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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 223 237 131 0.75 it is the complementary color RGBA 32 18 124 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 223 237 131 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 223 237 131 0.75 shade: RGBA 228 237 126 0.75, RGBA 245 255 145 0.75, RGBA 255 255 164 0.75, RGBA 255 255 183 0.75 and RGBA 255 255 202 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 223 237 131 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 223 237 131 0.75 shade: RGBA 223 237 131 0.75, RGBA 206 219 112 0.75, RGBA 189 201 93 0.75, RGBA 172 183 74 0.75 and RGBA 155 165 55 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 223 237 131 0.75 shade: RGB 223 237 130, RGB 237 222 130, RGB 237 194 130, RGB 237 165 130 and RGB 237 136 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 223 237 131 0.75 shade: RGB 223 237 130, RGB 194 237 130, RGB 165 237 130, RGB 136 237 130 and RGB 130 237 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 223 237 131 0.75 shade matches the following richer shades: RGB 223 237 130 and RGB 232 249 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 223 237 131 0.75 shade: RGB 223 237 130, RGB 215 226 142, RGB 206 214 153, RGB 198 202 165 and RGB 189 191 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 223 237 131 0.75 shade: RGB 237 193 130, RGB 237 221 130, RGB 225 237 130, RGB 196 237 130 and RGB 168 237 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 223 237 131 0.75 shade: RGB 205 227 58, RGB 214 232 94, RGB 223 237 130, RGB 232 242 166 and RGB 241 247 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 223 237 131 0.75 shade: RGB 223 237 131, RGB 130 237 164 and RGB 207 130 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 223 237 131 0.75 shade: RGB 223 237 131, RGB 130 225 237 and RGB 237 130 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 223 237 131 0.75 shade: RGB 223 237 131, RGB 130 237 164, RGB 143 130 237 and RGB 237 130 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 223 237 131 0.75 shade: RGB 223 237 131, RGB 130 237 196, RGB 143 130 237 and RGB 237 130 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 34 / 5

HEX #DFED83BF

RGBA 223 237 131 0.75

HSLA 67.92, 0.75%, 0.72%, 0.75

LABA 90.73, -19.96, 49.55, 0.75

 

Complementary color

CMYK 56 / 64 / 0 / 39

HEX #20127CBF

RGBA 32 18 124 0.75

HSLA 247.92, 0.75%, 0.28%, 0.75

LABA 16.48, 40.22, -56.27, 0.75

 

CMYK 3 / 0 / 35 / 5

HEX #E4ED7EBF

RGBA 228 237 126 0.75

HSLA 64.86, 0.76%, 0.71%, 0.75

LABA 91.04, -18.51, 52.38, 0.75

 

CMYK 3 / 0 / 32 / 0

HEX #F5FF91BF

RGBA 245 255 145 0.75

HSLA 65.45, 1%, 0.78%, 0.75

LABA 97.22, -18.84, 51.26, 0.75

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFA4BF

RGBA 255 255 164 0.75

HSLA 60, 1%, 0.82%, 0.75

LABA 98.22, -13.06, 43.52, 0.75

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFB7BF

RGBA 255 255 183 0.75

HSLA 60, 1%, 0.86%, 0.75

LABA 98.51, -10.83, 34.51, 0.75

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFCABF

RGBA 255 255 202 0.75

HSLA 60, 1%, 0.9%, 0.75

LABA 98.85, -8.33, 25.41, 0.75

 

CMYK 4 / 0 / 34 / 5

HEX #DFED83BF

RGBA 223 237 131 0.75

HSLA 67.92, 0.75%, 0.72%, 0.75

LABA 90.73, -19.96, 49.55, 0.75

 

CMYK 4 / 0 / 37 / 11

HEX #CEDB70BF

RGBA 206 219 112 0.75

HSLA 67.29, 0.6%, 0.65%, 0.75

LABA 84.46, -19.65, 50.68, 0.75

 

CMYK 4 / 0 / 40 / 16

HEX #BDC95DBF

RGBA 189 201 93 0.75

HSLA 66.67, 0.5%, 0.58%, 0.75

LABA 78.1, -19.26, 51.77, 0.75

 

CMYK 5 / 0 / 45 / 21

HEX #ACB74ABF

RGBA 172 183 74 0.75

HSLA 66.06, 0.43%, 0.5%, 0.75

LABA 71.64, -18.77, 52.76, 0.75

 

CMYK 5 / 0 / 50 / 26

HEX #9BA537BF

RGBA 155 165 55 0.75

HSLA 65.45, 0.5%, 0.43%, 0.75

LABA 65.09, -18.16, 53.5, 0.75

 

CMYK 6 / 0 / 45 / 7

HEX #DFED82

RGB 223 237 130

HSL 67.85, 0.75%, 0.72%

LAB 90.72, -20.06, 50.01

 

CMYK 0 / 6 / 45 / 7

HEX #EDDE82

RGB 237 222 130

HSL 51.59, 0.75%, 0.72%

LAB 87.9, -7.16, 46.78

 

CMYK 0 / 18 / 45 / 7

HEX #EDC282

RGB 237 194 130

HSL 35.89, 0.75%, 0.72%

LAB 80.85, 7.24, 37.89

 

CMYK 0 / 30 / 45 / 7

HEX #EDA582

RGB 237 165 130

HSL 19.63, 0.75%, 0.72%

LAB 73.89, 22.57, 28.8

 

CMYK 0 / 43 / 45 / 7

HEX #ED8882

RGB 237 136 130

HSL 3.36, 0.75%, 0.72%

LAB 67.45, 37.83, 20.13

 

CMYK 6 / 0 / 45 / 7

HEX #DFED82

RGB 223 237 130

HSL 67.85, 0.75%, 0.72%

LAB 90.72, -20.06, 50.01

 

CMYK 18 / 0 / 45 / 7

HEX #C2ED82

RGB 194 237 130

HSL 84.11, 0.75%, 0.72%

LAB 88.76, -30.97, 47.15

 

CMYK 30 / 0 / 45 / 7

HEX #A5ED82

RGB 165 237 130

HSL 100.37, 0.75%, 0.72%

LAB 87.08, -41.16, 44.71

 

CMYK 43 / 0 / 45 / 7

HEX #88ED82

RGB 136 237 130

HSL 116.64, 0.75%, 0.72%

LAB 85.71, -50.26, 42.69

 

CMYK 45 / 0 / 35 / 7

HEX #82ED99

RGB 130 237 153

HSL 132.9, 0.75%, 0.72%

LAB 85.81, -48.46, 31.35

 

CMYK 6 / 0 / 45 / 7

HEX #DFED82

RGB 223 237 130

HSL 67.85, 0.75%, 0.72%

LAB 90.72, -20.06, 50.01

 

CMYK 7 / 0 / 53 / 2

HEX #E8F976

RGB 232 249 118

HSL 67.79, 0.92%, 0.72%

LAB 94.4, -23.44, 60.11

 

CMYK 6 / 0 / 45 / 7

HEX #DFED82

RGB 223 237 130

HSL 67.85, 0.75%, 0.72%

LAB 90.72, -20.06, 50.01

 

CMYK 5 / 0 / 37 / 11

HEX #D7E28E

RGB 215 226 142

HSL 67.86, 0.59%, 0.72%

LAB 87.38, -16.46, 39.84

 

CMYK 4 / 0 / 29 / 16

HEX #CED699

RGB 206 214 153

HSL 67.87, 0.43%, 0.72%

LAB 83.71, -12.51, 29.3

 

CMYK 2 / 0 / 18 / 21

HEX #C6CAA5

RGB 198 202 165

HSL 66.49, 0.26%, 0.72%

LAB 80.16, -7.65, 18.05

 

CMYK 1 / 0 / 8 / 25

HEX #BDBFB0

RGB 189 191 176

HSL 68, 0.1%, 0.72%

LAB 76.81, -3.38, 7.32

 

CMYK 0 / 19 / 45 / 7

HEX #EDC182

RGB 237 193 130

HSL 35.33, 0.75%, 0.72%

LAB 80.6, 7.77, 37.57

 

CMYK 0 / 7 / 45 / 7

HEX #EDDD82

RGB 237 221 130

HSL 51.03, 0.75%, 0.72%

LAB 87.64, -6.66, 46.46

 

CMYK 5 / 0 / 45 / 7

HEX #E1ED82

RGB 225 237 130

HSL 66.73, 0.75%, 0.72%

LAB 90.87, -19.29, 50.23

 

CMYK 17 / 0 / 45 / 7

HEX #C4ED82

RGB 196 237 130

HSL 82.99, 0.75%, 0.72%

LAB 88.88, -30.24, 47.34

 

CMYK 29 / 0 / 45 / 7

HEX #A8ED82

RGB 168 237 130

HSL 98.69, 0.75%, 0.72%

LAB 87.24, -40.15, 44.94

 

CMYK 10 / 0 / 74 / 11

HEX #CDE33A

RGB 205 227 58

HSL 67.81, 0.75%, 0.56%

LAB 86.12, -27.56, 74.27

 

CMYK 8 / 0 / 59 / 9

HEX #D6E85E

RGB 214 232 94

HSL 67.83, 0.75%, 0.64%

LAB 88.36, -24.25, 63.37

 

CMYK 6 / 0 / 45 / 7

HEX #DFED82

RGB 223 237 130

HSL 67.85, 0.75%, 0.72%

LAB 90.72, -20.06, 50.01

 

CMYK 4 / 0 / 31 / 5

HEX #E8F2A6

RGB 232 242 166

HSL 67.89, 0.75%, 0.8%

LAB 93.2, -15.06, 35.65

 

CMYK 2 / 0 / 18 / 3

HEX #F1F7CA

RGB 241 247 202

HSL 68, 0.74%, 0.88%

LAB 95.78, -9.35, 21.01

 

CMYK 6 / 0 / 45 / 7

HEX #DFED83

RGB 223 237 131

HSL 67.92, 0.75%, 0.72%

LAB 90.73, -19.96, 49.55

 

CMYK 45 / 0 / 31 / 7

HEX #82EDA4

RGB 130 237 164

HSL 139.07, 0.75%, 0.72%

LAB 86, -46.57, 26

 

CMYK 13 / 45 / 0 / 7

HEX #CF82ED

RGB 207 130 237

HSL 283.18, 0.75%, 0.72%

LAB 66.02, 47.4, -42.28

 

CMYK 6 / 0 / 45 / 7

HEX #DFED83

RGB 223 237 131

HSL 67.92, 0.75%, 0.72%

LAB 90.73, -19.96, 49.55

 

CMYK 45 / 5 / 0 / 7

HEX #82E1ED

RGB 130 225 237

HSL 186.73, 0.75%, 0.72%

LAB 84.33, -25.07, -14.64

 

CMYK 0 / 45 / 5 / 7

HEX #ED82E1

RGB 237 130 225

HSL 306.73, 0.75%, 0.72%

LAB 69.04, 53.84, -30.68

 

CMYK 6 / 0 / 45 / 7

HEX #DFED83

RGB 223 237 131

HSL 67.92, 0.75%, 0.72%

LAB 90.73, -19.96, 49.55

 

CMYK 45 / 0 / 31 / 7

HEX #82EDA4

RGB 130 237 164

HSL 139.07, 0.75%, 0.72%

LAB 86, -46.57, 26

 

CMYK 40 / 45 / 0 / 7

HEX #8F82ED

RGB 143 130 237

HSL 247.29, 0.75%, 0.72%

LAB 59.82, 30.21, -52.48

 

CMYK 0 / 45 / 14 / 7

HEX #ED82CB

RGB 237 130 203

HSL 319.07, 0.75%, 0.72%

LAB 68.23, 50.26, -19.71

 

CMYK 6 / 0 / 45 / 7

HEX #DFED83

RGB 223 237 131

HSL 67.92, 0.75%, 0.72%

LAB 90.73, -19.96, 49.55

 

CMYK 45 / 0 / 17 / 7

HEX #82EDC4

RGB 130 237 196

HSL 157.01, 0.75%, 0.72%

LAB 86.65, -40.31, 10.33

 

CMYK 40 / 45 / 0 / 7

HEX #8F82ED

RGB 143 130 237

HSL 247.29, 0.75%, 0.72%

LAB 59.82, 30.21, -52.48

 

CMYK 0 / 45 / 28 / 7

HEX #ED82AB

RGB 237 130 171

HSL 337.01, 0.75%, 0.72%

LAB 67.21, 45.66, -3.27

 

Description

Color code: RGBA 223 237 131 0.75 | qconv.com Color code: RGBA 223 237 131 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 237 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 237 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 34% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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