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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 213 142 10 0.75 it is the complementary color RGBA 42 113 245 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 213 142 10 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 213 142 10 0.75 shade: RGBA 218 142 5 0.75, RGBA 235 160 24 0.75, RGBA 252 178 43 0.75, RGBA 255 196 62 0.75 and RGBA 255 214 81 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 213 142 10 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 213 142 10 0.75 shade: RGBA 213 142 10 0.75, RGBA 196 124 0 0.75, RGBA 179 106 0 0.75, RGBA 162 88 0 0.75 and RGBA 145 70 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 213 142 10 0.75 shade: RGB 214 143 10, RGB 214 88 10, RGB 214 33 10 and RGB 214 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 213 142 10 0.75 shade: RGB 214 143 10, RGB 214 198 10, RGB 176 214 10, RGB 121 214 10 and RGB 65 214 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 213 142 10 0.75 shade matches the following richer shades: RGB 214 143 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 213 142 10 0.75 shade: RGB 214 143 10, RGB 196 137 28, RGB 178 132 46, RGB 160 127 65 and RGB 142 121 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 213 142 10 0.75 shade: RGB 214 34 10, RGB 214 88 10, RGB 214 143 10, RGB 214 197 10 and RGB 177 214 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 213 142 10 0.75 shade: RGB 135 90 6, RGB 175 117 8, RGB 214 143 10, RGB 244 166 22 and RGB 246 181 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 213 142 10 0.75 shade: RGB 213 142 10, RGB 41 214 10 and RGB 61 10 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 213 142 10 0.75 shade: RGB 213 142 10, RGB 10 214 143 and RGB 143 10 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 213 142 10 0.75 shade: RGB 213 142 10, RGB 41 214 10, RGB 10 82 214 and RGB 184 10 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 213 142 10 0.75 shade: RGB 213 142 10, RGB 10 214 41, RGB 10 82 214 and RGB 214 10 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 71 / 12

HEX #D58E0ABF

RGBA 213 142 10 0.75

HSLA 39.01, 0.91%, 0.44%, 0.75

LABA 64.57, 18.33, 68.29, 0.75

 

Complementary color

CMYK 62 / 40 / 0 / 3

HEX #2A71F5BF

RGBA 42 113 245 0.75

HSLA 219.01, 0.91%, 0.56%, 0.75

LABA 50.56, 26.2, -72.1, 0.75

 

CMYK 0 / 26 / 73 / 11

HEX #DA8E05BF

RGBA 218 142 5 0.75

HSLA 38.59, 0.96%, 0.44%, 0.75

LABA 65.17, 20.44, 69.68, 0.75

 

CMYK 0 / 24 / 67 / 6

HEX #EBA018BF

RGBA 235 160 24 0.75

HSLA 38.67, 0.84%, 0.51%, 0.75

LABA 71.47, 18.37, 72, 0.75

 

CMYK 0 / 22 / 62 / 1

HEX #FCB22BBF

RGBA 252 178 43 0.75

HSLA 38.76, 0.97%, 0.58%, 0.75

LABA 77.7, 16.52, 72.91, 0.75

 

CMYK 0 / 17 / 57 / 0

HEX #FFC43EBF

RGBA 255 196 62 0.75

HSLA 41.66, 1%, 0.62%, 0.75

LABA 82.43, 9.03, 70.99, 0.75

 

CMYK 0 / 12 / 51 / 0

HEX #FFD651BF

RGBA 255 214 81 0.75

HSLA 45.86, 1%, 0.66%, 0.75

LABA 86.97, 0.64, 68.25, 0.75

 

CMYK 0 / 25 / 71 / 12

HEX #D58E0ABF

RGBA 213 142 10 0.75

HSLA 39.01, 0.91%, 0.44%, 0.75

LABA 64.57, 18.33, 68.29, 0.75

 

CMYK 0 / 28 / 75 / 17

HEX #C47C00BF

RGBA 196 124 0 0.75

HSLA 37.96, 1%, 0.38%, 0.75

LABA 58.18, 20.59, 64.5, 0.75

 

CMYK 0 / 31 / 75 / 22

HEX #B36A00BF

RGBA 179 106 0 0.75

HSLA 35.53, 1%, 0.35%, 0.75

LABA 51.71, 23.03, 59.25, 0.75

 

CMYK 0 / 34 / 75 / 27

HEX #A25800BF

RGBA 162 88 0 0.75

HSLA 32.59, 1%, 0.32%, 0.75

LABA 45.17, 25.54, 53.94, 0.75

 

CMYK 0 / 39 / 75 / 32

HEX #914600BF

RGBA 145 70 0 0.75

HSLA 28.97, 1%, 0.28%, 0.75

LABA 38.55, 28.09, 48.62, 0.75

 

CMYK 0 / 33 / 95 / 16

HEX #D68F0A

RGB 214 143 10

HSL 39.12, 0.91%, 0.44%

LAB 64.93, 18.22, 68.59

 

CMYK 0 / 59 / 95 / 16

HEX #D6580A

RGB 214 88 10

HSL 22.94, 0.91%, 0.44%

LAB 53.27, 46.6, 60.76

 

CMYK 0 / 85 / 95 / 16

HEX #D6210A

RGB 214 33 10

HSL 6.76, 0.91%, 0.44%

LAB 46.19, 65.96, 56.57

 

CMYK 0 / 95 / 95 / 16

HEX #D60A0A

RGB 214 10 10

HSL 0, 0.91%, 0.44%

LAB 44.99, 69.38, 55.94

 

CMYK 0 / 33 / 95 / 16

HEX #D68F0A

RGB 214 143 10

HSL 39.12, 0.91%, 0.44%

LAB 64.93, 18.22, 68.59

 

CMYK 0 / 7 / 95 / 16

HEX #D6C60A

RGB 214 198 10

HSL 55.29, 0.91%, 0.44%

LAB 78.87, -10.81, 78.71

 

CMYK 18 / 0 / 95 / 16

HEX #B0D60A

RGB 176 214 10

HSL 71.18, 0.91%, 0.44%

LAB 80.37, -34.55, 78.58

 

CMYK 43 / 0 / 95 / 16

HEX #79D60A

RGB 121 214 10

HSL 87.35, 0.91%, 0.44%

LAB 77.39, -54.75, 74.96

 

CMYK 70 / 0 / 95 / 16

HEX #41D60A

RGB 65 214 10

HSL 103.82, 0.91%, 0.44%

LAB 75.6, -69.08, 72.77

 

CMYK 0 / 33 / 95 / 16

HEX #D68F0A

RGB 214 143 10

HSL 39.12, 0.91%, 0.44%

LAB 64.93, 18.22, 68.59

 

CMYK 0 / 33 / 95 / 16

HEX #D68F0A

RGB 214 143 10

HSL 39.12, 0.91%, 0.44%

LAB 64.93, 18.22, 68.59

 

CMYK 0 / 30 / 86 / 23

HEX #C4891C

RGB 196 137 28

HSL 38.93, 0.75%, 0.44%

LAB 61.4, 13.91, 61.12

 

CMYK 0 / 26 / 74 / 30

HEX #B2842E

RGB 178 132 46

HSL 39.09, 0.59%, 0.44%

LAB 58.19, 9.31, 50.95

 

CMYK 0 / 21 / 59 / 37

HEX #A07F41

RGB 160 127 65

HSL 39.16, 0.42%, 0.44%

LAB 55.11, 5.26, 38.03

 

CMYK 0 / 15 / 42 / 44

HEX #8E7953

RGB 142 121 83

HSL 38.64, 0.26%, 0.44%

LAB 51.89, 2.52, 23.85

 

CMYK 0 / 84 / 95 / 16

HEX #D6220A

RGB 214 34 10

HSL 7.06, 0.91%, 0.44%

LAB 46.26, 65.74, 56.62

 

CMYK 0 / 59 / 95 / 16

HEX #D6580A

RGB 214 88 10

HSL 22.94, 0.91%, 0.44%

LAB 53.27, 46.6, 60.76

 

CMYK 0 / 33 / 95 / 16

HEX #D68F0A

RGB 214 143 10

HSL 39.12, 0.91%, 0.44%

LAB 64.93, 18.22, 68.59

 

CMYK 0 / 8 / 95 / 16

HEX #D6C50A

RGB 214 197 10

HSL 55, 0.91%, 0.44%

LAB 78.61, -10.3, 78.51

 

CMYK 17 / 0 / 95 / 16

HEX #B1D60A

RGB 177 214 10

HSL 70.88, 0.91%, 0.44%

LAB 80.44, -34.14, 78.66

 

CMYK 0 / 33 / 96 / 47

HEX #875A06

RGB 135 90 6

HSL 39.07, 0.91%, 0.28%

LAB 41.96, 12.19, 48.43

 

CMYK 0 / 33 / 95 / 31

HEX #AF7508

RGB 175 117 8

HSL 39.16, 0.91%, 0.36%

LAB 53.87, 15.23, 58.89

 

CMYK 0 / 33 / 95 / 16

HEX #D68F0A

RGB 214 143 10

HSL 39.12, 0.91%, 0.44%

LAB 64.93, 18.22, 68.59

 

CMYK 0 / 32 / 91 / 4

HEX #F4A616

RGB 244 166 22

HSL 38.92, 0.91%, 0.52%

LAB 73.91, 19, 74.69

 

CMYK 0 / 26 / 75 / 4

HEX #F6B53D

RGB 246 181 61

HSL 38.92, 0.91%, 0.6%

LAB 77.86, 13.02, 66.69

 

CMYK 0 / 33 / 95 / 16

HEX #D58E0A

RGB 213 142 10

HSL 39.01, 0.91%, 0.44%

LAB 64.57, 18.33, 68.29

 

CMYK 81 / 0 / 95 / 16

HEX #29D60A

RGB 41 214 10

HSL 110.88, 0.91%, 0.44%

LAB 75.19, -72.65, 72.27

 

CMYK 71 / 95 / 0 / 16

HEX #3D0AD6

RGB 61 10 214

HSL 255, 0.91%, 0.44%

LAB 29.57, 68.69, -89

 

CMYK 0 / 33 / 95 / 16

HEX #D58E0A

RGB 213 142 10

HSL 39.01, 0.91%, 0.44%

LAB 64.57, 18.33, 68.29

 

CMYK 95 / 0 / 33 / 16

HEX #0AD68F

RGB 10 214 143

HSL 159.12, 0.91%, 0.44%

LAB 76.16, -60.11, 23.03

 

CMYK 33 / 95 / 0 / 16

HEX #8F0AD6

RGB 143 10 214

HSL 279.12, 0.91%, 0.44%

LAB 39.43, 75.22, -72.38

 

CMYK 0 / 33 / 95 / 16

HEX #D58E0A

RGB 213 142 10

HSL 39.01, 0.91%, 0.44%

LAB 64.57, 18.33, 68.29

 

CMYK 81 / 0 / 95 / 16

HEX #29D60A

RGB 41 214 10

HSL 110.88, 0.91%, 0.44%

LAB 75.19, -72.65, 72.27

 

CMYK 95 / 62 / 0 / 16

HEX #0A52D6

RGB 10 82 214

HSL 218.82, 0.91%, 0.44%

LAB 39.5, 32.63, -72.64

 

CMYK 14 / 95 / 0 / 16

HEX #B80AD6

RGB 184 10 214

HSL 291.18, 0.91%, 0.44%

LAB 45.99, 80.68, -61.41

 

CMYK 0 / 33 / 95 / 16

HEX #D58E0A

RGB 213 142 10

HSL 39.01, 0.91%, 0.44%

LAB 64.57, 18.33, 68.29

 

CMYK 95 / 0 / 81 / 16

HEX #0AD629

RGB 10 214 41

HSL 129.12, 0.91%, 0.44%

LAB 75.02, -73.83, 66.32

 

CMYK 95 / 62 / 0 / 16

HEX #0A52D6

RGB 10 82 214

HSL 218.82, 0.91%, 0.44%

LAB 39.5, 32.63, -72.64

 

CMYK 0 / 95 / 14 / 16

HEX #D60AB8

RGB 214 10 184

HSL 308.82, 0.91%, 0.44%

LAB 49.46, 81.23, -38.17

 

Description

Color code: RGBA 213 142 10 0.75 | qconv.com Color code: RGBA 213 142 10 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 142 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 142 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 71% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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