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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 219.5 216 218 0 it is the complementary color RGBA 35.5 39 37 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 219.5 216 218 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 219.5 216 218 0 shade: RGBA 224.5 216 213 0, RGBA 241.5 234 232 0 and RGBA 255 252 251 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 219.5 216 218 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 219.5 216 218 0 shade: RGBA 219.5 216 218 0, RGBA 202.5 198 199 0, RGBA 185.5 180 180 0, RGBA 168.5 162 161 0 and RGBA 151.5 144 142 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 219.5 216 218 0 shade: RGB 219 215 217, RGB 219 215 216 and RGB 219 215 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 219.5 216 218 0 shade: RGB 219 215 217, RGB 219 215 218, RGB 218 215 219, RGB 217 215 219 and RGB 216 215 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 219.5 216 218 0 shade matches the following richer shades: RGB 219 215 217, RGB 225 209 218, RGB 231 202 219, RGB 237 196 220 and RGB 243 190 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 219.5 216 218 0 shade: RGB 219 215 217, RGB 212 221 216, RGB 206 227 215, RGB 200 233 214 and RGB 194 240 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 219.5 216 218 0 shade: RGB 218 215 219, RGB 219 215 218, RGB 219 215 217, RGB 219 215 216 and RGB 219 215 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 219.5 216 218 0 shade: RGB 179 172 176, RGB 199 193 197, RGB 219 215 217, RGB 238 236 238 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 219.5 216 218 0 shade: RGB 219.5 216 218, RGB 219 217 215 and RGB 215 219 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 219.5 216 218 0 shade: RGB 219.5 216 218, RGB 217 219 215 and RGB 215 217 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 219.5 216 218 0 shade: RGB 219.5 216 218, RGB 219 217 215, RGB 215 219 216 and RGB 215 216 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 219.5 216 218 0 shade: RGB 219.5 216 218, RGB 219 218 215, RGB 215 219 216 and RGB 215 215 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #DBD8DA00

RGBA 219.5 216 218 0

HSLA 325.71, 0.05%, 0.85%, 0

LABA 86.66, 1.55, -0.57, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #23272500

RGBA 35.5 39 37 0

HSLA 145.71, 0.05%, 0.15%, 0

LABA 15.23, -2.08, 0.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E0D8D500

RGBA 224.5 216 213 0

HSLA 15.65, 0.16%, 0.86%, 0

LABA 86.92, 2.39, 2.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F1EAE800

RGBA 241.5 234 232 0

HSLA 12.63, 0.26%, 0.93%, 0

LABA 93.22, 2.18, 1.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCFB00

RGBA 255 252 251 0

HSLA 15, 1%, 0.99%, 0

LABA 99.16, 0.82, 0.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DBD8DA00

RGBA 219.5 216 218 0

HSLA 325.71, 0.05%, 0.85%, 0

LABA 86.66, 1.55, -0.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CAC6C700

RGBA 202.5 198 199 0

HSLA 346.67, 0.04%, 0.79%, 0

LABA 80.26, 1.74, 0.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B9B4B400

RGBA 185.5 180 180 0

HSLA 0, 0.04%, 0.72%, 0

LABA 73.75, 1.95, 0.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A8A2A100

RGBA 168.5 162 161 0

HSLA 8, 0.04%, 0.65%, 0

LABA 67.12, 2.16, 1.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #97908E00

RGBA 151.5 144 142 0

HSLA 12.63, 0.04%, 0.58%, 0

LABA 60.36, 2.4, 2.04, 0

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D9

RGB 219 215 217

HSL 330, 0.05%, 0.85%

LAB 86.34, 1.73, -0.51

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D8

RGB 219 215 216

HSL 345, 0.05%, 0.85%

LAB 86.31, 1.55, -0.02

 

CMYK 0 / 2 / 2 / 14

HEX #DBD7D7

RGB 219 215 215

HSL 0, 0.05%, 0.85%

LAB 86.29, 1.37, 0.47

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D9

RGB 219 215 217

HSL 330, 0.05%, 0.85%

LAB 86.34, 1.73, -0.51

 

CMYK 0 / 2 / 0 / 14

HEX #DBD7DA

RGB 219 215 218

HSL 315, 0.05%, 0.85%

LAB 86.37, 1.91, -1

 

CMYK 0 / 2 / 0 / 14

HEX #DAD7DB

RGB 218 215 219

HSL 285, 0.05%, 0.85%

LAB 86.32, 1.75, -1.61

 

CMYK 1 / 2 / 0 / 14

HEX #D9D7DB

RGB 217 215 219

HSL 270, 0.05%, 0.85%

LAB 86.24, 1.41, -1.73

NCS® S1502-R50B

CMYK 1 / 2 / 0 / 14

HEX #D8D7DB

RGB 216 215 219

HSL 255, 0.05%, 0.85%

LAB 86.16, 1.07, -1.85

NCS® S1502-R50B

CMYK 0 / 2 / 1 / 14

HEX #DBD7D9

RGB 219 215 217

HSL 330, 0.05%, 0.85%

LAB 86.34, 1.73, -0.51

 

CMYK 0 / 7 / 3 / 12

HEX #E1D1DA

RGB 225 209 218

HSL 326.25, 0.21%, 0.85%

LAB 85.34, 7.1, -2.45

 

CMYK 0 / 13 / 5 / 9

HEX #E7CADB

RGB 231 202 219

HSL 324.83, 0.38%, 0.85%

LAB 84.14, 13.02, -4.68

 

CMYK 0 / 17 / 7 / 7

HEX #EDC4DC

RGB 237 196 220

HSL 324.88, 0.53%, 0.85%

LAB 83.26, 18.44, -6.46

 

CMYK 0 / 22 / 9 / 5

HEX #F3BEDD

RGB 243 190 221

HSL 324.91, 0.69%, 0.85%

LAB 82.43, 23.84, -8.16

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D9

RGB 219 215 217

HSL 330, 0.05%, 0.85%

LAB 86.34, 1.73, -0.51

 

CMYK 4 / 0 / 2 / 13

HEX #D4DDD8

RGB 212 221 216

HSL 146.67, 0.12%, 0.85%

LAB 87.32, -3.94, 1.39

 

CMYK 9 / 0 / 5 / 11

HEX #CEE3D7

RGB 206 227 215

HSL 145.71, 0.27%, 0.85%

LAB 88.43, -9.2, 3.47

 

CMYK 14 / 0 / 8 / 9

HEX #C8E9D6

RGB 200 233 214

HSL 145.45, 0.43%, 0.85%

LAB 89.59, -14.38, 5.62

 

CMYK 19 / 0 / 11 / 6

HEX #C2F0D5

RGB 194 240 213

HSL 144.78, 0.61%, 0.85%

LAB 91.05, -19.96, 8.2

 

CMYK 0 / 2 / 0 / 14

HEX #DAD7DB

RGB 218 215 219

HSL 285, 0.05%, 0.85%

LAB 86.32, 1.75, -1.61

 

CMYK 0 / 2 / 0 / 14

HEX #DBD7DA

RGB 219 215 218

HSL 315, 0.05%, 0.85%

LAB 86.37, 1.91, -1

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D9

RGB 219 215 217

HSL 330, 0.05%, 0.85%

LAB 86.34, 1.73, -0.51

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D8

RGB 219 215 216

HSL 345, 0.05%, 0.85%

LAB 86.31, 1.55, -0.02

 

CMYK 0 / 2 / 2 / 14

HEX #DBD7D7

RGB 219 215 215

HSL 0, 0.05%, 0.85%

LAB 86.29, 1.37, 0.47

 

CMYK 0 / 4 / 2 / 30

HEX #B3ACB0

RGB 179 172 176

HSL 325.71, 0.04%, 0.69%

LAB 71.02, 3.24, -1.17

 

CMYK 0 / 3 / 1 / 22

HEX #C7C1C5

RGB 199 193 197

HSL 320, 0.05%, 0.77%

LAB 78.64, 2.82, -1.27

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D9

RGB 219 215 217

HSL 330, 0.05%, 0.85%

LAB 86.34, 1.73, -0.51

 

CMYK 0 / 1 / 0 / 7

HEX #EEECEE

RGB 238 236 238

HSL 300, 0.06%, 0.93%

LAB 93.6, 1.03, -0.74

 

CMYK 0 / 2 / 1 / 14

HEX #DBD8DA

RGB 219.5 216 218

HSL 325.71, 0.05%, 0.85%

LAB 86.66, 1.55, -0.57

 

CMYK 0 / 1 / 2 / 14

HEX #DBD9D7

RGB 219 217 215

HSL 30, 0.05%, 0.85%

LAB 86.8, 0.33, 1.21

 

CMYK 2 / 0 / 0 / 14

HEX #D7DBDB

RGB 215 219 219

HSL 180, 0.05%, 0.85%

LAB 87.11, -1.35, -0.48

 

CMYK 0 / 2 / 1 / 14

HEX #DBD8DA

RGB 219.5 216 218

HSL 325.71, 0.05%, 0.85%

LAB 86.66, 1.55, -0.57

 

CMYK 1 / 0 / 2 / 14

HEX #D9DBD7

RGB 217 219 215

HSL 90, 0.05%, 0.85%

LAB 87.15, -1.39, 1.72

 

CMYK 2 / 1 / 0 / 14

HEX #D7D9DB

RGB 215 217 219

HSL 210, 0.05%, 0.85%

LAB 86.6, -0.31, -1.23

 

CMYK 0 / 2 / 1 / 14

HEX #DBD8DA

RGB 219.5 216 218

HSL 325.71, 0.05%, 0.85%

LAB 86.66, 1.55, -0.57

 

CMYK 0 / 1 / 2 / 14

HEX #DBD9D7

RGB 219 217 215

HSL 30, 0.05%, 0.85%

LAB 86.8, 0.33, 1.21

 

CMYK 2 / 0 / 1 / 14

HEX #D7DBD8

RGB 215 219 216

HSL 135, 0.05%, 0.85%

LAB 87.03, -1.89, 0.99

 

CMYK 2 / 1 / 0 / 14

HEX #D7D8DB

RGB 215 216 219

HSL 225, 0.05%, 0.85%

LAB 86.34, 0.21, -1.6

 

CMYK 0 / 2 / 1 / 14

HEX #DBD8DA

RGB 219.5 216 218

HSL 325.71, 0.05%, 0.85%

LAB 86.66, 1.55, -0.57

 

CMYK 0 / 0 / 2 / 14

HEX #DBDAD7

RGB 219 218 215

HSL 45, 0.05%, 0.85%

LAB 87.05, -0.19, 1.58

 

CMYK 2 / 0 / 1 / 14

HEX #D7DBD8

RGB 215 219 216

HSL 135, 0.05%, 0.85%

LAB 87.03, -1.89, 0.99

 

CMYK 2 / 2 / 0 / 14

HEX #D7D7DB

RGB 215 215 219

HSL 240, 0.05%, 0.85%

LAB 86.09, 0.73, -1.97

 

Description

Color code: RGBA 219.5 216 218 0 | qconv.com Color code: RGBA 219.5 216 218 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219.5 red, 216 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219.5 216 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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