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Color name
RGBA 222 90 53 0.25

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 222 90 53 0.25 it is the complementary color RGBA 33 165 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGBA 222 90 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 222 90 53 0.25 shade: RGBA 227 90 48 0.25, RGBA 244 108 67 0.25, RGBA 255 126 86 0.25, RGBA 255 144 105 0.25 and RGBA 255 162 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGBA 222 90 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 222 90 53 0.25 shade: RGBA 222 90 53 0.25, RGBA 205 72 34 0.25, RGBA 188 54 15 0.25, RGBA 171 36 0 0.25 and RGBA 154 18 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 222 90 53 0.25 shade: RGB 222 90 53 and RGB 222 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 222 90 53 0.25 shade: RGB 222 90 53, RGB 222 136 53, RGB 222 181 53, RGB 217 222 53 and RGB 172 222 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 222 90 53 0.25 shade matches the following richer shades: RGB 222 90 53 and RGB 241 80 34

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 222 90 53 0.25 shade: RGB 222 90 53, RGB 203 101 72, RGB 184 112 91, RGB 165 122 110 and RGB 146 133 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 222 90 53 0.25 shade: RGB 222 53 107, RGB 222 53 62, RGB 222 90 53, RGB 222 135 53 and RGB 222 180 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 222 90 53 0.25 shade: RGB 166 57 27, RGB 201 70 33, RGB 222 90 53, RGB 228 119 89 and RGB 234 148 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 222 90 53 0.25 shade: RGB 222 90 53, RGB 152 222 53 and RGB 53 84 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 222 90 53 0.25 shade: RGB 222 90 53, RGB 53 222 90 and RGB 90 53 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 222 90 53 0.25 shade: RGB 222 90 53, RGB 152 222 53, RGB 53 186 222 and RGB 124 53 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 222 90 53 0.25 shade: RGB 222 90 53, RGB 101 222 53, RGB 53 186 222 and RGB 174 53 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 19 / 3

RGBA 222 90 53 0.25

HSLA 13.14, 0.72%, 0.54%, 0.25

LABA 55.17, 49.62, 46.55, 0.25

Complementary color

CMYK 21 / 5 / 0 / 5

RGBA 33 165 202 0.25

HSLA 193.14, 0.72%, 0.46%, 0.25

LABA 62.93, -20.94, -28.48, 0.25

Lighter colors

CMYK 0 / 15 / 20 / 3

RGBA 227 90 48 0.25

HSLA 14.08, 0.76%, 0.54%, 0.25

LABA 55.94, 51.22, 50.06, 0.25

CMYK 0 / 14 / 18 / 1

RGBA 244 108 67 0.25

HSLA 13.9, 0.89%, 0.61%, 0.25

LABA 61.97, 49.8, 47.73, 0.25

CMYK 0 / 13 / 17 / 0

RGBA 255 126 86 0.25

HSLA 14.2, 1%, 0.67%, 0.25

LABA 67.17, 46.17, 44.25, 0.25

CMYK 0 / 11 / 15 / 0

RGBA 255 144 105 0.25

HSLA 15.6, 1%, 0.71%, 0.25

LABA 71.03, 38.39, 38.91, 0.25

CMYK 0 / 9 / 13 / 0

RGBA 255 162 124 0.25

HSLA 17.4, 1%, 0.74%, 0.25

LABA 75.17, 30.61, 34.09, 0.25

Darker colors

CMYK 0 / 15 / 19 / 3

RGBA 222 90 53 0.25

HSLA 13.14, 0.72%, 0.54%, 0.25

LABA 55.17, 49.62, 46.55, 0.25

CMYK 0 / 16 / 21 / 5

RGBA 205 72 34 0.25

HSLA 13.33, 0.72%, 0.47%, 0.25

LABA 49.17, 50.94, 48.94, 0.25

CMYK 0 / 18 / 23 / 7

RGBA 188 54 15 0.25

HSLA 13.53, 0.85%, 0.4%, 0.25

LABA 43.31, 52.03, 50.7, 0.25

CMYK 0 / 20 / 25 / 8

RGBA 171 36 0 0.25

HSLA 12.63, 1%, 0.34%, 0.25

LABA 37.7, 52.59, 50.75, 0.25

CMYK 0 / 22 / 25 / 10

RGBA 154 18 0 0.25

HSLA 7.01, 1%, 0.3%, 0.25

LABA 32.49, 52.16, 46.06, 0.25

Warmer colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 0 / 76 / 76 / 13

HSL 0, 0.72%, 0.54%

LAB 49.9, 63.94, 40.97

Colder colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 0 / 39 / 76 / 13

HSL 29.47, 0.72%, 0.54%

LAB 64.48, 26.46, 55.95

CMYK 0 / 18 / 76 / 13

HSL 45.44, 0.72%, 0.54%

LAB 75.35, 2.46, 66.36

CMYK 2 / 0 / 76 / 13

HSL 61.78, 0.72%, 0.54%

LAB 85.63, -20.45, 75.67

CMYK 23 / 0 / 76 / 13

HSL 77.75, 0.72%, 0.54%

LAB 82.52, -38.54, 71.67

Richer colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 0 / 67 / 86 / 5

HSL 13.33, 0.88%, 0.54%

LAB 56.64, 59.82, 57.8

Paler colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 0 / 50 / 65 / 20

HSL 13.28, 0.56%, 0.54%

LAB 54.52, 38.15, 34.91

CMYK 0 / 39 / 51 / 28

HSL 13.55, 0.4%, 0.54%

LAB 54.59, 26.24, 23.73

CMYK 0 / 26 / 33 / 35

RGB 165 122 110

HSL 13.09, 0.23%, 0.54%

LAB 55.12, 15.06, 13.12

CMYK 0 / 9 / 12 / 43

RGB 146 133 129

HSL 14.12, 0.07%, 0.54%

LAB 56.56, 4.18, 3.92

Analogue colors

CMYK 0 / 76 / 52 / 13

HSL 340.83, 0.72%, 0.54%

LAB 50.85, 66.98, 10.14

CMYK 0 / 76 / 72 / 13

HSL 356.8, 0.72%, 0.54%

LAB 50.01, 64.29, 35.99

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 0 / 39 / 76 / 13

HSL 29.11, 0.72%, 0.54%

LAB 64.25, 26.99, 55.73

CMYK 0 / 19 / 76 / 13

HSL 45.09, 0.72%, 0.54%

LAB 75.09, 2.98, 66.13

Monochromatic colors

CMYK 0 / 66 / 84 / 35

HSL 12.95, 0.72%, 0.38%

LAB 39.77, 43.45, 41.15

CMYK 0 / 65 / 84 / 21

HSL 13.21, 0.72%, 0.46%

LAB 48.14, 50.38, 48.22

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 0 / 48 / 61 / 11

HSL 12.95, 0.72%, 0.62%

LAB 62.01, 39.69, 35.53

CMYK 0 / 37 / 47 / 8

RGB 234 148 124

HSL 13.09, 0.72%, 0.7%

LAB 69.56, 29.82, 26.24

Partial complementary colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 32 / 0 / 76 / 13

HSL 84.85, 0.72%, 0.54%

LAB 81.39, -45.98, 70.2

CMYK 76 / 62 / 0 / 13

HSL 228.99, 0.72%, 0.54%

LAB 41.8, 37.05, -73.41

Triadic colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 76 / 0 / 59 / 13

HSL 133.14, 0.72%, 0.54%

LAB 78.31, -68.22, 51.84

CMYK 59 / 76 / 0 / 13

HSL 253.14, 0.72%, 0.54%

LAB 37.83, 58.64, -79.84

Rectangular (tetradic) colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 32 / 0 / 76 / 13

HSL 84.85, 0.72%, 0.54%

LAB 81.39, -45.98, 70.2

CMYK 76 / 16 / 0 / 13

HSL 192.78, 0.72%, 0.54%

LAB 70.28, -23.29, -28.15

CMYK 44 / 76 / 0 / 13

HSL 265.21, 0.72%, 0.54%

LAB 41.38, 63.2, -73.88

Square colors

CMYK 0 / 59 / 76 / 13

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

CMYK 55 / 0 / 76 / 13

HSL 102.96, 0.72%, 0.54%

LAB 79.19, -62.01, 67.34

CMYK 76 / 16 / 0 / 13

HSL 192.78, 0.72%, 0.54%

LAB 70.28, -23.29, -28.15

CMYK 22 / 76 / 0 / 13

HSL 282.96, 0.72%, 0.54%

LAB 48.03, 71.53, -62.77

Description

Color code: RGBA 222 90 53 0.25 | qconv.com

Color code: RGBA 222 90 53 0.25 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 90 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 19 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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