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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 215 108 158 0.75 it is the complementary color RGBA 40 147 97 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 215 108 158 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 215 108 158 0.75 shade: RGBA 220 108 153 0.75, RGBA 237 126 172 0.75, RGBA 254 144 191 0.75, RGBA 255 162 210 0.75 and RGBA 255 180 229 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 215 108 158 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 215 108 158 0.75 shade: RGBA 215 108 158 0.75, RGBA 198 90 139 0.75, RGBA 181 72 120 0.75, RGBA 164 54 101 0.75 and RGBA 147 36 82 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 215 108 158 0.75 shade: RGB 214 107 157, RGB 214 107 128 and RGB 214 107 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 215 108 158 0.75 shade: RGB 214 107 157, RGB 214 107 186, RGB 214 107 214, RGB 185 107 214 and RGB 156 107 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 215 108 158 0.75 shade matches the following richer shades: RGB 214 107 157, RGB 230 92 156 and RGB 245 76 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 215 108 158 0.75 shade: RGB 214 107 157, RGB 199 122 158, RGB 184 137 159, RGB 169 153 160 and RGB 153 168 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 215 108 158 0.75 shade: RGB 213 107 214, RGB 214 107 188, RGB 214 107 159, RGB 214 107 130 and RGB 214 112 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 215 108 158 0.75 shade: RGB 187 51 115, RGB 206 74 136, RGB 214 107 157, RGB 223 139 179 and RGB 232 172 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 215 108 158 0.75 shade: RGB 215 108 158, RGB 214 184 107 and RGB 107 202 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 215 108 158 0.75 shade: RGB 215 108 158, RGB 159 214 107 and RGB 107 159 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 215 108 158 0.75 shade: RGB 215 108 158, RGB 214 184 107, RGB 107 214 162 and RGB 107 137 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 215 108 158 0.75 shade: RGB 215 108 158, RGB 213 214 107, RGB 107 214 162 and RGB 109 107 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 20 / 12

HEX #D76C9EBF

RGBA 215 108 158 0.75

HSLA 331.96, 0.57%, 0.63%, 0.75

LABA 59.56, 47.61, -7.5, 0.75

 

Complementary color

CMYK 55 / 0 / 26 / 32

HEX #289361BF

RGBA 40 147 97 0.75

HSLA 151.96, 0.57%, 0.37%, 0.75

LABA 54.22, -42.01, 18.05, 0.75

 

CMYK 0 / 38 / 23 / 10

HEX #DC6C99BF

RGBA 220 108 153 0.75

HSLA 335.89, 0.62%, 0.64%, 0.75

LABA 60.11, 48.6, -3.73, 0.75

 

CMYK 0 / 35 / 21 / 5

HEX #ED7EACBF

RGBA 237 126 172 0.75

HSLA 335.14, 0.76%, 0.71%, 0.75

LABA 66.45, 47.8, -4.96, 0.75

 

CMYK 0 / 32 / 19 / 0

HEX #FE90BFBF

RGBA 254 144 191 0.75

HSLA 334.36, 0.98%, 0.78%, 0.75

LABA 72.75, 46.99, -6.04, 0.75

 

CMYK 0 / 27 / 13 / 0

HEX #FFA2D2BF

RGBA 255 162 210 0.75

HSLA 329.03, 1%, 0.82%, 0.75

LABA 77.13, 40.86, -9.95, 0.75

 

CMYK 0 / 22 / 8 / 0

HEX #FFB4E5BF

RGBA 255 180 229 0.75

HSLA 320.8, 1%, 0.85%, 0.75

LABA 81.6, 34.49, -13.58, 0.75

 

CMYK 0 / 37 / 20 / 12

HEX #D76C9EBF

RGBA 215 108 158 0.75

HSLA 331.96, 0.57%, 0.63%, 0.75

LABA 59.56, 47.61, -7.5, 0.75

 

CMYK 0 / 41 / 22 / 17

HEX #C65A8BBF

RGBA 198 90 139 0.75

HSLA 332.78, 0.49%, 0.56%, 0.75

LABA 53.15, 48.35, -6.19, 0.75

 

CMYK 0 / 45 / 25 / 22

HEX #B54878BF

RGBA 181 72 120 0.75

HSLA 333.58, 0.43%, 0.5%, 0.75

LABA 46.73, 48.96, -4.61, 0.75

 

CMYK 0 / 50 / 29 / 27

HEX #A43665BF

RGBA 164 54 101 0.75

HSLA 334.36, 0.5%, 0.43%, 0.75

LABA 40.36, 49.3, -2.62, 0.75

 

CMYK 0 / 57 / 33 / 32

HEX #932452BF

RGBA 147 36 82 0.75

HSLA 335.14, 0.61%, 0.36%, 0.75

LABA 34.14, 49.12, -0.01, 0.75

 

CMYK 0 / 50 / 27 / 16

HEX #D66B9D

RGB 214 107 157

HSL 331.96, 0.57%, 0.63%

LAB 59.2, 47.64, -7.47

 

CMYK 0 / 50 / 40 / 16

HEX #D66B80

RGB 214 107 128

HSL 348.22, 0.57%, 0.63%

LAB 58.39, 44.07, 8.17

 

CMYK 0 / 50 / 50 / 16

HEX #D66B6B

RGB 214 107 107

HSL 0, 0.57%, 0.63%

LAB 57.92, 41.96, 19.69

 

CMYK 0 / 50 / 27 / 16

HEX #D66B9D

RGB 214 107 157

HSL 331.96, 0.57%, 0.63%

LAB 59.2, 47.64, -7.47

 

CMYK 0 / 50 / 13 / 16

HEX #D66BBA

RGB 214 107 186

HSL 315.7, 0.57%, 0.63%

LAB 60.21, 51.9, -22.62

 

CMYK 0 / 50 / 0 / 16

HEX #D66BD6

RGB 214 107 214

HSL 300, 0.57%, 0.63%

LAB 61.37, 56.59, -36.69

 

CMYK 14 / 50 / 0 / 16

HEX #B96BD6

RGB 185 107 214

HSL 283.74, 0.57%, 0.63%

LAB 57.74, 48.57, -42.64

 

CMYK 27 / 50 / 0 / 16

HEX #9C6BD6

RGB 156 107 214

HSL 267.48, 0.57%, 0.63%

LAB 54.49, 40.73, -47.99

 

CMYK 0 / 50 / 27 / 16

HEX #D66B9D

RGB 214 107 157

HSL 331.96, 0.57%, 0.63%

LAB 59.2, 47.64, -7.47

 

CMYK 0 / 60 / 32 / 10

HEX #E65C9C

RGB 230 92 156

HSL 332.17, 0.73%, 0.63%

LAB 58.86, 59.55, -7.15

 

CMYK 0 / 69 / 37 / 4

HEX #F54C9B

RGB 245 76 155

HSL 331.95, 0.89%, 0.63%

LAB 58.93, 70.05, -6.21

 

CMYK 0 / 50 / 27 / 16

HEX #D66B9D

RGB 214 107 157

HSL 331.96, 0.57%, 0.63%

LAB 59.2, 47.64, -7.47

 

CMYK 0 / 39 / 21 / 22

HEX #C77A9E

RGB 199 122 158

HSL 331.95, 0.41%, 0.63%

LAB 60.36, 34.88, -6.53

 

CMYK 0 / 26 / 14 / 28

HEX #B8899F

RGB 184 137 159

HSL 331.91, 0.25%, 0.63%

LAB 62.16, 21.41, -4.64

 

CMYK 0 / 9 / 5 / 34

HEX #A999A0

RGB 169 153 160

HSL 333.75, 0.09%, 0.63%

LAB 64.77, 7.14, -1.53

 

CMYK 9 / 0 / 4 / 34

HEX #99A8A1

RGB 153 168 161

HSL 152, 0.08%, 0.63%

LAB 67.54, -6.64, 1.81

 

CMYK 0 / 50 / 0 / 16

HEX #D56BD6

RGB 213 107 214

HSL 299.44, 0.57%, 0.63%

LAB 61.23, 56.31, -36.91

 

CMYK 0 / 50 / 12 / 16

HEX #D66BBC

RGB 214 107 188

HSL 314.58, 0.57%, 0.63%

LAB 60.29, 52.22, -23.64

 

CMYK 0 / 50 / 26 / 16

HEX #D66B9F

RGB 214 107 159

HSL 330.84, 0.57%, 0.63%

LAB 59.26, 47.91, -8.54

 

CMYK 0 / 50 / 39 / 16

HEX #D66B82

RGB 214 107 130

HSL 347.1, 0.57%, 0.63%

LAB 58.44, 44.3, 7.08

 

CMYK 0 / 48 / 50 / 16

HEX #D6706B

RGB 214 112 107

HSL 2.8, 0.57%, 0.63%

LAB 58.92, 39.41, 21.06

 

CMYK 0 / 73 / 39 / 27

HEX #BB3373

RGB 187 51 115

HSL 331.76, 0.57%, 0.47%

LAB 44.48, 58.71, -4.78

 

CMYK 0 / 64 / 34 / 19

HEX #CE4A88

RGB 206 74 136

HSL 331.82, 0.57%, 0.55%

LAB 51.61, 57.68, -6.57

 

CMYK 0 / 50 / 27 / 16

HEX #D66B9D

RGB 214 107 157

HSL 331.96, 0.57%, 0.63%

LAB 59.2, 47.64, -7.47

 

CMYK 0 / 38 / 20 / 13

HEX #DF8BB3

RGB 223 139 179

HSL 331.43, 0.57%, 0.71%

LAB 67.58, 37.35, -7.42

 

CMYK 0 / 26 / 14 / 9

HEX #E8ACC8

RGB 232 172 200

HSL 332, 0.57%, 0.79%

LAB 76.58, 26.17, -5.6

 

CMYK 0 / 50 / 27 / 16

HEX #D76C9E

RGB 215 108 158

HSL 331.96, 0.57%, 0.63%

LAB 59.56, 47.61, -7.5

 

CMYK 0 / 14 / 50 / 16

HEX #D6B86B

RGB 214 184 107

HSL 43.18, 0.57%, 0.63%

LAB 75.85, 0.96, 42.83

 

CMYK 50 / 6 / 0 / 16

HEX #6BCAD6

RGB 107 202 214

HSL 186.73, 0.57%, 0.63%

LAB 76.21, -24.87, -14.65

 

CMYK 0 / 50 / 27 / 16

HEX #D76C9E

RGB 215 108 158

HSL 331.96, 0.57%, 0.63%

LAB 59.56, 47.61, -7.5

 

CMYK 26 / 0 / 50 / 16

HEX #9FD66B

RGB 159 214 107

HSL 90.84, 0.57%, 0.63%

LAB 79.91, -35.63, 46.84

 

CMYK 50 / 26 / 0 / 16

HEX #6B9FD6

RGB 107 159 214

HSL 210.84, 0.57%, 0.63%

LAB 63.98, -2.06, -33.34

 

CMYK 0 / 50 / 27 / 16

HEX #D76C9E

RGB 215 108 158

HSL 331.96, 0.57%, 0.63%

LAB 59.56, 47.61, -7.5

 

CMYK 0 / 14 / 50 / 16

HEX #D6B86B

RGB 214 184 107

HSL 43.18, 0.57%, 0.63%

LAB 75.85, 0.96, 42.83

 

CMYK 50 / 0 / 24 / 16

HEX #6BD6A2

RGB 107 214 162

HSL 150.84, 0.57%, 0.63%

LAB 78.36, -42.86, 16.37

 

CMYK 50 / 36 / 0 / 16

HEX #6B89D6

RGB 107 137 214

HSL 223.18, 0.57%, 0.63%

LAB 57.92, 10.68, -42.82

 

CMYK 0 / 50 / 27 / 16

HEX #D76C9E

RGB 215 108 158

HSL 331.96, 0.57%, 0.63%

LAB 59.56, 47.61, -7.5

 

CMYK 0 / 0 / 50 / 16

HEX #D5D66B

RGB 213 214 107

HSL 60.56, 0.57%, 0.63%

LAB 83.6, -14.84, 52.14

 

CMYK 50 / 0 / 24 / 16

HEX #6BD6A2

RGB 107 214 162

HSL 150.84, 0.57%, 0.63%

LAB 78.36, -42.86, 16.37

 

CMYK 49 / 50 / 0 / 16

HEX #6D6BD6

RGB 109 107 214

HSL 241.12, 0.57%, 0.63%

LAB 50.24, 29.19, -55.02

 

Description

Color code: RGBA 215 108 158 0.75 | qconv.com Color code: RGBA 215 108 158 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 108 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 108 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 20 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 20% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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