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Color name
RGBA 213 149 42 0.75

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 213 149 42 0.75 it is the complementary color RGBA 42 106 213 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 213 149 42 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 213 149 42 0.75 shade: RGBA 218 149 37 0.75, RGBA 235 167 56 0.75, RGBA 252 185 75 0.75, RGBA 255 203 94 0.75 and RGBA 255 221 113 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 213 149 42 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 213 149 42 0.75 shade: RGBA 213 149 42 0.75, RGBA 196 131 23 0.75, RGBA 179 113 4 0.75, RGBA 162 95 0 0.75 and RGBA 145 77 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 213 149 42 0.75 shade: RGB 213 149 42, RGB 213 103 42, RGB 213 57 42 and RGB 213 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 213 149 42 0.75 shade: RGB 213 149 42, RGB 213 195 42, RGB 185 213 42, RGB 139 213 42 and RGB 93 213 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 213 149 42 0.75 shade matches the following richer shades: RGB 213 149 42, RGB 234 154 21 and RGB 254 159 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 213 149 42 0.75 shade: RGB 213 149 42, RGB 192 144 63, RGB 172 139 83, RGB 151 133 104 and RGB 130 128 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 213 149 42 0.75 shade: RGB 213 56 42, RGB 213 102 42, RGB 213 147 42, RGB 213 193 42 and RGB 187 213 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 213 149 42 0.75 shade: RGB 144 101 28, RGB 178 125 35, RGB 213 149 42, RGB 220 166 77 and RGB 227 183 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 213 149 42 0.75 shade: RGB 213 149 42, RGB 73 213 42 and RGB 79 42 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 213 149 42 0.75 shade: RGB 213 149 42, RGB 42 213 147 and RGB 147 42 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 213 149 42 0.75 shade: RGB 213 149 42, RGB 73 213 42, RGB 42 108 213 and RGB 182 42 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 213 149 42 0.75 shade: RGB 213 149 42, RGB 42 213 62, RGB 42 108 213 and RGB 213 42 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 60 / 12

HEX #D5952ABF

RGBA 213 149 42 0.75

HSLA 37.54, 0.67%, 0.5%, 0.75

LABA 66.37, 15.23, 61.65, 0.75

 

Complementary color

CMYK 60 / 38 / 0 / 12

HEX #2A6AD5BF

RGBA 42 106 213 0.75

HSLA 217.54, 0.67%, 0.5%, 0.75

LABA 46.45, 18.58, -60.73, 0.75

 

CMYK 0 / 24 / 62 / 11

HEX #DA9525BF

RGBA 218 149 37 0.75

HSLA 37.13, 0.71%, 0.5%, 0.75

LABA 66.93, 17.24, 64.04, 0.75

 

CMYK 0 / 22 / 57 / 6

HEX #EBA738BF

RGBA 235 167 56 0.75

HSLA 37.21, 0.82%, 0.57%, 0.75

LABA 73.28, 15.55, 63.78, 0.75

 

CMYK 0 / 20 / 53 / 1

HEX #FCB94BBF

RGBA 252 185 75 0.75

HSLA 37.29, 0.97%, 0.64%, 0.75

LABA 79.56, 14.07, 62.98, 0.75

 

CMYK 0 / 15 / 47 / 0

HEX #FFCB5EBF

RGBA 255 203 94 0.75

HSLA 40.62, 1%, 0.68%, 0.75

LABA 84.37, 7.02, 59.96, 0.75

 

CMYK 0 / 10 / 42 / 0

HEX #FFDD71BF

RGBA 255 221 113 0.75

HSLA 45.63, 1%, 0.72%, 0.75

LABA 89, -0.89, 56.57, 0.75

 

CMYK 0 / 23 / 60 / 12

HEX #D5952ABF

RGBA 213 149 42 0.75

HSLA 37.54, 0.67%, 0.5%, 0.75

LABA 66.37, 15.23, 61.65, 0.75

 

CMYK 0 / 25 / 66 / 17

HEX #C48317BF

RGBA 196 131 23 0.75

HSLA 37.46, 0.79%, 0.43%, 0.75

LABA 59.92, 17.08, 61.31, 0.75

 

CMYK 0 / 28 / 73 / 22

HEX #B37104BF

RGBA 179 113 4 0.75

HSLA 37.37, 0.96%, 0.36%, 0.75

LABA 53.39, 19.2, 59.54, 0.75

 

CMYK 0 / 31 / 75 / 27

HEX #A25F00BF

RGBA 162 95 0 0.75

HSLA 35.19, 1%, 0.32%, 0.75

LABA 46.8, 21.63, 54.97, 0.75

 

CMYK 0 / 35 / 75 / 32

HEX #914D00BF

RGBA 145 77 0 0.75

HSLA 31.86, 1%, 0.28%, 0.75

LABA 40.13, 24.2, 49.57, 0.75

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 0 / 52 / 80 / 16

HEX #D5672A

RGB 213 103 42

HSL 21.4, 0.67%, 0.5%

LAB 56.1, 39.6, 52.21

 

CMYK 0 / 73 / 80 / 16

HEX #D5392A

RGB 213 57 42

HSL 5.26, 0.67%, 0.5%

LAB 48.56, 59.57, 44.98

 

CMYK 0 / 80 / 80 / 16

HEX #D52A2A

RGB 213 42 42

HSL 0, 0.67%, 0.5%

LAB 46.93, 64.12, 43.37

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 0 / 8 / 80 / 16

HEX #D5C32A

RGB 213 195 42

HSL 53.68, 0.67%, 0.5%

LAB 78.08, -9.07, 72

 

CMYK 13 / 0 / 80 / 16

HEX #B9D52A

RGB 185 213 42

HSL 69.82, 0.67%, 0.5%

LAB 80.78, -29.71, 73.52

 

CMYK 35 / 0 / 80 / 16

HEX #8BD52A

RGB 139 213 42

HSL 85.96, 0.67%, 0.5%

LAB 78.02, -47.35, 70.01

 

CMYK 56 / 0 / 80 / 16

HEX #5DD52A

RGB 93 213 42

HSL 102.11, 0.67%, 0.5%

LAB 76.12, -61.52, 67.57

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 0 / 34 / 91 / 8

HEX #EA9A15

RGB 234 154 21

HSL 37.46, 0.84%, 0.5%

LAB 69.94, 21.08, 71.42

 

CMYK 0 / 37 / 100 / 0

HEX #FE9F01

RGB 254 159 1

HSL 37.47, 0.99%, 0.5%

LAB 73.46, 26.65, 77.82

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 0 / 25 / 67 / 25

HEX #C0903F

RGB 192 144 63

HSL 37.67, 0.51%, 0.5%

LAB 62.94, 9.78, 48.76

 

CMYK 0 / 19 / 52 / 33

HEX #AC8B53

RGB 172 139 83

HSL 37.75, 0.35%, 0.5%

LAB 59.76, 5.37, 34.48

 

CMYK 0 / 12 / 31 / 41

HEX #978568

RGB 151 133 104

HSL 37.02, 0.18%, 0.5%

LAB 56.44, 2.24, 18.16

 

CMYK 0 / 2 / 4 / 49

HEX #82807D

RGB 130 128 125

HSL 36, 0.02%, 0.5%

LAB 53.67, 0.17, 1.88

 

CMYK 0 / 74 / 80 / 16

HEX #D5382A

RGB 213 56 42

HSL 4.91, 0.67%, 0.5%

LAB 48.44, 59.91, 44.86

 

CMYK 0 / 52 / 80 / 16

HEX #D5662A

RGB 213 102 42

HSL 21.05, 0.67%, 0.5%

LAB 55.9, 40.1, 52.02

 

CMYK 0 / 31 / 80 / 16

HEX #D5932A

RGB 213 147 42

HSL 36.84, 0.67%, 0.5%

LAB 65.89, 16.31, 61.21

 

CMYK 0 / 9 / 80 / 16

HEX #D5C12A

RGB 213 193 42

HSL 52.98, 0.67%, 0.5%

LAB 77.55, -8.05, 71.54

 

CMYK 12 / 0 / 80 / 16

HEX #BBD52A

RGB 187 213 42

HSL 69.12, 0.67%, 0.5%

LAB 80.92, -28.9, 73.69

 

CMYK 0 / 30 / 81 / 44

HEX #90651C

RGB 144 101 28

HSL 37.76, 0.67%, 0.34%

LAB 46.07, 10.62, 45.34

 

CMYK 0 / 30 / 80 / 30

HEX #B27D23

RGB 178 125 35

HSL 37.76, 0.67%, 0.42%

LAB 56.34, 12.75, 53.58

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 0 / 25 / 65 / 14

HEX #DCA64D

RGB 220 166 77

HSL 37.34, 0.67%, 0.58%

LAB 71.57, 10.76, 52.55

 

CMYK 0 / 19 / 51 / 11

HEX #E3B76F

RGB 227 183 111

HSL 37.24, 0.67%, 0.66%

LAB 76.89, 7.2, 42.37

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 66 / 0 / 80 / 16

HEX #49D52A

RGB 73 213 42

HSL 109.12, 0.67%, 0.5%

LAB 75.56, -66.13, 66.85

 

CMYK 63 / 80 / 0 / 16

HEX #4F2AD5

RGB 79 42 213

HSL 252.98, 0.67%, 0.5%

LAB 34.24, 59.9, -80.63

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 80 / 0 / 31 / 16

HEX #2AD593

RGB 42 213 147

HSL 156.84, 0.67%, 0.5%

LAB 76.18, -56.85, 21.02

 

CMYK 31 / 80 / 0 / 16

HEX #932AD5

RGB 147 42 213

HSL 276.84, 0.67%, 0.5%

LAB 42.25, 68.72, -67.17

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 66 / 0 / 80 / 16

HEX #49D52A

RGB 73 213 42

HSL 109.12, 0.67%, 0.5%

LAB 75.56, -66.13, 66.85

 

CMYK 80 / 49 / 0 / 16

HEX #2A6CD5

RGB 42 108 213

HSL 216.84, 0.67%, 0.5%

LAB 47, 17.3, -59.84

 

CMYK 15 / 80 / 0 / 16

HEX #B62AD5

RGB 182 42 213

HSL 289.12, 0.67%, 0.5%

LAB 47.5, 74.59, -58.42

 

CMYK 0 / 30 / 80 / 16

HEX #D5952A

RGB 213 149 42

HSL 37.54, 0.67%, 0.5%

LAB 66.37, 15.23, 61.65

 

CMYK 80 / 0 / 71 / 16

HEX #2AD53E

RGB 42 213 62

HSL 127.02, 0.67%, 0.5%

LAB 75.09, -69.67, 59.71

 

CMYK 80 / 49 / 0 / 16

HEX #2A6CD5

RGB 42 108 213

HSL 216.84, 0.67%, 0.5%

LAB 47, 17.3, -59.84

 

CMYK 0 / 80 / 9 / 16

HEX #D52AC1

RGB 213 42 193

HSL 307.02, 0.67%, 0.5%

LAB 51.44, 77.3, -40.3

 

Description

Color code: RGBA 213 149 42 0.75 | qconv.com Color code: RGBA 213 149 42 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 149 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 149 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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