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Color name
RGBA 224 103 85 0.5

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 224 103 85 0.5 it is the complementary color RGBA 31 152 170 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGBA 224 103 85 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 224 103 85 0.5 shade: RGBA 229 103 80 0.5, RGBA 246 121 99 0.5, RGBA 255 139 118 0.5, RGBA 255 157 137 0.5 and RGBA 255 175 156 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGBA 224 103 85 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 224 103 85 0.5 shade: RGBA 224 103 85 0.5, RGBA 207 85 66 0.5, RGBA 190 67 47 0.5, RGBA 173 49 28 0.5 and RGBA 156 31 9 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 224 103 85 0.5 shade: RGB 224 105 87 and RGB 224 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 224 103 85 0.5 shade: RGB 224 105 87, RGB 224 142 87, RGB 224 179 87, RGB 224 216 87 and RGB 196 224 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 224 103 85 0.5 shade matches the following richer shades: RGB 224 105 87 and RGB 240 93 71

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 224 103 85 0.5 shade: RGB 224 105 87, RGB 208 117 103, RGB 192 129 119, RGB 176 140 135 and RGB 160 152 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 224 103 85 0.5 shade: RGB 224 87 144, RGB 224 87 108, RGB 224 103 87, RGB 224 140 87 and RGB 224 176 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 224 103 85 0.5 shade: RGB 193 56 35, RGB 218 74 52, RGB 224 105 87, RGB 231 136 122 and RGB 237 167 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 224 103 85 0.5 shade: RGB 224 103 85, RGB 181 224 87 and RGB 87 126 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 224 103 85 0.5 shade: RGB 224 103 85, RGB 87 224 103 and RGB 103 87 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 224 103 85 0.5 shade: RGB 224 103 85, RGB 181 224 87, RGB 87 208 224 and RGB 130 87 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 224 103 85 0.5 shade: RGB 224 103 85, RGB 140 224 87, RGB 87 208 224 and RGB 172 87 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 31 / 6

RGBA 224 103 85 0.5

HSLA 7.77, 0.69%, 0.61%, 0.5

LABA 58.23, 45.88, 32.93, 0.5

Complementary color

CMYK 41 / 5 / 0 / 17

RGBA 31 152 170 0.5

HSLA 187.77, 0.69%, 0.39%, 0.5

LABA 57.7, -25.08, -18.49, 0.5

Lighter colors

CMYK 0 / 28 / 33 / 5

RGBA 229 103 80 0.5

HSLA 9.26, 0.74%, 0.61%, 0.5

LABA 58.92, 47.39, 36.72, 0.5

CMYK 0 / 25 / 30 / 2

RGBA 246 121 99 0.5

HSLA 8.98, 0.89%, 0.68%, 0.5

LABA 65.1, 46.1, 34.46, 0.5

CMYK 0 / 23 / 27 / 0

RGBA 255 139 118 0.5

HSLA 9.2, 1%, 0.73%, 0.5

LABA 70.2, 41.91, 30.86, 0.5

CMYK 0 / 19 / 23 / 0

RGBA 255 157 137 0.5

HSLA 10.17, 1%, 0.77%, 0.5

LABA 74.3, 34.4, 25.95, 0.5

CMYK 0 / 16 / 19 / 0

RGBA 255 175 156 0.5

HSLA 11.52, 1%, 0.81%, 0.5

LABA 78.65, 26.99, 21.59, 0.5

Darker colors

CMYK 0 / 27 / 31 / 6

RGBA 224 103 85 0.5

HSLA 7.77, 0.69%, 0.61%, 0.5

LABA 58.23, 45.88, 32.93, 0.5

CMYK 0 / 29 / 34 / 9

RGBA 207 85 66 0.5

HSLA 8.09, 0.59%, 0.54%, 0.5

LABA 52.01, 47.14, 35.41, 0.5

CMYK 0 / 32 / 38 / 13

RGBA 190 67 47 0.5

HSLA 8.39, 0.6%, 0.46%, 0.5

LABA 45.86, 48.31, 38.21, 0.5

CMYK 0 / 36 / 42 / 16

RGBA 173 49 28 0.5

HSLA 8.69, 0.72%, 0.39%, 0.5

LABA 39.86, 49.22, 41.21, 0.5

CMYK 0 / 40 / 47 / 19

RGBA 156 31 9 0.5

HSLA 8.98, 0.89%, 0.32%, 0.5

LABA 34.12, 49.57, 43.65, 0.5

Warmer colors

CMYK 0 / 53 / 61 / 12

HSL 7.88, 0.69%, 0.61%

LAB 58.64, 45.04, 32.32

CMYK 0 / 61 / 61 / 12

HSL 0, 0.69%, 0.61%

LAB 55.43, 53.42, 28.26

Colder colors

CMYK 0 / 53 / 61 / 12

HSL 7.88, 0.69%, 0.61%

LAB 58.64, 45.04, 32.32

CMYK 0 / 37 / 61 / 12

HSL 24.09, 0.69%, 0.61%

LAB 66.43, 25.94, 41.85

CMYK 0 / 20 / 61 / 12

HSL 40.29, 0.69%, 0.61%

LAB 75.31, 6.19, 52.18

CMYK 0 / 4 / 61 / 12

HSL 56.5, 0.69%, 0.61%

LAB 84.82, -12.86, 62.68

CMYK 13 / 0 / 61 / 12

HSL 72.26, 0.69%, 0.61%

LAB 84.86, -28.07, 62.12

Richer colors

CMYK 0 / 53 / 61 / 12

HSL 7.88, 0.69%, 0.61%

LAB 58.64, 45.04, 32.32

CMYK 0 / 61 / 70 / 6

HSL 7.81, 0.85%, 0.61%

LAB 58.8, 55.35, 41.92

Paler colors

CMYK 0 / 53 / 61 / 12

HSL 7.88, 0.69%, 0.61%

LAB 58.64, 45.04, 32.32

CMYK 0 / 44 / 50 / 18

RGB 208 117 103

HSL 8, 0.53%, 0.61%

LAB 59.08, 34.16, 23.4

CMYK 0 / 33 / 38 / 25

RGB 192 129 119

HSL 8.22, 0.37%, 0.61%

LAB 60.1, 23.1, 15.35

CMYK 0 / 20 / 23 / 31

RGB 176 140 135

HSL 7.32, 0.21%, 0.61%

LAB 61.43, 12.85, 7.85

CMYK 0 / 5 / 6 / 37

RGB 160 152 151

HSL 6.67, 0.05%, 0.61%

LAB 63.48, 2.74, 1.56

Analogue colors

CMYK 0 / 61 / 36 / 12

HSL 335.04, 0.69%, 0.61%

LAB 56.76, 58.51, -3.36

CMYK 0 / 61 / 52 / 12

HSL 350.8, 0.69%, 0.61%

LAB 55.83, 54.98, 16.52

CMYK 0 / 54 / 61 / 12

HSL 7.01, 0.69%, 0.61%

LAB 58.26, 46.02, 31.84

CMYK 0 / 38 / 61 / 12

HSL 23.21, 0.69%, 0.61%

LAB 65.98, 27.01, 41.3

CMYK 0 / 21 / 61 / 12

HSL 38.98, 0.69%, 0.61%

LAB 74.56, 7.78, 51.33

Monochromatic colors

CMYK 0 / 71 / 82 / 24

HSL 7.97, 0.69%, 0.45%

LAB 44.64, 53.36, 43.5

CMYK 0 / 66 / 76 / 15

HSL 7.95, 0.69%, 0.53%

LAB 51.89, 55.12, 43.43

CMYK 0 / 53 / 61 / 12

HSL 7.88, 0.69%, 0.61%

LAB 58.64, 45.04, 32.32

CMYK 0 / 41 / 47 / 9

RGB 231 136 122

HSL 7.71, 0.69%, 0.69%

LAB 66.52, 34.78, 23.21

CMYK 0 / 30 / 34 / 7

RGB 237 167 157

HSL 7.5, 0.69%, 0.77%

LAB 74.87, 24.53, 15.51

Partial complementary colors

CMYK 0 / 54 / 62 / 12

HSL 7.77, 0.69%, 0.61%

LAB 58.23, 45.88, 32.93

CMYK 19 / 0 / 61 / 12

HSL 78.83, 0.69%, 0.61%

LAB 83.87, -33.89, 60.76

CMYK 61 / 44 / 0 / 12

HSL 222.92, 0.69%, 0.61%

LAB 54.38, 16.36, -54.12

Triadic colors

CMYK 0 / 54 / 62 / 12

HSL 7.77, 0.69%, 0.61%

LAB 58.23, 45.88, 32.93

CMYK 61 / 0 / 54 / 12

HSL 127.01, 0.69%, 0.61%

LAB 79.79, -61.36, 47.87

CMYK 54 / 61 / 0 / 12

HSL 247.01, 0.69%, 0.61%

LAB 45.75, 42.96, -67.98

Rectangular (tetradic) colors

CMYK 0 / 54 / 62 / 12

HSL 7.77, 0.69%, 0.61%

LAB 58.23, 45.88, 32.93

CMYK 19 / 0 / 61 / 12

HSL 78.83, 0.69%, 0.61%

LAB 83.87, -33.89, 60.76

CMYK 61 / 7 / 0 / 12

HSL 187.01, 0.69%, 0.61%

LAB 77.59, -28.9, -18.01

CMYK 42 / 61 / 0 / 12

HSL 258.83, 0.69%, 0.61%

LAB 48.19, 48.18, -63.91

Square colors

CMYK 0 / 54 / 62 / 12

HSL 7.77, 0.69%, 0.61%

LAB 58.23, 45.88, 32.93

CMYK 38 / 0 / 61 / 12

HSL 96.79, 0.69%, 0.61%

LAB 81.61, -48.57, 57.61

CMYK 61 / 7 / 0 / 12

HSL 187.01, 0.69%, 0.61%

LAB 77.59, -28.9, -18.01

CMYK 23 / 61 / 0 / 12

HSL 277.23, 0.69%, 0.61%

LAB 52.92, 57.45, -56.05

Description

Color code: RGBA 224 103 85 0.5 | qconv.com

Color code: RGBA 224 103 85 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 103 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 31 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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