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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 223 165 236 0.75 it is the complementary color RGBA 32 90 19 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 223 165 236 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 223 165 236 0.75 shade: RGBA 228 165 231 0.75, RGBA 245 183 250 0.75, RGBA 255 201 255 0.75, RGBA 255 219 255 0.75 and RGBA 255 237 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 223 165 236 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 223 165 236 0.75 shade: RGBA 223 165 236 0.75, RGBA 206 147 217 0.75, RGBA 189 129 198 0.75, RGBA 172 111 179 0.75 and RGBA 155 93 160 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 223 165 236 0.75 shade: RGB 224 167 236, RGB 236 167 230, RGB 236 167 211, RGB 236 167 193 and RGB 236 167 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 223 165 236 0.75 shade: RGB 224 167 236, RGB 205 167 236, RGB 186 167 236 and RGB 167 167 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 223 165 236 0.75 shade matches the following richer shades: RGB 224 167 236, RGB 229 158 245 and RGB 234 149 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 223 165 236 0.75 shade: RGB 224 167 236, RGB 218 175 228, RGB 213 184 219, RGB 207 193 210 and RGB 202 201 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 223 165 236 0.75 shade: RGB 186 167 236, RGB 205 167 236, RGB 223 167 236, RGB 236 167 230 and RGB 236 167 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 223 165 236 0.75 shade: RGB 199 99 222, RGB 211 133 229, RGB 224 167 236, RGB 236 201 243 and RGB 248 235 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 223 165 236 0.75 shade: RGB 223 165 236, RGB 236 168 167 and RGB 167 236 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 223 165 236 0.75 shade: RGB 223 165 236, RGB 236 223 167 and RGB 167 236 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 223 165 236 0.75 shade: RGB 223 165 236, RGB 236 168 167, RGB 179 236 167 and RGB 167 235 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 223 165 236 0.75 shade: RGB 223 165 236, RGB 236 189 167, RGB 179 236 167 and RGB 167 214 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 23 / 0 / 6

HEX #DFA5ECBF

RGBA 223 165 236 0.75

HSLA 289.01, 0.65%, 0.79%, 0.75

LABA 75.24, 33.33, -27.31, 0.75

 

Complementary color

CMYK 48 / 0 / 59 / 49

HEX #205A13BF

RGBA 32 90 19 0.75

HSLA 109.01, 0.65%, 0.21%, 0.75

LABA 33.28, -33.29, 33.4, 0.75

 

CMYK 1 / 21 / 0 / 7

HEX #E4A5E7BF

RGBA 228 165 231 0.75

HSLA 297.27, 0.58%, 0.78%, 0.75

LABA 75.56, 33.97, -24.05, 0.75

 

CMYK 2 / 20 / 0 / 1

HEX #F5B7FABF

RGBA 245 183 250 0.75

HSLA 295.52, 0.87%, 0.85%, 0.75

LABA 81.94, 33.32, -24.42, 0.75

 

CMYK 0 / 16 / 0 / 0

HEX #FFC9FFBF

RGBA 255 201 255 0.75

HSLA 300, 1%, 0.89%, 0.75

LABA 87.12, 27.95, -19.13, 0.75

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFBF

RGBA 255 219 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.3, 18.51, -12.86, 0.75

 

CMYK 0 / 5 / 0 / 0

HEX #FFEDFFBF

RGBA 255 237 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 95.6, 9.18, -6.47, 0.75

 

CMYK 4 / 23 / 0 / 6

HEX #DFA5ECBF

RGBA 223 165 236 0.75

HSLA 289.01, 0.65%, 0.79%, 0.75

LABA 75.24, 33.33, -27.31, 0.75

 

CMYK 4 / 24 / 0 / 11

HEX #CE93D9BF

RGBA 206 147 217 0.75

HSLA 290.57, 0.48%, 0.71%, 0.75

LABA 68.75, 34, -27, 0.75

 

CMYK 3 / 26 / 0 / 17

HEX #BD81C6BF

RGBA 189 129 198 0.75

HSLA 292.17, 0.38%, 0.64%, 0.75

LABA 62.17, 34.72, -26.68, 0.75

 

CMYK 3 / 28 / 0 / 22

HEX #AC6FB3BF

RGBA 172 111 179 0.75

HSLA 293.82, 0.31%, 0.57%, 0.75

LABA 55.48, 35.47, -26.33, 0.75

 

CMYK 2 / 31 / 0 / 28

HEX #9B5DA0BF

RGBA 155 93 160 0.75

HSLA 295.52, 0.26%, 0.5%, 0.75

LABA 48.68, 36.26, -25.94, 0.75

 

CMYK 5 / 29 / 0 / 7

HEX #E0A7EC

RGB 224 167 236

HSL 289.57, 0.64%, 0.79%

LAB 75.79, 32.57, -26.46

 

CMYK 0 / 29 / 3 / 7

HEX #ECA7E6

RGB 236 167 230

HSL 305.22, 0.64%, 0.79%

LAB 76.79, 35.29, -21.56

 

CMYK 0 / 29 / 11 / 7

HEX #ECA7D3

RGB 236 167 211

HSL 321.74, 0.64%, 0.79%

LAB 76.18, 32.01, -12.15

 

CMYK 0 / 29 / 18 / 7

HEX #ECA7C1

RGB 236 167 193

HSL 337.39, 0.64%, 0.79%

LAB 75.65, 29.14, -3.09

 

CMYK 0 / 29 / 26 / 7

HEX #ECA7AE

RGB 236 167 174

HSL 353.91, 0.64%, 0.79%

LAB 75.16, 26.38, 6.6

 

CMYK 5 / 29 / 0 / 7

HEX #E0A7EC

RGB 224 167 236

HSL 289.57, 0.64%, 0.79%

LAB 75.79, 32.57, -26.46

 

CMYK 13 / 29 / 0 / 7

HEX #CDA7EC

RGB 205 167 236

HSL 273.04, 0.64%, 0.79%

LAB 73.98, 26.62, -29.39

 

CMYK 21 / 29 / 0 / 7

HEX #BAA7EC

RGB 186 167 236

HSL 256.52, 0.64%, 0.79%

LAB 72.32, 20.81, -32.09

 

CMYK 29 / 29 / 0 / 7

HEX #A7A7EC

RGB 167 167 236

HSL 240, 0.64%, 0.79%

LAB 70.81, 15.22, -34.54

 

CMYK 5 / 29 / 0 / 7

HEX #E0A7EC

RGB 224 167 236

HSL 289.57, 0.64%, 0.79%

LAB 75.79, 32.57, -26.46

 

CMYK 7 / 36 / 0 / 4

HEX #E59EF5

RGB 229 158 245

HSL 288.97, 0.81%, 0.79%

LAB 74.64, 40.66, -33.06

 

CMYK 8 / 41 / 0 / 0

HEX #EA95FE

RGB 234 149 254

HSL 288.57, 0.98%, 0.79%

LAB 73.64, 48.58, -39.45

 

CMYK 5 / 29 / 0 / 7

HEX #E0A7EC

RGB 224 167 236

HSL 289.57, 0.64%, 0.79%

LAB 75.79, 32.57, -26.46

 

CMYK 4 / 23 / 0 / 11

HEX #DAAFE4

RGB 218 175 228

HSL 288.68, 0.5%, 0.79%

LAB 76.78, 24.79, -20.66

 

CMYK 3 / 16 / 0 / 14

HEX #D5B8DB

RGB 213 184 219

HSL 289.71, 0.33%, 0.79%

LAB 78.19, 16.54, -13.7

 

CMYK 1 / 8 / 0 / 18

HEX #CFC1D2

RGB 207 193 210

HSL 289.41, 0.16%, 0.79%

LAB 79.65, 7.98, -6.73

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9CA

RGB 202 201 202

HSL 300, 0.01%, 0.79%

LAB 81.07, 0.53, -0.39

 

CMYK 21 / 29 / 0 / 7

HEX #BAA7EC

RGB 186 167 236

HSL 256.52, 0.64%, 0.79%

LAB 72.32, 20.81, -32.09

 

CMYK 13 / 29 / 0 / 7

HEX #CDA7EC

RGB 205 167 236

HSL 273.04, 0.64%, 0.79%

LAB 73.98, 26.62, -29.39

 

CMYK 6 / 29 / 0 / 7

HEX #DFA7EC

RGB 223 167 236

HSL 288.7, 0.64%, 0.79%

LAB 75.69, 32.25, -26.62

 

CMYK 0 / 29 / 3 / 7

HEX #ECA7E6

RGB 236 167 230

HSL 305.22, 0.64%, 0.79%

LAB 76.79, 35.29, -21.56

 

CMYK 0 / 29 / 10 / 7

HEX #ECA7D4

RGB 236 167 212

HSL 320.87, 0.64%, 0.79%

LAB 76.21, 32.18, -12.65

 

CMYK 10 / 55 / 0 / 13

HEX #C763DE

RGB 199 99 222

HSL 288.78, 0.65%, 0.63%

LAB 58.36, 57.89, -46.05

 

CMYK 8 / 42 / 0 / 10

HEX #D385E5

RGB 211 133 229

HSL 288.75, 0.65%, 0.71%

LAB 66.73, 45.38, -36.71

 

CMYK 5 / 29 / 0 / 7

HEX #E0A7EC

RGB 224 167 236

HSL 289.57, 0.64%, 0.79%

LAB 75.79, 32.57, -26.46

 

CMYK 3 / 17 / 0 / 5

HEX #ECC9F3

RGB 236 201 243

HSL 290, 0.64%, 0.87%

LAB 85.04, 19.57, -16.08

 

CMYK 1 / 6 / 0 / 2

HEX #F8EBFB

RGB 248 235 251

HSL 288.75, 0.67%, 0.95%

LAB 94.46, 7.18, -6.15

 

CMYK 6 / 30 / 0 / 7

HEX #DFA5EC

RGB 223 165 236

HSL 289.01, 0.65%, 0.79%

LAB 75.24, 33.33, -27.31

 

CMYK 0 / 29 / 29 / 7

HEX #ECA8A7

RGB 236 168 167

HSL 0.87, 0.64%, 0.79%

LAB 75.22, 24.9, 10.52

 

CMYK 29 / 0 / 17 / 7

HEX #A7ECC4

RGB 167 236 196

HSL 145.22, 0.64%, 0.79%

LAB 88.06, -29.63, 12.57

 

CMYK 6 / 30 / 0 / 7

HEX #DFA5EC

RGB 223 165 236

HSL 289.01, 0.65%, 0.79%

LAB 75.24, 33.33, -27.31

 

CMYK 0 / 6 / 29 / 7

HEX #ECDFA7

RGB 236 223 167

HSL 48.7, 0.64%, 0.79%

LAB 88.64, -3.93, 29.1

 

CMYK 29 / 0 / 6 / 7

HEX #A7ECDF

RGB 167 236 223

HSL 168.7, 0.64%, 0.79%

LAB 88.7, -24.18, -0.61

 

CMYK 6 / 30 / 0 / 7

HEX #DFA5EC

RGB 223 165 236

HSL 289.01, 0.65%, 0.79%

LAB 75.24, 33.33, -27.31

 

CMYK 0 / 29 / 29 / 7

HEX #ECA8A7

RGB 236 168 167

HSL 0.87, 0.64%, 0.79%

LAB 75.22, 24.9, 10.52

 

CMYK 24 / 0 / 29 / 7

HEX #B3ECA7

RGB 179 236 167

HSL 109.57, 0.64%, 0.79%

LAB 88.14, -30.83, 27.77

 

CMYK 29 / 0 / 0 / 7

HEX #A7EBEC

RGB 167 235 236

HSL 180.87, 0.64%, 0.79%

LAB 88.77, -20.84, -7.31

 

CMYK 6 / 30 / 0 / 7

HEX #DFA5EC

RGB 223 165 236

HSL 289.01, 0.65%, 0.79%

LAB 75.24, 33.33, -27.31

 

CMYK 0 / 20 / 29 / 7

HEX #ECBDA7

RGB 236 189 167

HSL 19.13, 0.64%, 0.79%

LAB 80.19, 13.75, 17.52

 

CMYK 24 / 0 / 29 / 7

HEX #B3ECA7

RGB 179 236 167

HSL 109.57, 0.64%, 0.79%

LAB 88.14, -30.83, 27.77

 

CMYK 29 / 9 / 0 / 7

HEX #A7D6EC

RGB 167 214 236

HSL 199.13, 0.64%, 0.79%

LAB 83.11, -10.22, -15.77

 

Description

Color code: RGBA 223 165 236 0.75 | qconv.com Color code: RGBA 223 165 236 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 165 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 165 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 23 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 23% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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