, RGB 232 115 185, RGB 232 115 217 and RGB 216 115 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 232 113 120 0.75 shade matches the following richer shades: RGB 232 115 122 and RGB 245 101 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 232 113 120 0.75 shade: RGB 232 115 122, RGB 219 128 133, RGB 206 141 145, RGB 193 154 157 and RGB 179 167 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 232 113 120 0.75 shade: RGB 232 115 185, RGB 232 115 154, RGB 232 115 122, RGB 232 138 115 and RGB 232 169 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 232 113 120 0.75 shade: RGB 221 44 54, RGB 226 79 88, RGB 232 115 122, RGB 238 150 155 and RGB 244 186 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 232 113 120 0.75 shade: RGB 232 113 120, RGB 216 232 115 and RGB 115 169 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 232 113 120 0.75 shade: RGB 232 113 120, RGB 122 232 115 and RGB 115 122 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 232 113 120 0.75 shade: RGB 232 113 120, RGB 216 232 115, RGB 115 232 224 and RGB 130 115 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 232 113 120 0.75 shade: RGB 232 113 120, RGB 181 232 115, RGB 115 232 224 and RGB 166 115 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 36 / 7

HEX #E87178BF

RGBA 232 113 120 0.75

HSLA 356.47, 0.72%, 0.68%, 0.75

LABA 61.93, 46.65, 18.12, 0.75

 

Complementary color

CMYK 63 / 0 / 4 / 33

HEX #178E87BF

RGBA 23 142 135 0.75

HSLA 176.47, 0.72%, 0.32%, 0.75

LABA 53.25, -31.95, -5.11, 0.75

 

CMYK 0 / 39 / 39 / 5

HEX #ED7173BF

RGBA 237 113 115 0.75

HSLA 359.03, 0.78%, 0.69%, 0.75

LABA 62.55, 47.98, 21.94, 0.75

 

CMYK 0 / 36 / 35 / 0

HEX #FE8386BF

RGBA 254 131 134 0.75

HSLA 358.54, 0.98%, 0.75%, 0.75

LABA 68.77, 46.91, 20.07, 0.75

 

CMYK 0 / 31 / 30 / 0

HEX #FF9599BF

RGBA 255 149 153 0.75

HSLA 357.74, 1%, 0.79%, 0.75

LABA 72.93, 40.15, 15.3, 0.75

 

CMYK 0 / 26 / 24 / 0

HEX #FFA7ACBF

RGBA 255 167 172 0.75

HSLA 356.59, 1%, 0.83%, 0.75

LABA 77.21, 33.05, 10.9, 0.75

 

CMYK 0 / 21 / 19 / 0

HEX #FFB9BFBF

RGBA 255 185 191 0.75

HSLA 354.86, 1%, 0.86%, 0.75

LABA 81.69, 26.12, 7.01, 0.75

 

CMYK 0 / 38 / 36 / 7

HEX #E87178BF

RGBA 232 113 120 0.75

HSLA 356.47, 0.72%, 0.68%, 0.75

LABA 61.93, 46.65, 18.12, 0.75

 

CMYK 0 / 42 / 40 / 12

HEX #D75F65BF

RGBA 215 95 101 0.75

HSLA 357, 0.6%, 0.61%, 0.75

LABA 55.66, 47.69, 20.15, 0.75

 

CMYK 0 / 46 / 44 / 17

HEX #C64D52BF

RGBA 198 77 82 0.75

HSLA 357.52, 0.51%, 0.54%, 0.75

LABA 49.4, 48.66, 22.54, 0.75

 

CMYK 0 / 51 / 49 / 22

HEX #B53B3FBF

RGBA 181 59 63 0.75

HSLA 358.03, 0.51%, 0.47%, 0.75

LABA 43.23, 49.44, 25.43, 0.75

 

CMYK 0 / 56 / 55 / 27

HEX #A4292CBF

RGBA 164 41 44 0.75

HSLA 358.54, 0.6%, 0.4%, 0.75

LABA 37.23, 49.83, 28.94, 0.75

 

CMYK 0 / 50 / 47 / 9

HEX #E8737A

RGB 232 115 122

HSL 356.41, 0.72%, 0.68%

LAB 62.36, 45.86, 17.56

 

CMYK 0 / 50 / 50 / 9

HEX #E87373

RGB 232 115 115

HSL 0, 0.72%, 0.68%

LAB 62.22, 45.22, 21.36

 

CMYK 0 / 50 / 47 / 9

HEX #E8737A

RGB 232 115 122

HSL 356.41, 0.72%, 0.68%

LAB 62.36, 45.86, 17.56

 

CMYK 0 / 50 / 34 / 9

HEX #E87399

RGB 232 115 153

HSL 340.51, 0.72%, 0.68%

LAB 63.11, 49.17, 0.87

 

CMYK 0 / 50 / 20 / 9

HEX #E873B9

RGB 232 115 185

HSL 324.1, 0.72%, 0.68%

LAB 64.1, 53.39, -15.91

 

CMYK 0 / 50 / 6 / 9

HEX #E873D9

RGB 232 115 217

HSL 307.69, 0.72%, 0.68%

LAB 65.3, 58.33, -32.07

 

CMYK 7 / 50 / 0 / 9

HEX #D873E8

RGB 216 115 232

HSL 291.79, 0.72%, 0.68%

LAB 63.91, 56.54, -42.75

 

CMYK 0 / 50 / 47 / 9

HEX #E8737A

RGB 232 115 122

HSL 356.41, 0.72%, 0.68%

LAB 62.36, 45.86, 17.56

 

CMYK 0 / 59 / 55 / 4

HEX #F5656E

RGB 245 101 110

HSL 356.25, 0.88%, 0.68%

LAB 61.52, 55.92, 23.62

 

CMYK 0 / 50 / 47 / 9

HEX #E8737A

RGB 232 115 122

HSL 356.41, 0.72%, 0.68%

LAB 62.36, 45.86, 17.56

 

CMYK 0 / 42 / 39 / 14

HEX #DB8085

RGB 219 128 133

HSL 356.7, 0.56%, 0.68%

LAB 63.5, 35.62, 12.62

 

CMYK 0 / 32 / 30 / 19

HEX #CE8D91

RGB 206 141 145

HSL 356.31, 0.4%, 0.68%

LAB 65.13, 25.26, 7.92

 

CMYK 0 / 20 / 19 / 24

HEX #C19A9D

RGB 193 154 157

HSL 355.38, 0.24%, 0.68%

LAB 67.19, 14.97, 3.95

 

CMYK 0 / 7 / 6 / 30

HEX #B3A7A8

RGB 179 167 168

HSL 355, 0.07%, 0.68%

LAB 69.5, 4.5, 1.03

 

CMYK 0 / 50 / 20 / 9

HEX #E873B9

RGB 232 115 185

HSL 324.1, 0.72%, 0.68%

LAB 64.1, 53.39, -15.91

 

CMYK 0 / 50 / 34 / 9

HEX #E8739A

RGB 232 115 154

HSL 340, 0.72%, 0.68%

LAB 63.14, 49.29, 0.34

 

CMYK 0 / 50 / 47 / 9

HEX #E8737A

RGB 232 115 122

HSL 356.41, 0.72%, 0.68%

LAB 62.36, 45.86, 17.56

 

CMYK 0 / 41 / 50 / 9

HEX #E88A73

RGB 232 138 115

HSL 11.79, 0.72%, 0.68%

LAB 66.95, 33.47, 27.69

 

CMYK 0 / 27 / 50 / 9

HEX #E8A973

RGB 232 169 115

HSL 27.69, 0.72%, 0.68%

LAB 74.04, 17.02, 36.86

 

CMYK 0 / 80 / 76 / 13

HEX #DD2C36

RGB 221 44 54

HSL 356.61, 0.72%, 0.52%

LAB 48.81, 66.24, 39.17

 

CMYK 0 / 65 / 61 / 11

HEX #E24F58

RGB 226 79 88

HSL 356.33, 0.72%, 0.6%

LAB 54.52, 57.55, 26.56

 

CMYK 0 / 50 / 47 / 9

HEX #E8737A

RGB 232 115 122

HSL 356.41, 0.72%, 0.68%

LAB 62.36, 45.86, 17.56

 

CMYK 0 / 37 / 35 / 7

HEX #EE969B

RGB 238 150 155

HSL 356.59, 0.72%, 0.76%

LAB 71.12, 33.66, 11.34

 

CMYK 0 / 24 / 23 / 4

HEX #F4BABD

RGB 244 186 189

HSL 356.9, 0.73%, 0.84%

LAB 80.75, 21.33, 6.6

 

CMYK 0 / 51 / 48 / 9

HEX #E87178

RGB 232 113 120

HSL 356.47, 0.72%, 0.68%

LAB 61.93, 46.65, 18.12

 

CMYK 7 / 0 / 50 / 9

HEX #D8E873

RGB 216 232 115

HSL 68.21, 0.72%, 0.68%

LAB 88.71, -21.77, 54.51

 

CMYK 50 / 27 / 0 / 9

HEX #73A9E8

RGB 115 169 232

HSL 212.31, 0.72%, 0.68%

LAB 67.91, -0.5, -37.12

 

CMYK 0 / 51 / 48 / 9

HEX #E87178

RGB 232 113 120

HSL 356.47, 0.72%, 0.68%

LAB 61.93, 46.65, 18.12

 

CMYK 47 / 0 / 50 / 9

HEX #7AE873

RGB 122 232 115

HSL 116.41, 0.72%, 0.68%

LAB 83.49, -54.21, 46.99

 

CMYK 50 / 47 / 0 / 9

HEX #737AE8

RGB 115 122 232

HSL 236.41, 0.72%, 0.68%

LAB 55.47, 26.97, -56.75

 

CMYK 0 / 51 / 48 / 9

HEX #E87178

RGB 232 113 120

HSL 356.47, 0.72%, 0.68%

LAB 61.93, 46.65, 18.12

 

CMYK 7 / 0 / 50 / 9

HEX #D8E873

RGB 216 232 115

HSL 68.21, 0.72%, 0.68%

LAB 88.71, -21.77, 54.51

 

CMYK 50 / 0 / 3 / 9

HEX #73E8E0

RGB 115 232 224

HSL 175.9, 0.72%, 0.68%

LAB 85.37, -34.99, -6.29

 

CMYK 44 / 50 / 0 / 9

HEX #8273E8

RGB 130 115 232

HSL 247.69, 0.72%, 0.68%

LAB 54.9, 34.46, -57.61

 

CMYK 0 / 51 / 48 / 9

HEX #E87178

RGB 232 113 120

HSL 356.47, 0.72%, 0.68%

LAB 61.93, 46.65, 18.12

 

CMYK 22 / 0 / 50 / 9

HEX #B5E873

RGB 181 232 115

HSL 86.15, 0.72%, 0.68%

LAB 86.39, -35.03, 51.19

 

CMYK 50 / 0 / 3 / 9

HEX #73E8E0

RGB 115 232 224

HSL 175.9, 0.72%, 0.68%

LAB 85.37, -34.99, -6.29

 

CMYK 28 / 50 / 0 / 9

HEX #A673E8

RGB 166 115 232

HSL 266.15, 0.72%, 0.68%

LAB 58.22, 43.25, -52.11

 

Description

Color code: RGBA 232 113 120 0.75 | qconv.com Color code: RGBA 232 113 120 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 113 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 113 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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