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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 215 142 149 0.75 it is the complementary color RGBA 40 113 106 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 215 142 149 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 215 142 149 0.75 shade: RGBA 220 142 144 0.75, RGBA 237 160 163 0.75, RGBA 254 178 182 0.75, RGBA 255 196 201 0.75 and RGBA 255 214 220 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 215 142 149 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 215 142 149 0.75 shade: RGBA 215 142 149 0.75, RGBA 198 124 130 0.75, RGBA 181 106 111 0.75, RGBA 164 88 92 0.75 and RGBA 147 70 73 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 149 and RGB 215 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 149, RGB 215 142 169, RGB 215 142 188, RGB 215 142 208 and RGB 202 142 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 215 142 149 0.75 shade matches the following richer shades: RGB 215 142 149, RGB 228 129 139, RGB 240 117 129 and RGB 252 105 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 149, RGB 203 154 159, RGB 190 167 169, RGB 178 179 179 and RGB 166 191 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 188, RGB 215 142 169, RGB 215 142 149, RGB 215 154 142 and RGB 215 174 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 215 142 149 0.75 shade: RGB 194 81 92, RGB 204 111 120, RGB 215 142 149, RGB 226 172 177 and RGB 237 203 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 149, RGB 208 215 142 and RGB 142 179 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 149, RGB 149 215 142 and RGB 142 149 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 149, RGB 208 215 142, RGB 142 215 208 and RGB 149 142 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 215 142 149 0.75 shade: RGB 215 142 149, RGB 186 215 142, RGB 142 215 208 and RGB 171 142 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 23 / 12

HEX #D78E95BF

RGBA 215 142 149 0.75

HSLA 354.25, 0.48%, 0.7%, 0.75

LABA 66.49, 28.63, 7.75, 0.75

 

Complementary color

CMYK 48 / 0 / 5 / 42

HEX #28716ABF

RGBA 40 113 106 0.75

HSLA 174.25, 0.48%, 0.3%, 0.75

LABA 43.21, -24.16, -2.8, 0.75

 

CMYK 0 / 27 / 26 / 10

HEX #DC8E90BF

RGBA 220 142 144 0.75

HSLA 358.46, 0.53%, 0.71%, 0.75

LABA 66.96, 29.87, 11.3, 0.75

 

CMYK 0 / 24 / 23 / 5

HEX #EDA0A3BF

RGBA 237 160 163 0.75

HSLA 357.66, 0.68%, 0.78%, 0.75

LABA 73.41, 29, 10.16, 0.75

 

CMYK 0 / 22 / 21 / 0

HEX #FEB2B6BF

RGBA 254 178 182 0.75

HSLA 356.84, 0.97%, 0.85%, 0.75

LABA 79.78, 28.21, 9.12, 0.75

 

CMYK 0 / 17 / 16 / 0

HEX #FFC4C9BF

RGBA 255 196 201 0.75

HSLA 354.92, 1%, 0.88%, 0.75

LABA 84.46, 21.76, 5.65, 0.75

 

CMYK 0 / 12 / 10 / 0

HEX #FFD6DCBF

RGBA 255 214 220 0.75

HSLA 351.22, 1%, 0.92%, 0.75

LABA 89.17, 15.22, 2.39, 0.75

 

CMYK 0 / 25 / 23 / 12

HEX #D78E95BF

RGBA 215 142 149 0.75

HSLA 354.25, 0.48%, 0.7%, 0.75

LABA 66.49, 28.63, 7.75, 0.75

 

CMYK 0 / 28 / 26 / 17

HEX #C67C82BF

RGBA 198 124 130 0.75

HSLA 355.14, 0.39%, 0.63%, 0.75

LABA 59.92, 29.52, 8.9, 0.75

 

CMYK 0 / 31 / 29 / 22

HEX #B56A6FBF

RGBA 181 106 111 0.75

HSLA 356, 0.34%, 0.56%, 0.75

LABA 53.25, 30.5, 10.21, 0.75

 

CMYK 0 / 35 / 33 / 27

HEX #A4585CBF

RGBA 164 88 92 0.75

HSLA 356.84, 0.3%, 0.49%, 0.75

LABA 46.5, 31.56, 11.74, 0.75

 

CMYK 0 / 39 / 38 / 32

HEX #934649BF

RGBA 147 70 73 0.75

HSLA 357.66, 0.35%, 0.43%, 0.75

LABA 39.69, 32.69, 13.57, 0.75

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 34 / 34 / 16

HEX #D78E8E

RGB 215 142 142

HSL 0, 0.48%, 0.7%

LAB 66.33, 27.73, 11.44

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 34 / 21 / 16

HEX #D78EA9

RGB 215 142 169

HSL 337.81, 0.48%, 0.7%

LAB 67.02, 31.45, -2.74

 

CMYK 0 / 34 / 13 / 16

HEX #D78EBC

RGB 215 142 188

HSL 322.19, 0.48%, 0.7%

LAB 67.59, 34.44, -12.54

 

CMYK 0 / 34 / 3 / 16

HEX #D78ED0

RGB 215 142 208

HSL 305.75, 0.48%, 0.7%

LAB 68.28, 37.89, -22.66

 

CMYK 6 / 34 / 0 / 16

HEX #CA8ED7

RGB 202 142 215

HSL 289.32, 0.48%, 0.7%

LAB 67.13, 35.07, -28.42

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 43 / 39 / 11

HEX #E4818B

RGB 228 129 139

HSL 353.94, 0.65%, 0.7%

LAB 65.01, 39.09, 11.5

 

CMYK 0 / 51 / 46 / 6

HEX #F07581

RGB 240 117 129

HSL 354.15, 0.8%, 0.7%

LAB 64.03, 48.36, 16.05

 

CMYK 0 / 58 / 53 / 1

HEX #FC6977

RGB 252 105 119

HSL 354.29, 0.96%, 0.7%

LAB 63.45, 57.16, 21.25

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 24 / 22 / 20

HEX #CB9A9F

RGB 203 154 159

HSL 353.88, 0.32%, 0.7%

LAB 68.25, 19.03, 4.5

 

CMYK 0 / 12 / 11 / 25

HEX #BEA7A9

RGB 190 167 169

HSL 354.78, 0.15%, 0.7%

LAB 70.49, 8.69, 2.03

 

CMYK 1 / 0 / 0 / 30

HEX #B2B3B3

RGB 178 179 179

HSL 180, 0.01%, 0.7%

LAB 72.87, -0.35, -0.13

 

CMYK 13 / 0 / 1 / 25

HEX #A6BFBD

RGB 166 191 189

HSL 175.2, 0.16%, 0.7%

LAB 75.48, -8.86, -1.86

 

CMYK 0 / 34 / 13 / 16

HEX #D78EBC

RGB 215 142 188

HSL 322.19, 0.48%, 0.7%

LAB 67.59, 34.44, -12.54

 

CMYK 0 / 34 / 21 / 16

HEX #D78EA9

RGB 215 142 169

HSL 337.81, 0.48%, 0.7%

LAB 67.02, 31.45, -2.74

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 28 / 34 / 16

HEX #D79A8E

RGB 215 154 142

HSL 9.86, 0.48%, 0.7%

LAB 69.12, 21.24, 15.36

 

CMYK 0 / 19 / 34 / 16

HEX #D7AE8E

RGB 215 174 142

HSL 26.3, 0.48%, 0.7%

LAB 73.98, 10.45, 22.07

 

CMYK 0 / 58 / 53 / 24

HEX #C2515C

RGB 194 81 92

HSL 354.16, 0.48%, 0.54%

LAB 49.65, 46.21, 16.78

 

CMYK 0 / 46 / 41 / 20

HEX #CC6F78

RGB 204 111 120

HSL 354.19, 0.48%, 0.62%

LAB 57.62, 37.53, 11.54

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 0 / 24 / 22 / 11

HEX #E2ACB1

RGB 226 172 177

HSL 354.44, 0.48%, 0.78%

LAB 75.36, 20.47, 5.11

 

CMYK 0 / 14 / 13 / 7

HEX #EDCBCE

RGB 237 203 206

HSL 354.71, 0.49%, 0.86%

LAB 84.57, 12.42, 2.94

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 3 / 0 / 34 / 16

HEX #D0D78E

RGB 208 215 142

HSL 65.75, 0.48%, 0.7%

LAB 83.95, -13.66, 35.28

 

CMYK 34 / 17 / 0 / 16

HEX #8EB3D7

RGB 142 179 215

HSL 209.59, 0.48%, 0.7%

LAB 71.49, -3.84, -22.18

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 31 / 0 / 34 / 16

HEX #95D78E

RGB 149 215 142

HSL 114.25, 0.48%, 0.7%

LAB 80.15, -34.87, 29.57

 

CMYK 34 / 31 / 0 / 16

HEX #8E95D7

RGB 142 149 215

HSL 234.25, 0.48%, 0.7%

LAB 63.47, 12.99, -34.52

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 3 / 0 / 34 / 16

HEX #D0D78E

RGB 208 215 142

HSL 65.75, 0.48%, 0.7%

LAB 83.95, -13.66, 35.28

 

CMYK 34 / 0 / 3 / 16

HEX #8ED7D0

RGB 142 215 208

HSL 174.25, 0.48%, 0.7%

LAB 81.24, -24.2, -3.78

 

CMYK 31 / 34 / 0 / 16

HEX #958ED7

RGB 149 142 215

HSL 245.75, 0.48%, 0.7%

LAB 62.2, 19, -36.45

 

CMYK 0 / 34 / 31 / 16

HEX #D78E95

RGB 215 142 149

HSL 354.25, 0.48%, 0.7%

LAB 66.49, 28.63, 7.75

 

CMYK 13 / 0 / 34 / 16

HEX #BAD78E

RGB 186 215 142

HSL 83.84, 0.48%, 0.7%

LAB 82.37, -21.94, 32.92

 

CMYK 34 / 0 / 3 / 16

HEX #8ED7D0

RGB 142 215 208

HSL 174.25, 0.48%, 0.7%

LAB 81.24, -24.2, -3.78

 

CMYK 20 / 34 / 0 / 16

HEX #AB8ED7

RGB 171 142 215

HSL 263.84, 0.48%, 0.7%

LAB 64.09, 25.49, -33.37

 

Description

Color code: RGBA 215 142 149 0.75 | qconv.com Color code: RGBA 215 142 149 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 142 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 142 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 23 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 23% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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