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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 228 165 236 0.75 it is the complementary color RGBA 27 90 19 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 228 165 236 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 228 165 236 0.75 shade: RGBA 233 165 231 0.75, RGBA 250 183 250 0.75, RGBA 255 201 255 0.75, RGBA 255 219 255 0.75 and RGBA 255 237 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 228 165 236 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 228 165 236 0.75 shade: RGBA 228 165 236 0.75, RGBA 211 147 217 0.75, RGBA 194 129 198 0.75, RGBA 177 111 179 0.75 and RGBA 160 93 160 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 228 165 236 0.75 shade: RGB 228 167 236, RGB 236 167 225, RGB 236 167 207, RGB 236 167 188 and RGB 236 167 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 228 165 236 0.75 shade: RGB 228 167 236, RGB 210 167 236, RGB 191 167 236, RGB 172 167 236 and RGB 167 167 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 228 165 236 0.75 shade matches the following richer shades: RGB 228 167 236, RGB 235 158 245 and RGB 242 149 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 228 165 236 0.75 shade: RGB 228 167 236, RGB 222 175 228, RGB 215 184 219, RGB 208 193 210 and RGB 202 201 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 228 165 236 0.75 shade: RGB 191 167 236, RGB 210 167 236, RGB 228 167 236, RGB 236 167 226 and RGB 236 167 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 228 165 236 0.75 shade: RGB 208 99 222, RGB 218 133 229, RGB 228 167 236, RGB 239 201 243 and RGB 249 235 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 228 165 236 0.75 shade: RGB 228 165 236, RGB 236 172 167 and RGB 167 236 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 228 165 236 0.75 shade: RGB 228 165 236, RGB 236 228 167 and RGB 167 236 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 228 165 236 0.75 shade: RGB 228 165 236, RGB 236 172 167, RGB 175 236 167 and RGB 167 230 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 228 165 236 0.75 shade: RGB 228 165 236, RGB 236 193 167, RGB 175 236 167 and RGB 167 210 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 23 / 0 / 6

HEX #E4A5ECBF

RGBA 228 165 236 0.75

HSLA 293.24, 0.65%, 0.79%, 0.75

LABA 75.74, 34.9, -26.5, 0.75

 

Complementary color

CMYK 53 / 0 / 59 / 49

HEX #1B5A13BF

RGBA 27 90 19 0.75

HSLA 113.24, 0.65%, 0.21%, 0.75

LABA 33.12, -34.59, 33.19, 0.75

 

CMYK 0 / 22 / 1 / 6

HEX #E9A5E7BF

RGBA 233 165 231 0.75

HSLA 301.76, 0.61%, 0.78%, 0.75

LABA 76.07, 35.56, -23.23, 0.75

 

CMYK 0 / 20 / 0 / 1

HEX #FAB7FABF

RGBA 250 183 250 0.75

HSLA 300, 0.87%, 0.85%, 0.75

LABA 82.43, 34.91, -23.63, 0.75

 

CMYK 0 / 16 / 0 / 0

HEX #FFC9FFBF

RGBA 255 201 255 0.75

HSLA 300, 1%, 0.89%, 0.75

LABA 87.12, 27.95, -19.13, 0.75

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFBF

RGBA 255 219 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.3, 18.51, -12.86, 0.75

 

CMYK 0 / 5 / 0 / 0

HEX #FFEDFFBF

RGBA 255 237 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 95.6, 9.18, -6.47, 0.75

 

CMYK 3 / 23 / 0 / 6

HEX #E4A5ECBF

RGBA 228 165 236 0.75

HSLA 293.24, 0.65%, 0.79%, 0.75

LABA 75.74, 34.9, -26.5, 0.75

 

CMYK 2 / 24 / 0 / 11

HEX #D393D9BF

RGBA 211 147 217 0.75

HSLA 294.86, 0.48%, 0.71%, 0.75

LABA 69.27, 35.59, -26.15, 0.75

 

CMYK 2 / 26 / 0 / 17

HEX #C281C6BF

RGBA 194 129 198 0.75

HSLA 296.52, 0.38%, 0.64%, 0.75

LABA 62.72, 36.31, -25.79, 0.75

 

CMYK 1 / 28 / 0 / 22

HEX #B16FB3BF

RGBA 177 111 179 0.75

HSLA 298.24, 0.31%, 0.57%, 0.75

LABA 56.06, 37.07, -25.39, 0.75

 

CMYK 0 / 31 / 0 / 28

HEX #A05DA0BF

RGBA 160 93 160 0.75

HSLA 300, 0.26%, 0.5%, 0.75

LABA 49.3, 37.84, -24.93, 0.75

 

CMYK 3 / 29 / 0 / 7

HEX #E4A7EC

RGB 228 167 236

HSL 293.04, 0.64%, 0.79%

LAB 76.18, 33.83, -25.81

 

CMYK 0 / 29 / 5 / 7

HEX #ECA7E1

RGB 236 167 225

HSL 309.57, 0.64%, 0.79%

LAB 76.62, 34.4, -19.1

 

CMYK 0 / 29 / 12 / 7

HEX #ECA7CF

RGB 236 167 207

HSL 325.22, 0.64%, 0.79%

LAB 76.05, 31.35, -10.15

 

CMYK 0 / 29 / 20 / 7

HEX #ECA7BC

RGB 236 167 188

HSL 341.74, 0.64%, 0.79%

LAB 75.51, 28.39, -0.55

 

CMYK 0 / 29 / 28 / 7

HEX #ECA7A9

RGB 236 167 169

HSL 358.26, 0.64%, 0.79%

LAB 75.04, 25.7, 9.17

 

CMYK 3 / 29 / 0 / 7

HEX #E4A7EC

RGB 228 167 236

HSL 293.04, 0.64%, 0.79%

LAB 76.18, 33.83, -25.81

 

CMYK 11 / 29 / 0 / 7

HEX #D2A7EC

RGB 210 167 236

HSL 277.39, 0.64%, 0.79%

LAB 74.44, 28.17, -28.64

 

CMYK 19 / 29 / 0 / 7

HEX #BFA7EC

RGB 191 167 236

HSL 260.87, 0.64%, 0.79%

LAB 72.74, 22.32, -31.4

 

CMYK 27 / 29 / 0 / 7

HEX #ACA7EC

RGB 172 167 236

HSL 244.35, 0.64%, 0.79%

LAB 71.19, 16.67, -33.92

 

CMYK 29 / 29 / 0 / 7

HEX #A7A7EC

RGB 167 167 236

HSL 240, 0.64%, 0.79%

LAB 70.81, 15.22, -34.54

 

CMYK 3 / 29 / 0 / 7

HEX #E4A7EC

RGB 228 167 236

HSL 293.04, 0.64%, 0.79%

LAB 76.18, 33.83, -25.81

 

CMYK 4 / 36 / 0 / 4

HEX #EB9EF5

RGB 235 158 245

HSL 293.1, 0.81%, 0.79%

LAB 75.27, 42.48, -32.04

 

CMYK 5 / 41 / 0 / 0

HEX #F295FE

RGB 242 149 254

HSL 293.14, 0.98%, 0.79%

LAB 74.53, 50.89, -38

 

CMYK 3 / 29 / 0 / 7

HEX #E4A7EC

RGB 228 167 236

HSL 293.04, 0.64%, 0.79%

LAB 76.18, 33.83, -25.81

 

CMYK 3 / 23 / 0 / 11

HEX #DEAFE4

RGB 222 175 228

HSL 293.21, 0.5%, 0.79%

LAB 77.16, 26.09, -20.05

 

CMYK 2 / 16 / 0 / 14

HEX #D7B8DB

RGB 215 184 219

HSL 293.14, 0.33%, 0.79%

LAB 78.37, 17.21, -13.42

 

CMYK 1 / 8 / 0 / 18

HEX #D0C1D2

RGB 208 193 210

HSL 292.94, 0.16%, 0.79%

LAB 79.73, 8.32, -6.6

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9CA

RGB 202 201 202

HSL 300, 0.01%, 0.79%

LAB 81.07, 0.53, -0.39

 

CMYK 19 / 29 / 0 / 7

HEX #BFA7EC

RGB 191 167 236

HSL 260.87, 0.64%, 0.79%

LAB 72.74, 22.32, -31.4

 

CMYK 11 / 29 / 0 / 7

HEX #D2A7EC

RGB 210 167 236

HSL 277.39, 0.64%, 0.79%

LAB 74.44, 28.17, -28.64

 

CMYK 3 / 29 / 0 / 7

HEX #E4A7EC

RGB 228 167 236

HSL 293.04, 0.64%, 0.79%

LAB 76.18, 33.83, -25.81

 

CMYK 0 / 29 / 4 / 7

HEX #ECA7E2

RGB 236 167 226

HSL 308.7, 0.64%, 0.79%

LAB 76.66, 34.58, -19.59

 

CMYK 0 / 29 / 12 / 7

HEX #ECA7CF

RGB 236 167 207

HSL 325.22, 0.64%, 0.79%

LAB 76.05, 31.35, -10.15

 

CMYK 6 / 55 / 0 / 13

HEX #D063DE

RGB 208 99 222

HSL 293.17, 0.65%, 0.63%

LAB 59.53, 60.22, -44.12

 

CMYK 5 / 42 / 0 / 10

HEX #DA85E5

RGB 218 133 229

HSL 293.13, 0.65%, 0.71%

LAB 67.53, 47.43, -35.41

 

CMYK 3 / 29 / 0 / 7

HEX #E4A7EC

RGB 228 167 236

HSL 293.04, 0.64%, 0.79%

LAB 76.18, 33.83, -25.81

 

CMYK 2 / 17 / 0 / 5

HEX #EFC9F3

RGB 239 201 243

HSL 294.29, 0.64%, 0.87%

LAB 85.3, 20.55, -15.66

 

CMYK 1 / 6 / 0 / 2

HEX #F9EBFB

RGB 249 235 251

HSL 292.5, 0.67%, 0.95%

LAB 94.53, 7.51, -6.02

 

CMYK 3 / 30 / 0 / 7

HEX #E4A5EC

RGB 228 165 236

HSL 293.24, 0.65%, 0.79%

LAB 75.74, 34.9, -26.5

 

CMYK 0 / 27 / 29 / 7

HEX #ECACA7

RGB 236 172 167

HSL 4.35, 0.64%, 0.79%

LAB 76.15, 22.77, 11.84

 

CMYK 29 / 0 / 15 / 7

HEX #A7ECC8

RGB 167 236 200

HSL 148.7, 0.64%, 0.79%

LAB 88.15, -28.86, 10.61

 

CMYK 3 / 30 / 0 / 7

HEX #E4A5EC

RGB 228 165 236

HSL 293.24, 0.65%, 0.79%

LAB 75.74, 34.9, -26.5

 

CMYK 0 / 3 / 29 / 7

HEX #ECE4A7

RGB 236 228 167

HSL 53.04, 0.64%, 0.79%

LAB 89.91, -6.46, 30.82

 

CMYK 29 / 0 / 3 / 7

HEX #A7ECE4

RGB 167 236 228

HSL 173.04, 0.64%, 0.79%

LAB 88.83, -23.1, -3.04

 

CMYK 3 / 30 / 0 / 7

HEX #E4A5EC

RGB 228 165 236

HSL 293.24, 0.65%, 0.79%

LAB 75.74, 34.9, -26.5

 

CMYK 0 / 27 / 29 / 7

HEX #ECACA7

RGB 236 172 167

HSL 4.35, 0.64%, 0.79%

LAB 76.15, 22.77, 11.84

 

CMYK 26 / 0 / 29 / 7

HEX #AFECA7

RGB 175 236 167

HSL 113.04, 0.64%, 0.79%

LAB 87.92, -32.15, 27.42

 

CMYK 29 / 3 / 0 / 7

HEX #A7E6EC

RGB 167 230 236

HSL 185.22, 0.64%, 0.79%

LAB 87.42, -18.35, -9.32

 

CMYK 3 / 30 / 0 / 7

HEX #E4A5EC

RGB 228 165 236

HSL 293.24, 0.65%, 0.79%

LAB 75.74, 34.9, -26.5

 

CMYK 0 / 18 / 29 / 7

HEX #ECC1A7

RGB 236 193 167

HSL 22.61, 0.64%, 0.79%

LAB 81.16, 11.63, 18.87

 

CMYK 26 / 0 / 29 / 7

HEX #AFECA7

RGB 175 236 167

HSL 113.04, 0.64%, 0.79%

LAB 87.92, -32.15, 27.42

 

CMYK 29 / 11 / 0 / 7

HEX #A7D2EC

RGB 167 210 236

HSL 202.61, 0.64%, 0.79%

LAB 82.04, -8.14, -17.38

 

Description

Color code: RGBA 228 165 236 0.75 | qconv.com Color code: RGBA 228 165 236 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 165 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 165 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 23 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 23% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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