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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 223 113 214 0.75 it is the complementary color RGBA 32 142 41 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 223 113 214 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 223 113 214 0.75 shade: RGBA 228 113 209 0.75, RGBA 245 131 228 0.75, RGBA 255 149 247 0.75, RGBA 255 167 255 0.75 and RGBA 255 185 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 223 113 214 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 223 113 214 0.75 shade: RGBA 223 113 214 0.75, RGBA 206 95 195 0.75, RGBA 189 77 176 0.75, RGBA 172 59 157 0.75 and RGBA 155 41 138 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 223 113 214 0.75 shade: RGB 223 114 214, RGB 223 114 185, RGB 223 114 155, RGB 223 114 126 and RGB 223 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 223 113 214 0.75 shade: RGB 223 114 214, RGB 202 114 223, RGB 173 114 223, RGB 143 114 223 and RGB 114 114 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 223 113 214 0.75 shade matches the following richer shades: RGB 223 114 214, RGB 237 100 226 and RGB 251 86 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 223 113 214 0.75 shade: RGB 223 114 214, RGB 209 128 202, RGB 195 142 191, RGB 181 156 179 and RGB 167 170 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 223 113 214 0.75 shade: RGB 172 114 223, RGB 201 114 223, RGB 223 114 216, RGB 223 114 187 and RGB 223 114 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 223 113 214 0.75 shade: RGB 207 47 194, RGB 215 80 204, RGB 223 114 214, RGB 231 147 224 and RGB 238 181 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 223 113 214 0.75 shade: RGB 223 113 214, RGB 223 143 114 and RGB 114 223 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 223 113 214 0.75 shade: RGB 223 113 214, RGB 216 223 114 and RGB 114 216 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 223 113 214 0.75 shade: RGB 223 113 214, RGB 223 143 114, RGB 114 223 121 and RGB 114 194 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 223 113 214 0.75 shade: RGB 223 113 214, RGB 223 176 114, RGB 114 223 121 and RGB 114 161 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 3 / 9

HEX #DF71D6BF

RGBA 223 113 214 0.75

HSLA 304.91, 0.63%, 0.66%, 0.75

LABA 63.63, 56.23, -33.07, 0.75

 

Complementary color

CMYK 58 / 0 / 53 / 33

HEX #208E29BF

RGBA 32 142 41 0.75

HSLA 124.91, 0.63%, 0.34%, 0.75

LABA 51.63, -50.3, 43.3, 0.75

 

CMYK 0 / 38 / 6 / 8

HEX #E471D1BF

RGBA 228 113 209 0.75

HSLA 309.91, 0.68%, 0.67%, 0.75

LABA 64.09, 56.83, -29.52, 0.75

 

CMYK 0 / 35 / 5 / 3

HEX #F583E4BF

RGBA 245 131 228 0.75

HSLA 308.95, 0.85%, 0.74%, 0.75

LABA 70.35, 56.19, -30.24, 0.75

 

CMYK 0 / 31 / 2 / 0

HEX #FF95F7BF

RGBA 255 149 247 0.75

HSLA 304.53, 1%, 0.79%, 0.75

LABA 75.74, 53.44, -32.21, 0.75

 

CMYK 0 / 26 / 0 / 0

HEX #FFA7FFBF

RGBA 255 167 255 0.75

HSLA 300, 1%, 0.83%, 0.75

LABA 79.68, 45.7, -30.46, 0.75

 

CMYK 0 / 21 / 0 / 0

HEX #FFB9FFBF

RGBA 255 185 255 0.75

HSLA 300, 1%, 0.86%, 0.75

LABA 83.54, 36.35, -24.57, 0.75

 

CMYK 0 / 37 / 3 / 9

HEX #DF71D6BF

RGBA 223 113 214 0.75

HSLA 304.91, 0.63%, 0.66%, 0.75

LABA 63.63, 56.23, -33.07, 0.75

 

CMYK 0 / 40 / 4 / 14

HEX #CE5FC3BF

RGBA 206 95 195 0.75

HSLA 305.95, 0.53%, 0.59%, 0.75

LABA 57.31, 56.79, -32.32, 0.75

 

CMYK 0 / 44 / 5 / 19

HEX #BD4DB0BF

RGBA 189 77 176 0.75

HSLA 306.96, 0.46%, 0.52%, 0.75

LABA 50.99, 57.17, -31.38, 0.75

 

CMYK 0 / 49 / 7 / 24

HEX #AC3B9DBF

RGBA 172 59 157 0.75

HSLA 307.96, 0.49%, 0.45%, 0.75

LABA 44.71, 57.25, -30.17, 0.75

 

CMYK 0 / 55 / 8 / 29

HEX #9B298ABF

RGBA 155 41 138 0.75

HSLA 308.95, 0.58%, 0.38%, 0.75

LABA 38.53, 56.78, -28.53, 0.75

 

CMYK 0 / 49 / 4 / 13

HEX #DF72D6

RGB 223 114 214

HSL 304.95, 0.63%, 0.66%

LAB 63.82, 55.75, -32.79

 

CMYK 0 / 49 / 17 / 13

HEX #DF72B9

RGB 223 114 185

HSL 320.92, 0.63%, 0.66%

LAB 62.7, 51.08, -18.14

 

CMYK 0 / 49 / 30 / 13

HEX #DF729B

RGB 223 114 155

HSL 337.43, 0.63%, 0.66%

LAB 61.73, 46.89, -2.44

 

CMYK 0 / 49 / 43 / 13

HEX #DF727E

RGB 223 114 126

HSL 353.39, 0.63%, 0.66%

LAB 60.98, 43.54, 13.17

 

CMYK 0 / 49 / 49 / 13

HEX #DF7272

RGB 223 114 114

HSL 0, 0.63%, 0.66%

LAB 60.73, 42.37, 19.7

 

CMYK 0 / 49 / 4 / 13

HEX #DF72D6

RGB 223 114 214

HSL 304.95, 0.63%, 0.66%

LAB 63.82, 55.75, -32.79

 

CMYK 9 / 49 / 0 / 13

HEX #CA72DF

RGB 202 114 223

HSL 288.44, 0.63%, 0.66%

LAB 61.58, 51.48, -41.51

 

CMYK 22 / 49 / 0 / 13

HEX #AD72DF

RGB 173 114 223

HSL 272.48, 0.63%, 0.66%

LAB 58.27, 43.53, -46.95

 

CMYK 36 / 49 / 0 / 13

HEX #8F72DF

RGB 143 114 223

HSL 255.96, 0.63%, 0.66%

LAB 55.28, 35.69, -51.89

 

CMYK 49 / 49 / 0 / 13

HEX #7272DF

RGB 114 114 223

HSL 240, 0.63%, 0.66%

LAB 52.88, 28.81, -55.86

 

CMYK 0 / 49 / 4 / 13

HEX #DF72D6

RGB 223 114 214

HSL 304.95, 0.63%, 0.66%

LAB 63.82, 55.75, -32.79

 

CMYK 0 / 58 / 5 / 7

HEX #ED64E2

RGB 237 100 226

HSL 304.82, 0.79%, 0.66%

LAB 63.84, 67.93, -39.31

 

CMYK 0 / 66 / 6 / 2

HEX #FB56ED

RGB 251 86 237

HSL 305.09, 0.95%, 0.66%

LAB 64.39, 78.57, -44.44

 

CMYK 0 / 49 / 4 / 13

HEX #DF72D6

RGB 223 114 214

HSL 304.95, 0.63%, 0.66%

LAB 63.82, 55.75, -32.79

 

CMYK 0 / 39 / 3 / 18

HEX #D180CA

RGB 209 128 202

HSL 305.19, 0.47%, 0.66%

LAB 64.37, 42.34, -25.35

 

CMYK 0 / 27 / 2 / 24

HEX #C38EBF

RGB 195 142 191

HSL 304.53, 0.31%, 0.66%

LAB 65.52, 28.18, -17.56

 

CMYK 0 / 14 / 1 / 29

HEX #B59CB3

RGB 181 156 179

HSL 304.8, 0.14%, 0.66%

LAB 67.17, 13.32, -8.51

 

CMYK 2 / 0 / 2 / 33

HEX #A7AAA7

RGB 167 170 167

HSL 120, 0.02%, 0.66%

LAB 69.29, -1.63, 1.16

 

CMYK 23 / 49 / 0 / 13

HEX #AC72DF

RGB 172 114 223

HSL 271.93, 0.63%, 0.66%

LAB 58.16, 43.26, -47.13

 

CMYK 10 / 49 / 0 / 13

HEX #C972DF

RGB 201 114 223

HSL 287.89, 0.63%, 0.66%

LAB 61.46, 51.2, -41.7

 

CMYK 0 / 49 / 3 / 13

HEX #DF72D8

RGB 223 114 216

HSL 303.85, 0.63%, 0.66%

LAB 63.9, 56.09, -33.78

 

CMYK 0 / 49 / 16 / 13

HEX #DF72BB

RGB 223 114 187

HSL 319.82, 0.63%, 0.66%

LAB 62.77, 51.38, -19.17

 

CMYK 0 / 49 / 30 / 13

HEX #DF729D

RGB 223 114 157

HSL 336.33, 0.63%, 0.66%

LAB 61.79, 47.15, -3.5

 

CMYK 0 / 77 / 6 / 19

HEX #CF2FC2

RGB 207 47 194

HSL 304.88, 0.63%, 0.5%

LAB 50.91, 74.97, -41.78

 

CMYK 0 / 63 / 5 / 16

HEX #D750CC

RGB 215 80 204

HSL 304.89, 0.63%, 0.58%

LAB 56.63, 67.15, -38.44

 

CMYK 0 / 49 / 4 / 13

HEX #DF72D6

RGB 223 114 214

HSL 304.95, 0.63%, 0.66%

LAB 63.82, 55.75, -32.79

 

CMYK 0 / 36 / 3 / 9

HEX #E793E0

RGB 231 147 224

HSL 305, 0.64%, 0.74%

LAB 71.72, 43.17, -26.08

 

CMYK 0 / 24 / 2 / 7

HEX #EEB5EA

RGB 238 181 234

HSL 304.21, 0.63%, 0.82%

LAB 80.27, 29.21, -18.43

 

CMYK 0 / 49 / 4 / 13

HEX #DF71D6

RGB 223 113 214

HSL 304.91, 0.63%, 0.66%

LAB 63.63, 56.23, -33.07

 

CMYK 0 / 36 / 49 / 13

HEX #DF8F72

RGB 223 143 114

HSL 15.96, 0.63%, 0.66%

LAB 66.94, 27.22, 28.01

 

CMYK 49 / 0 / 16 / 13

HEX #72DFBB

RGB 114 223 187

HSL 160.18, 0.63%, 0.66%

LAB 81.81, -39.84, 8.05

 

CMYK 0 / 49 / 4 / 13

HEX #DF71D6

RGB 223 113 214

HSL 304.91, 0.63%, 0.66%

LAB 63.63, 56.23, -33.07

 

CMYK 3 / 0 / 49 / 13

HEX #D8DF72

RGB 216 223 114

HSL 63.85, 0.63%, 0.66%

LAB 86.3, -17.48, 52.12

 

CMYK 49 / 3 / 0 / 13

HEX #72D8DF

RGB 114 216 223

HSL 183.85, 0.63%, 0.66%

LAB 80.75, -27.86, -12.64

 

CMYK 0 / 49 / 4 / 13

HEX #DF71D6

RGB 223 113 214

HSL 304.91, 0.63%, 0.66%

LAB 63.63, 56.23, -33.07

 

CMYK 0 / 36 / 49 / 13

HEX #DF8F72

RGB 223 143 114

HSL 15.96, 0.63%, 0.66%

LAB 66.94, 27.22, 28.01

 

CMYK 49 / 0 / 46 / 13

HEX #72DF79

RGB 114 223 121

HSL 123.85, 0.63%, 0.66%

LAB 80.59, -51.99, 40.43

 

CMYK 49 / 13 / 0 / 13

HEX #72C2DF

RGB 114 194 223

HSL 195.96, 0.63%, 0.66%

LAB 74.5, -16.81, -22.07

 

CMYK 0 / 49 / 4 / 13

HEX #DF71D6

RGB 223 113 214

HSL 304.91, 0.63%, 0.66%

LAB 63.63, 56.23, -33.07

 

CMYK 0 / 21 / 49 / 13

HEX #DFB072

RGB 223 176 114

HSL 34.13, 0.63%, 0.66%

LAB 74.8, 9.54, 38.14

 

CMYK 49 / 0 / 46 / 13

HEX #72DF79

RGB 114 223 121

HSL 123.85, 0.63%, 0.66%

LAB 80.59, -51.99, 40.43

 

CMYK 49 / 28 / 0 / 13

HEX #72A1DF

RGB 114 161 223

HSL 214.13, 0.63%, 0.66%

LAB 65.27, 1.11, -36.27

 

Description

Color code: RGBA 223 113 214 0.75 | qconv.com Color code: RGBA 223 113 214 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 113 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 113 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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