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Color name
RGBA 230 48 53 0.25

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 230 48 53 0.25 it is the complementary color RGBA 25 207 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGBA 230 48 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 230 48 53 0.25 shade: RGBA 235 48 48 0.25, RGBA 252 66 67 0.25, RGBA 255 84 86 0.25, RGBA 255 102 105 0.25 and RGBA 255 120 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGBA 230 48 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 230 48 53 0.25 shade: RGBA 230 48 53 0.25, RGBA 213 30 34 0.25, RGBA 196 12 15 0.25, RGBA 179 0 0 0.25 and RGBA 162 0 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 230 48 53 0.25 shade: RGB 230 51 56 and RGB 230 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 230 48 53 0.25 shade: RGB 230 51 56, RGB 230 51 104, RGB 230 51 152, RGB 230 51 200 and RGB 211 51 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 230 48 53 0.25 shade matches the following richer shades: RGB 230 51 56 and RGB 248 32 38

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 230 48 53 0.25 shade: RGB 230 51 56, RGB 211 69 73, RGB 193 88 91, RGB 174 106 108 and RGB 155 125 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 230 48 53 0.25 shade: RGB 230 51 152, RGB 230 51 104, RGB 230 51 57, RGB 230 93 51 and RGB 230 140 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 230 48 53 0.25 shade: RGB 176 22 26, RGB 213 26 31, RGB 230 51 56, RGB 234 87 92 and RGB 239 124 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 230 48 53 0.25 shade: RGB 230 48 53, RGB 200 230 51 and RGB 51 128 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 230 48 53 0.25 shade: RGB 230 48 53, RGB 57 230 51 and RGB 51 57 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 230 48 53 0.25 shade: RGB 230 48 53, RGB 200 230 51, RGB 51 230 224 and RGB 81 51 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 230 48 53 0.25 shade: RGB 230 48 53, RGB 146 230 51, RGB 51 230 224 and RGB 134 51 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 19 / 2

RGBA 230 48 53 0.25

HSLA 358.35, 0.78%, 0.55%, 0.25

LABA 50.91, 67.67, 42.51, 0.25

Complementary color

CMYK 22 / 0 / 1 / 5

RGBA 25 207 202 0.25

HSLA 178.35, 0.78%, 0.45%, 0.25

LABA 75.51, -41.7, -9.4, 0.25

Lighter colors

CMYK 0 / 20 / 20 / 2

RGBA 235 48 48 0.25

HSLA 0, 0.82%, 0.55%, 0.25

LABA 51.83, 68.91, 46.46, 0.25

CMYK 0 / 18 / 18 / 0

RGBA 252 66 67 0.25

HSLA 359.68, 0.97%, 0.62%, 0.25

LABA 57.07, 69.18, 42.7, 0.25

CMYK 0 / 17 / 17 / 0

RGBA 255 84 86 0.25

HSLA 359.3, 1%, 0.66%, 0.25

LABA 60.13, 64.65, 35.83, 0.25

CMYK 0 / 15 / 15 / 0

RGBA 255 102 105 0.25

HSLA 358.82, 1%, 0.7%, 0.25

LABA 63.16, 58.44, 28.92, 0.25

CMYK 0 / 13 / 13 / 0

RGBA 255 120 124 0.25

HSLA 358.22, 1%, 0.74%, 0.25

LABA 66.63, 51.7, 22.8, 0.25

Darker colors

CMYK 0 / 20 / 19 / 2

RGBA 230 48 53 0.25

HSLA 358.35, 0.78%, 0.55%, 0.25

LABA 50.91, 67.67, 42.51, 0.25

CMYK 0 / 21 / 21 / 4

RGBA 213 30 34 0.25

HSLA 358.69, 0.75%, 0.48%, 0.25

LABA 45.89, 66.67, 46.58, 0.25

CMYK 0 / 23 / 23 / 6

RGBA 196 12 15 0.25

HSLA 359.02, 0.88%, 0.41%, 0.25

LABA 41.27, 64.65, 50.13, 0.25

CMYK 0 / 25 / 25 / 7

RGBA 179 0 0 0.25

HSLA 0, 1%, 0.35%, 0.25

LABA 37.08, 61.42, 51.49, 0.25

CMYK 0 / 25 / 25 / 9

RGBA 162 0 0 0.25

HSLA 0, 1%, 0.32%, 0.25

LABA 33.31, 57.06, 47.46, 0.25

Warmer colors

CMYK 0 / 78 / 76 / 10

HSL 358.32, 0.78%, 0.55%

LAB 51.24, 66.95, 41.2

CMYK 0 / 78 / 78 / 10

HSL 0, 0.78%, 0.55%

LAB 51.19, 66.78, 43.89

Colder colors

CMYK 0 / 78 / 76 / 10

HSL 358.32, 0.78%, 0.55%

LAB 51.24, 66.95, 41.2

CMYK 0 / 78 / 55 / 10

HSL 342.23, 0.78%, 0.55%

LAB 52.05, 69.49, 13.85

CMYK 0 / 78 / 34 / 10

HSL 326.15, 0.78%, 0.55%

LAB 53.45, 73.74, -12.91

CMYK 0 / 78 / 13 / 10

HSL 310.06, 0.78%, 0.55%

LAB 55.44, 79.56, -37.84

CMYK 8 / 78 / 0 / 10

HSL 293.63, 0.78%, 0.55%

LAB 53.95, 80.32, -57.47

Richer colors

CMYK 0 / 78 / 76 / 10

HSL 358.32, 0.78%, 0.55%

LAB 51.24, 66.95, 41.2

CMYK 0 / 87 / 85 / 3

HSL 358.33, 0.94%, 0.55%

LAB 53.09, 75.57, 53.61

Paler colors

CMYK 0 / 78 / 76 / 10

HSL 358.32, 0.78%, 0.55%

LAB 51.24, 66.95, 41.2

CMYK 0 / 67 / 65 / 17

HSL 358.31, 0.62%, 0.55%

LAB 50.2, 55.82, 29.34

CMYK 0 / 54 / 53 / 24

HSL 358.29, 0.46%, 0.55%

LAB 50.77, 42.37, 18.87

CMYK 0 / 39 / 38 / 32

RGB 174 106 108

HSL 358.24, 0.3%, 0.55%

LAB 52.27, 27.42, 10.47

CMYK 0 / 19 / 19 / 39

RGB 155 125 126

HSL 358, 0.13%, 0.55%

LAB 55.22, 11.74, 3.84

Analogue colors

CMYK 0 / 78 / 34 / 10

HSL 326.15, 0.78%, 0.55%

LAB 53.45, 73.74, -12.91

CMYK 0 / 78 / 55 / 10

HSL 342.23, 0.78%, 0.55%

LAB 52.05, 69.49, 13.85

CMYK 0 / 78 / 75 / 10

HSL 357.99, 0.78%, 0.55%

LAB 51.25, 66.98, 40.65

CMYK 0 / 60 / 78 / 10

HSL 14.08, 0.78%, 0.55%

LAB 56.97, 51.04, 49.79

CMYK 0 / 39 / 78 / 10

HSL 29.83, 0.78%, 0.55%

LAB 66.38, 27.58, 58.97

Monochromatic colors

CMYK 0 / 88 / 85 / 31

HSL 358.44, 0.78%, 0.39%

LAB 37.62, 57.99, 40.44

CMYK 0 / 88 / 85 / 16

HSL 358.4, 0.78%, 0.47%

LAB 45.61, 67.35, 47.84

CMYK 0 / 78 / 76 / 10

HSL 358.32, 0.78%, 0.55%

LAB 51.24, 66.95, 41.2

CMYK 0 / 63 / 61 / 8

HSL 357.96, 0.78%, 0.63%

LAB 57.15, 57.08, 27.91

CMYK 0 / 48 / 47 / 6

RGB 239 124 127

HSL 358.43, 0.78%, 0.71%

LAB 65.2, 44.37, 18.78

Partial complementary colors

CMYK 0 / 79 / 77 / 10

HSL 358.35, 0.78%, 0.55%

LAB 50.91, 67.67, 42.51

CMYK 13 / 0 / 78 / 10

HSL 70.06, 0.78%, 0.55%

LAB 86.56, -31.27, 76.62

CMYK 78 / 44 / 0 / 10

HSL 214.19, 0.78%, 0.55%

LAB 53.87, 12.05, -58.37

Triadic colors

CMYK 0 / 79 / 77 / 10

HSL 358.35, 0.78%, 0.55%

LAB 50.91, 67.67, 42.51

CMYK 75 / 0 / 78 / 10

HSL 117.99, 0.78%, 0.55%

LAB 80.57, -73.64, 68.89

CMYK 78 / 75 / 0 / 10

HSL 237.99, 0.78%, 0.55%

LAB 36.64, 55.44, -86.47

Rectangular (tetradic) colors

CMYK 0 / 79 / 77 / 10

HSL 358.35, 0.78%, 0.55%

LAB 50.91, 67.67, 42.51

CMYK 13 / 0 / 78 / 10

HSL 70.06, 0.78%, 0.55%

LAB 86.56, -31.27, 76.62

CMYK 78 / 0 / 3 / 10

HSL 177.99, 0.78%, 0.55%

LAB 83.27, -43.72, -9.57

CMYK 65 / 78 / 0 / 10

HSL 250.06, 0.78%, 0.55%

LAB 37.54, 60.88, -84.93

Square colors

CMYK 0 / 79 / 77 / 10

HSL 358.35, 0.78%, 0.55%

LAB 50.91, 67.67, 42.51

CMYK 37 / 0 / 78 / 10

HSL 88.16, 0.78%, 0.55%

LAB 83.41, -51.49, 72.58

CMYK 78 / 0 / 3 / 10

HSL 177.99, 0.78%, 0.55%

LAB 83.27, -43.72, -9.57

CMYK 42 / 78 / 0 / 10

HSL 267.82, 0.78%, 0.55%

LAB 42.99, 67.37, -75.76

Description

Color code: RGBA 230 48 53 0.25 | qconv.com

Color code: RGBA 230 48 53 0.25 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 48 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 19 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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