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Color name
RGBA 230 99 53 0.25

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 230 99 53 0.25 it is the complementary color RGBA 25 156 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGBA 230 99 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 230 99 53 0.25 shade: RGBA 235 99 48 0.25, RGBA 252 117 67 0.25, RGBA 255 135 86 0.25, RGBA 255 153 105 0.25 and RGBA 255 171 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGBA 230 99 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 230 99 53 0.25 shade: RGBA 230 99 53 0.25, RGBA 213 81 34 0.25, RGBA 196 63 15 0.25, RGBA 179 45 0 0.25 and RGBA 162 27 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 230 99 53 0.25 shade: RGB 230 97 51 and RGB 230 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 230 99 53 0.25 shade: RGB 230 97 51, RGB 230 146 51, RGB 230 194 51, RGB 217 230 51 and RGB 169 230 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 230 99 53 0.25 shade matches the following richer shades: RGB 230 97 51 and RGB 248 88 32

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 230 99 53 0.25 shade: RGB 230 97 51, RGB 211 106 69, RGB 193 115 88, RGB 174 124 106 and RGB 155 133 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 230 99 53 0.25 shade: RGB 230 51 101, RGB 230 51 54, RGB 230 95 51, RGB 230 143 51 and RGB 230 191 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 230 99 53 0.25 shade: RGB 176 62 22, RGB 213 75 26, RGB 230 97 51, RGB 234 126 87 and RGB 239 154 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 230 99 53 0.25 shade: RGB 230 99 53, RGB 149 230 51 and RGB 51 78 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 230 99 53 0.25 shade: RGB 230 99 53, RGB 51 230 95 and RGB 95 51 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 230 99 53 0.25 shade: RGB 230 99 53, RGB 149 230 51, RGB 51 185 230 and RGB 131 51 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 230 99 53 0.25 shade: RGB 230 99 53, RGB 95 230 51, RGB 51 185 230 and RGB 185 51 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 19 / 2

RGBA 230 99 53 0.25

HSLA 15.59, 0.78%, 0.55%, 0.25

LABA 58.04, 48.35, 49.9, 0.25

Complementary color

CMYK 22 / 6 / 0 / 5

RGBA 25 156 202 0.25

HSLA 195.59, 0.78%, 0.45%, 0.25

LABA 60.11, -16.72, -32.85, 0.25

Lighter colors

CMYK 0 / 14 / 20 / 2

RGBA 235 99 48 0.25

HSLA 16.36, 0.82%, 0.55%, 0.25

LABA 58.79, 50, 53.26, 0.25

CMYK 0 / 13 / 18 / 0

RGBA 252 117 67 0.25

HSLA 16.22, 0.97%, 0.63%, 0.25

LABA 64.82, 48.47, 51.16, 0.25

CMYK 0 / 12 / 17 / 0

RGBA 255 135 86 0.25

HSLA 17.4, 1%, 0.67%, 0.25

LABA 68.94, 41.73, 46.32, 0.25

CMYK 0 / 10 / 15 / 0

RGBA 255 153 105 0.25

HSLA 19.2, 1%, 0.71%, 0.25

LABA 72.93, 33.78, 41.27, 0.25

CMYK 0 / 8 / 13 / 0

RGBA 255 171 124 0.25

HSLA 21.53, 1%, 0.74%, 0.25

LABA 77.19, 25.92, 36.68, 0.25

Darker colors

CMYK 0 / 14 / 19 / 2

RGBA 230 99 53 0.25

HSLA 15.59, 0.78%, 0.55%, 0.25

LABA 58.04, 48.35, 49.9, 0.25

CMYK 0 / 15 / 21 / 4

RGBA 213 81 34 0.25

HSLA 15.75, 0.72%, 0.48%, 0.25

LABA 52, 49.84, 51.97, 0.25

CMYK 0 / 17 / 23 / 6

RGBA 196 63 15 0.25

HSLA 15.91, 0.86%, 0.41%, 0.25

LABA 46.08, 51.19, 53.29, 0.25

CMYK 0 / 19 / 25 / 7

RGBA 179 45 0 0.25

HSLA 15.08, 1%, 0.35%, 0.25

LABA 40.35, 52.17, 52.85, 0.25

CMYK 0 / 21 / 25 / 9

RGBA 162 27 0 0.25

HSLA 10, 1%, 0.32%, 0.25

LABA 34.93, 52.4, 48.39, 0.25

Warmer colors

CMYK 0 / 58 / 78 / 10

HSL 15.42, 0.78%, 0.55%

LAB 57.67, 49.21, 50.49

CMYK 0 / 78 / 78 / 10

HSL 0, 0.78%, 0.55%

LAB 51.19, 66.78, 43.89

Colder colors

CMYK 0 / 58 / 78 / 10

HSL 15.42, 0.78%, 0.55%

LAB 57.67, 49.21, 50.49

CMYK 0 / 37 / 78 / 10

HSL 31.84, 0.78%, 0.55%

LAB 67.74, 24.4, 60.26

CMYK 0 / 16 / 78 / 10

HSL 47.93, 0.78%, 0.55%

LAB 79.41, -0.95, 71.06

CMYK 6 / 0 / 78 / 10

HSL 64.36, 0.78%, 0.55%

LAB 87.77, -24.38, 78.16

CMYK 27 / 0 / 78 / 10

HSL 80.45, 0.78%, 0.55%

LAB 84.62, -43.28, 74.14

Richer colors

CMYK 0 / 58 / 78 / 10

HSL 15.42, 0.78%, 0.55%

LAB 57.67, 49.21, 50.49

CMYK 0 / 65 / 87 / 3

HSL 15.56, 0.94%, 0.55%

LAB 59.01, 58.9, 60.97

Paler colors

CMYK 0 / 58 / 78 / 10

HSL 15.42, 0.78%, 0.55%

LAB 57.67, 49.21, 50.49

CMYK 0 / 50 / 67 / 17

HSL 15.63, 0.62%, 0.55%

LAB 56.67, 38.51, 39.38

CMYK 0 / 40 / 54 / 24

HSL 15.43, 0.46%, 0.55%

LAB 56.39, 27.97, 28

CMYK 0 / 29 / 39 / 32

RGB 174 124 106

HSL 15.88, 0.3%, 0.55%

LAB 56.54, 17.08, 17.55

CMYK 0 / 14 / 19 / 39

RGB 155 133 125

HSL 16, 0.13%, 0.55%

LAB 57.29, 7.01, 7.39

Analogue colors

CMYK 0 / 78 / 56 / 10

HSL 343.24, 0.78%, 0.55%

LAB 51.98, 69.28, 15.57

CMYK 0 / 78 / 77 / 10

HSL 358.99, 0.78%, 0.55%

LAB 51.22, 66.88, 42.28

CMYK 0 / 59 / 78 / 10

HSL 14.75, 0.78%, 0.55%

LAB 57.31, 50.13, 50.14

CMYK 0 / 38 / 78 / 10

HSL 30.84, 0.78%, 0.55%

LAB 67.06, 25.99, 59.62

CMYK 0 / 17 / 78 / 10

HSL 46.93, 0.78%, 0.55%

LAB 78.65, 0.6, 70.37

Monochromatic colors

CMYK 0 / 65 / 88 / 31

HSL 15.58, 0.78%, 0.39%

LAB 42.36, 44.71, 46.35

CMYK 0 / 65 / 88 / 16

HSL 15.72, 0.78%, 0.47%

LAB 50.98, 52.26, 54.38

CMYK 0 / 58 / 78 / 10

HSL 15.42, 0.78%, 0.55%

LAB 57.67, 49.21, 50.49

CMYK 0 / 46 / 63 / 8

HSL 15.92, 0.78%, 0.63%

LAB 64.24, 38.29, 39.53

CMYK 0 / 36 / 48 / 6

RGB 239 154 124

HSL 15.65, 0.78%, 0.71%

LAB 71.5, 28.59, 28.92

Partial complementary colors

CMYK 0 / 57 / 77 / 10

HSL 15.59, 0.78%, 0.55%

LAB 58.04, 48.35, 49.9

CMYK 35 / 0 / 78 / 10

HSL 87.15, 0.78%, 0.55%

LAB 83.56, -50.46, 72.77

CMYK 78 / 66 / 0 / 10

HSL 230.95, 0.78%, 0.55%

LAB 41, 43.4, -79.28

Triadic colors

CMYK 0 / 57 / 77 / 10

HSL 15.59, 0.78%, 0.55%

LAB 58.04, 48.35, 49.9

CMYK 78 / 0 / 59 / 10

HSL 134.75, 0.78%, 0.55%

LAB 80.81, -70.43, 52.52

CMYK 59 / 78 / 0 / 10

HSL 254.75, 0.78%, 0.55%

LAB 38.75, 62.33, -82.88

Rectangular (tetradic) colors

CMYK 0 / 57 / 77 / 10

HSL 15.59, 0.78%, 0.55%

LAB 58.04, 48.35, 49.9

CMYK 35 / 0 / 78 / 10

HSL 87.15, 0.78%, 0.55%

LAB 83.56, -50.46, 72.77

CMYK 78 / 20 / 0 / 10

HSL 195.08, 0.78%, 0.55%

LAB 70.26, -20.38, -32.55

CMYK 43 / 78 / 0 / 10

HSL 266.82, 0.78%, 0.55%

LAB 42.62, 66.94, -76.38

Square colors

CMYK 0 / 57 / 77 / 10

HSL 15.59, 0.78%, 0.55%

LAB 58.04, 48.35, 49.9

CMYK 59 / 0 / 78 / 10

HSL 105.25, 0.78%, 0.55%

LAB 81.44, -66.4, 70.02

CMYK 78 / 20 / 0 / 10

HSL 195.08, 0.78%, 0.55%

LAB 70.26, -20.38, -32.55

CMYK 20 / 78 / 0 / 10

HSL 284.92, 0.78%, 0.55%

LAB 49.97, 75.63, -64.09

Description

Color code: RGBA 230 99 53 0.25 | qconv.com

Color code: RGBA 230 99 53 0.25 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 99 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 19 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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