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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 217 234 241 0 it is the complementary color RGBA 38 21 14 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 217 234 241 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 217 234 241 0 shade: RGBA 222 234 236 0 and RGBA 239 252 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 217 234 241 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 217 234 241 0 shade: RGBA 217 234 241 0, RGBA 200 216 222 0, RGBA 183 198 203 0, RGBA 166 180 184 0 and RGBA 149 162 165 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 217 234 241 0 shade: RGB 218 234 241, RGB 218 228 241, RGB 218 222 241, RGB 220 218 241 and RGB 226 218 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 217 234 241 0 shade: RGB 218 234 241, RGB 218 228 241, RGB 218 222 241 and RGB 218 218 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 217 234 241 0 shade matches the following richer shades: RGB 218 234 241, RGB 214 236 245, RGB 210 238 249 and RGB 205 240 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 217 234 241 0 shade: RGB 218 234 241, RGB 222 233 237, RGB 226 231 233, RGB 230 229 229 and RGB 234 228 225

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 217 234 241 0 shade: RGB 218 241 235, RGB 218 241 241, RGB 218 235 241, RGB 218 228 241 and RGB 218 222 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 217 234 241 0 shade: RGB 158 201 219, RGB 188 218 230, RGB 218 234 241, RGB 248 251 252 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 217 234 241 0 shade: RGB 217 234 241, RGB 229 218 241 and RGB 241 238 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 217 234 241 0 shade: RGB 217 234 241, RGB 241 218 235 and RGB 235 241 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 217 234 241 0 shade: RGB 217 234 241, RGB 229 218 241, RGB 241 224 218 and RGB 230 241 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 217 234 241 0 shade: RGB 217 234 241, RGB 236 218 241, RGB 241 224 218 and RGB 223 241 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #D9EAF100

RGBA 217 234 241 0

HSLA 197.5, 0.46%, 0.9%, 0

LABA 91.66, -4.26, -5.32, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #26150E00

RGBA 38 21 14 0

HSLA 17.5, 0.46%, 0.1%, 0

LABA 8.82, 7.68, 7.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DEEAEC00

RGBA 222 234 236 0

HSLA 188.57, 0.27%, 0.9%, 0

LABA 91.88, -3.6, -2.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EFFCFF00

RGBA 239 252 255 0

HSLA 191.25, 1%, 0.97%, 0

LABA 98.11, -3.69, -2.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9EAF100

RGBA 217 234 241 0

HSLA 197.5, 0.46%, 0.9%, 0

LABA 91.66, -4.26, -5.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C8D8DE00

RGBA 200 216 222 0

HSLA 196.36, 0.25%, 0.83%, 0

LABA 85.33, -4.18, -4.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B7C6CB00

RGBA 183 198 203 0

HSLA 195, 0.16%, 0.76%, 0

LABA 78.91, -4.11, -4.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A6B4B800

RGBA 166 180 184 0

HSLA 193.33, 0.11%, 0.69%, 0

LABA 72.37, -4.04, -3.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #95A2A500

RGBA 149 162 165 0

HSLA 191.25, 0.08%, 0.62%, 0

LABA 65.71, -3.97, -3.14, 0

 

CMYK 10 / 3 / 0 / 5

HEX #DAEAF1

RGB 218 234 241

HSL 198.26, 0.45%, 0.9%

LAB 91.73, -3.94, -5.21

 

CMYK 10 / 5 / 0 / 5

HEX #DAE4F1

RGB 218 228 241

HSL 213.91, 0.45%, 0.9%

LAB 90.2, -0.86, -7.47

 

CMYK 10 / 8 / 0 / 5

HEX #DADEF1

RGB 218 222 241

HSL 229.57, 0.45%, 0.9%

LAB 88.69, 2.26, -9.72

 

CMYK 9 / 10 / 0 / 5

HEX #DCDAF1

RGB 220 218 241

HSL 245.22, 0.45%, 0.9%

LAB 87.83, 4.99, -10.98

 

CMYK 6 / 10 / 0 / 5

HEX #E2DAF1

RGB 226 218 241

HSL 260.87, 0.45%, 0.9%

LAB 88.29, 6.94, -10.25

 

CMYK 10 / 3 / 0 / 5

HEX #DAEAF1

RGB 218 234 241

HSL 198.26, 0.45%, 0.9%

LAB 91.73, -3.94, -5.21

 

CMYK 10 / 5 / 0 / 5

HEX #DAE4F1

RGB 218 228 241

HSL 213.91, 0.45%, 0.9%

LAB 90.2, -0.86, -7.47

 

CMYK 10 / 8 / 0 / 5

HEX #DADEF1

RGB 218 222 241

HSL 229.57, 0.45%, 0.9%

LAB 88.69, 2.26, -9.72

 

CMYK 10 / 10 / 0 / 5

HEX #DADAF1

RGB 218 218 241

HSL 240, 0.45%, 0.9%

LAB 87.68, 4.35, -11.22

 

CMYK 10 / 3 / 0 / 5

HEX #DAEAF1

RGB 218 234 241

HSL 198.26, 0.45%, 0.9%

LAB 91.73, -3.94, -5.21

 

CMYK 13 / 4 / 0 / 4

HEX #D6ECF5

RGB 214 236 245

HSL 197.42, 0.61%, 0.9%

LAB 92.08, -5.45, -6.82

 

CMYK 16 / 4 / 0 / 2

HEX #D2EEF9

RGB 210 238 249

HSL 196.92, 0.76%, 0.9%

LAB 92.44, -6.91, -8.4

 

CMYK 19 / 6 / 0 / 0

HEX #CDF0FE

RGB 205 240 254

HSL 197.14, 0.96%, 0.9%

LAB 92.78, -8.42, -10.53

 

CMYK 10 / 3 / 0 / 5

HEX #DAEAF1

RGB 218 234 241

HSL 198.26, 0.45%, 0.9%

LAB 91.73, -3.94, -5.21

 

CMYK 6 / 2 / 0 / 7

HEX #DEE9ED

RGB 222 233 237

HSL 196, 0.29%, 0.9%

LAB 91.65, -2.9, -3.21

 

CMYK 3 / 1 / 0 / 9

HEX #E2E7E9

RGB 226 231 233

HSL 197.14, 0.14%, 0.9%

LAB 91.33, -1.3, -1.56

 

CMYK 0 / 0 / 0 / 10

HEX #E6E5E5

RGB 230 229 229

HSL 0, 0.02%, 0.9%

LAB 91.02, 0.34, 0.11

 

CMYK 0 / 3 / 4 / 8

HEX #EAE4E1

RGB 234 228 225

HSL 20, 0.18%, 0.9%

LAB 90.97, 1.51, 2.17

 

CMYK 10 / 0 / 2 / 5

HEX #DAF1EB

RGB 218 241 235

HSL 164.35, 0.45%, 0.9%

LAB 93.37, -8.64, 0.31

 

CMYK 10 / 0 / 0 / 5

HEX #DAF1F1

RGB 218 241 241

HSL 180, 0.45%, 0.9%

LAB 93.52, -7.5, -2.58

 

CMYK 10 / 2 / 0 / 5

HEX #DAEBF1

RGB 218 235 241

HSL 195.65, 0.45%, 0.9%

LAB 91.99, -4.45, -4.84

 

CMYK 10 / 5 / 0 / 5

HEX #DAE4F1

RGB 218 228 241

HSL 213.91, 0.45%, 0.9%

LAB 90.2, -0.86, -7.47

 

CMYK 10 / 8 / 0 / 5

HEX #DADEF1

RGB 218 222 241

HSL 229.57, 0.45%, 0.9%

LAB 88.69, 2.26, -9.72

 

CMYK 28 / 8 / 0 / 14

HEX #9EC9DB

RGB 158 201 219

HSL 197.7, 0.46%, 0.74%

LAB 78.55, -10.01, -13.57

 

CMYK 18 / 5 / 0 / 10

HEX #BCDAE6

RGB 188 218 230

HSL 197.14, 0.46%, 0.82%

LAB 85.27, -7.39, -9.21

 

CMYK 10 / 3 / 0 / 5

HEX #DAEAF1

RGB 218 234 241

HSL 198.26, 0.45%, 0.9%

LAB 91.73, -3.94, -5.21

 

CMYK 2 / 0 / 0 / 1

HEX #F8FBFC

RGB 248 251 252

HSL 195, 0.4%, 0.98%

LAB 98.42, -0.81, -0.83

 

CMYK 10 / 3 / 0 / 5

HEX #D9EAF1

RGB 217 234 241

HSL 197.5, 0.46%, 0.9%

LAB 91.66, -4.26, -5.32

 

CMYK 5 / 10 / 0 / 5

HEX #E5DAF1

RGB 229 218 241

HSL 268.7, 0.45%, 0.9%

LAB 88.52, 7.92, -9.88

 

CMYK 0 / 1 / 10 / 5

HEX #F1EEDA

RGB 241 238 218

HSL 52.17, 0.45%, 0.9%

LAB 93.85, -2.36, 10.03

 

CMYK 10 / 3 / 0 / 5

HEX #D9EAF1

RGB 217 234 241

HSL 197.5, 0.46%, 0.9%

LAB 91.66, -4.26, -5.32

 

CMYK 0 / 10 / 2 / 5

HEX #F1DAEB

RGB 241 218 235

HSL 315.65, 0.45%, 0.9%

LAB 89.32, 10.82, -5.43

 

CMYK 2 / 0 / 10 / 5

HEX #EBF1DA

RGB 235 241 218

HSL 75.65, 0.45%, 0.9%

LAB 94.16, -5.95, 10.41

 

CMYK 10 / 3 / 0 / 5

HEX #D9EAF1

RGB 217 234 241

HSL 197.5, 0.46%, 0.9%

LAB 91.66, -4.26, -5.32

 

CMYK 5 / 10 / 0 / 5

HEX #E5DAF1

RGB 229 218 241

HSL 268.7, 0.45%, 0.9%

LAB 88.52, 7.92, -9.88

 

CMYK 0 / 7 / 10 / 5

HEX #F1E0DA

RGB 241 224 218

HSL 15.65, 0.45%, 0.9%

LAB 90.36, 4.81, 5.01

 

CMYK 5 / 0 / 10 / 5

HEX #E6F1DA

RGB 230 241 218

HSL 88.7, 0.45%, 0.9%

LAB 93.79, -7.66, 9.85

 

CMYK 10 / 3 / 0 / 5

HEX #D9EAF1

RGB 217 234 241

HSL 197.5, 0.46%, 0.9%

LAB 91.66, -4.26, -5.32

 

CMYK 2 / 10 / 0 / 5

HEX #ECDAF1

RGB 236 218 241

HSL 286.96, 0.45%, 0.9%

LAB 89.08, 10.23, -8.99

 

CMYK 0 / 7 / 10 / 5

HEX #F1E0DA

RGB 241 224 218

HSL 15.65, 0.45%, 0.9%

LAB 90.36, 4.81, 5.01

 

CMYK 7 / 0 / 10 / 5

HEX #DFF1DA

RGB 223 241 218

HSL 106.96, 0.45%, 0.9%

LAB 93.3, -10.04, 9.08

 

Description

Color code: RGBA 217 234 241 0 | qconv.com Color code: RGBA 217 234 241 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 234 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 234 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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