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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 213 149 192 0.75 it is the complementary color RGBA 42 106 63 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 213 149 192 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 213 149 192 0.75 shade: RGBA 218 149 187 0.75, RGBA 235 167 206 0.75, RGBA 252 185 225 0.75, RGBA 255 203 244 0.75 and RGBA 255 221 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 213 149 192 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 213 149 192 0.75 shade: RGBA 213 149 192 0.75, RGBA 196 131 173 0.75, RGBA 179 113 154 0.75, RGBA 162 95 135 0.75 and RGBA 145 77 116 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 213 149 192 0.75 shade: RGB 213 149 192, RGB 213 149 175, RGB 213 149 158 and RGB 213 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 213 149 192 0.75 shade: RGB 213 149 192, RGB 213 149 209, RGB 199 149 213, RGB 182 149 213 and RGB 165 149 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 213 149 192 0.75 shade matches the following richer shades: RGB 213 149 192, RGB 225 137 196, RGB 237 125 200 and RGB 249 113 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 213 149 192 0.75 shade: RGB 213 149 192, RGB 201 161 188, RGB 189 173 184, RGB 177 185 180 and RGB 165 197 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 213 149 192 0.75 shade: RGB 199 149 213, RGB 213 149 210, RGB 213 149 193, RGB 213 149 176 and RGB 213 149 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 213 149 192 0.75 shade: RGB 189 90 157, RGB 201 120 174, RGB 213 149 192, RGB 225 179 210 and RGB 236 208 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 213 149 192 0.75 shade: RGB 213 149 192, RGB 213 182 149 and RGB 149 213 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 213 149 192 0.75 shade: RGB 213 149 192, RGB 193 213 149 and RGB 149 193 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 213 149 192 0.75 shade: RGB 213 149 192, RGB 213 182 149, RGB 149 213 169 and RGB 149 180 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 213 149 192 0.75 shade: RGB 213 149 192, RGB 213 201 149, RGB 149 213 169 and RGB 149 161 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 7 / 12

HEX #D595C0BF

RGBA 213 149 192 0.75

HSLA 319.69, 0.43%, 0.71%, 0.75

LABA 69.07, 30.65, -12.57, 0.75

 

Complementary color

CMYK 45 / 0 / 30 / 44

HEX #2A6A3FBF

RGBA 42 106 63 0.75

HSLA 139.69, 0.43%, 0.29%, 0.75

LABA 39.85, -31.08, 18.17, 0.75

 

CMYK 0 / 24 / 11 / 11

HEX #DA95BBBF

RGBA 218 149 187 0.75

HSLA 326.96, 0.48%, 0.72%, 0.75

LABA 69.46, 31.54, -9.15, 0.75

 

CMYK 0 / 22 / 9 / 6

HEX #EBA7CEBF

RGBA 235 167 206 0.75

HSLA 325.59, 0.63%, 0.79%, 0.75

LABA 75.92, 30.85, -9.81, 0.75

 

CMYK 0 / 20 / 8 / 1

HEX #FCB9E1BF

RGBA 252 185 225 0.75

HSLA 324.18, 0.92%, 0.86%, 0.75

LABA 82.29, 30.2, -10.43, 0.75

 

CMYK 0 / 15 / 3 / 0

HEX #FFCBF4BF

RGBA 255 203 244 0.75

HSLA 312.69, 1%, 0.9%, 0.75

LABA 87.24, 24.95, -13.13, 0.75

 

CMYK 0 / 10 / 0 / 0

HEX #FFDDFFBF

RGBA 255 221 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.77, 17.47, -12.16, 0.75

 

CMYK 0 / 23 / 7 / 12

HEX #D595C0BF

RGBA 213 149 192 0.75

HSLA 319.69, 0.43%, 0.71%, 0.75

LABA 69.07, 30.65, -12.57, 0.75

 

CMYK 0 / 25 / 9 / 17

HEX #C483ADBF

RGBA 196 131 173 0.75

HSLA 321.23, 0.36%, 0.64%, 0.75

LABA 62.5, 31.37, -11.95, 0.75

 

CMYK 0 / 28 / 10 / 22

HEX #B3719ABF

RGBA 179 113 154 0.75

HSLA 322.73, 0.3%, 0.57%, 0.75

LABA 55.81, 32.13, -11.27, 0.75

 

CMYK 0 / 31 / 13 / 27

HEX #A25F87BF

RGBA 162 95 135 0.75

HSLA 324.18, 0.26%, 0.5%, 0.75

LABA 49.03, 32.94, -10.5, 0.75

 

CMYK 0 / 35 / 15 / 32

HEX #914D74BF

RGBA 145 77 116 0.75

HSLA 325.59, 0.31%, 0.44%, 0.75

LABA 42.14, 33.77, -9.59, 0.75

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 30 / 18 / 16

HEX #D595AF

RGB 213 149 175

HSL 335.63, 0.43%, 0.71%

LAB 68.56, 27.87, -3.86

 

CMYK 0 / 30 / 26 / 16

HEX #D5959E

RGB 213 149 158

HSL 351.56, 0.43%, 0.71%

LAB 68.1, 25.33, 4.98

 

CMYK 0 / 30 / 30 / 16

HEX #D59595

RGB 213 149 149

HSL 0, 0.43%, 0.71%

LAB 67.88, 24.1, 9.69

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 30 / 2 / 16

HEX #D595D1

RGB 213 149 209

HSL 303.75, 0.43%, 0.71%

LAB 69.64, 33.66, -21.15

 

CMYK 7 / 30 / 0 / 16

HEX #C795D5

RGB 199 149 213

HSL 286.88, 0.43%, 0.71%

LAB 68.34, 29.89, -25.47

 

CMYK 15 / 30 / 0 / 16

HEX #B695D5

RGB 182 149 213

HSL 270.94, 0.43%, 0.71%

LAB 66.71, 24.49, -28.13

 

CMYK 23 / 30 / 0 / 16

HEX #A595D5

RGB 165 149 213

HSL 255, 0.43%, 0.71%

LAB 65.2, 19.23, -30.58

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 39 / 13 / 12

HEX #E189C4

RGB 225 137 196

HSL 319.77, 0.59%, 0.71%

LAB 67.94, 41.73, -16.38

 

CMYK 0 / 47 / 16 / 7

HEX #ED7DC8

RGB 237 125 200

HSL 319.82, 0.76%, 0.71%

LAB 67.16, 52.28, -19.66

 

CMYK 0 / 55 / 18 / 2

HEX #F971CC

RGB 249 113 204

HSL 319.85, 0.92%, 0.71%

LAB 66.76, 62.14, -22.36

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 20 / 6 / 21

HEX #C9A1BC

RGB 201 161 188

HSL 319.5, 0.27%, 0.71%

LAB 70.55, 19.24, -8.27

 

CMYK 0 / 8 / 3 / 26

HEX #BDADB8

RGB 189 173 184

HSL 318.75, 0.11%, 0.71%

LAB 72.34, 7.71, -3.54

 

CMYK 4 / 0 / 3 / 27

HEX #B1B9B4

RGB 177 185 180

HSL 142.5, 0.05%, 0.71%

LAB 74.41, -3.72, 1.56

 

CMYK 16 / 0 / 11 / 23

HEX #A5C5B0

RGB 165 197 176

HSL 140.63, 0.22%, 0.71%

LAB 76.72, -14.87, 6.96

 

CMYK 7 / 30 / 0 / 16

HEX #C795D5

RGB 199 149 213

HSL 286.88, 0.43%, 0.71%

LAB 68.34, 29.89, -25.47

 

CMYK 0 / 30 / 1 / 16

HEX #D595D2

RGB 213 149 210

HSL 302.81, 0.43%, 0.71%

LAB 69.68, 33.84, -21.65

 

CMYK 0 / 30 / 9 / 16

HEX #D595C1

RGB 213 149 193

HSL 318.75, 0.43%, 0.71%

LAB 69.11, 30.82, -13.08

 

CMYK 0 / 30 / 17 / 16

HEX #D595B0

RGB 213 149 176

HSL 334.69, 0.43%, 0.71%

LAB 68.59, 28.03, -4.37

 

CMYK 0 / 30 / 25 / 16

HEX #D5959F

RGB 213 149 159

HSL 350.63, 0.43%, 0.71%

LAB 68.13, 25.48, 4.46

 

CMYK 0 / 52 / 17 / 26

HEX #BD5A9D

RGB 189 90 157

HSL 319.39, 0.43%, 0.55%

LAB 52.47, 48.03, -17.96

 

CMYK 0 / 40 / 13 / 21

HEX #C978AE

RGB 201 120 174

HSL 320, 0.43%, 0.63%

LAB 60.7, 39.17, -15.17

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 20 / 7 / 12

HEX #E1B3D2

RGB 225 179 210

HSL 319.57, 0.43%, 0.79%

LAB 77.82, 21.67, -9.27

 

CMYK 0 / 12 / 4 / 7

HEX #ECD0E3

RGB 236 208 227

HSL 319.29, 0.42%, 0.87%

LAB 86.25, 12.96, -5.78

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 15 / 30 / 16

HEX #D5B695

RGB 213 182 149

HSL 30.94, 0.43%, 0.71%

LAB 75.93, 6.28, 20.94

 

CMYK 30 / 0 / 2 / 16

HEX #95D5D0

RGB 149 213 208

HSL 175.31, 0.43%, 0.71%

LAB 81.03, -21.26, -4.04

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 9 / 0 / 30 / 16

HEX #C1D595

RGB 193 213 149

HSL 78.75, 0.43%, 0.71%

LAB 82.43, -17.41, 29.48

 

CMYK 30 / 9 / 0 / 16

HEX #95C1D5

RGB 149 193 213

HSL 198.75, 0.43%, 0.71%

LAB 75.66, -9.84, -14.73

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 15 / 30 / 16

HEX #D5B695

RGB 213 182 149

HSL 30.94, 0.43%, 0.71%

LAB 75.93, 6.28, 20.94

 

CMYK 30 / 0 / 21 / 16

HEX #95D5A9

RGB 149 213 169

HSL 138.75, 0.43%, 0.71%

LAB 80.09, -29.31, 15.36

 

CMYK 30 / 15 / 0 / 16

HEX #95B4D5

RGB 149 180 213

HSL 210.94, 0.43%, 0.71%

LAB 72.12, -2.88, -20.08

 

CMYK 0 / 30 / 10 / 16

HEX #D595C0

RGB 213 149 192

HSL 319.69, 0.43%, 0.71%

LAB 69.07, 30.65, -12.57

 

CMYK 0 / 6 / 30 / 16

HEX #D5C995

RGB 213 201 149

HSL 48.75, 0.43%, 0.71%

LAB 80.79, -3.71, 27.55

 

CMYK 30 / 0 / 21 / 16

HEX #95D5A9

RGB 149 213 169

HSL 138.75, 0.43%, 0.71%

LAB 80.09, -29.31, 15.36

 

CMYK 30 / 24 / 0 / 16

HEX #95A1D5

RGB 149 161 213

HSL 228.75, 0.43%, 0.71%

LAB 67.04, 7.65, -27.85

 

Description

Color code: RGBA 213 149 192 0.75 | qconv.com Color code: RGBA 213 149 192 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 149 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 149 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 7 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 7% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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