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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 220 44 220 0.6 it is the complementary color RGBA 35 211 35 0.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 220 44 220 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 220 44 220 0.6: RGBA 225 44 215 0.6, RGBA 242 62 234 0.6, RGBA 255 80 253 0.6, RGBA 255 98 255 0.6 and RGBA 255 116 255 0.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 220 44 220 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 220 44 220 0.6: RGBA 220 44 220 0.6, RGBA 203 26 201 0.6, RGBA 186 8 182 0.6, RGBA 169 0 163 0.6 and RGBA 152 0 144 0.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

Complementary color

CMYK 50 / 0 / 50 / 10

HEX #23D32399

RGBA 35 211 35 0.6

HSLA 120, 0.72%, 0.48%, 0.6

LABA 74.23, -71.63, 67.2, 0.6

 

CMYK 0 / 48 / 3 / 7

HEX #E12CD799

RGBA 225 44 215 0.6

HSLA 303.31, 0.75%, 0.53%, 0.6

LABA 54.78, 82.35, -47.52, 0.6

 

CMYK 0 / 45 / 2 / 3

HEX #F23EEA99

RGBA 242 62 234 0.6

HSLA 302.67, 0.87%, 0.6%, 0.6

LABA 60.13, 83.91, -49.59, 0.6

 

CMYK 0 / 41 / 0 / 0

HEX #FF50FD99

RGBA 255 80 253 0.6

HSLA 300.69, 1%, 0.66%, 0.6

LABA 65.03, 83.97, -52.23, 0.6

 

CMYK 0 / 37 / 0 / 0

HEX #FF62FF99

RGBA 255 98 255 0.6

HSLA 300, 1%, 0.69%, 0.6

LABA 67.44, 77.81, -49.53, 0.6

 

CMYK 0 / 33 / 0 / 0

HEX #FF74FF99

RGBA 255 116 255 0.6

HSLA 300, 1%, 0.73%, 0.6

LABA 70.16, 70.36, -45.25, 0.6

 

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

CMYK 0 / 52 / 1 / 12

HEX #CB1AC999

RGBA 203 26 201 0.6

HSLA 300.68, 0.77%, 0.45%, 0.6

LABA 49.07, 79.74, -48.8, 0.6

 

CMYK 0 / 57 / 1 / 16

HEX #BA08B699

RGBA 186 8 182 0.6

HSLA 301.35, 0.92%, 0.38%, 0.6

LABA 44.22, 76.19, -45.63, 0.6

 

CMYK 0 / 60 / 2 / 20

HEX #A900A399

RGBA 169 0 163 0.6

HSLA 302.13, 1%, 0.33%, 0.6

LABA 39.71, 71.31, -41.7, 0.6

 

CMYK 0 / 60 / 3 / 24

HEX #98009099

RGBA 152 0 144 0.6

HSLA 303.16, 1%, 0.3%, 0.6

LABA 35.38, 65.58, -37.24, 0.6

 

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

CMYK 0 / 48 / 8 / 8

HEX #DC2CBF99

RGBA 220 44 191 0.6

HSLA 309.89, 0.72%, 0.52%, 0.6

LABA 52.71, 77.98, -37.07, 0.6

 

CMYK 0 / 48 / 16 / 8

HEX #DC2CA199

RGBA 220 44 161 0.6

HSLA 320.11, 0.72%, 0.52%, 0.6

LABA 51.37, 74.19, -21.57, 0.6

 

CMYK 0 / 48 / 24 / 8

HEX #DC2C8499

RGBA 220 44 132 0.6

HSLA 330, 0.72%, 0.52%, 0.6

LABA 50.31, 71.11, -5.83, 0.6

 

CMYK 0 / 48 / 32 / 8

HEX #DC2C6799

RGBA 220 44 103 0.6

HSLA 339.89, 0.72%, 0.52%, 0.6

LABA 49.49, 68.65, 10.61, 0.6

 

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

CMYK 0 / 49 / 0 / 56

HEX #10031099

RGBA 16 3 16 0.6

HSLA 300, 0.68%, 0.04%, 0.6

LABA 1.92, 5.64, -4.03, 0.6

 

CMYK 0 / 48 / 0 / 44

HEX #430D4399

RGBA 67 13 67 0.6

HSLA 300, 0.68%, 0.16%, 0.6

LABA 14.88, 32.8, -20.65, 0.6

 

CMYK 0 / 48 / 0 / 32

HEX #76187699

RGBA 118 24 118 0.6

HSLA 300, 0.66%, 0.28%, 0.6

LABA 28.94, 50.48, -31.63, 0.6

 

CMYK 0 / 48 / 0 / 20

HEX #A922A999

RGBA 169 34 169 0.6

HSLA 300, 0.67%, 0.4%, 0.6

LABA 41.91, 66.83, -41.78, 0.6

 

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

CMYK 0 / 38 / 48 / 8

HEX #DC4F2C99

RGBA 220 79 44 0.6

HSLA 11.93, 0.72%, 0.52%, 0.6

LABA 52.94, 53.44, 48.66, 0.6

 

CMYK 48 / 0 / 19 / 8

HEX #2CDC9699

RGBA 44 220 150 0.6

HSLA 156.14, 0.72%, 0.52%, 0.6

LABA 78.42, -58.64, 22.51, 0.6

 

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

CMYK 0 / 0 / 48 / 8

HEX #DCDC2C99

RGBA 220 220 44 0.6

HSLA 60, 0.72%, 0.52%, 0.6

LABA 85.29, -18.54, 77.95, 0.6

 

CMYK 48 / 0 / 0 / 8

HEX #2CDCDC99

RGBA 44 220 220 0.6

HSLA 180, 0.72%, 0.52%, 0.6

LABA 80.12, -41.01, -12.16, 0.6

 

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

CMYK 0 / 38 / 48 / 8

HEX #DC4F2C99

RGBA 220 79 44 0.6

HSLA 11.93, 0.72%, 0.52%, 0.6

LABA 52.94, 53.44, 48.66, 0.6

 

CMYK 48 / 0 / 48 / 8

HEX #2CDC2C99

RGBA 44 220 44 0.6

HSLA 120, 0.72%, 0.52%, 0.6

LABA 77.22, -72.79, 67.66, 0.6

 

CMYK 48 / 10 / 0 / 8

HEX #2CB9DC99

RGBA 44 185 220 0.6

HSLA 191.93, 0.72%, 0.52%, 0.6

LABA 69.75, -24.33, -27.88, 0.6

 

CMYK 0 / 48 / 0 / 8

HEX #DC2CDC99

RGBA 220 44 220 0.6

HSLA 300, 0.72%, 0.52%, 0.6

LABA 54.22, 82.15, -51.3, 0.6

 

CMYK 0 / 24 / 48 / 8

HEX #DC842C99

RGBA 220 132 44 0.6

HSLA 30, 0.72%, 0.52%, 0.6

LABA 63.26, 27.42, 58.39, 0.6

 

CMYK 48 / 0 / 48 / 8

HEX #2CDC2C99

RGBA 44 220 44 0.6

HSLA 120, 0.72%, 0.52%, 0.6

LABA 77.22, -72.79, 67.66, 0.6

 

CMYK 48 / 24 / 0 / 8

HEX #2C84DC99

RGBA 44 132 220 0.6

HSLA 210, 0.72%, 0.52%, 0.6

LABA 54.24, 5.18, -52.18, 0.6

 

Description

Color code: RGBA 220 44 220 0.6 | qconv.com Color code: RGBA 220 44 220 0.6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 44 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 44 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to Sherwin Williams®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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